War Propaganda:
A Visual Medium
       Alan Leonard
      Beatriz Lopez
     Beth Laurenson
      Karen Hughes
   Gábor László-Fülöp
The Plan
Propaganda as a visual medium: what it is and the techniques involved


Origins of war propaganda: from 7000 BC to 1990 AD


 Creative and Technological Evolution, Continuity and Remediation in
the 20th Century



   World War I
   World War II
   Vietnam War
   The War on Terror: 2001 and beyond
   Hungarian Revolution Comparison
What is
Propaganda is neutrally defined as a systematic form of purposeful
persuasion that attempts to influence the emotions, attitudes, opinions,
and actions of specified target audiences for ideological, political or
commercial purposes through the controlled transmission of one-sided
messages (which may or may not be factual) via mass and direct media
channels.“ (Nelson 1996)


sent across in many and all types of media: radio, television, leaflets,
posters, hoardings, books, film, government reports, news broadcasts and
historical revision of any of the above
The Five
Bandwagon: using numbers/popularity to gain support


Testimonial: using the support of a high profile figure to gain support of
others


Transfer: linking the idea being sold to a person to give the argument
momentum
(ie. linking 'red terror' and the figure of Ho Chi Mihn in the West to give
the idea of ‘red terror’ support)


Repetition: simply repeating a name/word/argument to gain support, to
make it stick in the mind


 Emotional Words: using words /images/colours to evoke a specific
feeling that will gain support for an argument
The Origins
The Ancient World: Rome and Greece
The Middle Ages: The Crusades and the 100
Years War
The Renaissance: The Reformation and the 30
Years War
The Age of Revolutions: American, French and
Napoleonic
The Age of Total War: 20th Century Warfare
World
 War
One
WWI
WWI use of Images for
Propaganda

Use of newspapers in WWI

Morse code in WWI

Posters and handouts
Great Britain     !"##$%&'(%)*(+,"))-$%$,'./)(0)1%0(.234(%)



                         Lord Kitchener–
                 Alfred Leete (1882 - 1933)


 Leete's famous Lord Kitchener poster design first appeared
 on the cover of the weekly magazine “London Opinion” in
 September, 1914.


 It was so successful at persuading men to join the British
 Army that James Montgomery Flagg copied the idea when
 the United States entered the war in 1917.
 With the Uncle Sam image
USA
Uncle Sam –
James Montgomery Flagg
1877-1960

Over four million copies
were printed between
1917 and 1918
Each of the nations which participated in World War One
from 1914-18 used propaganda posters not only as a means
of justifying involvement to their own populace, but also as
a means of procuring men, money and resources to sustain
the military campaign.




    Australia            Belgium                UK
Fonts
 Canada
          Backgrounds   USA
Germany
          Colour
          Style
Images and posters were also used to
promote War Bonds to support and help
finance the war
On May 7, 1915, Lusitania was torpedoed
off the southern coast of Ireland




                     The sinking of the Lusitania was used
                     by clever propagandists to portray the
                     Germans as inhuman slaughterers of
                     innocents
World
 War
Two
World War II
Addressed to people’s emotions .
Newspapers and films were frequently used:
however posters achieved a renaissance due to
the fact that they could be put up anywhere.
This is known as the Visual culture.
Another way to have an influence on people
was radio. It was used for speeches such as
Churchill’s ones, often in deep and direct voice
and or voiced by celebrities of the time.
Also appeared in the Hollywood industry and in
children's cartoons.
The
Posters


 The emotional appeal of      Goebbels as Mickey      Flagg’s avuncular Uncle
the threatened mother and    Mouse, 1941/U.S.S.R./   Sam got tough as victories
  child made this poster a       Boris Efimov           mounted, 1944/USA/ J
success, 1942/Canada/ G.                             ames Montgomery Flaggs
         K. Odell
Posters


 “The German Student            The work of the            An American aviator
Fights for the Führer and   “liberators”, 1944/Italy.   portrayed as a war god, no
  the People,” 1930’s/          Artist unknown          date/USA poster for China/
   Germany/ Ludwig                                            Artist unknown
        Hohlwein
Newspapers


   Nazi-antisemitic         Allied gray media:
newspaper: Der Stürmer   Nachrichten für die Truppe
    (The Attacker)         (News for the Troops)
Radio
RADIO PROGRAMS
Mail Call! A letter from home
Words at War
Axis Sally

RADIO STATIONS
Radio Stuttgart
Radio station Soldatensender West
Switzerland‘s National AM Radio Station Beromünster
Nazi Films


Poster for the film Jew Süss,    Wunschkonzert, 1940.       Poster for the film Jew Süss,
  c.1940. Germany. Artist      This film emphasizes the       c.1940. Germany. Artist
         unknown.              superiority of the “Aryan            unknown.
                                         race”.
Allied Films

                     Yankee Doodle Dandy, The
                          Musical, 1942.


