This document discusses notes from a workshop on music in the liturgy led by Rev. Fr. Leo Nilo Mangussad. It covers Church documents on sacred music like Musicam Sacram and GIRM that provide guidance. It discusses the purpose and guidelines for different parts of the Mass and the role of music in facilitating participation and proper expression of themes for each liturgical season or event. Instruments are permitted if suitable for sacred use and contribute to edification of the faithful.
What a wonderful tradition the Catholic Church has from its history, liturgy and faith. Praise be to you God the Holy Spirit for your continued guidance and inspiration to the Holy Catholic Church. :-)
The holy Eucharist completes Christian initiation.
Those who have been raised to the dignity of the royal priesthood by Baptism, and configured more deeply to Christ by Confirmation, participate with the whole community in the Lord’s own sacrifice by means of the Eucharist.
What a wonderful tradition the Catholic Church has from its history, liturgy and faith. Praise be to you God the Holy Spirit for your continued guidance and inspiration to the Holy Catholic Church. :-)
The holy Eucharist completes Christian initiation.
Those who have been raised to the dignity of the royal priesthood by Baptism, and configured more deeply to Christ by Confirmation, participate with the whole community in the Lord’s own sacrifice by means of the Eucharist.
Sacraments and Sacramentals
I. What is a Sacrament
a. According to St. Aquinas
b. A sensible sign
c. Instituted by Christ
d. To give grace.
II. Divisions of the Sacrament
III. Jesus as the Primordial Sacrament
IV. What does the sacrament do.
V. Sacramentals
This is the presentation done by Sis Elizabeth Role during the Church Workers' Seminar held at the Baraton University Church on Saturday 23rd January 2016
Sacraments and Sacramentals
I. What is a Sacrament
a. According to St. Aquinas
b. A sensible sign
c. Instituted by Christ
d. To give grace.
II. Divisions of the Sacrament
III. Jesus as the Primordial Sacrament
IV. What does the sacrament do.
V. Sacramentals
This is the presentation done by Sis Elizabeth Role during the Church Workers' Seminar held at the Baraton University Church on Saturday 23rd January 2016
also known as Holy Communion, Blessed Sacrament and the Lord's Supper, is a Christian rite that is considered a sacrament in most churches, and as an ordinance in others.
Chapter 3 3Plainchant Alleluia, Caro mea”Composed ca. 1275This.docxwalterl4
Chapter 3 3Plainchant Alleluia, “Caro mea”
Composed: ca. 1275
This brief chant is from the Mass for the Feast of Corpus Christi. It is a responsorial chant in which a chorus “responds” to a solo singer. As is so often the case with medieval plainchant, we do not know the identity of the composer, though it was probably written by a monk or priest. This chapter's recording, by an all-male ensemble, reflects the way this chant would have been sung in a medieval monastery.Learning Objectives
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3.1Describe how the Alleluia functioned in the context of the Mass.
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3.2Define responsorial chant.
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3.3Identify the unison texture of plainchant as it is heard in “Caro mea” from the Mass for the Feast of Corpus Christi.
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3.4Explain the use of contrast in the performance of “Caro mea.”
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3.5Define melisma and identify melismas in “Caro mea.”
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3.6Describe how plainchant assists in promoting calm and well-being.
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Plainchant was an integral part of every service of worship in the Medieval church. The Alleluia “Caro mea” is one of many plainchants used during the Mass for the Feast of Corpus Christi (Latin for “Body of Christ”), which celebrates the Holy Sacrament, the body (bread) and blood (wine) of Christ. Like all Masses, the Mass for the Feast of Corpus Christi consists of a combination of elements that are unchanging (the “Ordinary”—the Kyrie, Gloria, Credo, Sanctus, and Agnus Dei) and elements that change according to the specific Sunday or feast day (the “Propers”—Introit, Gradual, Alleluia, Offertory, Communion). The texts for the Propers of the Mass for the Feast of Corpus Christi all deal in some way with the ritual of the Holy Sacrament.
