Silvia Barbotto Transhuman Visages: Artificial Faces in Arts, Science, and Society, Symposium and Meeting of the Senior Advisory Board, PIAST, Polish Institute of Advanced Studies, 28 January 2020

1. 1
Narrativities of faces in
contemporary digital art
Silvia Barbotto Forzano
28 January 2020, Warsaw

2. 2

3. 3
Judith Egger
Dammerung, 2017
Courtesy of Aural Gallery

4. 4

5. 5
Mario Cresci
Fuori tempo 03 and 05 - 2008 - 180 × 144 cm - Inkjet Print on Baryta Photo Paper
Courtesy of Materia Gallery

6. 6

7. 7

8. 8
Saggion-Paganelli – Fammi una domanda del
blu e di altre storie
Mino Pasqualone – Original
Giorgia Zoe – de la serie “Nobody”
Courtesy of the Artists

9. 9
Mary
Kata
-yama
Biennal
of Venice
2019
11
Mary
Kata
-yama
Biennal
of Venice
2019

10. 104

11. 11
Jin Cai Liu
Wearable face projector
A small beamer projects a different appearance on your face, giving you a
completely new appearance

12. 12

13. 13

14. 14

15. 15

16. 16
ANDROIDS
1. Fate
2. Hope
3. Pain
4. Sadness
1.
4.3.
2.

17. 17
HUMANITY
1. Anger
2. Comfort
3. Empathy
4. Hope
1. 2.
3. 4.

18. 18
IDENTITY
1. Androids
2. Despair
3. Doubts
4. Prisones
1. 2.
3. 4.

19. 19
BIBLIOGRAFIA.
Calabrese, O. (2010). Come si legge un’opera d’arte.
Fontanille, J., (2008). Pratiques Sémiotiques.
Genette, G., (1983). Narrative Discourse. An essay in method.
Leone M. (2014), Cultural semiotics as Fluxorum Scientia.
Lotman, J., (2009). Semiotics, Communication and Cognition: Culture and Explosion.
- (1980). Testo e contesto. Semiotica dell’arte e della cultura..
Marsciani, F., (2013). Soggettivitá e intersoggettivitá tra semiotica e fenomenologia.
Luksch, M., Patel, Mukul. (2007) Chasing the data shadow. Filmmakers' close-up
encounter of the Data Protection Act.
Paul, C., (2003). Digital art. London,
Hegel G.W.F. Necesidad y fin del arte.

20. 2019
T H A N K
Y O U
www.silviabarbottof.com
FACETS fellow POST DOC
Akraam Zaatari – The end of Time – Documenta Kassel 2012
dzięki