OF
WILL TO POWER
FRIEDRICH NIETZSCHE
• BIRTH - 15 OCTOBER 1844, GERMANY.
• DEATH - 25 AUGUST 1900.
• IMP WRITINGS - HUMAN ALL TOO HUMAN (1878), GAY SCIENCE (1882), THUS SPOKE
ZARATHUSTRA (1883), THE TWILIGHT OF IDOLS (1889), HE ANTICHRIST (1895).
• ATHEIST. FAMOUS FOR HIS CRITICISMS OF TRADITIONAL EUROPEAN MORAL COMMITMENTS,
TOGETHER WITH THEIR FOUNDATIONS IN CHRISTIANITY.
• NIETZSCHE AIMS AT FREEING HIGHER HUMAN BEINGS FROM THEIR FALSE CONSCIOUSNESS ABOUT
MORALITY.
CHAPTER ONE.
NIETZSCHE AS A
PHILOSOPHER
AIMS OF THE CHAPTER
• TO UNDERSTAND THE PHILOSOPHICAL BACKGROUND OF NIETZSCHE.
• TO UNDERSTAND THE FACTORS AND PERSONS WHO INFLUENCED NIETZSCHE.
• TO UNDERSTAND NIETZSCHE’S GROWTH AS A PHILOSOPHER.
1.1 INFLUENCES.
• 1.1.1. FAMILY INFLUENCE.
• 1.1.2. RELIGIOUS INFLUENCE.
• 1.1.3 PHILOSOPHICAL INFLUENCE.
• 1.1.3.1 ARTHUR SCHOPENHAUER.
• 1.1.3.2 RICHARD WAGNER.
• 1.1.3.3 CHARLES DARWIN.
• 1.1.4 ARTISTIC INFLUENCE.
1.1.1. FAMILY INFLUENCE.
• LUTHERAN HOUSEHOLD.
• SPENT THE MAJORITY OF HIS CHILDHOOD WITH FIVE WOMEN.
• TWO TYPES OF RELIGIOUS FAITH.
• HIS PHILOSOPHY HAS BEEN VIEWED AS A CONSCIOUS REBELLION AGAINST A
SEVERE, AUTHORITARIAN, AND STRICTLY RELIGIOUS-CENTERED
CHILDHOOD.
1.1.2. RELIGIOUS INFLUENCE.
• RELIGIOUS PHILOSOPHER.
• RELIGIOUS CRITICISM OUTLOOK.
• LUTHERAN UPBRINGING – THE STUDY OF THEOLOGY, LUTHER AS A HERO,
RELIGIOUS METAPHORS IN WRITING.
1.1.3 PHILOSOPHICAL INFLUENCE.
• SPIRIT OF INQUIRY STARTS WITH HIS INVOLVEMENT IN THE FIELD OF
PHILOLOGY.
• LATER IT TRANSFORMS INTO THE FIELD OF PHILOSOPHY.
• PHILOLOGY- A BRANCH OF KNOWLEDGE THAT DEALS WITH THE STRUCTURE, HISTORICAL DEVELOPMENT,
AND RELATIONSHIPS OF A LANGUAGE OR LANGUAGES.
1.1.3.1ARTHUR SCHOPENHAUER
• PHILOSOPHER OF PESSIMISM.
• AN ADVOCATE OF A METAPHYSICAL DOCTRINE OF THE WILL IN RESPONSE TO
HEGELIAN IDEALISM.
• THE WORLD AS WILL AND IDEA.
• LIKE SCHOPENHAUER, NIETZSCHE PRESENTED THE PICTURE OF THE PHILOSOPHER
WHO WILL STOP AT NOTHING IN THE SEARCH FOR TRUTH, HOWEVER PAINFUL THAT
MIGHT BE.
• SCHOPENHAUER’S STYLE OF WRITING, PERHAPS MORE THAN THE CONTENT,
INFLUENCED NIETZSCHE’S STYLE AND PROVIDED A DEMONSTRATION THAT ONE CAN
WRITE PHILOSOPHY AND ALSO WRITE WELL.
