SlideShare a Scribd company logo
STAR TREK AS MODERN MYTHOLOGY
”
““We need myths that will identify the
individual not with his local group but with
the planet.”
― Joseph Campbell, The Power of Myth
Star Trek mythology fulfills this need, and more – by helping us see what is possible for human kind as a race.
Star Trek is the most prominent and viable modern mythology for several reasons. It has become so
engrained in western psychology, and the technology we are seeing today may be a by-product of
inspiration from minds like Gene Roddenberry. Mythology, in order to be an effective means of
delivering higher goals for the conduct of those who believe in its strength, has to teach a “better
way” of being human. Looking at the longevity and popularity of the series, with all of the possibilities
presented to us becoming acceptable and attainable the closer we get to the “future”, it becomes
apparent that western civilization has accepted and incorporated this mythology into our culture.
“WHERE NO MAN HAS GONE BEFORE”
When we watched this episode in week 2, we looked at the context
of this episode in terms of human response to power, and whether
that could be a corruptive force. Philosophical themes of this
nature, which make us consider eternal questions concerning
human potential, were the status quo for Star Trek. This was
especially due to the influence of modern humanist philosophy,
reaching its height in the 1960’s.
All valid mythology systems contain philosophical branches as the
means to teach different groups, but the roots are always in our
need to emulate an archetype – this seems to be how our minds are
created to gain wisdom. The archetypes presented in Star Trek are
timeless, and ancient truths are re-told in modern form, cloaked in a
context that is more palatable because it is on “another level” and
portrays humans in a god-like (but without inherent supernatural
abilities) manner in their advancements.
VULCAN MYTHOLOGY
The Vulcan race was portrayed as
having a strong historical connection
with mythology. Much of this was
borrowed from classic Greek
mythology, with the name “Vulcan”
meaning “God of Fire”. This name was
chosen to symbolize that this had
once been a very passionate and war-
like race, that nearly destroyed itself.
The Vulcans overcame this flaw by
becoming highly rational beings, and
developing meditative and other
techniques to subdue their volatile
emotions. They were portrayed as
being superior to humanity to an
extent, and certainly seemed to feel
that way, except for Spock, who was
half human.
SOCIAL ANALOGIES DERIVED FROM MYTH
Some of Star Treks’ greatest moments were when the writers
portrayed pressing social issues, such as race and gender inequality,
in a format that was almost allegorical since it was set in a
completely different context.
Much of classic mythology follows this pattern of storytelling using
improbable and unbelievable situations, to speak of taboo subjects,
which are usually based on ignorance. The goal of mythology is to
teach us proper conduct, but in a way that appeals to our “inner
child”, who instinctively knows when it is hearing the truth.
MYTHOLOGY AND SYMBOLISM
Although the symbol which we now easily identify with Star Trek has evolved over time, it presents a valuable tie with
the mythology itself. Mythology is heavily based on symbolism, and humans still respond strongly to symbolic images,
regardless of context.
ELEMENTS OF MYTHOLOGY: THE HEROES
The heroes of Star Trek are very recognizable to most people,
especially Kirk and Picard, who represent the epitome of heroism
within the context of their culture and environment. They, along
with the members of their crews, demonstrate some of the
highest forms of human evolution, including tolerance, justice,
desire for peace, and supreme mental discipline combined with
moral fortitude.
Some of these heroes have followed the classic “Heroes Journey”
path, especially Kirk. He was an imperfect hero, who’s flaws were
portrayed as something which kept him human, with passions
and desires. In terms of embodying a classic hero figure, none of
these people would necessarily be someone we would emulate,
but we can look up to them and admire their ability to make the
tough decision, and do the “right” thing on a consistent basis.
ELEMENTS OF MYTHOLOGY: THE VILLAINS
The villain element is very prominent in Star Trek – from the
original series through the latest blockbuster film installment.
While it is not necessarily the heroes (captains & crew) “prime
directive” or divine purpose to vanquish the evil that exists in the
universe, it is an important aspect in retaining our essential
humanity while facing of the unknown.
The god-like, all powerful type villain is seen in the character Q,
and to a lesser extent in the Borg Queen. Both of these beings do
not seem evil in the traditional mythological sense, but they do
prey upon what they perceive to be human weakness. In both
instances, the heroes prevailed against seemingly insurmountable
odds, by the virtues of courage, brotherhood, and steadfastness.
DARMOK: A TRIBUTE TO THE CROSS-CULTURAL IMPORTANCE OF MYTHOLOGY
In this episode of Star Trek the Next Generation, Picard encounters a race of beings so firmly entrenched in mythology, their language is
entirely based on metaphors derived from it. Picard relates to an important member of this race while they are both forced to work
together to defeat an evil foe.
By actively incorporating mythology, the creators of Star Trek have, since it’s inception, managed to successfully promote the continuance
of certain important precepts found in ancient myth-based belief systems, while creating a new paradigm for future generations.
“As with most aliens in science-fiction, the Tamarians [Star Trek characters] serve as mirrors for ourselves, reminding us of the importance
of myths, metaphors, and storytelling in our lives while demonstrating how ingenuity, determination, and receptiveness can help defuse
conflict, bridge gaps, further understanding across different worldviews.”
Source: www.ekostories.com
Works Cited:
Campbell, Joseph, and Bill D. Moyers. The Power of Myth. New York: Doubleday, 1988. Print.
"Of Myths and Metaphors: Star Trek TNG's Darmok." Ekostories. 14 Nov. 2013. Web. 27 June 2015.
“Where No Man Has Gone Before.” Star Trek: The Original Series. NBC Sep. 22 1966. Television.
“Darmok.” Star Trek: The Next Generation. NBC Sep. 30 1991. Television.

