IFPI has today released 'Connecting with Music', the 2017 Music Consumer Insight Report. Based on research conducted by Ipsos Connect, the report examines the ways in which fans are engaging with recorded music across 13 of the world's leading music markets.
The IFPI Global Music Report tells a positive story of music being enjoyed by more people in more ways than ever before. At the heart of this story are incredible artists, supported by the investment and innovation from record companies and other
partners that is helping them to share their music with
the world.
Live Music Streaming Opportunity ValuationMC[CO] Labs
The document discusses brand investment opportunities in the live music and streaming industry. It notes that the music industry is projected to grow 3% annually, driven by live music and streaming. Live streaming currently accounts for less than 1% of online music but consumer demand is growing. The summary also states that while large brands have invested in live streaming, it has faced challenges achieving scale due to business model issues and audience fragmentation. Finally, it suggests that integrating live streaming with live events and artist partnerships could help brands improve returns on their music investments.
Streaming has become the dominant way for millennials to access music on their mobile devices. Two-thirds of music fans are millennials who want unlimited, mobile access to curated music that allows social sharing. Anghami is a streaming service that has tapped into this demand in the Middle East and North Africa region, attracting over 7.5 million users who stream an average of 2.5 million songs per day. By partnering with mobile operators, labels, artists and brands, Anghami has positioned itself at the center of the music ecosystem in MENA to provide value to all stakeholders and help fix issues caused by piracy.
Competitor analysis of Music Streaming ServicesTiffany Sam
As a personal winter break project, this deck is a compilation of various trends I have identified in the music streaming space both locally and globally with special attention paid to the rising competition between Apple Music and Spotify.
This document provides information to help State Central Credit Union choose a new radio station to advertise on. It summarizes the demographics and ratings of four potential stations - V100, 102.1, FM106.1, and WKTI. It also outlines the pros and cons of each station. Finally, it concludes by stating that four proposals will be presented from each station outlining advertising options and costs within State Central's $6,000 monthly budget.
Felix Canetty-Clarke - What The Heck Does Your Audience Want? [Darker Music T...Tommy Darker
The document provides an overview of a presentation on understanding music consumers and the music industry. Some key points:
- The presentation covers trends in the global recorded music industry, consumer insights into music discovery and preferences, and how big data can help understand audiences.
- A survey of over 2,650 UK residents found that radio and TV are still the most common ways people discover new music, though younger audiences rely more on the internet, apps and streaming.
- While physical music sales have declined significantly since 2000, digital revenues have grown and now account for the majority of industry revenues in most major markets. Streaming continues to see strong growth.
This slide deck explains the streaming landscape to Caribbean Nationals and introduces a new niche streaming solution called Chune which will assist the Caribbean with using more local content and making Caribbean music easier to discover for locals and internationals.
IFPI has today released 'Connecting with Music', the 2017 Music Consumer Insight Report. Based on research conducted by Ipsos Connect, the report examines the ways in which fans are engaging with recorded music across 13 of the world's leading music markets.
The IFPI Global Music Report tells a positive story of music being enjoyed by more people in more ways than ever before. At the heart of this story are incredible artists, supported by the investment and innovation from record companies and other
partners that is helping them to share their music with
the world.
Live Music Streaming Opportunity ValuationMC[CO] Labs
The document discusses brand investment opportunities in the live music and streaming industry. It notes that the music industry is projected to grow 3% annually, driven by live music and streaming. Live streaming currently accounts for less than 1% of online music but consumer demand is growing. The summary also states that while large brands have invested in live streaming, it has faced challenges achieving scale due to business model issues and audience fragmentation. Finally, it suggests that integrating live streaming with live events and artist partnerships could help brands improve returns on their music investments.
Streaming has become the dominant way for millennials to access music on their mobile devices. Two-thirds of music fans are millennials who want unlimited, mobile access to curated music that allows social sharing. Anghami is a streaming service that has tapped into this demand in the Middle East and North Africa region, attracting over 7.5 million users who stream an average of 2.5 million songs per day. By partnering with mobile operators, labels, artists and brands, Anghami has positioned itself at the center of the music ecosystem in MENA to provide value to all stakeholders and help fix issues caused by piracy.
Competitor analysis of Music Streaming ServicesTiffany Sam
As a personal winter break project, this deck is a compilation of various trends I have identified in the music streaming space both locally and globally with special attention paid to the rising competition between Apple Music and Spotify.
This document provides information to help State Central Credit Union choose a new radio station to advertise on. It summarizes the demographics and ratings of four potential stations - V100, 102.1, FM106.1, and WKTI. It also outlines the pros and cons of each station. Finally, it concludes by stating that four proposals will be presented from each station outlining advertising options and costs within State Central's $6,000 monthly budget.
Felix Canetty-Clarke - What The Heck Does Your Audience Want? [Darker Music T...Tommy Darker
The document provides an overview of a presentation on understanding music consumers and the music industry. Some key points:
- The presentation covers trends in the global recorded music industry, consumer insights into music discovery and preferences, and how big data can help understand audiences.
- A survey of over 2,650 UK residents found that radio and TV are still the most common ways people discover new music, though younger audiences rely more on the internet, apps and streaming.
- While physical music sales have declined significantly since 2000, digital revenues have grown and now account for the majority of industry revenues in most major markets. Streaming continues to see strong growth.