The text for the Alleluia for this feast day is taken from the Gospel of John, 6:55–56. These are the words Jesus spoke to his disciples and others at the synagogue at Caprenaum, and they foreshadow the words he would say at the Last Supper the night before his crucifixion, when he distributed bread and wine to his disciples as part of the traditional Passover meal.
A priest (center) leads the celebration of Mass with the assistance of monks (left), who are singing from a notated manuscript.PERFORMANCEChilling to Chant
Plainchant has long been recognized as an element that enhances meditation, prayer, and devotion: It figures prominently in many of the world's religions (see Expand Your Playlist: Chant, Chapter 1). The gentle flow of the melodies, the absence of repetitive rhythms, and the relatively narrow range of timbre all help create a sense of calm and well-being. Scientists are gradually discovering that there is a physiological factor at work here as well. Dr. Alan Watkins, a senior lecturer in neuroscience at Imperial College London, has noted that “the musical structure of chanting can have a significant and positive physiological impact . . . studies also demonstrate that such practices have been shown to lower blood pressure, increase levels of the performance hormone DHEA as.
The Book of Joshua is the sixth book in the Hebrew Bible and the Old Testament, and is the first book of the Deuteronomistic history, the story of Israel from the conquest of Canaan to the Babylonian exile.
In Jude 17-23 Jude shifts from piling up examples of false teachers from the Old Testament to a series of practical exhortations that flow from apostolic instruction. He preserves for us what may well have been part of the apostolic catechism for the first generation of Christ-followers. In these instructions Jude exhorts the believer to deal with 3 different groups of people: scoffers who are "devoid of the Spirit", believers who have come under the influence of scoffers and believers who are so entrenched in false teaching that they need rescue and pose some real spiritual risk for the rescuer. In all of this Jude emphasizes Jesus' call to rescue straying sheep, leaving the 99 safely behind and pursuing the 1.
Lesson 9 - Resisting Temptation Along the Way.pptxCelso Napoleon
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SBs – Sunday Bible School
Adult Bible Lessons 2nd quarter 2024 CPAD
MAGAZINE: THE CAREER THAT IS PROPOSED TO US: The Path of Salvation, Holiness and Perseverance to Reach Heaven
Commentator: Pastor Osiel Gomes
Presentation: Missionary Celso Napoleon
Renewed in Grace
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each chakra is studied in greater detail, several steps have been included to
strengthen your personal intention to open each chakra more fully. These are designed
to draw forth the highest benefit for your spiritual growth.
The PBHP DYC ~ Reflections on The Dhamma (English).pptxOH TEIK BIN
A PowerPoint Presentation based on the Dhamma Reflections for the PBHP DYC for the years 1993 – 2012. To motivate and inspire DYC members to keep on practicing the Dhamma and to do the meritorious deed of Dhammaduta work.
The texts are in English.
For the Video with audio narration, comments and texts in English, please check out the Link:
https://www.youtube.com/watch?v=zF2g_43NEa0
Homily: The Solemnity of the Most Holy Trinity Sunday 2024.docxJames Knipper
Countless volumes have been written trying to explain the mystery of three persons in one true God, leaving us to resort to metaphors such as the three-leaf clover to try to comprehend the Divinity. Many of us grew up with the quintessential pyramidal Trinity structure of God at the top and Son and Spirit in opposite corners. But what if we looked at this ‘mystery’ from a different perspective? What if we shifted our language of God as a being towards the concept of God as love? What if we focused more on the relationship within the Trinity versus the persons of the Trinity? What if stopped looking at God as a noun…and instead considered God as a verb? Check it out…
The Good News, newsletter for June 2024 is hereNoHo FUMC
Our monthly newsletter is available to read online. We hope you will join us each Sunday in person for our worship service. Make sure to subscribe and follow us on YouTube and social media.
What Should be the Christian View of Anime?Joe Muraguri
We will learn what Anime is and see what a Christian should consider before watching anime movies? We will also learn a little bit of Shintoism religion and hentai (the craze of internet pornography today).
1. Rev. Fr. Leo Nilo Mangussad
Note: This is not Fr. Nilo’s official slides for this topic. This is just based on the notes of one of those
who participated in the Music in the Liturgy workshop, where Fr. Nilo is the main speaker, conducted
at St. Francis Xavier Parish (Mayamot, Anitpolo) last Oct. 29, 2011.
