The document discusses ethics in the music industry. It notes that while the industry makes a lot of money, some artists cross ethical lines by promoting nudity, violence, and racism in their music. This can negatively influence societal attitudes. Record companies also do not take responsibility for these effects because controversial content increases profits. In conclusion, the music industry would be more sustainable if governments took action against piracy to protect creative works and reward ethical behavior.

2. Music ethics

3. Music ethics
Waleed Alfuriah

4. Music ethics
Waleed Alfuriah
abdallah al-bassam

5. Music ethics
Waleed Alfuriah
abdallah al-bassam
fahad saad

6. What is the music industry ?
The music industry or music business is
selling recoding and performances of music
Among many individuals and organizations that
operate with musicians .
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8. For the past two decades, many
problems have occurred in the
music industry. One of these
problems is the way of marke=ng
music. Ar=sts these days have cross
the ethical line so far that led to
many changes on people ethically.
Which we will discuss the side
effects and the posi=ve side of it in
this presenta=on .

10. Thesis

11. Thesis
music industry is a way for making
tons of money even if it affects the
public ethically.

13. Moral side effect

14. Moral side effect
Most people listen to music every day. And
Most of them don’t care what the music
represents. They just like the sound and the
rhythm of it .even though, it affect people
minds. For example: rap music. Most rappers
rap about murder, adulatory, violence and
racism. So when normal people listen to it.
They will think that it what most people do or
it's an acceptable thing to do.

16. One study found that young subjects who
watched violent rap videos were more
accep=ng of violent ac=ons, par=cularly
against women. Addi=onally, those who
watched either violent or nonviolent music
videos were more exposed to express feelings
through crimes and violence ac=vi=es.

18. Examples of ar=st these days

19. Examples of ar=st these days

20. Examples of ar=st these days
Lady gaga

21. Examples of ar=st these days
Lady gaga
Represents

22. Examples of ar=st these days
Lady gaga
Represents
Nudity

23. Examples of ar=st these days
Lady gaga
Represents
Nudity

24. Examples of ar=st these days
Lady gaga Lil wayne
Represents
Nudity

25. Examples of ar=st these days
Lady gaga Lil wayne
Represents Represents
Nudity

26. Examples of ar=st these days
Lady gaga Lil wayne
Represents Represents
Nudity Violence

27. Examples of ar=st these days
Lady gaga Lil wayne
Represents Represents
Nudity Violence
And

28. Examples of ar=st these days
Lady gaga Lil wayne
Represents Represents
Nudity Violence
And
Drug addiction

29. Marketing music
The Most Common ressources to market
music are :

30. Marketing music
The Most Common ressources to market
music are :
itunes

31. Marketing music
The Most Common ressources to market
music are :
itunes Web
sites

32. Marketing music
The Most Common ressources to market
music are :
itunes Web
Music
sites
videos

33. •Worldwide Music Industry Revenues (2006 - 2011)
2006 ($60.7 billion), 2007 ($61.5 billion), 2008 ($62.6
billion), 2009 ($65.0 billion), 2010 ($66.4 billion), 2011
($67.6 billion)
Worldwide Live Music / Concert Revenues (2006 - 2011)
$16.6 billion (2006), $18.1 billion (2007), $19.4 billion
(2008), $20.8 billion (2009), $22.2 billion (2010), $23.5
billion (2011)
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34. ITUNES
•The world’s #1 music store. And more.
What makes the iTunes Store such a hit? Over 13 million
high-quality, DRM-free songs priced at just 69¢, 99¢, or
$1.29 each.
•Music’s just the beginning. You can also rent or buy
blockbuster movies and HD episodes of your favorite TV
shows, shop for audiobooks, and download apps for
your iPhone, iPod touch, or iPad. Subscribe to free
podcasts about anything and everything.
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36. Sta=s=cs about the profits of music
industry

37. Sta=s=cs about the profits of music
industry
In 2009 globally, for the first =me, more than
one quarter of record companies’ revenues
came from digital channels. Fans can acquire
tracks and albums from download stores,
streaming sites, subscrip=on services, free‐to‐
user sites, bundled with their broadband or a
mobile phone handset.

38. •This presentation points the way to an optimistic future
for the music industry – great offerings for consumers,
more investment in artists, economic growth and more
jobs. Yet we are nowhere near that future today, and we
will not get there without a secure legal environment
where creative work is rewarded and copyright theft is
effectively deterred. To unlock the enormous potential of
digital music, we have to address piracy both on P2P
networks
and in other forms. That is where, today, we look to
governments for action.
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40. Conclusion

41. Conclusion
So in conclusion music these days are affec=ng our
communi=es and record companies are not being responsible
to this affec=on , because they know that the more the music
contain nudity , racism or violence The more profit they will
make .

42. Conclusion
So in conclusion music these days are affec=ng our
communi=es and record companies are not being responsible
to this affec=on , because they know that the more the music
contain nudity , racism or violence The more profit they will
make .

43. Conclusion
So in conclusion music these days are affec=ng our
communi=es and record companies are not being responsible
to this affec=on , because they know that the more the music
contain nudity , racism or violence The more profit they will
make .
music s=ll not a bad business if governments took series ac=ons
to protect it from being copied and sold for free .