This slide deck explains the streaming landscape to Caribbean Nationals and introduces a new niche streaming solution called Chune which will assist the Caribbean with using more local content and making Caribbean music easier to discover for locals and internationals.
The digital music business is expanding globally as streaming and subscription services surge in popularity. Streaming and subscription revenues grew by over 50% in 2013, exceeding $1 billion for the first time. The number of paying subscribers to subscription services rose to 28 million, up from only 8 million in 2010. Downloads still account for about two-thirds of digital revenues but this is declining slightly as streaming grows. Physical formats still generate over half of global revenues. The music industry market varies globally, with some countries favoring downloads and others streaming, leading to a mixed economy of revenue streams.
The document discusses changes in the music industry over time as revenues have declined but music consumption has increased. It attributes the revenue decline to shifts in how people access and listen to music, from physical formats to digital. New services like Napster, iTunes, YouTube and Spotify provided convenient digital access to music for free or low cost, which impacted revenue streams. Streaming services in particular have grown rapidly and now drive most digital revenue, though artist royalties per stream are much lower than from other sources. Sustainable business models are needed that satisfy customers desire for easy, free access while also generating sufficient revenue to fairly compensate all industry stakeholders.
This presentation shares the capabilities of Radio One Indianapolis including properties WHHH-FM, WTLC-FM, WTLC-AM & WDNI-TV. We're not just radio anymore...
This document provides an overview of the global recorded music market in 2014. Some key points:
- Global recorded music revenues were $14.97 billion in 2014, a slight 0.4% decline from 2013.
- Digital revenues grew 6.9% to $6.85 billion, driven by a 39% increase in subscription revenues. However, declines in physical format sales (-8.1%) and downloads (-8%) contributed to the overall market decline.
- Streaming revenues, including both subscription and ad-supported, now account for 32% of global digital revenues and have overtaken downloads in many markets. YouTube is a dominant platform for music streaming and consumption.
- The US market grew 2.1%
analysis of personal music industry, looking at customer journey mapping, personas and industry standards, taking youtube and spotify as industry disruptors, and giving innovative ideas for future.
The document discusses how the music industry value chain has changed with the rise of digital music distribution. It analyzes pricing models of different digital music providers and how they compare to physical CDs. The traditional value chain involved record labels taking the largest profit share, but digital distribution cuts them out by allowing artists to directly connect with consumers. This shifts roles and incentives across the industry. The new digital value chain gathers, organizes, selects, synthesizes and distributes music information online rather than through physical manufacturing and retail channels.
1) Radio continues to reach large audiences, with 235 million people in the US listening weekly. It remains widely accessible across demographics.
2) A case study shows how a Kia dealership in Portland, OR dramatically increased its monthly sales from 7 to over 80 units within months by dominating local radio advertising.
3) Research shows radio is a powerful advertising medium that can significantly increase product sales while also forming strong emotional connections with listeners at low cost per impression.
This document summarizes Tyler Hoisington's final assignment for an MDIA course. It discusses Tyler's role as a student learning about the music industry. It also covers topics like digital music licensing trends, music synchronization, supervision, conflicts in publishing, emerging concepts, and Tyler's future goals working in live music. The document reflects on changes in Tyler's views of the industry and its bright future prospects despite periods of decline.
The music industry is dominated by four major record labels: Universal, Sony BMG, Warner, and EMI. These labels have significant market share and benefit from economies of scale and vertical/horizontal integration. Music sales have been declining steadily since 1999 as CD sales fall but digital track sales rise. Piracy and CD burning cost the industry an estimated $4 billion annually in lost revenue. The industry focuses heavily on promotion to influence charts and radio play. Record labels are tied to other conglomerate businesses like film studios to promote artists across different media.
The document discusses how digitization has disrupted the music industry by changing the value chain and business models. It led to declining revenues as piracy increased and consumption shifted from physical to digital formats. Record labels adapted by pursuing new pricing strategies like a la carte downloading, subscriptions, and partnerships for streaming services. Overall, digitization transformed the industry from physical to digital and changed the role of record labels.
Developments and business models in the music industry @ Noorderslag 2012ottilienieuwenhuis
Digitization has disrupted the music industry's traditional business models and led to an overall decline in revenues. However, it has also lowered costs and increased access to music. Record companies and retailers have suffered while new intermediaries like streaming services have emerged. Artists now have more opportunities to produce and distribute music independently, but their revenues may depend more on live performances. The future of the industry could see greater dependence on new aggregators working with record labels and social media platforms.
This document summarizes a presentation about the Chune mobile app, which aims to become a centralized hub for Caribbean artists and music. The current music industry model in the Caribbean is flawed as it only highlights select genres and artists. Chune hopes to standardize and distribute Caribbean music, making it easier for listeners to discover and support local artists. The presentation outlines problems in the industry, how Chune differs from other music apps, and provides demo of Chune's features and abilities to support Caribbean music.
Digital Music Report es un reporte de la IFPI que se entrega anualmente y analiza el comportamiento de esta industria en Estados Unidos. La toma actual corresponde al 2014.
The music business is undergoing big changes and music consumption is only part of the story. To see the big picture, we must recognize what’s driving change — the fan. This session, presented during Music Biz 2015 in Nashville On May 12, offered an overview of the state of music — past, present and future and highlighted changes in the industry. Nielsen Music's David Bakula, took a rich view of fans, including insights across specific genres, consumer segments, talent analytics, case studies and cross-channel consumption to understand how they are
engaging with music.
