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Art History 2009 Class 3 Lecture
The document discusses different artistic styles throughout history and how they reflected beliefs and spirituality. Byzantine architecture used mosaics and stylized symbolism to convey perceived spirituality. Gothic cathedrals featured stained glass windows and flying buttresses and served as encyclopedias of Christian meaning by using their architectural designs to transmit spiritual messages. Different artistic eras reflected the dominant beliefs and societies of their time through their artistic styles and designs.
Ah ch12
Major pilgrimage roads developed in Western Europe, inspiring new architectural forms. Pilgrims flocked to relics of saints housed in elaborate reliquaries. Romanesque churches featured iconic Last Judgment scenes on entryways, depicting heaven, hell, and judgment. Sculpture and tapestries further illustrated biblical narratives, with the Bayeux Tapestry uniquely capturing the Norman invasion of England through woven scenes.
Week6 roman middleages_part2
mediterranean, greek, classical, helenistic, sculpture, ancient, egyptian, art, art appreciation, art history
17 14th Century
Exeter Cathedral is located in Exeter, Devon, England. It is the seat of the Bishop of Exeter and parts of the cathedral date back to the 11th century, including its towers and transepts. However, much of the current Gothic cathedral was built during the 14th century under Bishop Stapledon.
15 Romanesque
The document provides descriptions and images of various architectural features, artworks, and manuscripts from medieval Europe. Some of the topics covered include barrel vaults, groin vaults and half-barrel vaults; the Abbey at Cluny; reliquaries from various locations; Cistercian abbeys; cathedrals in Pisa, Milan, and Speyer; Romanesque churches from France and Italy; Dover Castle; the south portal of the Priory Church of Saint-Pierre in Moissac; sculptures on the cathedrals of Modena and Moissac; illuminated manuscripts including the Liber Scivias, Book of Homilies, Winchester Psalter and an Explanatio In
Bordwell 11e ppt_ch01
The document discusses several key aspects of the filmmaking process. It explains that films are designed to affect viewers and are a collaborative medium created through the combined efforts of filmmakers, technology, and corporations. It also addresses the creative decisions involved in filmmaking, including choices around style and form, and how these decisions can engage viewers. Additionally, it provides an overview of the technological mechanisms that make cinema possible, such as critical flicker fusion and apparent motion, as well as the various production modes, distribution methods, and exhibition formats used in the film industry.
Recommended
Art History 2009 Class 3 Lecture
The document discusses different artistic styles throughout history and how they reflected beliefs and spirituality. Byzantine architecture used mosaics and stylized symbolism to convey perceived spirituality. Gothic cathedrals featured stained glass windows and flying buttresses and served as encyclopedias of Christian meaning by using their architectural designs to transmit spiritual messages. Different artistic eras reflected the dominant beliefs and societies of their time through their artistic styles and designs.
Ah ch12
Major pilgrimage roads developed in Western Europe, inspiring new architectural forms. Pilgrims flocked to relics of saints housed in elaborate reliquaries. Romanesque churches featured iconic Last Judgment scenes on entryways, depicting heaven, hell, and judgment. Sculpture and tapestries further illustrated biblical narratives, with the Bayeux Tapestry uniquely capturing the Norman invasion of England through woven scenes.
Week6 roman middleages_part2
mediterranean, greek, classical, helenistic, sculpture, ancient, egyptian, art, art appreciation, art history
17 14th Century
Exeter Cathedral is located in Exeter, Devon, England. It is the seat of the Bishop of Exeter and parts of the cathedral date back to the 11th century, including its towers and transepts. However, much of the current Gothic cathedral was built during the 14th century under Bishop Stapledon.
15 Romanesque
The document provides descriptions and images of various architectural features, artworks, and manuscripts from medieval Europe. Some of the topics covered include barrel vaults, groin vaults and half-barrel vaults; the Abbey at Cluny; reliquaries from various locations; Cistercian abbeys; cathedrals in Pisa, Milan, and Speyer; Romanesque churches from France and Italy; Dover Castle; the south portal of the Priory Church of Saint-Pierre in Moissac; sculptures on the cathedrals of Modena and Moissac; illuminated manuscripts including the Liber Scivias, Book of Homilies, Winchester Psalter and an Explanatio In
Bordwell 11e ppt_ch01
The document discusses several key aspects of the filmmaking process. It explains that films are designed to affect viewers and are a collaborative medium created through the combined efforts of filmmakers, technology, and corporations. It also addresses the creative decisions involved in filmmaking, including choices around style and form, and how these decisions can engage viewers. Additionally, it provides an overview of the technological mechanisms that make cinema possible, such as critical flicker fusion and apparent motion, as well as the various production modes, distribution methods, and exhibition formats used in the film industry.