More Related Content

What's hot

Myth
MythMyth
Myths and creation myths
Myths and creation mythsMyths and creation myths
Myths and creation mythstarynwaddell85
 
The Gnostics
The GnosticsThe Gnostics
The Gnostics
Vapula
 
Acec2014 secondary worlds and computer gaming in education
Acec2014 secondary worlds and computer gaming in educationAcec2014 secondary worlds and computer gaming in education
Acec2014 secondary worlds and computer gaming in educationJason Zagami
 
Ashish nandy the intimate enemy loss and recovery of self under colonialis...
Ashish nandy   the intimate enemy  loss and recovery of self under colonialis...Ashish nandy   the intimate enemy  loss and recovery of self under colonialis...
Ashish nandy the intimate enemy loss and recovery of self under colonialis...
KJLM1
 
Myths pp
Myths ppMyths pp
Myths pp
nathanclittle
 
Intro to mythology
Intro to mythologyIntro to mythology
Intro to mythology
cherone98
 
Only A Trickster Can Save Us: Hypercommandeering Queer Identity Positions
Only A Trickster Can Save Us: Hypercommandeering Queer Identity PositionsOnly A Trickster Can Save Us: Hypercommandeering Queer Identity Positions
Only A Trickster Can Save Us: Hypercommandeering Queer Identity Positions
inventionjournals
 
Up-Wingers
Up-WingersUp-Wingers
Up-Wingers
Vapula
 
Myth mythology and folklore
Myth mythology and folkloreMyth mythology and folklore
Myth mythology and folklore
RichardBanez
 
Saturn's Destruction
Saturn's DestructionSaturn's Destruction
Saturn's Destruction
Vapula
 
Notes on Kabbalah
Notes on KabbalahNotes on Kabbalah
Notes on Kabbalah
Vapula
 
Prometheus Rising
Prometheus RisingPrometheus Rising
Prometheus Rising
Vapula
 
Anthropology of Religion Magic and Witchcraft The 3rd Edition Stein Test Bank
Anthropology of Religion Magic and Witchcraft The 3rd Edition Stein Test BankAnthropology of Religion Magic and Witchcraft The 3rd Edition Stein Test Bank
Anthropology of Religion Magic and Witchcraft The 3rd Edition Stein Test Bank
tuhit
 
Tragedy and the moderns, by russell amos kirk
Tragedy and the moderns, by russell amos kirkTragedy and the moderns, by russell amos kirk
Tragedy and the moderns, by russell amos kirkMariane Farias
 