This document discusses innovation in the music industry due to changing technology and consumer behavior. It outlines how technology has disrupted the industry through digitization, the internet, and mobile devices. Consumer expectations have also changed, desiring free, on-demand, mobile access to music. This has led music businesses to innovate, developing new digital music services like streaming platforms to meet these changing needs. The document concludes that an evolving transformation of the music industry through new business models and addressing technology and consumer trends can lead to a sustainable future for the industry.
The Evolution Of The Music Industry The Effect Of Technology And Law On Stra...Ben Kilmer
This document provides an overview of the music industry and discusses key changes it has undergone in recent decades due to technological innovations. It begins with an introduction to the current state of the industry and outlines five competitive forces: new entrants have low barriers; buyers have high bargaining power; substitute products are a major threat; suppliers have relatively low power; and rivalry is high. The document then examines incremental innovations from within the industry, disruptive innovations from outside, and industry resistance to changes. It explores the adoption of new technologies by consumers and the industry. The future of the music industry and case studies on Apple and Grooveshark are also summarized.
The document discusses how globalization has impacted the music industry. It provides pros and cons of globalization for businesses and consumers. New technologies like streaming apps and devices have allowed music to be shared globally, helping artists find success in countries they previously may not have reached. This has benefited both the music industry and consumers by exposing people to new artists from around the world.
This document provides an analysis of the modern music industry and streaming services. It examines competitors like Spotify, Apple Music, and Tidal. The target audience is identified as males and females aged 16-34. The marketing strategy proposes launching a new music streaming service called "Chorus" that offers both digital streaming and physical vinyl purchases with in-store pickup. Key tactics include social media campaigns, TV advertisements, celebrity endorsement from Ed Sheeran, and streaming live music gigs.
The digital music business is expanding globally as streaming and subscription services surge in popularity. Streaming and subscription revenues grew by over 50% in 2013, exceeding $1 billion for the first time. The number of paying subscribers to subscription services rose to 28 million, up from only 8 million in 2010. Downloads still account for about two-thirds of digital revenues but this is declining slightly as streaming grows. Physical formats still generate over half of global revenues. The music industry market varies globally, with some countries favoring downloads and others streaming, leading to a mixed economy of revenue streams.
The document discusses changes in the music industry over time as revenues have declined but music consumption has increased. It attributes the revenue decline to shifts in how people access and listen to music, from physical formats to digital. New services like Napster, iTunes, YouTube and Spotify provided convenient digital access to music for free or low cost, which impacted revenue streams. Streaming services in particular have grown rapidly and now drive most digital revenue, though artist royalties per stream are much lower than from other sources. Sustainable business models are needed that satisfy customers desire for easy, free access while also generating sufficient revenue to fairly compensate all industry stakeholders.
This presentation shares the capabilities of Radio One Indianapolis including properties WHHH-FM, WTLC-FM, WTLC-AM & WDNI-TV. We're not just radio anymore...
This document provides an overview of the global recorded music market in 2014. Some key points:
- Global recorded music revenues were $14.97 billion in 2014, a slight 0.4% decline from 2013.
- Digital revenues grew 6.9% to $6.85 billion, driven by a 39% increase in subscription revenues. However, declines in physical format sales (-8.1%) and downloads (-8%) contributed to the overall market decline.
- Streaming revenues, including both subscription and ad-supported, now account for 32% of global digital revenues and have overtaken downloads in many markets. YouTube is a dominant platform for music streaming and consumption.
- The US market grew 2.1%
analysis of personal music industry, looking at customer journey mapping, personas and industry standards, taking youtube and spotify as industry disruptors, and giving innovative ideas for future.
The document discusses how the music industry value chain has changed with the rise of digital music distribution. It analyzes pricing models of different digital music providers and how they compare to physical CDs. The traditional value chain involved record labels taking the largest profit share, but digital distribution cuts them out by allowing artists to directly connect with consumers. This shifts roles and incentives across the industry. The new digital value chain gathers, organizes, selects, synthesizes and distributes music information online rather than through physical manufacturing and retail channels.
1) Radio continues to reach large audiences, with 235 million people in the US listening weekly. It remains widely accessible across demographics.
2) A case study shows how a Kia dealership in Portland, OR dramatically increased its monthly sales from 7 to over 80 units within months by dominating local radio advertising.
3) Research shows radio is a powerful advertising medium that can significantly increase product sales while also forming strong emotional connections with listeners at low cost per impression.
This document summarizes Tyler Hoisington's final assignment for an MDIA course. It discusses Tyler's role as a student learning about the music industry. It also covers topics like digital music licensing trends, music synchronization, supervision, conflicts in publishing, emerging concepts, and Tyler's future goals working in live music. The document reflects on changes in Tyler's views of the industry and its bright future prospects despite periods of decline.
The music industry is dominated by four major record labels: Universal, Sony BMG, Warner, and EMI. These labels have significant market share and benefit from economies of scale and vertical/horizontal integration. Music sales have been declining steadily since 1999 as CD sales fall but digital track sales rise. Piracy and CD burning cost the industry an estimated $4 billion annually in lost revenue. The industry focuses heavily on promotion to influence charts and radio play. Record labels are tied to other conglomerate businesses like film studios to promote artists across different media.