Wake Island, 1942.                              Casablanca, 1942.
Postcards


    “Not you but the front is the
benchmark” Day of the NSDAP in the       Anti-German postcard,
General Government 13. – 15 . August      1944/Belgium/ Artist
 1943. After a painting by Will Tesch.         unknown
Cartoons
 Blitz Wolf (1942)
 Der Fuerher’s face (1942)
 The Duckators (1942)
 Russian Rhapsody (1944)
 Tokio Jokio (1943)
Vietnam
  War
Vietnam War -
1955-1975

Print and Radio still accessible and popular
mediums

 Advent of mass television culture: the first
‘television’ war
Television and
   Advent of unintentional propaganda: use of photographs and video
  footage captured by journalists for general media reporting purposes that
  have a natural emotional appeal


   note the change in the focus of the emotional content as the war
  progressed


  Movement away from hand-drawn images, sloganism and constructed
  posters towards simplistic live-action stills: evolution of the medium into
  digital form


  Using realism to appeal to the masses: defined break from the fantastical
  and whimsical images popular in WWI and WWII propaganda
Traditional Pro
Traditional Pro
Traditional Pro
Traditional Pro-

Men in the jungle 1972/ U.S Marine Corps/ Da Nang
                                                     US Marine Sea Knight
                                                    helicopter comes down
                                                    1966/ Horst Faas / South
                                                        Vietnam border




US 2nd Battalion 1965/ Henri Huet/ South Vietnam
Atrocity



 My Lai Masscre 1968/      My Lai Masscre 1968/
Ronald Haeberle/ My Lai   Ronald Haeberle/ My Lai
Atrocity



   Protest against the     Shooting of a suspected Viet
persecution of Buddhists   Cong officer by the Chief of
by the South Vietnamese     the National Police 1968/
   Government 1963/           Eddie Adams/ Saigon
Malcom Browne/ Saigon
Napalm attack on Trang Bang 1972/ Nick Ut/ South Vietnam
New Media Focus
        Rebirth of intentional propaganda using new technology




 A US Paratrooper sets fire                      First Infantry Division
  to a house 1966/ Peter                      destroy a Vietcong Training
  Arnett/ Vaico Oriental                          Camp 1965/ Dirck
           River                               Halstead/ Lai Khe Region
Baby in the box 1973/ Chick Harrity/ Saigon




‘War is Hell’ 1965/ Horst Faas/Vietnam
                                              Women and children in the Bao Trai
                                               Canal 1966/ Horst Faas/ Saigon
Posters
 Huge focus on the remediation of WWI and WWII poster
content

   Images
   Fonts
   Colour schemes
   Layouts

Awareness of target audiences: what is going to appeal to
the viewer
Uncle Sam
                          Uncle Sam 1917/ James
                            Montgomery Flagg




                                                  I Want You for the US Army
 I Want Out 1971/ The                               1972/ Personality Posters/
Committee to Unsell the                                       UK
      War/ USA
Target


                       Vote No Mum 1914/ Percy
Baez Girls 1968/ Jim       Lindsay/ Australia
  Marshall/ USA
War
 On
Terror
The War on
  
 All
 forms
 of
 media
 –
 tradi/onal
 and
 new:
 
 posters,

     photos,
 newspapers,
 magazines,
 television,
 internet,

     radio,
books,
movies
and
even
kids
games.