2. Rev. Fr. Leo Nilo Mangussad
Rector, Mary Queen of Peace Shrine (EDSA
Shrine)
Director, Commission on Music in Liturgy,
Archdiocese of Manila
Institute of Music in Liturgy (ILM)
▪ Offers Basic Course on Liturgical Music
▪ Held at the Our Lady of Guadalupe Minor
Seminary, EDSA, Makati City
3. Musicam Sacram – instruction on music in
the liturgy (2nd Vatican Ecumenical
Council, March 5, 1967)
http://www.vatican.va/archive/hist_councils/ii_vatican_council/documents/vat-ii_instr_19670305_musicam-sacram_en.html
General Instruction of the Roman Missal
(GIRM)
http://www.vatican.va/roman_curia/congregations/ccdds/documents/rc_con_ccdds_doc_20030317_ordinamento-messale_en.html
4. It is a universal language (musical notes,
staff, etc.)
When you hear music, you will have the same
reaction regardless of gender, age,
knowledge in music, etc.
Even plants and animals are affected by
music
5. Sacred Music – to glorify and sanctify the
faithful
Liturgical Music – a type of sacred music that
specifically satisfies the needs of the liturgy
Secular Music – about the world, people but
not directly about God
Sacred Music
Secular Music
Liturgical
Music
6. (#9 Musicam Sacram) No kind of sacred music is
prohibited from liturgical actions by the Church as long as
it corresponds to the spirit of the liturgical celebration
itself and the nature of its individual parts, and does not
hinder the active participation of the people.
(#41, GIRM) All other things being equal, Gregorian chant
holds pride of place because it is proper to the Roman
Liturgy. Other types of sacred music, in particular
polyphony, are in no way excluded, provided that they
correspond to the spirit of the liturgical action and that
they foster the participation of all the faithful.
7. Align with the Season of the Church
Advent, Christmas, Lent, Easter, Ordinary
Align with the Feasts, Solemnities,
Ceremonials
Feast of Saints, Immaculate Conception, Devotion
to the Sacred Heart of Jesus, etc.
Align with the Theme
Mass for bountiful harvest, etc.
8. Entrance Hymn
(#47, GIRM) purpose of this chant is to open the
celebration, foster the unity of those who have been
gathered, introduce their thoughts to the mystery of the
liturgical season or festivity, and accompany the
procession of the priest and ministers.
If the priest is already at his chair (or the altar, if there is no
chair), the song must end.
Kyrie (Lord Have Mercy)
(#52, GIRM) a chant by which the faithful acclaim the
Lord and implore his mercy
We glorify first before we ask for forgiveness
9. Gloria
(#53, GIRM) a very ancient and venerable hymn in which the Church,
gathered together in the Holy Spirit, glorifies and entreats God the
Father and the Lamb.
Make the people feel that you are excited to the Holy Trinity.
(#53, GIRM) sung or said on Sundays outside the Seasons of Advent
and Lent, on solemnities and feasts, and at special celebrations of a
more solemn character.
Responsorial Psalm
(#61, GIRM) an integral part of the Liturgy of the Word and holds great
liturgical and pastoral importance, because it fosters meditation on
the word of God.
It is preferred that response is thru song while the verses thru chant
(or read)
10. Alleluia
(#62, GIRM) the assembly of the faithful welcomes
and greets the Lord who is about to speak to it in the
Gospel and professes its faith by means of the chant
“AlleluYaweh,” which means “Praise the Lord”
Official structure is Alleluia – Verse – Alleluia. If the
song already has a verse, no need for lector to read
the verse
(#62, GIRM) sung in every season except Lent … the
verse before the Gospel is sung, as indicated in the
Lectionary. It is also permissible to sing another
psalm or tract, as found in the Gradual.