• NIETZSCHE SEEMINGLY ADOPTED THE PRIMACY OF THE WILL, THE CORE TEACHING OF
SCHOPENHAUER, AS THE MOTIVATING FORCE, AND THIS BECAME THE WILL TO POWER.
1.1.3.4 Richard Wagner.
• GERMAN COMPOSER.
• MUSICAL THEORIST.
• A FATHER FIGURE FOR NIETZSCHE.
• HE RECOGNIZED THE COMPOSER’S EGO AS THE NEED TO DOMINATE OTHERS AND
EXERT HIS POWER OVER THEM.
• NIETZSCHE’S RELATIONSHIP WITH WAGNER INFECTED HIS EARLY WRITINGS – THE
BIRTH OF TRAGEDY.
• REALIZATION AND CRITICISM.
1.1.3.3 Charles Darwin.
• HISTORY OF MATERIALISM - F.A. LANGE
• NIETZSCHE WAS STRUCK BY THE POSSIBLE HAZARDS CONTAINED IN DARWINIAN
THINKING, ESPECIALLY THE DENIAL OF ANY CARDINAL DIFFERENCE BETWEEN MAN
AND ANIMAL.
• WILL TO POWER VS WILL TO STRUGGLE.
1.1.4 ARTISTIC INFLUENCE.
• LITERARY ARTISTS AMONG PHILOSOPHERS.
• PHILOLOGIST.
• NIETZSCHE BELIEVES THAT ART, TOGETHER WITH OUR INSTINCTUAL SIDE, CAN
ALSO PROVIDE US WITH INSIGHTS THAT ARE NOT ACCESSIBLE THROUGH
REASON.
• ACCORDING TO NIETZSCHE, ART IS FUNDAMENTALLY CREATIVE AND ENABLES
THE PREPARATION FOR THE CREATION OF SENSATIONS AND WAYS OF LIVING
THAT REFLECT HUMANKIND'S HIGHEST POTENTIAL.
1.2 GROWTH AS A PHILOSOPHER.
CHAPTER TWO
WILL TO POWER.
Nietzche

Nietzche

  • 1.
  • 2.
    FRIEDRICH NIETZSCHE • BIRTH- 15 OCTOBER 1844, GERMANY. • DEATH - 25 AUGUST 1900. • IMP WRITINGS - HUMAN ALL TOO HUMAN (1878), GAY SCIENCE (1882), THUS SPOKE ZARATHUSTRA (1883), THE TWILIGHT OF IDOLS (1889), HE ANTICHRIST (1895). • ATHEIST. FAMOUS FOR HIS CRITICISMS OF TRADITIONAL EUROPEAN MORAL COMMITMENTS, TOGETHER WITH THEIR FOUNDATIONS IN CHRISTIANITY. • NIETZSCHE AIMS AT FREEING HIGHER HUMAN BEINGS FROM THEIR FALSE CONSCIOUSNESS ABOUT MORALITY.
  • 4.
  • 5.
    AIMS OF THECHAPTER • TO UNDERSTAND THE PHILOSOPHICAL BACKGROUND OF NIETZSCHE. • TO UNDERSTAND THE FACTORS AND PERSONS WHO INFLUENCED NIETZSCHE. • TO UNDERSTAND NIETZSCHE’S GROWTH AS A PHILOSOPHER.
  • 6.
    1.1 INFLUENCES. • 1.1.1.FAMILY INFLUENCE. • 1.1.2. RELIGIOUS INFLUENCE. • 1.1.3 PHILOSOPHICAL INFLUENCE. • 1.1.3.1 ARTHUR SCHOPENHAUER. • 1.1.3.2 RICHARD WAGNER. • 1.1.3.3 CHARLES DARWIN. • 1.1.4 ARTISTIC INFLUENCE.
  • 7.
    1.1.1. FAMILY INFLUENCE. •LUTHERAN HOUSEHOLD. • SPENT THE MAJORITY OF HIS CHILDHOOD WITH FIVE WOMEN. • TWO TYPES OF RELIGIOUS FAITH. • HIS PHILOSOPHY HAS BEEN VIEWED AS A CONSCIOUS REBELLION AGAINST A SEVERE, AUTHORITARIAN, AND STRICTLY RELIGIOUS-CENTERED CHILDHOOD.