Focus:
 poster
 remedia/on,
 s/ll‐images
 and
 Internet

  distribu/on
Big Impact
Tradi/onal‐style
posters
to
encourage
people
to
enlist

 Shocking
 images
 of
 cruelty
 in
 Iraq
 to
 make
 people
 think

they
were
needed
there

 Book,
 games
 and
 movies
 to
 appeal
 to
 a
 range
 of
 target

audiences


 Magazine
covers
and
newspaper
covers
Poster
Games,
Atrocity
Influenced by techniques of the Vietnam War
Magazine
Newspaper
Television
The
Hungarian
Revolution
WW1                    WW2


     Hungarian Revolution



Viatnam War         War on Terror
The Symbol of



    The Hungarian Flag with
   the soviet red star been cut
    out from the middle of it.
     Also known as the flag
          with the hole.
Remediation Of



The upset of the Stalin   Iwo Jima, raising the
  statue in Budapest          american flag.
 (October 10, 1956)        (February 23, 1945)
Sources
Abhor, T. 2010. Eleven Years After WTO: The Impact of Uprisings. Dialogic [Online]. 5 December. Available from: http://dialogic.blogspot.com/ [Accessed 5 December 2010].
American Movie Classics Company 2010. War and Anti-War Films [Online]. Available from: http://www.filmsite.org/warfilms2.html [Accessed 26 November 2010].
Associated Press 2005. Vietnam war picture that touched a nation can still surprise. Sydney Morning Herald [Online]. 23 May. Available from: http://www.smh.com.au/articles/
2005/05/22/1116700595259.html?oneclick=true [Accessed 23 November 2010].
BBC 2010. BBC World Wars In-Depth: Audio [Online]. Available from: http://www.bbc.co.uk/history/worldwars/wwtwo/churchill_audio_01.shtml [Accessed 26 November 2010].
Brainard, J 2008. Nazi Propaganda: a multimedia exhibit [Online]. Available from: http://www.historywiz.org/nazi-mm-news.htm [Accessed 26 November 2010].
CrimethInc. Workers' Collective 2010. Fighting in a New Terrain: What’s Changed Since the 20th Century [Online]. Available from: http://crimethinc.com/texts/recentfeatures/terrain.php
[Accessed 1 December 2010].
Cunningham, S.B. 2002. The Idea of Propaganda: A Reconstruction. Westport:Praeger Publishers.
Deutsche Welle 2007. German Expert on Nazi Film and Propaganda [Online]. Available from: http://www.dw-world.de/dw/article/0,,2728383,00.html [Accessed 26 November 2010].
D’Silva, R. 2010. Examples of Propaganda Techniques [Online]. Available from: http://www.buzzle.com/articles/examples-of-propaganda-techniques.html [Accessed 20 November 2010].
Duffy, M. 2009. Propaganda Posters: An Introduction [Online]. Available from: http://www.firstworldwar.com/posters/index.htm [Accessed 29 November 2010].
Jelsoft Enterprises 2010. The YBBS [Online]. Available from: http://yourbbsucks.com/forum/index.php [Accessed 4 December 2010].
Lerner, D. 1980. Paper bullets : great propaganda posters in full color, Axis & Allied countries World War II. New York, London: Chelsea House Publishers.
Lilian. 2010. The Vietnam War: 35 Years Later. Picspam [Online]. 22 May. Available from: http://community.livejournal.com/ontd_political/6254930.html [Accessed 23 November 2010].
Love, K. 2010. Five Things I Remember About 9-11. Kara’s Blog [Online]. 10 September. Available from: http://kara.andrewandkara.com/ [Accessed 1 December 2010].
Oak, M. 2010. Types of Propaganda Techniques [Online]. Available from: http://www.buzzle.com/articles/types-of-propaganda-techniques.html [Accessed 20 November 2010].
Old Time Radio Catalogue 2010. Mail Call: 45 Episodes [Online]. Available from: http://www.otrcat.com/mail-call-p-1572.html [Accessed 26 November 2010].
O'Shaughnessy, N.J. 2004. Politics and Propaganda: Weapons of Mass Seduction. Manchester: Manchester University Press.
Shah, A. 2003. Media, Propaganda and Vietnam [Online]. Available from: http://www.globalissues.org/article/402/media-propaganda-and-vietnam [Accessed 23 November 2010].
Simkin, J. 2010. Imperial War Museum [Online]. Available: http://www.spartacus.schoolnet.co.uk/ [Accessed 29 November 2010].
Soules, M. 2007. Propaganda At War: Mass Media, Propaganda and Censorship [Online]. Available from: http://www.media-studies.ca/articles/war_propaganda.htm [Accessed 20 November
2010].
Taylor, P.M. 2003. Munitions of the Mind: a history of propaganda from the ancient world to the present day. Manchester: Manchester University Press.
Welch, D. 2010. BBC World Wars In-Depth: Nazi Propaganda [Online]. Available from: http://www.bbc.co.uk/history/worldwars/wwtwo/nazi_propaganda_gallery.shtml [Accessed 26
November 2010].
Sources
Abhor, T. 2010. Eleven Years After WTO: The Impact of Uprisings. Dialogic [Online]. 5 December. Available from: http://dialogic.blogspot.com/ [Accessed 5 December 2010].
American Movie Classics Company 2010. War and Anti-War Films [Online]. Available from: http://www.filmsite.org/warfilms2.html [Accessed 26 November 2010].
Associated Press 2005. Vietnam war picture that touched a nation can still surprise. Sydney Morning Herald [Online]. 23 May. Available from: http://www.smh.com.au/articles/
2005/05/22/1116700595259.html?oneclick=true [Accessed 23 November 2010].




