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This document describes different camera shot types including an extreme close up showing fine details of a person, a big close up showing from the mid-chest up, a mid closeup showing from the mid-chest up to the top of the head, and a long shot showing a person from head to feet.
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This document describes different camera shot types including a big close up, which shows more detail than a close up shot and focuses on a small part of a person. A mid closeup shows from the mid-chest up to the top of the head. Mid long shots show more of the body than closeups but less than a full-length shot.
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This document defines and provides examples of different types of camera shots, including close-ups, burst shots, mid shots, medium long shots, long shots, extra long shots, two shots, over the shoulder shots, three shots, and establishing shots. Each shot type is defined by the distance from the subject and amount of the subject or additional subjects included in the frame.
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This document defines and describes the five basic camera shots used in film production: extreme wide shot, wide shot, medium shot, close-up, and extreme close-up. It explains that each shot type shows the subject or a part of the subject at a different distance and level of detail. Knowing these basic shots is important for filmmakers to produce interesting material and shoot video in a way that can be edited together effectively.
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This document describes different camera shot types including a big close up, which shows more detail than a close up shot and focuses on a small part of a person. A mid closeup shows from the mid-chest up to the top of the head. Mid long shots show more of the body than closeups but less than a full-length shot.
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This document defines and describes various camera shot types used in filmmaking including extreme long shots, long shots, medium shots, medium close ups, close ups, extreme close ups, two shots, three shots, and over the shoulder shots. It provides details on what parts of the subject or surroundings each shot emphasizes or includes within the frame.
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This document describes different types of shots used in media including close-up shots that capture a single feature filling the frame, midshots that show some detail of the subject while conveying the whole, long shots and wide shots that capture the full body and background, and medium close-ups that include the subject from chest to head.
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This document defines and describes various camera shots and angles used in filmmaking including: the rule of thirds, establishing shots, extreme long shots, long shots, medium shots, chest shots, close ups, extreme close ups, over the shoulder shots, two shots, point of view shots, bird's eye views, eye level shots, high angle shots, low angle shots, and oblique shots. Each shot type is positioned at a different distance or angle from the subject to include varying amounts of environmental context or emphasize different parts of the subject or scene.
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The document discusses various camera shot types and angles used in photography and filmmaking. It begins by explaining the rule of thirds, which divides an image into thirds to create interesting perspectives. It then defines 14 specific shot types including bird's eye view, chest shot, close up, establishing shot, extreme close up, extreme long shot, eye level, high angle, long shot, low angle, medium shot, oblique shot, over the shoulder, and two shot. Each shot type is used to emphasize different parts of a scene or subject.
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To set up a tripod, one unlatches the legs, extends them to the desired length, spreads them outwards and presses the base flat. The latches are then refastened to secure the height. Finally, the top is adjusted so the spirit bubble is centered in the circle, ensuring shots are level and professional for documentary production.
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This document describes various camera shot types and proposes how they could be used in a film trailer or poster. It discusses close-up shots for focusing on the stalker's magazine or poster face. Mid-shots would show conversations between characters. Over the shoulder shots could show a character looking at photos on a laptop. Point of view shots would be from characters' perspectives. Two shots would frame two characters together and low/high angles could track a stalker following someone around school from different perspectives.
Camera and tripod set up
To set up a camera and tripod:
1. Carry the camera in a bag with a shoulder strap and carry the tripod in its case by the handles to prevent dropping them.
2. Remove the tripod from its case and extend the legs so it balances, then push circles inward to steady it.
3. Loosen clasps to extend the legs to the desired height, then tighten the clasps. Adjust the spirit level by loosening its handle to center the bubble level.
4. Remove the plate from the tripod and attach it to the camera's base to secure the camera to the tripod for use.
Camera angles
This document defines and describes various camera shots and angles used in filmmaking. A master shot shows an entire scene with all characters in view. Close ups show a subject in large scale while extreme close ups show the subject in a very large scale tightly framed. Mid shots show some part of a subject in detail while still showing enough context. Long shots, wide shots, and two shots depict characters or relationships from a distance in the frame. Aerial shots are taken from high angles while point of view and over the shoulder shots frame the subject from a character's perspective.
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This document defines and describes different types of camera shots including: Extreme Long Shot (ELS) which shows the entire subject and surroundings but subjects appear small; Long Shot (LS) which shows the entire subject from head to feet; Medium Long Shot (MLS) which shows details of the subject filling most of the frame; Medium Shot (MS) which shows the subject from waist up; Medium Close-Up Shot (MCUS) which focuses on the subject from shoulders up; Close-Up Shot (CUS) which focuses on the mouth or eyes without background; and Extreme Close-Up Shot (ECUS) which provides a tighter focus than a close-up.
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The document provides tips for beginning photographers. It discusses techniques like moving closer to the subject, composing shots carefully, focusing on the subject, experimenting with shutter speeds, considering lighting, watching the weather, keeping camera settings simple, and being bold. It also defines different types of shots including long shots, medium shots, close ups, and extreme close ups.
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participants learned how to use a mobile phone to film like a professional cameraperson. Emphasis was placed on composition, camera angles and movements to tell stories in creative ways. The presenter started with PowerPoint presentation that explained what frame, framing, and shot are. He showed how to compose shots with good head room and look room, and how to use different camera angles to tell a story. The presenter screened two of his students’ works (PSA and news story) that were shot entirely with a mobile camera and discussed the production techniques used to achieve the quality work. He also gave out handout that contained information presented in his Power Point presentation.