The document discusses how digitization has disrupted the music industry by changing the value chain and business models. It led to declining revenues as piracy increased and consumption shifted from physical to digital formats. Record labels adapted by pursuing new pricing strategies like a la carte downloading, subscriptions, and partnerships for streaming services. Overall, digitization transformed the industry from physical to digital and changed the role of record labels.
Developments and business models in the music industry @ Noorderslag 2012ottilienieuwenhuis
Digitization has disrupted the music industry's traditional business models and led to an overall decline in revenues. However, it has also lowered costs and increased access to music. Record companies and retailers have suffered while new intermediaries like streaming services have emerged. Artists now have more opportunities to produce and distribute music independently, but their revenues may depend more on live performances. The future of the industry could see greater dependence on new aggregators working with record labels and social media platforms.
This document summarizes a presentation about the Chune mobile app, which aims to become a centralized hub for Caribbean artists and music. The current music industry model in the Caribbean is flawed as it only highlights select genres and artists. Chune hopes to standardize and distribute Caribbean music, making it easier for listeners to discover and support local artists. The presentation outlines problems in the industry, how Chune differs from other music apps, and provides demo of Chune's features and abilities to support Caribbean music.
Digital Music Report es un reporte de la IFPI que se entrega anualmente y analiza el comportamiento de esta industria en Estados Unidos. La toma actual corresponde al 2014.
The music business is undergoing big changes and music consumption is only part of the story. To see the big picture, we must recognize what’s driving change — the fan. This session, presented during Music Biz 2015 in Nashville On May 12, offered an overview of the state of music — past, present and future and highlighted changes in the industry. Nielsen Music's David Bakula, took a rich view of fans, including insights across specific genres, consumer segments, talent analytics, case studies and cross-channel consumption to understand how they are
engaging with music.
This document discusses innovation in the music industry due to changing technology and consumer behavior. It outlines how technology has disrupted the industry through digitization, the internet, and mobile devices. Consumer expectations have also changed, desiring free, on-demand, mobile access to music. This has led music businesses to innovate, developing new digital music services like streaming platforms to meet these changing needs. The document concludes that an evolving transformation of the music industry through new business models and addressing technology and consumer trends can lead to a sustainable future for the industry.
The Evolution Of The Music Industry The Effect Of Technology And Law On Stra...Ben Kilmer
This document provides an overview of the music industry and discusses key changes it has undergone in recent decades due to technological innovations. It begins with an introduction to the current state of the industry and outlines five competitive forces: new entrants have low barriers; buyers have high bargaining power; substitute products are a major threat; suppliers have relatively low power; and rivalry is high. The document then examines incremental innovations from within the industry, disruptive innovations from outside, and industry resistance to changes. It explores the adoption of new technologies by consumers and the industry. The future of the music industry and case studies on Apple and Grooveshark are also summarized.
The document discusses how globalization has impacted the music industry. It provides pros and cons of globalization for businesses and consumers. New technologies like streaming apps and devices have allowed music to be shared globally, helping artists find success in countries they previously may not have reached. This has benefited both the music industry and consumers by exposing people to new artists from around the world.
This document provides an analysis of the modern music industry and streaming services. It examines competitors like Spotify, Apple Music, and Tidal. The target audience is identified as males and females aged 16-34. The marketing strategy proposes launching a new music streaming service called "Chorus" that offers both digital streaming and physical vinyl purchases with in-store pickup. Key tactics include social media campaigns, TV advertisements, celebrity endorsement from Ed Sheeran, and streaming live music gigs.
Cu un design elegant, o grosime de doar 9,5 mm si o greutate de 330 gr, tableta PC Evotab Fun devine accesoriul tău preferat acasă, în masină sau atunci când iesi cu prietenii. Detaliile o fac specială: textura plăcută la atingere a materialelor folosite în productie, precum si combinatia inteligentă de culori - gri metalic mat si negru – o deosebesc de celelalte tablete PC din aceeasi categorie.
ZFS on FUSE allows using ZFS on systems without native ZFS support. It provides three primary goals - high scalability, ease of administration, and guaranteed data integrity. Key ZFS features include copy-on-write transactional semantics, self-healing against silent data corruption, RAID-Z using dynamic stripe width, and on-the-fly compression and deduplication. Hands-on examples demonstrate installing ZFS on FUSE, creating pools and datasets, taking snapshots, and sending snapshots to remote backups.
Aria este echipata cu cel mai performant procesor ARM disponibil. Noua tableta este ultraplata, avand o grosime maxima de 9.9 mm, si foarte usoara, cu o greutate de numai 570 gr. GARANTIE 5 ANI!
Free WiFi - solutie direct marketing si creare baze de datealexandrupetrumarin
Free WiFi este un produs sau serviciu dezvoltat de sendSMS.ro si combina ultilitatea unui router wifi plasat in locatia dvs. cu mai multe instrumente pentru colectarea de informatii, pentru ca in final sa rezulte o unealta de marketing prin care puteti sa atrageti clienti noi, fidelizati clientii existenti sau sa comunicati mai bine cu acestia.
Impreuna cu o campanie de marketing bine pusa la punct avem convingerea ca poate fi cheia spre succesul unei bune promovari.