                                                              The
BBC 2010. BBC World Wars In-Depth: Audio [Online]. Available from: http://www.bbc.co.uk/history/worldwars/wwtwo/churchill_audio_01.shtml [Accessed 26 November 2010].
Brainard, J 2008. Nazi Propaganda: a multimedia exhibit [Online]. Available from: http://www.historywiz.org/nazi-mm-news.htm [Accessed 26 November 2010].
CrimethInc. Workers' Collective 2010. Fighting in a New Terrain: What’s Changed Since the 20th Century [Online]. Available from: http://crimethinc.com/texts/recentfeatures/terrain.php
[Accessed 1 December 2010].
Cunningham, S.B. 2002. The Idea of Propaganda: A Reconstruction. Westport:Praeger Publishers.
Deutsche Welle 2007. German Expert on Nazi Film and Propaganda [Online]. Available from: http://www.dw-world.de/dw/article/0,,2728383,00.html [Accessed 26 November 2010].
D’Silva, R. 2010. Examples of Propaganda Techniques [Online]. Available from: http://www.buzzle.com/articles/examples-of-propaganda-techniques.html [Accessed 20 November 2010].
Duffy, M. 2009. Propaganda Posters: An Introduction [Online]. Available from: http://www.firstworldwar.com/posters/index.htm [Accessed 29 November 2010].
Jelsoft Enterprises 2010. The YBBS [Online]. Available from: http://yourbbsucks.com/forum/index.php [Accessed 4 December 2010].
Lerner, D. 1980. Paper bullets : great propaganda posters in full color, Axis & Allied countries World War II. New York, London: Chelsea House Publishers.
Lilian. 2010. The Vietnam War: 35 Years Later. Picspam [Online]. 22 May. Available from: http://community.livejournal.com/ontd_political/6254930.html [Accessed 23 November 2010].
Love, K. 2010. Five Things I Remember About 9-11. Kara’s Blog [Online]. 10 September. Available from: http://kara.andrewandkara.com/ [Accessed 1 December 2010].
Oak, M. 2010. Types of Propaganda Techniques [Online]. Available from: http://www.buzzle.com/articles/types-of-propaganda-techniques.html [Accessed 20 November 2010].
Old Time Radio Catalogue 2010. Mail Call: 45 Episodes [Online]. Available from: http://www.otrcat.com/mail-call-p-1572.html [Accessed 26 November 2010].
O'Shaughnessy, N.J. 2004. Politics and Propaganda: Weapons of Mass Seduction. Manchester: Manchester University Press.
Shah, A. 2003. Media, Propaganda and Vietnam [Online]. Available from: http://www.globalissues.org/article/402/media-propaganda-and-vietnam [Accessed 23 November 2010].
Simkin, J. 2010. Imperial War Museum [Online]. Available: http://www.spartacus.schoolnet.co.uk/ [Accessed 29 November 2010].
Soules, M. 2007. Propaganda At War: Mass Media, Propaganda and Censorship [Online]. Available from: http://www.media-studies.ca/articles/war_propaganda.htm [Accessed 20 November
2010].
Taylor, P.M. 2003. Munitions of the Mind: a history of propaganda from the ancient world to the present day. Manchester: Manchester University Press.
Welch, D. 2010. BBC World Wars In-Depth: Nazi Propaganda [Online]. Available from: http://www.bbc.co.uk/history/worldwars/wwtwo/nazi_propaganda_gallery.shtml [Accessed 26
November 2010].