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The document discusses various camera shot types and angles used in photography and filmmaking. It begins by explaining the rule of thirds, which divides an image into thirds to create interesting perspectives. It then defines 14 specific shot types including bird's eye view, chest shot, close up, establishing shot, extreme close up, extreme long shot, eye level, high angle, long shot, low angle, medium shot, oblique shot, over the shoulder, and two shot. Each shot type is used to emphasize different parts of a scene or subject.
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The document outlines a photography exercise where students worked in groups of 3 to take different types of camera shots, including a low angle medium close up, high angle long shot, extreme close up of time, close up of someone using a mobile phone, close up of someone in nature, two shot in medium long shot, over the shoulder shot of someone writing, long shot, photograph with connotations of friendship, and photograph with connotations of stress. Some feedback is provided that notes shots that were incorrectly labeled or composed.
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Mice-en-scene refers to the elements that are included or excluded from a scene that influence how the audience perceives the messages. These elements include props, costumes, lighting, acting, makeup, setting, and camera shots such as establishing shots, close-ups, long shots, and point-of-view shots. The choices of what to include or exclude make a big difference in how the audience interprets and understands the scene.
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Shot sizes in television production are determined by the distance between the camera and subject. Common shot sizes include extreme close-up, close-up, medium, medium wide, and wide shots. Extreme close-ups show only part of the face while close-ups show the face and shoulders. Medium shots show the upper body and head. Medium wide shots show the body cut off at the legs to also include the physical setting. Wide shots show the entire body from head to toe.
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To set up a tripod, one unlatches the legs, extends them to the desired length, spreads them outwards and presses the base flat. The latches are then refastened to secure the height. Finally, the top is adjusted so the spirit bubble is centered in the circle, ensuring shots are level and professional for documentary production.
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The document discusses various elements of using cameras including camera location, center of interest, tilt, zoom, free cameras, target cameras, camera parameters like lens, orbit, field of view, depth of field, and zoom. It also covers camera placement including long shots, medium shots, and close-ups to show environment, gestures, and individual parts. Storyboards are mentioned as an important tool for planning camera placement.
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This document describes various camera shot types and proposes how they could be used in a film trailer or poster. It discusses close-up shots for focusing on the stalker's magazine or poster face. Mid-shots would show conversations between characters. Over the shoulder shots could show a character looking at photos on a laptop. Point of view shots would be from characters' perspectives. Two shots would frame two characters together and low/high angles could track a stalker following someone around school from different perspectives.
Camera and tripod set up
To set up a camera and tripod:
1. Carry the camera in a bag with a shoulder strap and carry the tripod in its case by the handles to prevent dropping them.
2. Remove the tripod from its case and extend the legs so it balances, then push circles inward to steady it.
3. Loosen clasps to extend the legs to the desired height, then tighten the clasps. Adjust the spirit level by loosening its handle to center the bubble level.
4. Remove the plate from the tripod and attach it to the camera's base to secure the camera to the tripod for use.
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This document defines and describes various camera shots and angles used in filmmaking. A master shot shows an entire scene with all characters in view. Close ups show a subject in large scale while extreme close ups show the subject in a very large scale tightly framed. Mid shots show some part of a subject in detail while still showing enough context. Long shots, wide shots, and two shots depict characters or relationships from a distance in the frame. Aerial shots are taken from high angles while point of view and over the shoulder shots frame the subject from a character's perspective.
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This document provides an overview of photography basics including parts of a camera, lighting concepts like aperture, shutter speed, ISO, and depth of field. It discusses how aperture, focal length, and distance can be adjusted to achieve different depths of field. Shutter speed is explained along with its effects on motion. ISO and noise are also covered. Composition techniques like the rule of thirds are introduced. Different types of camera shots including extreme closeup, closeup, head and shoulders, and long shot are defined.
Camera shots
This document defines and describes different types of camera shots including: Extreme Long Shot (ELS) which shows the entire subject and surroundings but subjects appear small; Long Shot (LS) which shows the entire subject from head to feet; Medium Long Shot (MLS) which shows details of the subject filling most of the frame; Medium Shot (MS) which shows the subject from waist up; Medium Close-Up Shot (MCUS) which focuses on the subject from shoulders up; Close-Up Shot (CUS) which focuses on the mouth or eyes without background; and Extreme Close-Up Shot (ECUS) which provides a tighter focus than a close-up.
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This document provides an analysis of world air forces in 2013, including:
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2) Conflicts in Afghanistan, Syria, and between Israel and Hamas highlighted the importance of air power during the year.
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日本、世界を耕すこと。
労働と仕事。
仕事と労働。
頭の知性が人間を生物から、無機的な機械にしているのではないか。テクノロジーの進化とカラダの退化は、果たして新しい未来と言えるのだろうか。
テクノロジーを有機的に扱えること。自然との対話からからだの知性に気づくこと。大地も、植物も、生物も、人間も、みな水と空気で呼吸していること。
水脈と気脈を人工的につくるならば、見えない毛細血管まで再現しなければならないことを、都市部だけが猛暑日（最高気温が35度以上）という不自然な現象が物語っている。
これは頭の知性が、労働と仕事を分けたことの功罪なのではないか。自然と対話できる言語、すなわち、からだの知性を取り戻す言語に気づくことが必要なのではないか。
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Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
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In the early 20
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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