Myths
MythsMyths
Myths
Bren Dale
 
Treatise on Living for the Young Generations
Treatise on Living for the Young GenerationsTreatise on Living for the Young Generations
Treatise on Living for the Young Generations
Vapula
 
Alien Digest 1-4
Alien Digest 1-4Alien Digest 1-4
Alien Digest 1-4
Vapula
 

What's hot (20)

Myth
MythMyth
Myth
 
Myths and creation myths
Myths and creation mythsMyths and creation myths
Myths and creation myths
 
The Gnostics
The GnosticsThe Gnostics
The Gnostics
 
Acec2014 secondary worlds and computer gaming in education
Acec2014 secondary worlds and computer gaming in educationAcec2014 secondary worlds and computer gaming in education
Acec2014 secondary worlds and computer gaming in education
 
Ashish nandy the intimate enemy loss and recovery of self under colonialis...
Ashish nandy   the intimate enemy  loss and recovery of self under colonialis...Ashish nandy   the intimate enemy  loss and recovery of self under colonialis...
Ashish nandy the intimate enemy loss and recovery of self under colonialis...
 
Myths pp
Myths ppMyths pp
Myths pp
 
Intro to mythology
Intro to mythologyIntro to mythology
Intro to mythology
 
Only A Trickster Can Save Us: Hypercommandeering Queer Identity Positions
Only A Trickster Can Save Us: Hypercommandeering Queer Identity PositionsOnly A Trickster Can Save Us: Hypercommandeering Queer Identity Positions
Only A Trickster Can Save Us: Hypercommandeering Queer Identity Positions
 
Up-Wingers
Up-WingersUp-Wingers
Up-Wingers
 
Myth mythology and folklore
Myth mythology and folkloreMyth mythology and folklore
Myth mythology and folklore
 
Saturn's Destruction
Saturn's DestructionSaturn's Destruction
Saturn's Destruction
 
Notes on Kabbalah
Notes on KabbalahNotes on Kabbalah
Notes on Kabbalah
 
Prometheus Rising
Prometheus RisingPrometheus Rising
Prometheus Rising
 
Anthropology of Religion Magic and Witchcraft The 3rd Edition Stein Test Bank
Anthropology of Religion Magic and Witchcraft The 3rd Edition Stein Test BankAnthropology of Religion Magic and Witchcraft The 3rd Edition Stein Test Bank
Anthropology of Religion Magic and Witchcraft The 3rd Edition Stein Test Bank
 
Art_Feature01
Art_Feature01Art_Feature01
Art_Feature01
 
Tragedy and the moderns, by russell amos kirk
Tragedy and the moderns, by russell amos kirkTragedy and the moderns, by russell amos kirk
Tragedy and the moderns, by russell amos kirk
 
Myths
MythsMyths
Myths
 
Treatise on Living for the Young Generations
Treatise on Living for the Young GenerationsTreatise on Living for the Young Generations
Treatise on Living for the Young Generations
 
Alien Digest 1-4
Alien Digest 1-4Alien Digest 1-4
Alien Digest 1-4
 
Propps
ProppsPropps
Propps
 

Viewers also liked

Parcial de fotografía analógica digital
Parcial de fotografía analógica   digitalParcial de fotografía analógica   digital
Parcial de fotografía analógica digitalzoepics
 
Matemáticas,álgebra: clase 4.
Matemáticas,álgebra: clase 4.Matemáticas,álgebra: clase 4.
Matemáticas,álgebra: clase 4.Jermatem
 
Dito Learning Talk - SASS
Dito Learning Talk - SASSDito Learning Talk - SASS
Dito Learning Talk - SASS
Tannus Esquerdo
 
Zuñiga alex
Zuñiga alexZuñiga alex
Zuñiga alex
alex12zuniga
 
Buccaneers, no. 20
Buccaneers, no. 20Buccaneers, no. 20
Buccaneers, no. 20
Chuck Thompson
 