11. Song for the Presentations of the Gifts
“Offertorium,” song for the Wine and Bread
(#74, GIRM) continues at least until the gifts have been placed
on the altar … Singing may always accompany the rite at the
offertory, even when there is no procession with the gifts
Take and Receive and Paghahandog ng Sarili are not
appropriate because they are not offering about the Lord
Sanctus
Said three times (Holy) -> superlative degree
(#79b, GIRM) joining with the heavenly powers … this
acclamation, which is part of the Eucharistic Prayer itself, is
sung or said by all the people with the priest.
12. Memorial Acclamation
(#79e, GIRM) keeps the memorial of Christ,
recalling especially his blessed Passion, glorious
Resurrection, and Ascension into heaven.
Great Amen
(#79h, GIRM) by which the glorification of God is
expressed and which is confirmed and concluded
by the people’s acclamation, Amen.
The great confirmation
13. Lord’s Prayer
Should be sung having masculine characteristics
(strong, powerful, protective, etc.) for the Lord wants
us to feel that our Father has such characteristics.
Doxology to the Lord’s Prayer
Same with the Lord’s prayer on how it should be sung
(#81, GIRM) The priest says the invitation to the
prayer, and all the faithful say it with him; the priest
alone adds the embolism, which the people conclude
with a doxology.
14. Agnus Dei (Lamb of God)
(#83, GIRM) accompanies the fraction and, for
this reason, may be repeated as many times as
necessary until the rite has reached its
conclusion, the last time ending with the words
dona nobis pacem (grant us peace).
Has two sections (A and B). A can be repeated as
necessary while B is the ending
This is a form of litany so it should be sung
prayerfully since we are begging for mercy.
15. Communion Song
(#86, GIRM) purpose is to express the communicants’ union in
spirit by means of the unity of their voices, to show joy of
heart, and to highlight more clearly the “communitarian”
nature of the procession to receive Communion. The singing is
continued for as long as the Sacrament is being administered
to the faithful.
Should be related to the readings, responsorial psalm, gospel
or best if homily.
Sung prayerfully to help parishioners in praying after receiving
communion
Recessional Hymn
Free to sing any song but at least make it a sacred music.
Theme should be thanking God and sending forth the people.
16. (#15, Musica Sacram) The faithful fulfill their liturgical role by
making that full, conscious and active participation which is
demanded by the nature of the liturgy itself and which is, by
reason of baptism, the right and duty of the Christian people.
This participation:
(a) Should be above all internal, in the sense that by it the faithful join
their mind to what they pronounce or hear, and cooperate with
heavenly grace,
(b) Must be, on the other hand, external also, that is, such as to show
the internal participation by gestures and bodily attitudes, by the
acclamations, responses and singing.
Try to make it unison from entrance hymn up to agnus dei so that
people can’t be confused on the voicings
17. The pipe organ is to be held in high esteem in the
Latin Church, since it is its traditional instrument, the
sound of which can add a wonderful splendor to the
Church's ceremonies and powerfully lift up men's
minds to God and higher things.
The use of other instruments may also be admitted
in divine worship, given the decision and consent of
the competent territorial authority, provided that
the instruments are suitable for sacred use, or can be
adapted to it, that they are in keeping with the
dignity of the temple, and truly contribute to the
edification of the faithful
Section IV, Musicam Scaram
18. In permitting and using musical instruments, the culture
and traditions of individual peoples must be taken into
account. However, those instruments which are, by
common opinion and use, suitable for secular music
only, are to be altogether prohibited from every
liturgical celebration and from popular devotions
The use of musical instruments to accompany the singing
can act as a support to the voices, render participation
easier, and achieve a deeper union in the assembly.
However, their sound should not so overwhelm the
voices that it is difficult to make out the text; and when
some part is proclaimed aloud by the priest or a minister
by virtue of his role, they should be silent
Section IV, Musicam Scaram
19. The playing of … instruments as solos is not
permitted in Advent, Lent, during the Sacred Triduum
and in the Offices and Masses of the Dead.
It is highly desirable that organists and other
musicians should not only possess the skill to play
properly the instrument entrusted to them: they
should also enter into and be thoroughly aware of
the spirit of the liturgy, so that even when playing ex
tempore, they will enrich the sacred celebration
according to the true nature of each of its parts, and
encourage the participation of the faithful.
Section IV, Musicam Scaram