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NARRATIVE THEORY
PROPP’S THEORY 
Vladimir Propp studied of folktales and found they 
contained eight character types and thirty one that 
move the story along …. 
• The hero is prohibited from doing something 
• The villain learns something about the victim 
• The villain is punished etc.
PROPP’S NARRATIVE THEORY 
• Propp’s theory fits in with our genre idea for the opening sequence in that it: 
-Contains a few of the character types and 
-Follows some of the events 
• Our characters consist of the Villain (Murderer), Hero (person who gets 
killed last), Princess (Victim of the murderer), False Hero (friend of Hero), 
Dispatcher (Police), Helper (Friends) 
• Through the theme of Propp’s events: 
-Hero prohibited – Person stopped from Vigilantism 
-Villain Learns - Finds out something about the princess which makes 
them angry and murderous 
-Villain Punished – Eventually gets found out (Not in the sequence) 
• Our idea fits in with a typical Teen horror movie and Propp’s Narrative theory 
through the types of character used and the events that happen throughout.
LEVI-STRAUSS’S NARRATIVE 
THEORY 
• Levi-Strauss suggested that binary oppositions are key to the meaning making in 
narrative – he argued the constant creation of conflict and opposition propels narrative, 
and that narrative can only end on a resolution of conflict 
• Examples of binary oppositions: 
-Good/Evil 
-Men/Women 
-Truth/Lies 
-Normal/Abnormal 
-Strong/Weak 
-Natural/Artificial 
-Young/Old 
-Light/Dark 
• It is important to note that we judge one half of each binary opposition in a more 
negative way; therefore the meanings of the binaries are ideological as they are 
culturally constructed
LEVI-STRAUSS’S NARRATIVE 
THEORY 
• Levi-Strauss’s theory fits in with our genre idea for the opening sequence 
in that it: 
-Judges one half of a binary composition in a negative way and 
-Contains more than one binary composition 
• One of the main binary compositions in our opening sequence is 
Good/Evil. This fits in with our characters of the Hero (person who gets 
killed last), and the Villain (Murderer). A majority of viewers will be biased 
positively towards the Hero
ROLAND BARTHES 
• Barthes’ enigma code was a theory putting forward the notion that media (whether it be 
film, television or texts) are to entice people and draw them in through a sense of 
mystery. The main aim of this is to get the audience asking questions. If, at the start of 
a film, for example, there is lots of out of focus images with a shallow depth of field. A 
murder mystery for example will usually have the murder happen at the start but the 
murderer will not be revealed until the end of the film. This allows us to ask the 
question ‘who is the murderer?’ We can also come up with our own theories on who it 
is, this makes the film experience more exciting, engaging and audience orientated. 
• The different codes are: 
-The Hermeneutic Code (HER) 
-The Proairetic Code (ACT) 
-The Semantic Code (SEM) 
-The Symbolic Code (SYM) 
-The Cultural Code (REF)

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Narrative theory

  • 2. PROPP’S THEORY Vladimir Propp studied of folktales and found they contained eight character types and thirty one that move the story along …. • The hero is prohibited from doing something • The villain learns something about the victim • The villain is punished etc.
  • 3. PROPP’S NARRATIVE THEORY • Propp’s theory fits in with our genre idea for the opening sequence in that it: -Contains a few of the character types and -Follows some of the events • Our characters consist of the Villain (Murderer), Hero (person who gets killed last), Princess (Victim of the murderer), False Hero (friend of Hero), Dispatcher (Police), Helper (Friends) • Through the theme of Propp’s events: -Hero prohibited – Person stopped from Vigilantism -Villain Learns - Finds out something about the princess which makes them angry and murderous -Villain Punished – Eventually gets found out (Not in the sequence) • Our idea fits in with a typical Teen horror movie and Propp’s Narrative theory through the types of character used and the events that happen throughout.
  • 4. LEVI-STRAUSS’S NARRATIVE THEORY • Levi-Strauss suggested that binary oppositions are key to the meaning making in narrative – he argued the constant creation of conflict and opposition propels narrative, and that narrative can only end on a resolution of conflict • Examples of binary oppositions: -Good/Evil -Men/Women -Truth/Lies -Normal/Abnormal -Strong/Weak -Natural/Artificial -Young/Old -Light/Dark • It is important to note that we judge one half of each binary opposition in a more negative way; therefore the meanings of the binaries are ideological as they are culturally constructed
  • 5. LEVI-STRAUSS’S NARRATIVE THEORY • Levi-Strauss’s theory fits in with our genre idea for the opening sequence in that it: -Judges one half of a binary composition in a negative way and -Contains more than one binary composition • One of the main binary compositions in our opening sequence is Good/Evil. This fits in with our characters of the Hero (person who gets killed last), and the Villain (Murderer). A majority of viewers will be biased positively towards the Hero
  • 6. ROLAND BARTHES • Barthes’ enigma code was a theory putting forward the notion that media (whether it be film, television or texts) are to entice people and draw them in through a sense of mystery. The main aim of this is to get the audience asking questions. If, at the start of a film, for example, there is lots of out of focus images with a shallow depth of field. A murder mystery for example will usually have the murder happen at the start but the murderer will not be revealed until the end of the film. This allows us to ask the question ‘who is the murderer?’ We can also come up with our own theories on who it is, this makes the film experience more exciting, engaging and audience orientated. • The different codes are: -The Hermeneutic Code (HER) -The Proairetic Code (ACT) -The Semantic Code (SEM) -The Symbolic Code (SYM) -The Cultural Code (REF)