Отечественная история для 6-10 классов
Отечественная история для 6-10 классовОтечественная история для 6-10 классов
Отечественная история для 6-10 классов
AleksandrSever
 
PRESENTACION DE LAS VOCALES
PRESENTACION DE LAS VOCALESPRESENTACION DE LAS VOCALES
PRESENTACION DE LAS VOCALES
piolin1234
 
The Linen Draper_Issue03
The Linen Draper_Issue03The Linen Draper_Issue03
The Linen Draper_Issue03Gina Wasikowski
 
Estolfo bertel actividad1_2mapac
Estolfo bertel actividad1_2mapacEstolfo bertel actividad1_2mapac
Estolfo bertel actividad1_2mapac
Andres Gonzalez
 
La pedriza presentación
La pedriza presentaciónLa pedriza presentación
La pedriza presentación
Centro Guadalinfo Huércal-Overa
 
Segunda parte del ensayo
Segunda parte del ensayoSegunda parte del ensayo
Segunda parte del ensayo
Andii Andii
 
Tyson lakeithia 4.4.4_finalppp_slideshow
Tyson lakeithia 4.4.4_finalppp_slideshowTyson lakeithia 4.4.4_finalppp_slideshow
Tyson lakeithia 4.4.4_finalppp_slideshow
LakeithiaTyson
 
The Redefined HR Pro
The Redefined HR ProThe Redefined HR Pro
The Redefined HR Pro
Achievers
 
Assaulting diameter IPX network
Assaulting diameter IPX networkAssaulting diameter IPX network
Assaulting diameter IPX network
Alexandre De Oliveira
 

Viewers also liked (17)

Curriculum_Vitae
Curriculum_VitaeCurriculum_Vitae
Curriculum_Vitae
 
Parcial de fotografía analógica digital
Parcial de fotografía analógica   digitalParcial de fotografía analógica   digital
Parcial de fotografía analógica digital
 
Matemáticas,álgebra: clase 4.
Matemáticas,álgebra: clase 4.Matemáticas,álgebra: clase 4.
Matemáticas,álgebra: clase 4.
 
Dito Learning Talk - SASS
Dito Learning Talk - SASSDito Learning Talk - SASS
Dito Learning Talk - SASS
 
Zuñiga alex
Zuñiga alexZuñiga alex
Zuñiga alex
 
Convacation en justice pere giordany
Convacation en justice pere giordanyConvacation en justice pere giordany
Convacation en justice pere giordany
 
Buccaneers, no. 20
Buccaneers, no. 20Buccaneers, no. 20
Buccaneers, no. 20
 
Отечественная история для 6-10 классов
Отечественная история для 6-10 классовОтечественная история для 6-10 классов
Отечественная история для 6-10 классов
 
Agua
AguaAgua
Agua
 
PRESENTACION DE LAS VOCALES
PRESENTACION DE LAS VOCALESPRESENTACION DE LAS VOCALES
PRESENTACION DE LAS VOCALES
 
The Linen Draper_Issue03
The Linen Draper_Issue03The Linen Draper_Issue03
The Linen Draper_Issue03
 
Estolfo bertel actividad1_2mapac
Estolfo bertel actividad1_2mapacEstolfo bertel actividad1_2mapac
Estolfo bertel actividad1_2mapac
 
La pedriza presentación
La pedriza presentaciónLa pedriza presentación
La pedriza presentación
 
Segunda parte del ensayo
Segunda parte del ensayoSegunda parte del ensayo
Segunda parte del ensayo
 
Tyson lakeithia 4.4.4_finalppp_slideshow
Tyson lakeithia 4.4.4_finalppp_slideshowTyson lakeithia 4.4.4_finalppp_slideshow
Tyson lakeithia 4.4.4_finalppp_slideshow
 
The Redefined HR Pro
The Redefined HR ProThe Redefined HR Pro
The Redefined HR Pro
 
Assaulting diameter IPX network
Assaulting diameter IPX networkAssaulting diameter IPX network
Assaulting diameter IPX network
 

Similar to Myth presentation

Definitions, Functions, Nature, Structure of Mythology
Definitions, Functions, Nature, Structure of MythologyDefinitions, Functions, Nature, Structure of Mythology
Definitions, Functions, Nature, Structure of Mythology
Shin Chan
 