Multimeda studies DCU (Group 11)

  • 1.
    War Propaganda: A VisualMedium Alan Leonard Beatriz Lopez Beth Laurenson Karen Hughes Gábor László-Fülöp
  • 2.
    The Plan Propaganda asa visual medium: what it is and the techniques involved Origins of war propaganda: from 7000 BC to 1990 AD Creative and Technological Evolution, Continuity and Remediation in the 20th Century World War I World War II Vietnam War The War on Terror: 2001 and beyond Hungarian Revolution Comparison
  • 3.
    What is Propaganda isneutrally defined as a systematic form of purposeful persuasion that attempts to influence the emotions, attitudes, opinions, and actions of specified target audiences for ideological, political or commercial purposes through the controlled transmission of one-sided messages (which may or may not be factual) via mass and direct media channels.“ (Nelson 1996) sent across in many and all types of media: radio, television, leaflets, posters, hoardings, books, film, government reports, news broadcasts and historical revision of any of the above
  • 4.
    The Five Bandwagon: usingnumbers/popularity to gain support Testimonial: using the support of a high profile figure to gain support of others Transfer: linking the idea being sold to a person to give the argument momentum (ie. linking 'red terror' and the figure of Ho Chi Mihn in the West to give the idea of ‘red terror’ support) Repetition: simply repeating a name/word/argument to gain support, to make it stick in the mind Emotional Words: using words /images/colours to evoke a specific feeling that will gain support for an argument
  • 5.
    The Origins The AncientWorld: Rome and Greece The Middle Ages: The Crusades and the 100 Years War The Renaissance: The Reformation and the 30 Years War The Age of Revolutions: American, French and Napoleonic The Age of Total War: 20th Century Warfare
  • 6.
  • 7.
    WWI WWI use ofImages for Propaganda Use of newspapers in WWI Morse code in WWI Posters and handouts
  • 8.
    Great Britain !"##$%&'(%)*(+,"))-$%$,'./)(0)1%0(.234(%) Lord Kitchener– Alfred Leete (1882 - 1933) Leete's famous Lord Kitchener poster design first appeared on the cover of the weekly magazine “London Opinion” in September, 1914. It was so successful at persuading men to join the British Army that James Montgomery Flagg copied the idea when the United States entered the war in 1917. With the Uncle Sam image
  • 9.
    USA Uncle Sam – JamesMontgomery Flagg 1877-1960 Over four million copies were printed between 1917 and 1918
  • 10.
    Each of thenations which participated in World War One from 1914-18 used propaganda posters not only as a means of justifying involvement to their own populace, but also as a means of procuring men, money and resources to sustain the military campaign. Australia Belgium UK
  • 11.
    Fonts Canada Backgrounds USA Germany Colour Style
  • 12.
    Images and posterswere also used to promote War Bonds to support and help finance the war
  • 13.
    On May 7,1915, Lusitania was torpedoed off the southern coast of Ireland The sinking of the Lusitania was used by clever propagandists to portray the Germans as inhuman slaughterers of innocents
  • 14.
  • 15.
    World War II Addressedto people’s emotions . Newspapers and films were frequently used: however posters achieved a renaissance due to the fact that they could be put up anywhere. This is known as the Visual culture. Another way to have an influence on people was radio. It was used for speeches such as Churchill’s ones, often in deep and direct voice and or voiced by celebrities of the time. Also appeared in the Hollywood industry and in children's cartoons.
  • 16.
  • 17.
    Posters The emotionalappeal of Goebbels as Mickey Flagg’s avuncular Uncle the threatened mother and Mouse, 1941/U.S.S.R./ Sam got tough as victories child made this poster a Boris Efimov mounted, 1944/USA/ J success, 1942/Canada/ G. ames Montgomery Flaggs K. Odell
  • 18.
    Posters “The GermanStudent The work of the An American aviator Fights for the Führer and “liberators”, 1944/Italy. portrayed as a war god, no the People,” 1930’s/ Artist unknown date/USA poster for China/ Germany/ Ludwig Artist unknown Hohlwein
  • 19.