  • 8.
    1.1.2. RELIGIOUS INFLUENCE. •RELIGIOUS PHILOSOPHER. • RELIGIOUS CRITICISM OUTLOOK. • LUTHERAN UPBRINGING – THE STUDY OF THEOLOGY, LUTHER AS A HERO, RELIGIOUS METAPHORS IN WRITING.
  • 10.
    1.1.3 PHILOSOPHICAL INFLUENCE. •SPIRIT OF INQUIRY STARTS WITH HIS INVOLVEMENT IN THE FIELD OF PHILOLOGY. • LATER IT TRANSFORMS INTO THE FIELD OF PHILOSOPHY. • PHILOLOGY- A BRANCH OF KNOWLEDGE THAT DEALS WITH THE STRUCTURE, HISTORICAL DEVELOPMENT, AND RELATIONSHIPS OF A LANGUAGE OR LANGUAGES.
  • 11.
    1.1.3.1ARTHUR SCHOPENHAUER • PHILOSOPHEROF PESSIMISM. • AN ADVOCATE OF A METAPHYSICAL DOCTRINE OF THE WILL IN RESPONSE TO HEGELIAN IDEALISM. • THE WORLD AS WILL AND IDEA.
  • 12.
    • LIKE SCHOPENHAUER,NIETZSCHE PRESENTED THE PICTURE OF THE PHILOSOPHER WHO WILL STOP AT NOTHING IN THE SEARCH FOR TRUTH, HOWEVER PAINFUL THAT MIGHT BE. • SCHOPENHAUER’S STYLE OF WRITING, PERHAPS MORE THAN THE CONTENT, INFLUENCED NIETZSCHE’S STYLE AND PROVIDED A DEMONSTRATION THAT ONE CAN WRITE PHILOSOPHY AND ALSO WRITE WELL. • NIETZSCHE SEEMINGLY ADOPTED THE PRIMACY OF THE WILL, THE CORE TEACHING OF SCHOPENHAUER, AS THE MOTIVATING FORCE, AND THIS BECAME THE WILL TO POWER.
  • 13.
    1.1.3.4 Richard Wagner. •GERMAN COMPOSER. • MUSICAL THEORIST. • A FATHER FIGURE FOR NIETZSCHE. • HE RECOGNIZED THE COMPOSER’S EGO AS THE NEED TO DOMINATE OTHERS AND EXERT HIS POWER OVER THEM. • NIETZSCHE’S RELATIONSHIP WITH WAGNER INFECTED HIS EARLY WRITINGS – THE BIRTH OF TRAGEDY. • REALIZATION AND CRITICISM.
  • 14.
    1.1.3.3 Charles Darwin. •HISTORY OF MATERIALISM - F.A. LANGE • NIETZSCHE WAS STRUCK BY THE POSSIBLE HAZARDS CONTAINED IN DARWINIAN THINKING, ESPECIALLY THE DENIAL OF ANY CARDINAL DIFFERENCE BETWEEN MAN AND ANIMAL. • WILL TO POWER VS WILL TO STRUGGLE.
  • 15.
    1.1.4 ARTISTIC INFLUENCE. •LITERARY ARTISTS AMONG PHILOSOPHERS. • PHILOLOGIST. • NIETZSCHE BELIEVES THAT ART, TOGETHER WITH OUR INSTINCTUAL SIDE, CAN ALSO PROVIDE US WITH INSIGHTS THAT ARE NOT ACCESSIBLE THROUGH REASON. • ACCORDING TO NIETZSCHE, ART IS FUNDAMENTALLY CREATIVE AND ENABLES THE PREPARATION FOR THE CREATION OF SENSATIONS AND WAYS OF LIVING THAT REFLECT HUMANKIND'S HIGHEST POTENTIAL.
  • 16.
    1.2 GROWTH ASA PHILOSOPHER.
  • 17.