The document discusses a student's experiences in their first semester at university. It describes taking part in practical laboratory sessions, including examining diseased tissue samples and an experiment using sheep's blood. It also mentions joining various student societies for activities like circus skills, cheerleading, drinking real ale, film, hitchhiking, belly dancing, parkour and atheism.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
This document discusses how mobile marketing can drive engagement and monetization. It outlines 7 key trends in the mobile market, including the rise of smartphones and tablets. It then provides 5 steps for effective mobile campaigns: 1) use mobile to raise awareness, 2) mobile advertising can be effective across demographics when matched to the right audience, 3) prioritize user experience, 4) focus on mobile display advertising, and 5) offer something of value to users. Overall, the document advocates that mobile provides opportunities to grow businesses by reaching new audiences, changing interactions, and extending markets.
San Francisco Office Market Report Q4, 2009jonallenwgc77
The San Francisco office market recorded 366,965 square feet of negative absorption in Q4 2009, pushing the overall vacancy rate to 14.8%. Asking rents for Class A trophy buildings averaged $50 per square foot gross at year-end, down from nearly $85 in late 2007. Significant leases included Levi Strauss & Co. renewing 354,797 square feet at 1155 Battery Street and Del Monte Foods taking 152,917 square feet at 1 Maritime Plaza. In terms of investment sales, 550 Terry Francois Boulevard sold for $379 per square foot.
Kraft ofrece una variedad de productos alimenticios incluyendo chocolates, galletas, bebidas en polvo y premezclas divididos en diferentes categorías y marcas.
Pt. Bybeka - at the Yogya Furniture Fair PT. BYBEKA
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
This document discusses the importance of science and the issue of global warming. Science is the study of the world which allows people to improve their lives and protect themselves and the Earth. Global warming is a major issue where the average surface temperature has risen by 0.76° C since 1850 likely due to human activities, and to prevent further global warming we must reduce carbon dioxide emissions.
The San Francisco office market saw negative absorption of 511,631 square feet in Q3 2009, bringing the year-to-date total to 2,293,889 square feet. Significant leases included Nektar Therapeutics subleasing over 102,000 square feet in Mission Bay and Brown & Toland renewing over 51,000 square feet. 250 Montgomery Street became the first distressed asset to sell after being purchased for $19.7 million. New construction projects include 1 Kearny Street completing in Q4 2009 and 455 Mission Bay Boulevard finishing in Q2 2010.
The document provides a summary of commercial real estate activity in San Francisco for the first quarter of 2010. It includes data on office leasing activity such as major leases signed, sublease space absorbed, and vacancy rates by neighborhood. It also summarizes significant building sales, projects under construction, and large developments planned. Overall, the San Francisco office market saw a net loss of space absorbed in Q1 2010, with vacancy increasing slightly, though leasing velocity and asking rents stabilized in many areas.
Alex Vallerand and Ian Ladd are the founding partners of Listin, with Alex serving as CEO and Ian as CMO. Listin is a mobile music sharing platform that allows users to create interactive playlists and see what friends are listening to in real-time. Users can add songs to friends' playlists to collaborate or keep playlists private. Listin aims to solve problems with live music collaboration, cross-platform sharing, and discovering new music through a single, modern app.
This document provides information about Radio One Atlanta, including its mission, commitment to serving the African American community, and the markets it serves. As the largest African American owned media company, Radio One Atlanta aims to inform, entertain, and inspire its audience through culturally relevant content on its radio, digital, and event platforms. It discusses how Atlanta has one of the strongest infrastructures for African American advancement and its black population has grown significantly in recent years. The document promotes Radio One Atlanta's brands and platforms for connecting with African American audiences through radio, online, social media, events, and more.
Radio One Atlanta. Reaching Our Audience Wherever They Are. Radio One, Inc., together with its subsidiaries (http://www.radio-one.com/), is a diversified media company that primarily targets African-American and urban consumers. The Company is one of the nation's largest radio broadcasting companies, currently owning and/or operating 54 broadcast stations located in 16 urban markets in the United States. Beyond its core radio broadcasting franchise, Radio One owns Interactive One (http://www.interactiveone.com/), an online platform serving the African-American community through social content, news, information, and entertainment. Interactive One operates a number of branded sites, including News One, UrbanDaily, HelloBeautiful and social networking websites, including BlackPlanet, MiGente, and Asian Avenue. In addition, the Company owns a controlling interest in TV One, LLC (http://www.tvoneonline.com/), a cable/satellite network programming primarily to African-Americans.
WIRX is a rock radio station located in Southwest Michigan that has been serving the area for over 30 years. It has a daily reach of over 20,000 listeners through its radio broadcast as well as digital platforms like Facebook, podcasts, and website banners. The typical WIRX listener is between 25-54 years old, owns their home, has an income between $35k-$75k, and enjoys movies, news, TV, shopping, and music. Advertising with WIRX provides access to this large and loyal audience at a lower cost than other media. Several local businesses explain how partnering with WIRX has helped increase their exposure and driven new customers through effective targeted advertising.
The document provides information about Y Country radio station, which plays country music 24/7 and has nearly 40,000 daily listeners in Southwest Michigan. It discusses the station's target demographics of adults aged 18-54, and gives examples of businesses that have successfully advertised on Y Country radio to reach this audience. The document argues that Y Country radio is an effective and affordable way for local businesses to connect with potential customers in Southwest Michigan through radio advertising and sponsorship opportunities.
Chorus is a digital music streaming service that aims to offer a unique experience linking digital and physical music. It will provide access to music streaming and genres, vinyl purchases that can be picked up from partner retailers, and live streamed concerts. The marketing strategy will promote Chorus' website and new "Pick Up and Play" service through social media, TV, billboards, and celebrity endorsement from Ed Sheeran.
