MUC110 LEC10.Music in Film
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The document discusses the roles of music in film productions. It describes how music is used to enhance emotion and support the visual story. There are two main types of music in films - soundtracks which use pre-existing recordings, and scores which are original instrumental compositions. Key roles in soundtracks include the music supervisor who chooses songs and manages licenses, and in scores the composer writes custom music to match scenes. The process involves music editors developing a temporary score that is later replaced after a composer writes and records the final score based on their notes.
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Codes and conventions of music videos
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Andrew goodwin’s theory
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This document provides an overview of the key conventions and elements of a music video. It discusses that a music video is used to illustrate an artist's vision for their song and promote their brand. Music videos employ various camera styles and techniques to portray the director's vision. Music is a main feature as it sets the atmosphere and influences how images are presented in time with the beat. Editing and sound are also important to match the footage and lip syncing to the music. Additional elements like mis en scene, imagery, clothing, makeup, props, and locations help set the mood and theme envisioned by the artist.
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This document discusses conventions in music videos. It notes that music videos typically follow the structure and length of the song. They also usually include a storyline connected to the lyrics or present the artist simply performing. Camera shots and editing techniques in music videos are similar to those in films, using close-ups, establishing shots, and transitions. Mise-en-scene, lighting, and other visual elements are also used to set the atmosphere and match the mood or meaning of the song.
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Goodwin's theory discusses how music videos represent songs visually and promote artists. Music videos visually represent the structure, speed, and beat of songs through cutting footage to the tempo. They also represent an artist's style and brand. Music videos serve as advertisements that tell the story of the song through a narrative and performance element, with the artist as both performer and narrator. The primary purpose of music videos is to promote the artist by making them the star and giving them significant screen time to increase their profile and sales.
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The document discusses several conventions used in music videos, including:
- Camera shots like close-ups are used to focus on emotions and match lyrics to lip movement. Wide shots establish scene and atmosphere.
- Camera movement and editing help create mood through techniques like pin wheel effects and quick cuts that match the song's pace.
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This document summarizes several music video theories proposed by Peter Fraser, Carol Vernallis, and Andrew Goodwin. Peter Fraser defines key elements of music videos including technical codes, symbolic codes, genre conventions, and how costumes relate to the genre. Carol Vernallis' theory discusses narrative, editing, camerawork, and sound in music videos. Andrew Goodwin's theory notes how music videos create genre characteristics, the connection between music/visuals and lyrics/images, close-up shots of artists, and intertextual references in music videos.
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Introduction
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Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
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But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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The process of creating film music involves collaboration between many roles such as the composer, music editor, sound engineers, director, and producer. The composer typically works from the final edited film and a "spotting session" is held to discuss the nature and placement of music cues. Temporary "temp" music may be added initially to help picture editing. The music editor takes notes and creates cue sheets to guide the composer, who then composes the score cue by cue. The music is recorded, edited, and mixed with other audio before the final print. While the score is the entire musical recording, the soundtrack highlights significant cues chosen by the composer.
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codes and conventions of music videos.
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Music video conventions provide familiarity and consistency for audiences. Common conventions include performance, narrative, and mixed styles. Typical camera techniques are close-ups of singing and instruments, crane shots, and establishing shots. Mise-en-scene elements like props, costumes, and locations vary by style and genre. Editing matches the music through jump cuts and CGI effects. The music itself provides the primary sound, while additional sound is sometimes used in intros and endings. Conventions allow audiences to recognize genres without prior knowledge of songs.
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Camera shots like close-ups, mid shots, and long shots are used in music videos to connect the audience emotionally to the artist and song. Mise en scene, including costumes, makeup, and sets, can convey meaning and tell a story that enhances the message of the song. Sound is carefully edited, with diegetic and non-diegetic elements, to match the mood of the music. Professional editing is important to cut shots rhythmically for pop songs or use slow motion for slower songs to keep the audience engaged.
Andrew goodwin’s theory and it’s application too music
Andrew Goodwin proposed that successful music videos contain 5 key elements: (1) developing a star image of the musician, (2) matching the visuals to the song's beats and rhythm through editing, (3) presenting a narrative and performance that engages the audience, (4) relating the visuals directly to the song lyrics or amplifying the mood, and (5) using technical aspects like lighting, location, and camerawork to reinforce the mood. The document discusses each element in detail and provides examples of how to apply them to a music video.
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Andrew goodwin’s theory
Andrew Goodwin identified key features of music videos including thought beats, narrative and performance, star image, and technical aspects. Thought beats refer to interpreting the music and seeing the story or message within. Narrative and performance involve the singer directly engaging with the audience through looks at the camera or realistic mime performances. Star image is vital for artists to develop a unique look to stay current. Technical aspects like camerawork, lighting, editing, and special effects are important for holding the music together and setting the desired mood.
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Conventions of a music video
This document provides an overview of the key conventions and elements of a music video. It discusses that a music video is used to illustrate an artist's vision for their song and promote their brand. Music videos employ various camera styles and techniques to portray the director's vision. Music is a main feature as it sets the atmosphere and influences how images are presented in time with the beat. Editing and sound are also important to match the footage and lip syncing to the music. Additional elements like mis en scene, imagery, clothing, makeup, props, and locations help set the mood and theme envisioned by the artist.