Crucible Theme Essay. An essay about the crucible. 50 The Crucible Essay Top...
Crucible Theme Essay.  An essay about the crucible. 50 The Crucible Essay Top...Crucible Theme Essay.  An essay about the crucible. 50 The Crucible Essay Top...
Crucible Theme Essay. An essay about the crucible. 50 The Crucible Essay Top...
Ashley Mason
 
Disneys Mulan—the True Deconstructed HeroineAuthor(s).docx
Disneys Mulan—the True Deconstructed HeroineAuthor(s).docxDisneys Mulan—the True Deconstructed HeroineAuthor(s).docx
Disneys Mulan—the True Deconstructed HeroineAuthor(s).docx
elinoraudley582231
 
Hero introduction 2013
Hero introduction 2013Hero introduction 2013
Hero introduction 2013shanovitz
 
Reimagination of Greek Mythology in Rick Riordan’s Percy Jackson and the Olym...
Reimagination of Greek Mythology in Rick Riordan’s Percy Jackson and the Olym...Reimagination of Greek Mythology in Rick Riordan’s Percy Jackson and the Olym...
Reimagination of Greek Mythology in Rick Riordan’s Percy Jackson and the Olym...
ijtsrd
 
Definition Of A Essay.pdf
Definition Of A Essay.pdfDefinition Of A Essay.pdf
Definition Of A Essay.pdf
Amanda Dahya
 
Essays On Merchant Of Venice.pdf
Essays On Merchant Of Venice.pdfEssays On Merchant Of Venice.pdf
Essays On Merchant Of Venice.pdf
Amy White
 
Gattaca Essay.pdf
Gattaca Essay.pdfGattaca Essay.pdf
Gattaca Essay.pdf
Christine Love
 
Borg Babes, Drones, and the Collective: Reading Gender and the Body in Star Trek
Borg Babes, Drones, and the Collective: Reading Gender and the Body in Star TrekBorg Babes, Drones, and the Collective: Reading Gender and the Body in Star Trek
Borg Babes, Drones, and the Collective: Reading Gender and the Body in Star TrekAngelo State University
 
Reflection About Myth
Reflection About MythReflection About Myth
Reflection About Myth
Buy A Literature Review Paper
 
oral-tradition.pptx
oral-tradition.pptxoral-tradition.pptx
oral-tradition.pptx
CristianJayArellanoG
 
Wonder Woman - A Semiotic Analysis
Wonder Woman - A Semiotic AnalysisWonder Woman - A Semiotic Analysis
Wonder Woman - A Semiotic Analysis
Ayushi Mona
 
Myths And Folktales
Myths And FolktalesMyths And Folktales
Myths And Folktales
Etheljean Deal
 
Who iswonderwoman pdf -manuscript
Who iswonderwoman pdf -manuscriptWho iswonderwoman pdf -manuscript
Who iswonderwoman pdf -manuscript
helderm
 
Centaurs myths and legends
Centaurs   myths and legendsCentaurs   myths and legends
Centaurs myths and legends
qmsqms
 
Classical Mythology chapter 1 major points
Classical Mythology chapter 1 major pointsClassical Mythology chapter 1 major points
Classical Mythology chapter 1 major points
Christina McCleanhan
 

Similar to Myth presentation (17)

Definitions, Functions, Nature, Structure of Mythology
Definitions, Functions, Nature, Structure of MythologyDefinitions, Functions, Nature, Structure of Mythology
Definitions, Functions, Nature, Structure of Mythology
 
Crucible Theme Essay. An essay about the crucible. 50 The Crucible Essay Top...
Crucible Theme Essay.  An essay about the crucible. 50 The Crucible Essay Top...Crucible Theme Essay.  An essay about the crucible. 50 The Crucible Essay Top...
Crucible Theme Essay. An essay about the crucible. 50 The Crucible Essay Top...
 