Religion and art upload
The document provides an overview of key concepts, terms, and monuments related to five major world religions: Hinduism, Judaism, Buddhism, Christianity, and Islam. It includes brief historical timelines for each religion and highlights of their major beliefs. Examples of important religious art and architecture are discussed, such as Shiva as Nataraja, the House Synagogue at Dura Europos, the Great Stupa at Sanchi, the Pantokrator Christ at St. Catherine's Monastery, and the Dome of the Rock in Jerusalem.
14thcenteuropresentation
The late 14th century in Europe saw immense hardship and instability due to factors like the Black Death plague, famine, and the Hundred Years War. This period known as the "Four Horsemen" devastated the population. However, the arts began to gradually flourish with the rise of the middle class who had more wealth and education. Artworks from this period like Giotto's paintings showed more realistic and natural figures, laying the foundations for developments in realism and humanism that would characterize the Renaissance. This late Gothic period is sometimes called the Proto-Renaissance, as it set the stage for the artistic transformations that would follow.
Pilgrimage and crusades
This document discusses Romanesque art from 1000-1150 CE, focusing on pilgrimage sites and relics. During this period, pilgrimages to holy sites housing important relics became very popular as people sought spiritual fulfillment and salvation. Major pilgrimage churches were built, such as the Cathedral of Santiago de Compostela which contained the relics of St. James and attracted Christian pilgrims along established pilgrimage routes. Reliquaries and sculptures depicted saints and were venerated by pilgrims seeking blessings or miracles. The Crusades also contributed to interest in pilgrimages and relics as part of medieval Christian devotion and worship.
ARTID121 Early Medieval Art
The document summarizes medieval art in Europe after the fall of the Roman Empire, including:
1) "Barbarian" art that fused Celtic, Germanic, and Greco-Roman influences and featured abstract, zoomorphic designs.
2) Hiberno-Saxon art that flourished in Irish and English monasteries, exemplified by intricately illuminated manuscripts like the Book of Kells.
3) Carolingian art under Charlemagne that emulated Roman models and revived book production.
Narrative presentation
This document discusses various methods artists use to tell narratives through images alone. It begins by defining key terms like ut pictura poesis and discussing monumental artworks that employ narrative techniques. It then describes six methods: monoscenic presents one scene; sequential uses ordered scenes; continuous uses repeating figures; synoptic includes multiple scenes; simultaneous uses symbols; and autonomous creates a narrative without text for the audience to interpret. Examples like The Raft of the Medusa demonstrate each technique.
Lecture, Gothic Europe
The document provides an overview of Gothic architecture in Europe between the 12th and 14th centuries. It began in France and spread throughout Western Europe, characterized by soaring heights, pointed arches, rib vaults, flying buttresses, and stained glass windows to illuminate vast interior spaces. Gothic cathedrals featured elaborate sculptures and stained glass depicting stories from the Bible and lives of saints, focusing especially on the Virgin Mary. The style varied regionally as it disseminated, becoming highly ornamented in France with increasing naturalism, emphasizing civic pride and classical influence in Italy.
Chapter 16 Gothic
The document summarizes Gothic art of the 12th and 13th centuries in France, England, Germany, and Italy. Key innovations included stained glass windows, flying buttresses, rib vaulting, and pointed arches, which allowed for taller buildings with more light. Abbot Suger at Saint-Denis pioneered these Gothic styles focused on light and height to inspire spirituality. Gothic architecture then spread with regional variations to other countries like ribbed vaults developing further in England and sculpture gaining independence in Germany.
Art History HS Gothic
Gothic architecture originated in northern France in the 12th century and spread across Europe. Some key aspects include ribbed vaulting, pointed arches, flying buttresses, rose windows, and elaborate façades with statues. Famous Gothic cathedrals include Notre Dame and Chartres in France, which feature extensive use of stained glass, and Reims, Amiens, and Salisbury Cathedrals in England. Gothic architecture reached its peak in the high Gothic period of the 13th century and declined thereafter.
Chapter 15 Romanesque
The document provides an overview of Romanesque art between 1050-1200 AD. It discusses the rise of churches during this period due to growing pilgrimages across Europe. Architecturally, Romanesque buildings featured stone vaulting, barrel and groin vaults, arcades, and round arches borrowed from Roman designs. Sculpture of this era focused on religious narratives and relics to educate the largely illiterate populations and attract pilgrims.