Smart Phones, Smart Audiences? SF Discussion June 2017Gigi Johnson
Gigi Johnson joined guests with the San Francisco Entertainment Commission on a warm SF day to discuss how technology influences music consumption and live concert choices. These slides kicked off the conversation, which continued for about 3 hours in total. The conversation included discussions of the impact of streaming music and digital subscriptions, as well as playlists, on how we decide if and where to go for live content.
The 2007 Digital Music Survey reveals how social networks are changing the way
music is discovered, purchased and consumed. See: http://www.entertainmentmediaresearch.com/ADMINNews/templates/emr.asp?articleid=38&zoneid=2 - Publicly available from the authors website: http://www.entertainmentmediaresearch.com/reports/EMR_Digital_Music_Survey2007.pdf
This was the first-ever made presentation deck made for Ohdio back in late 2011. Note the name "Ohdioo" which was an early iteration. We finally built another deck that we presented to labels for the first licensing negotiation. Note that we didn't have any real market research on the target consumer, mainly assumptions.
In 2017, the global recorded music market grew by 8.1%. This was the third consecu- tive year of global growth and one of the highest rates of growth since IFPI began tracking the market in 1997. Revenues increased in most markets and in eight of the global top 10 markets.
The Coast is a local hot adult contemporary radio station serving Southwest Michigan. It has nearly 32,000 daily listeners who enjoy popular artists from today and the last two decades. The typical Coast listener is between 25-54 years old, owns their home, has a household income between $35k-$150k and listens while at work or with their family. Advertising with The Coast is an effective way for businesses to reach this desirable demographic affordably. Examples are given of businesses who saw increased profits after advertising on The Coast.
The document discusses radio's presence across multiple platforms and devices. It notes that radio delivers audio content to passionate listeners through broadcast, online, and mobile channels. It highlights data showing radio's continued high reach compared to other media, with over 90% of adults listening in a typical week. The document also summarizes research finding that radio listening remains an important part of people's daily media diets, especially for commuting and in the car. It outlines how new technologies are enhancing radio and creating interactive listening experiences across smartphones, tablets, and other devices.
The document discusses radio's continued popularity and reach across multiple platforms. Some key points:
- Radio reaches over 90% of all demographics on a weekly basis, giving it the highest reach of any mass medium.
- Listeners spend significant time with radio each week, with radio being many people's top source of music discovery and news.
- Radio listening remains strong in cars, with AM/FM radio being the most used in-car audio source.
The music industry is changing a lot. It has to. Innovation, behaviour, insights, quality... And millennials are mostly responsible for that. Presentation being part of the Project 1001 - the conclusions after listening to all the albums from '1001 albums to hear before you die'
Multicultural consumers, including African Americans, Asian Americans, and Hispanics, make up about a third of the US population and are younger on average than non-Hispanic whites. They are driving changes in the music industry by being early adopters of new technologies to discover and experience music. Multicultural consumers spend more on music overall than other groups, with the largest portion going to live concerts and events. They are also more likely to use smartphones, social media, and streaming services to access music and connect with artists.
This document summarizes key findings from a study about electronic music culture and the millennial generation. Some of the main points are:
- Electronic dance music (EDM) is more than just music, it's an entire culture (Electronic Music Culture or EMC) that is a defining aspect for millennials.
- Festivals are hugely popular among EDM fans, who use their smartphones to share photos/videos and look up information about artists while attending.
- House music is the most popular EDM genre listened to by fans.
- Brands need to understand millennials and enhance experiences, not just sell to them, in order to effectively connect with this audience.
This document discusses strategies for reaching a target music audience of teenagers aged 16-18 worldwide. It outlines that the most popular ways to consume music are through watching music videos online, downloading songs both legally and illegally for free, and streaming music services. The "core digital music audience" is aged 21-34, so aiming digital downloads and an artist website at a younger demographic could be effective. Promoting on social media sites like Facebook that teens widely use is also important, as is streaming services, apps, internet radio, and YouTube given teens' engagement with those platforms.
Susi O'Neill gave a presentation on digital marketing trends and opportunities for independent music entrepreneurs. She discussed the evolution of digital platforms from Web 1.0 to 3.0 and the rise of user-generated content. O'Neill also explored different types of music fans and the changing roles of the music industry in light of digital distribution and new business models like crowdfunding. She concluded by considering possibilities for the future music industry as access to music becomes more like a utility.
How to Get CNIC Information System with Paksim Ga.pptxdanishmna97
Pakdata Cf is a groundbreaking system designed to streamline and facilitate access to CNIC information. This innovative platform leverages advanced technology to provide users with efficient and secure access to their CNIC details.
Building Production Ready Search Pipelines with Spark and MilvusZilliz
Spark is the widely used ETL tool for processing, indexing and ingesting data to serving stack for search. Milvus is the production-ready open-source vector database. In this talk we will show how to use Spark to process unstructured data to extract vector representations, and push the vectors to Milvus vector database for search serving.
Driving Business Innovation: Latest Generative AI Advancements & Success StorySafe Software
Are you ready to revolutionize how you handle data? Join us for a webinar where we’ll bring you up to speed with the latest advancements in Generative AI technology and discover how leveraging FME with tools from giants like Google Gemini, Amazon, and Microsoft OpenAI can supercharge your workflow efficiency.
