The document provides inspiration and a moodboard for a music video for the artist Samuel Ford. It summarizes the music videos of related artists such as Fictonian, Tenterhook, and Benjamin Francis Leftwich. Natural locations featured in the videos could also work for Samuel Ford's video. Character-wise, the videos usually only feature the artist, though Ford's song implies including a small group. Common shots in the videos are close-ups, shots with movement/traveling, and shots from behind the character.

1. MusicVideo -Inspiration
and Moodboard
Samuel Ford - Kings

2. Inspiration
 We have gone on to the Spotify page of our artist, Samuel Ford, and
researched into the ”related Artists” tab.
 This gives a list of bands/ artists similar to Samuel Ford
 On top of this, we looked into popular artists within the same genre.
 From here we looked into the music videos of the artists we found on
YouTube
 We investigated the similarities and trends in each of the videos that
can act as inspiration for our own production

3. TheArtists and
their videos
1) Fictonian – ’Little Blue Book’
2) Tenterhook – ‘Go Easy’
3) Ben Howard – ‘Only Love
4) Ben Howard – ‘Old Pine’
5) Benjamin Francis Leftwich –
‘Shine’

4. Locations
 One of the predominant trends throughout nearly all of these music videos is that they all
feature natural and non-artificial settings
 They feature forests, beaches, fields etc.
 In addition, a short performance video from our artist, found onYouTube, involves a brief
introduction featuring shots in a natural setting (A). Clearly this type of location would be ideal
for our music video and artist.
 Some of these music videos also feature cross-cutting between a natural setting and a live
performance by the artists.This helps to construct a narrative as well as establish the artist as a
performer.
 Natural locations is certainly something we would consider utilising as they seem to coincide
nicely with the music of our genre as well as narrative music videos as a whole.
 On the next slide you can see a collection of images from each music video as well as some
ideas for locations we could use across Norfolk that follow this trend.

6. Samuel Ford – ‘Forever and’
(A)

7. Characters
 The music videos we researched all seem to have very few, often only one,
character(s) in them
 This character is usually the artist themselves.
 This helps to establish more of narrative and a connection between the audience
and the character/ artist.
 We will certainly bear this in mind throughout the planning process.
 However, the lyrics of the song we have chosen uses the pronoun “we” instead of
”I” - this implies the song and the narrative of the video will include several people,
perhaps a small group of friends or a couple, would be suitable.
 Also, there is frequently shots of the artist/ an actor lip syncing along to the song.
Maybe we could cross cut between the group and a character singing – perhaps on
their own or with the group?

9. Shots
 In these music videos, one of the most common shots are close ups, normally
of the characters or artists.
 Close ups of the artists help establish a relationship with the audience.
 This genre of music is quite intimate and emotive so close ups are a suitable
shot to use in our music video.
 In addition, nearly all of these videos have some sense of movement and/or
travel.
 Shots from behind the character are common as well as wide shots of them
travelling somewhere.
 Furthermore, several of the music videos use color correction and filters.This
might be something to consider and experiment with during our final
production.