Medieval Art
The document discusses the Medieval Period, characterized by feudalism and the power of the Catholic Church. It describes various forms of art from this period like stained glass windows, sculptures, illuminated manuscripts, paintings, and tapestries. These art forms served to teach religion through visual stories and images to those who could not read. The art had distinctive characteristics like religious subjects portrayed with flat, stiff figures in vibrant colors against plain backgrounds.
Gothic Sculpture
The document discusses Gothic sculpture at Chartres Cathedral, focusing on how it evolved towards greater naturalism from the Early Gothic to High Gothic periods. The west portal from 1134 shows the earliest Gothic sculpture, with elongated figures dressed in drapery resembling Greek Archaic statues. Later portals featured more animated figures, like those on the south portal completed last. The increasing naturalism and human qualities reflected new ideas from Chartres University influenced by Aristotle and classical learning, known as Gothic Humanism.
Medieval powerpoint final
This document summarizes early medieval art in Anglo-Saxon England, Hiberno-Saxon Ireland, and Carolingian Europe between the 4th and 10th centuries AD. It features examples of illuminated manuscripts, metalwork, and architecture from this period, including pages from the Book of Kells, Lindisfarne Gospels, and Coronation Gospels as well as the golden buckle from Sutton Hoo and the Palatine Chapel in Aachen. The artistic styles of interlace patterns, animal motifs, and repousse metalwork that characterized the period are also mentioned.
Early Medieval Art 2012
The document provides an overview of early medieval art in Europe following the fall of the Roman Empire. It describes how migrating barbarian tribes brought new artistic traditions characterized by metalworking techniques and abstract, interlacing designs incorporated into Christian manuscripts. Important examples discussed include the illuminated Lindisfarne Gospels and Book of Kells, which fused Celtic knotwork patterns with biblical imagery. The artwork in these manuscripts reflects the merging of native barbarian styles with newly adopted Christianity.
Roman architecture
Roman architecture evolved from Etruscan and Greek influences, developing new techniques like the arch, vault and concrete that allowed for larger structures. Some key examples include the Pont du Gard aqueduct, the Colosseum which could seat 50,000, and the Pantheon's monumental dome. Public architecture and facilities like baths and forums reinforced imperial power and provided entertainment for citizens.
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Religion and art upload
The document provides an overview of key concepts, terms, and monuments related to five major world religions: Hinduism, Judaism, Buddhism, Christianity, and Islam. It includes brief historical timelines for each religion and highlights of their major beliefs. Examples of important religious art and architecture are discussed, such as Shiva as Nataraja, the House Synagogue at Dura Europos, the Great Stupa at Sanchi, the Pantokrator Christ at St. Catherine's Monastery, and the Dome of the Rock in Jerusalem.
14thcenteuropresentation
The late 14th century in Europe saw immense hardship and instability due to factors like the Black Death plague, famine, and the Hundred Years War. This period known as the "Four Horsemen" devastated the population. However, the arts began to gradually flourish with the rise of the middle class who had more wealth and education. Artworks from this period like Giotto's paintings showed more realistic and natural figures, laying the foundations for developments in realism and humanism that would characterize the Renaissance. This late Gothic period is sometimes called the Proto-Renaissance, as it set the stage for the artistic transformations that would follow.
Pilgrimage and crusades
This document discusses Romanesque art from 1000-1150 CE, focusing on pilgrimage sites and relics. During this period, pilgrimages to holy sites housing important relics became very popular as people sought spiritual fulfillment and salvation. Major pilgrimage churches were built, such as the Cathedral of Santiago de Compostela which contained the relics of St. James and attracted Christian pilgrims along established pilgrimage routes. Reliquaries and sculptures depicted saints and were venerated by pilgrims seeking blessings or miracles. The Crusades also contributed to interest in pilgrimages and relics as part of medieval Christian devotion and worship.
ARTID121 Early Medieval Art
The document summarizes medieval art in Europe after the fall of the Roman Empire, including:
1) "Barbarian" art that fused Celtic, Germanic, and Greco-Roman influences and featured abstract, zoomorphic designs.
2) Hiberno-Saxon art that flourished in Irish and English monasteries, exemplified by intricately illuminated manuscripts like the Book of Kells.
3) Carolingian art under Charlemagne that emulated Roman models and revived book production.