Disneys Mulan—the True Deconstructed HeroineAuthor(s).docx
Disneys Mulan—the True Deconstructed HeroineAuthor(s).docxDisneys Mulan—the True Deconstructed HeroineAuthor(s).docx
Disneys Mulan—the True Deconstructed HeroineAuthor(s).docx
 
Hero introduction 2013
Hero introduction 2013Hero introduction 2013
Hero introduction 2013
 
Reimagination of Greek Mythology in Rick Riordan’s Percy Jackson and the Olym...
Reimagination of Greek Mythology in Rick Riordan’s Percy Jackson and the Olym...Reimagination of Greek Mythology in Rick Riordan’s Percy Jackson and the Olym...
Reimagination of Greek Mythology in Rick Riordan’s Percy Jackson and the Olym...
 
Definition Of A Essay.pdf
Definition Of A Essay.pdfDefinition Of A Essay.pdf
Definition Of A Essay.pdf
 
Essays On Merchant Of Venice.pdf
Essays On Merchant Of Venice.pdfEssays On Merchant Of Venice.pdf
Essays On Merchant Of Venice.pdf
 
Gattaca Essay.pdf
Gattaca Essay.pdfGattaca Essay.pdf
Gattaca Essay.pdf
 
electricpeoples
electricpeopleselectricpeoples
electricpeoples
 
Borg Babes, Drones, and the Collective: Reading Gender and the Body in Star Trek
Borg Babes, Drones, and the Collective: Reading Gender and the Body in Star TrekBorg Babes, Drones, and the Collective: Reading Gender and the Body in Star Trek
Borg Babes, Drones, and the Collective: Reading Gender and the Body in Star Trek
 
Reflection About Myth
Reflection About MythReflection About Myth
Reflection About Myth
 
oral-tradition.pptx
oral-tradition.pptxoral-tradition.pptx
oral-tradition.pptx
 
Wonder Woman - A Semiotic Analysis
Wonder Woman - A Semiotic AnalysisWonder Woman - A Semiotic Analysis
Wonder Woman - A Semiotic Analysis
 
Myths And Folktales
Myths And FolktalesMyths And Folktales
Myths And Folktales
 
Who iswonderwoman pdf -manuscript
Who iswonderwoman pdf -manuscriptWho iswonderwoman pdf -manuscript
Who iswonderwoman pdf -manuscript
 
Centaurs myths and legends
Centaurs   myths and legendsCentaurs   myths and legends
Centaurs myths and legends
 
Classical Mythology chapter 1 major points
Classical Mythology chapter 1 major pointsClassical Mythology chapter 1 major points
Classical Mythology chapter 1 major points
 