During the hour, we’ll take you through:
Guest Speaker Segment with Hannah Barrington: Dive into the world of dynamic real estate marketing with Hannah, the Marketing Manager at Workspace Group. Hear firsthand how their team generates engaging descriptions for thousands of office units by integrating diverse data sources—from PDF floorplans to web pages—using FME transformers, like OpenAIVisionConnector and AnthropicVisionConnector. This use case will show you how GenAI can streamline content creation for marketing across the board.
Ollama Use Case: Learn how Scenario Specialist Dmitri Bagh has utilized Ollama within FME to input data, create custom models, and enhance security protocols. This segment will include demos to illustrate the full capabilities of FME in AI-driven processes.
Custom AI Models: Discover how to leverage FME to build personalized AI models using your data. Whether it’s populating a model with local data for added security or integrating public AI tools, find out how FME facilitates a versatile and secure approach to AI.
We’ll wrap up with a live Q&A session where you can engage with our experts on your specific use cases, and learn more about optimizing your data workflows with AI.
This webinar is ideal for professionals seeking to harness the power of AI within their data management systems while ensuring high levels of customization and security. Whether you're a novice or an expert, gain actionable insights and strategies to elevate your data processes. Join us to see how FME and AI can revolutionize how you work with data!
Things to Consider When Choosing a Website Developer for your Website | FODUUFODUU
Choosing the right website developer is crucial for your business. This article covers essential factors to consider, including experience, portfolio, technical skills, communication, pricing, reputation & reviews, cost and budget considerations and post-launch support. Make an informed decision to ensure your website meets your business goals.
Infrastructure Challenges in Scaling RAG with Custom AI modelsZilliz
Building Retrieval-Augmented Generation (RAG) systems with open-source and custom AI models is a complex task. This talk explores the challenges in productionizing RAG systems, including retrieval performance, response synthesis, and evaluation. We’ll discuss how to leverage open-source models like text embeddings, language models, and custom fine-tuned models to enhance RAG performance. Additionally, we’ll cover how BentoML can help orchestrate and scale these AI components efficiently, ensuring seamless deployment and management of RAG systems in the cloud.
GraphRAG for Life Science to increase LLM accuracyTomaz Bratanic
GraphRAG for life science domain, where you retriever information from biomedical knowledge graphs using LLMs to increase the accuracy and performance of generated answers
Unlocking Productivity: Leveraging the Potential of Copilot in Microsoft 365, a presentation by Christoforos Vlachos, Senior Solutions Manager – Modern Workplace, Uni Systems
CAKE: Sharing Slices of Confidential Data on BlockchainClaudio Di Ciccio
Presented at the CAiSE 2024 Forum, Intelligent Information Systems, June 6th, Limassol, Cyprus.
Synopsis: Cooperative information systems typically involve various entities in a collaborative process within a distributed environment. Blockchain technology offers a mechanism for automating such processes, even when only partial trust exists among participants. The data stored on the blockchain is replicated across all nodes in the network, ensuring accessibility to all participants. While this aspect facilitates traceability, integrity, and persistence, it poses challenges for adopting public blockchains in enterprise settings due to confidentiality issues. In this paper, we present a software tool named Control Access via Key Encryption (CAKE), designed to ensure data confidentiality in scenarios involving public blockchains. After outlining its core components and functionalities, we showcase the application of CAKE in the context of a real-world cyber-security project within the logistics domain.
Paper: https://doi.org/10.1007/978-3-031-61000-4_16
Ocean lotus Threat actors project by John Sitima 2024 (1).pptxSitimaJohn
Ocean Lotus cyber threat actors represent a sophisticated, persistent, and politically motivated group that poses a significant risk to organizations and individuals in the Southeast Asian region. Their continuous evolution and adaptability underscore the need for robust cybersecurity measures and international cooperation to identify and mitigate the threats posed by such advanced persistent threat groups.
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
Programming Foundation Models with DSPy - Meetup SlidesZilliz
Prompting language models is hard, while programming language models is easy. In this talk, I will discuss the state-of-the-art framework DSPy for programming foundation models with its powerful optimizers and runtime constraint system.
Full-RAG: A modern architecture for hyper-personalizationZilliz
Mike Del Balso, CEO & Co-Founder at Tecton, presents "Full RAG," a novel approach to AI recommendation systems, aiming to push beyond the limitations of traditional models through a deep integration of contextual insights and real-time data, leveraging the Retrieval-Augmented Generation architecture. This talk will outline Full RAG's potential to significantly enhance personalization, address engineering challenges such as data management and model training, and introduce data enrichment with reranking as a key solution. Attendees will gain crucial insights into the importance of hyperpersonalization in AI, the capabilities of Full RAG for advanced personalization, and strategies for managing complex data integrations for deploying cutting-edge AI solutions.
Let's Integrate MuleSoft RPA, COMPOSER, APM with AWS IDP along with Slackshyamraj55
Discover the seamless integration of RPA (Robotic Process Automation), COMPOSER, and APM with AWS IDP enhanced with Slack notifications. Explore how these technologies converge to streamline workflows, optimize performance, and ensure secure access, all while leveraging the power of AWS IDP and real-time communication via Slack notifications.