Narrative presentation
This document discusses various methods artists use to tell narratives through images alone. It begins by defining key terms like ut pictura poesis and discussing monumental artworks that employ narrative techniques. It then describes six methods: monoscenic presents one scene; sequential uses ordered scenes; continuous uses repeating figures; synoptic includes multiple scenes; simultaneous uses symbols; and autonomous creates a narrative without text for the audience to interpret. Examples like The Raft of the Medusa demonstrate each technique.
Lecture, Gothic Europe
The document provides an overview of Gothic architecture in Europe between the 12th and 14th centuries. It began in France and spread throughout Western Europe, characterized by soaring heights, pointed arches, rib vaults, flying buttresses, and stained glass windows to illuminate vast interior spaces. Gothic cathedrals featured elaborate sculptures and stained glass depicting stories from the Bible and lives of saints, focusing especially on the Virgin Mary. The style varied regionally as it disseminated, becoming highly ornamented in France with increasing naturalism, emphasizing civic pride and classical influence in Italy.
Chapter 16 Gothic
The document summarizes Gothic art of the 12th and 13th centuries in France, England, Germany, and Italy. Key innovations included stained glass windows, flying buttresses, rib vaulting, and pointed arches, which allowed for taller buildings with more light. Abbot Suger at Saint-Denis pioneered these Gothic styles focused on light and height to inspire spirituality. Gothic architecture then spread with regional variations to other countries like ribbed vaults developing further in England and sculpture gaining independence in Germany.
Art History HS Gothic
Gothic architecture originated in northern France in the 12th century and spread across Europe. Some key aspects include ribbed vaulting, pointed arches, flying buttresses, rose windows, and elaborate façades with statues. Famous Gothic cathedrals include Notre Dame and Chartres in France, which feature extensive use of stained glass, and Reims, Amiens, and Salisbury Cathedrals in England. Gothic architecture reached its peak in the high Gothic period of the 13th century and declined thereafter.
Chapter 15 Romanesque
The document provides an overview of Romanesque art between 1050-1200 AD. It discusses the rise of churches during this period due to growing pilgrimages across Europe. Architecturally, Romanesque buildings featured stone vaulting, barrel and groin vaults, arcades, and round arches borrowed from Roman designs. Sculpture of this era focused on religious narratives and relics to educate the largely illiterate populations and attract pilgrims.
Medieval Art
The document discusses the Medieval Period, characterized by feudalism and the power of the Catholic Church. It describes various forms of art from this period like stained glass windows, sculptures, illuminated manuscripts, paintings, and tapestries. These art forms served to teach religion through visual stories and images to those who could not read. The art had distinctive characteristics like religious subjects portrayed with flat, stiff figures in vibrant colors against plain backgrounds.
Gothic Sculpture
The document discusses Gothic sculpture at Chartres Cathedral, focusing on how it evolved towards greater naturalism from the Early Gothic to High Gothic periods. The west portal from 1134 shows the earliest Gothic sculpture, with elongated figures dressed in drapery resembling Greek Archaic statues. Later portals featured more animated figures, like those on the south portal completed last. The increasing naturalism and human qualities reflected new ideas from Chartres University influenced by Aristotle and classical learning, known as Gothic Humanism.
Medieval powerpoint final
This document summarizes early medieval art in Anglo-Saxon England, Hiberno-Saxon Ireland, and Carolingian Europe between the 4th and 10th centuries AD. It features examples of illuminated manuscripts, metalwork, and architecture from this period, including pages from the Book of Kells, Lindisfarne Gospels, and Coronation Gospels as well as the golden buckle from Sutton Hoo and the Palatine Chapel in Aachen. The artistic styles of interlace patterns, animal motifs, and repousse metalwork that characterized the period are also mentioned.
Early Medieval Art 2012
The document provides an overview of early medieval art in Europe following the fall of the Roman Empire. It describes how migrating barbarian tribes brought new artistic traditions characterized by metalworking techniques and abstract, interlacing designs incorporated into Christian manuscripts. Important examples discussed include the illuminated Lindisfarne Gospels and Book of Kells, which fused Celtic knotwork patterns with biblical imagery. The artwork in these manuscripts reflects the merging of native barbarian styles with newly adopted Christianity.
Roman architecture
Roman architecture evolved from Etruscan and Greek influences, developing new techniques like the arch, vault and concrete that allowed for larger structures. Some key examples include the Pont du Gard aqueduct, the Colosseum which could seat 50,000, and the Pantheon's monumental dome. Public architecture and facilities like baths and forums reinforced imperial power and provided entertainment for citizens.
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- 1. St Albans psalterium (Markyate-i Krisztina psalteriuma), 1120-as–30-as évek. Hildesheim, St. Godehard, pp. 68–69.