    Newspapers Nazi-antisemitic Allied gray media: newspaper: Der Stürmer Nachrichten für die Truppe (The Attacker) (News for the Troops)
  • 20.
    Radio RADIO PROGRAMS Mail Call!A letter from home Words at War Axis Sally RADIO STATIONS Radio Stuttgart Radio station Soldatensender West Switzerland‘s National AM Radio Station Beromünster
  • 21.
    Nazi Films Poster forthe film Jew Süss, Wunschkonzert, 1940. Poster for the film Jew Süss, c.1940. Germany. Artist This film emphasizes the c.1940. Germany. Artist unknown. superiority of the “Aryan unknown. race”.
  • 22.
    Allied Films Yankee Doodle Dandy, The Musical, 1942. Wake Island, 1942. Casablanca, 1942.
  • 23.
    Postcards “Not you but the front is the benchmark” Day of the NSDAP in the Anti-German postcard, General Government 13. – 15 . August 1944/Belgium/ Artist 1943. After a painting by Will Tesch. unknown
  • 24.
    Cartoons Blitz Wolf(1942) Der Fuerher’s face (1942) The Duckators (1942) Russian Rhapsody (1944) Tokio Jokio (1943)
  • 25.
  • 26.
    Vietnam War - 1955-1975 Printand Radio still accessible and popular mediums Advent of mass television culture: the first ‘television’ war
  • 27.
    Television and Advent of unintentional propaganda: use of photographs and video footage captured by journalists for general media reporting purposes that have a natural emotional appeal note the change in the focus of the emotional content as the war progressed Movement away from hand-drawn images, sloganism and constructed posters towards simplistic live-action stills: evolution of the medium into digital form Using realism to appeal to the masses: defined break from the fantastical and whimsical images popular in WWI and WWII propaganda
  • 28.
  • 29.
  • 30.
  • 31.
    Traditional Pro- Men inthe jungle 1972/ U.S Marine Corps/ Da Nang US Marine Sea Knight helicopter comes down 1966/ Horst Faas / South Vietnam border US 2nd Battalion 1965/ Henri Huet/ South Vietnam
  • 32.
    Atrocity My LaiMasscre 1968/ My Lai Masscre 1968/ Ronald Haeberle/ My Lai Ronald Haeberle/ My Lai
  • 33.
    Atrocity Protest against the Shooting of a suspected Viet persecution of Buddhists Cong officer by the Chief of by the South Vietnamese the National Police 1968/ Government 1963/ Eddie Adams/ Saigon Malcom Browne/ Saigon
  • 34.
    Napalm attack onTrang Bang 1972/ Nick Ut/ South Vietnam
  • 35.
    New Media Focus Rebirth of intentional propaganda using new technology A US Paratrooper sets fire First Infantry Division to a house 1966/ Peter destroy a Vietcong Training Arnett/ Vaico Oriental Camp 1965/ Dirck River Halstead/ Lai Khe Region
  • 36.
    Baby in thebox 1973/ Chick Harrity/ Saigon ‘War is Hell’ 1965/ Horst Faas/Vietnam Women and children in the Bao Trai Canal 1966/ Horst Faas/ Saigon
  • 37.
    Posters Huge focuson the remediation of WWI and WWII poster content Images Fonts Colour schemes Layouts Awareness of target audiences: what is going to appeal to the viewer
  • 38.
    Uncle Sam Uncle Sam 1917/ James Montgomery Flagg I Want You for the US Army I Want Out 1971/ The 1972/ Personality Posters/ Committee to Unsell the UK War/ USA
  • 39.
    Target Vote No Mum 1914/ Percy Baez Girls 1968/ Jim Lindsay/ Australia Marshall/ USA
  • 40.
  • 41.
    The War on 
 All
 forms
 of
 media
 –
 tradi/onal
 and
 new:
 
 posters,
 photos,
 newspapers,
 magazines,
 television,
 internet,
 radio,
books,
movies
and
even
kids
games. Focus:
 poster
 remedia/on,
 s/ll‐images
 and
 Internet
 distribu/on
  • 42.
    Big Impact Tradi/onal‐style
posters
to
encourage
people
to
enlist Shocking
images
 of
 cruelty
 in
 Iraq
 to
 make
 people
 think
 they
were
needed
there Book,
 games
 and
 movies
 to
 appeal
 to
 a
 range
 of
 target
 audiences
 Magazine
covers
and
newspaper
covers
  • 43.
  • 44.
  • 45.
  • 46.
  • 47.
  • 48.
  • 49.
  • 50.
    WW1 WW2 Hungarian Revolution Viatnam War War on Terror
  • 51.
    The Symbol of The Hungarian Flag with the soviet red star been cut out from the middle of it. Also known as the flag with the hole.
  • 52.
    Remediation Of The upsetof the Stalin Iwo Jima, raising the statue in Budapest american flag. (October 10, 1956) (February 23, 1945)
  • 53.
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