The document analyzes the locations and lighting used in the film The Third Man. It describes the labyrinth-like streets of postwar Vienna, with tall, damaged buildings creating a sense of mystery and isolation. Small, enclosed spaces like doorways and stairs into the sewers add to the feeling that there are hidden places. The shiny wet pavement and artificial street lights give the setting an unreal, nightmarish quality that traps the main character. The chiaroscuro lighting casts the character in bright light while surrounding him with dark shadows, exposing him as prey and building suspense over what may emerge from the darkness.