Essentials of Automations: The Art of Triggers and Actions in FMESafe Software
In this second installment of our Essentials of Automations webinar series, we’ll explore the landscape of triggers and actions, guiding you through the nuances of authoring and adapting workspaces for seamless automations. Gain an understanding of the full spectrum of triggers and actions available in FME, empowering you to enhance your workspaces for efficient automation.
We’ll kick things off by showcasing the most commonly used event-based triggers, introducing you to various automation workflows like manual triggers, schedules, directory watchers, and more. Plus, see how these elements play out in real scenarios.
Whether you’re tweaking your current setup or building from the ground up, this session will arm you with the tools and insights needed to transform your FME usage into a powerhouse of productivity. Join us to discover effective strategies that simplify complex processes, enhancing your productivity and transforming your data management practices with FME. Let’s turn complexity into clarity and make your workspaces work wonders!
Taking AI to the Next Level in Manufacturing.pdfssuserfac0301
Read Taking AI to the Next Level in Manufacturing to gain insights on AI adoption in the manufacturing industry, such as:
1. How quickly AI is being implemented in manufacturing.
2. Which barriers stand in the way of AI adoption.
3. How data quality and governance form the backbone of AI.
4. Organizational processes and structures that may inhibit effective AI adoption.
6. Ideas and approaches to help build your organization's AI strategy.
Have you ever been confused by the myriad of choices offered by AWS for hosting a website or an API?
Lambda, Elastic Beanstalk, Lightsail, Amplify, S3 (and more!) can each host websites + APIs. But which one should we choose?
Which one is cheapest? Which one is fastest? Which one will scale to meet our needs?
Join me in this session as we dive into each AWS hosting service to determine which one is best for your scenario and explain why!
“An Outlook of the Ongoing and Future Relationship between Blockchain Technologies and Process-aware Information Systems.” Invited talk at the joint workshop on Blockchain for Information Systems (BC4IS) and Blockchain for Trusted Data Sharing (B4TDS), co-located with with the 36th International Conference on Advanced Information Systems Engineering (CAiSE), 3 June 2024, Limassol, Cyprus.
5. “ They say the music business is in trouble. No! The business of selling CDs is in trouble. This is a religion.” Michael Rapino Chief Executive Officer Live Nation
6. The paradigm in the music business has shifted, and I have to move with that shift. For the first time in my career, the way that my music can reach my fans is unlimited. The possibilities are endless. Who knows how my albums will be distributed in the future?” In a statement issued at the time of her deal with Live Nation, Madonna said: “
7. Music connects with people across all demographics. It is incredibly social, encouraging: SHARING CREATING RECOMMENDING RATING & DISCOVERING Help develop your community through the power of music
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9. 70% OF 16-19 year olds would rather go a week without sex than a week without music. SOURCE: MARRAKESH RECORDS AND HUMAN CAPITA, UK
10. Your consumers are currently hanging out on Facebook, MXit, the mobile web, etc... Tweeting about their favorite song. Discovering new music on LastFM. Leaving comments for their friends on MySpace. Sharing playlists on iLike. Posting concert photos on Flickr. Every day, music fans are discovering new ways to find, share, enjoy, and even remix their favorite music, and then broadcasting their findings and favorites, their complaints, and their compliments to a global community that is listening 24/7.
11. Volume of unique users and frequency of music/ logo downloads in South Africa Source: AMPS 2007 RA (Adults 16 yrs+)
13. Top 25 Digital Artists in South Africa - January 2010 (42% market share)
14. Top 25 Digital Tracks in South Africa - January 2010 (42% market share)
15. Digital downloads in South Africa across the biggest portals: Local vs. International Sales % Value % CM-5 CM-4 CM-3 CM-2 CM-1 CM CM-5 CM-4 CM-3 CM-2 CM-1 CM Local = African Acts/Artists International = All Others CM = Current Month CM-1 = Current Month - 1 One Month YTD = Year To Date
16. A sample of answers to music profiling questions posed to our music base of over 500000 users Gender: Female 51% Male 49% Access the internet: Mobile 80% PC 3% Both 17% Age: Under 16 8% 16 - 19 18% 20 - 24 24% 25 - 34 31% 35 - 49 16% 50 + 3% Contract 28% Prepaid 72% Preferred Music: R'nB 44% Gospel 17% Pop 9% Rock 9% Afrikaans 8% Dance 6% Jazz 4% Urban 3%
17. A sample of answers to music profiling questions posed to our music base of over 500000 users Purchase Music: Phone 67% PC 30% Music Store 3% Listen to music: Phone 70% Hifi 13% Car 10% MP3 player 5% iPod 2% Transport: Public 56% Car 31% Lift club 13% Coolest Clothing Brand: Nike 23% Puma 19% Guess 17% Levis 13% Adidas 10% Billalbong 8% Diesel 6% Quiksilver 4% Best way for your bank to communicate with you: SMS 73% TV 9% At school 9% Radio 5% Billboard 2% Email 2%
18. “ In the past, people would tour to promote their albums; today they put out albums to promote their tours. The pendulum has swung.” SOURCE: MARRAKESH RECORDS AND HUMAN CAPITA, UK
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21. The digital revolution has changed the way fans discover, share, and purchase music—forever. The good news? This shift to digital consumption has created the potential for virtually limitless new ideas and opportunities.
22. MOBILE MUSIC Engage. Interact. Innovate. Consumer engagement Positive brand interaction Effective targeting Authentic communication with large, diverse base Ability to build a loyal community Customer retention and repeat usage Consumer awareness of brand mobile site