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This document discusses conventions in music videos. It notes that music videos typically follow the structure and length of the song. They also usually include a storyline connected to the lyrics or present the artist simply performing. Camera shots and editing techniques in music videos are similar to those in films, using close-ups, establishing shots, and transitions. Mise-en-scene, lighting, and other visual elements are also used to set the atmosphere and match the mood or meaning of the song.
Conventions of music videos
Music videos follow several common conventions to promote the artist and their song. They typically last 3-4 minutes and feature lip-syncing to synchronize the visuals with the music. Camera shots commonly used include close-ups, tilts, pans and moving shots of the artist. Mise-en-scene, lighting, editing and other elements are deliberately chosen to represent the mood or theme of the song. While genres may differ in their specific conventions, most music videos aim to engage the audience and increase viewership through compelling visuals that complement the accompanying track.
Goodwin’s theory on music video’s
Goodwin's theory discusses how music videos represent songs visually and promote artists. Music videos visually represent the structure, speed, and beat of songs through cutting footage to the tempo. They also represent an artist's style and brand. Music videos serve as advertisements that tell the story of the song through a narrative and performance element, with the artist as both performer and narrator. The primary purpose of music videos is to promote the artist by making them the star and giving them significant screen time to increase their profile and sales.
Music video conventions
The document discusses several conventions used in music videos, including:
- Camera shots like close-ups are used to focus on emotions and match lyrics to lip movement. Wide shots establish scene and atmosphere.
- Camera movement and editing help create mood through techniques like pin wheel effects and quick cuts that match the song's pace.
- Mise-en-scene elements like costumes, lighting, actors and sets are considered for the genre; rock videos use stages while pop uses narrative studio sets. Mise-en-scene helps convey hidden messages through lighting and other elements.
Responsibility of Film Composers- Hans Zimmer
There is often a misunderstanding regarding the job and responsibilities of film composers. From scoring the sound to mixing, composers are responsible for everything regarding music. If you want to know the responsibilities of composers watch our slide.
Music video theories
This document summarizes several music video theories proposed by Peter Fraser, Carol Vernallis, and Andrew Goodwin. Peter Fraser defines key elements of music videos including technical codes, symbolic codes, genre conventions, and how costumes relate to the genre. Carol Vernallis' theory discusses narrative, editing, camerawork, and sound in music videos. Andrew Goodwin's theory notes how music videos create genre characteristics, the connection between music/visuals and lyrics/images, close-up shots of artists, and intertextual references in music videos.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
Follow us on: Pinterest
The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
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On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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原版制作(Mercer毕业证书)摩斯大学毕业证在读证明一模一样
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1:该专业认证可证明留学生真实身份
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
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3:国家专业人才认证中心颁发入库证书
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DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
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The teleprotection market size has grown
exponentially in recent years. It will grow from
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MUC110 LEC10.Music in Film
- 1. Music in Film © 2007 musicbizclasses.com
- 2. Music in Film The primary function of music in film is: To enhance the emotional content of the film & the support the visual story Film music includes: • Soundtracks- generally created from pre-recorded music • Scores- dramatic, instrumental music, generally created as an original work for a specific film © 2007 musicbizclasses.com
- 3. Music in Film: Soundtrack The soundtrack team includes: • Music Supervisor • Licensing assistant • Attorney © 2007 musicbizclasses.com
- 4. Music Supervisor Role • Develops budgets and managing contracts • Chooses appropriate music • Manages the licensing process • May manage all music aspects of a film, including Score development © 2007 musicbizclasses.com
- 5. Music in Film: Soundtrack Creating the Soundtrack: • Song selection • Licensing (synch, mechanical, master use) • Editing • Mastering • Manufacturing © 2007 musicbizclasses.com
- 6. The Soundtrack Process • Film Director develops a vision for sound design needs- based on film content and emotional tone of the film • Film Director hires a Music Supervisor to run all aspects of soundtrack development • Music Supervisor conducts research, makes song selection; MS helps Film Director to emphasize storylines, emotion, time period and cultural location. © 2007 musicbizclasses.com
- 7. The Soundtrack Process • MS helps manage any recording sessions that must happen • MS works with Film Director and Music Editor to integrate songs into film • MS works with record labels and publishers to obtain all appropriate licenses for music in film and music on soundtrack © 2007 musicbizclasses.com
- 8. Music in Film: Score Creating the Score: • Composition • Orchestration • Copying • Arranging • Recording • Editing © 2007 musicbizclasses.com
- 9. Music in Film: Score The scoring team includes: • Music Editor (aka cutter) • Composer • Assistant composers • Orchestrators • Studio Musicians © 2007 musicbizclasses.com
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- 11. The Scoring Process: • Film Director develops a vision for sound design needs- based on film content and emotional tone of the film • Film Director works with music editor to map out specific needs for music and sound on a scene by scene basis • After first take of film is shot, music editor creates and lays in a “temp score” © 2007 musicbizclasses.com
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- 13. Professional Resources • Filmtracks.com • HollywoodReporter.com • Variety.com • Filmsound.org • Mandy.com • Film Music Magazine • Mix Magazine © 2007 musicbizclasses.com
- 14. Professional Resources •Billboard Film and TV Music Conference •Film Music Institute-- • Classes in composing & arranging •UCLA Extension-- • Classes- in music business, music supervision •Berklee- • Classes in Film Scoring © 2007 musicbizclasses.com
- 15. Placements for new artists • Digital cable and satellite television • Multimedia and video games (now larger than the film business and the music business combined in the U.S.) • Independent films • Student/Low-Budget films • Advertising and corporate videos © 2007 musicbizclasses.com