Myth presentation

  • 1. STAR TREK AS MODERN MYTHOLOGY
  • 2. ” ““We need myths that will identify the individual not with his local group but with the planet.” ― Joseph Campbell, The Power of Myth Star Trek mythology fulfills this need, and more – by helping us see what is possible for human kind as a race. Star Trek is the most prominent and viable modern mythology for several reasons. It has become so engrained in western psychology, and the technology we are seeing today may be a by-product of inspiration from minds like Gene Roddenberry. Mythology, in order to be an effective means of delivering higher goals for the conduct of those who believe in its strength, has to teach a “better way” of being human. Looking at the longevity and popularity of the series, with all of the possibilities presented to us becoming acceptable and attainable the closer we get to the “future”, it becomes apparent that western civilization has accepted and incorporated this mythology into our culture.
  • 3. “WHERE NO MAN HAS GONE BEFORE” When we watched this episode in week 2, we looked at the context of this episode in terms of human response to power, and whether that could be a corruptive force. Philosophical themes of this nature, which make us consider eternal questions concerning human potential, were the status quo for Star Trek. This was especially due to the influence of modern humanist philosophy, reaching its height in the 1960’s. All valid mythology systems contain philosophical branches as the means to teach different groups, but the roots are always in our need to emulate an archetype – this seems to be how our minds are created to gain wisdom. The archetypes presented in Star Trek are timeless, and ancient truths are re-told in modern form, cloaked in a context that is more palatable because it is on “another level” and portrays humans in a god-like (but without inherent supernatural abilities) manner in their advancements.
  • 4. VULCAN MYTHOLOGY The Vulcan race was portrayed as having a strong historical connection with mythology. Much of this was borrowed from classic Greek mythology, with the name “Vulcan” meaning “God of Fire”. This name was chosen to symbolize that this had once been a very passionate and war- like race, that nearly destroyed itself. The Vulcans overcame this flaw by becoming highly rational beings, and developing meditative and other techniques to subdue their volatile emotions. They were portrayed as being superior to humanity to an extent, and certainly seemed to feel that way, except for Spock, who was half human.
  • 5. SOCIAL ANALOGIES DERIVED FROM MYTH Some of Star Treks’ greatest moments were when the writers portrayed pressing social issues, such as race and gender inequality, in a format that was almost allegorical since it was set in a completely different context. Much of classic mythology follows this pattern of storytelling using improbable and unbelievable situations, to speak of taboo subjects, which are usually based on ignorance. The goal of mythology is to teach us proper conduct, but in a way that appeals to our “inner child”, who instinctively knows when it is hearing the truth.
  • 6. MYTHOLOGY AND SYMBOLISM Although the symbol which we now easily identify with Star Trek has evolved over time, it presents a valuable tie with the mythology itself. Mythology is heavily based on symbolism, and humans still respond strongly to symbolic images, regardless of context.
  • 7. ELEMENTS OF MYTHOLOGY: THE HEROES The heroes of Star Trek are very recognizable to most people, especially Kirk and Picard, who represent the epitome of heroism within the context of their culture and environment. They, along with the members of their crews, demonstrate some of the highest forms of human evolution, including tolerance, justice, desire for peace, and supreme mental discipline combined with moral fortitude. Some of these heroes have followed the classic “Heroes Journey” path, especially Kirk. He was an imperfect hero, who’s flaws were portrayed as something which kept him human, with passions and desires. In terms of embodying a classic hero figure, none of these people would necessarily be someone we would emulate, but we can look up to them and admire their ability to make the tough decision, and do the “right” thing on a consistent basis.
  • 8. ELEMENTS OF MYTHOLOGY: THE VILLAINS The villain element is very prominent in Star Trek – from the original series through the latest blockbuster film installment. While it is not necessarily the heroes (captains & crew) “prime directive” or divine purpose to vanquish the evil that exists in the universe, it is an important aspect in retaining our essential humanity while facing of the unknown. The god-like, all powerful type villain is seen in the character Q, and to a lesser extent in the Borg Queen. Both of these beings do not seem evil in the traditional mythological sense, but they do prey upon what they perceive to be human weakness. In both instances, the heroes prevailed against seemingly insurmountable odds, by the virtues of courage, brotherhood, and steadfastness.
  • 9. DARMOK: A TRIBUTE TO THE CROSS-CULTURAL IMPORTANCE OF MYTHOLOGY In this episode of Star Trek the Next Generation, Picard encounters a race of beings so firmly entrenched in mythology, their language is entirely based on metaphors derived from it. Picard relates to an important member of this race while they are both forced to work together to defeat an evil foe. By actively incorporating mythology, the creators of Star Trek have, since it’s inception, managed to successfully promote the continuance of certain important precepts found in ancient myth-based belief systems, while creating a new paradigm for future generations. “As with most aliens in science-fiction, the Tamarians [Star Trek characters] serve as mirrors for ourselves, reminding us of the importance of myths, metaphors, and storytelling in our lives while demonstrating how ingenuity, determination, and receptiveness can help defuse conflict, bridge gaps, further understanding across different worldviews.” Source: www.ekostories.com
  • 10. Works Cited: Campbell, Joseph, and Bill D. Moyers. The Power of Myth. New York: Doubleday, 1988. Print. "Of Myths and Metaphors: Star Trek TNG's Darmok." Ekostories. 14 Nov. 2013. Web. 27 June 2015. “Where No Man Has Gone Before.” Star Trek: The Original Series. NBC Sep. 22 1966. Television. “Darmok.” Star Trek: The Next Generation. NBC Sep. 30 1991. Television.