Model / Ritter
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The document discusses the photography of Lisette Model and includes some of her quotes on photography. Model believed the purpose of her photographs was not to prove anything but rather to teach her about her subjects. She felt the camera could detect what is both known and unknown and that photography allows humans to express their understanding of life and connections with others. The document provides short biographies of Model and includes a bibliography of references about her work.
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24 quotes on photography
The document provides 24 quotes from photographers and writers about photography. The quotes discuss various aspects of photography such as capturing moments in time, the importance of light, photography's ability to represent both hope and despair, and photography's power to shape human perception. One quote is also included from U.S. President Abraham Lincoln about photographs.
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Born in Chanteloup, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting early on, and particularly with Surrealism. In 1932, after spending a year in the Ivory Coast, he discovered the Leica - his camera of choice thereafter - and began a life-long passion for photography. In 1933 he had his first exhibition at the Julien Levy Gallery in New York. He later made films with Jean Renoir.
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Henri Cartier-Bresson was a renowned French photojournalist born in 1908 who is considered the father of modern photojournalism. He is renowned for his countless memorable images capturing 20th century individuals and events. His works were remarkable for their flawless composition, and he believed the subject could not be separated from the composition, framing subjects to tell stories. He never cropped his pictures and believed the "decisive moment" was when the whole picture came together to tell its story by capturing fleeting moments in time. His 1952 photo book "Images à la Sauvette" compiled 126 plates from around the world demonstrating his approach of capturing the decisive moment.
Henri Cartier-Bresson
Henri Cartier-Bresson was considered the father of modern photojournalism. He was born in 1908 in Sicily and developed an interest in painting and surrealism in the 1920s. In the 1930s, he spent time in the Ivory Coast photographing in Europe and Mexico. In the 1940s, he photographed portraits of famous artists in Paris and co-founded the photo agency Magnum Photos. Throughout the 1950s and 1960s, Cartier-Bresson continued traveling the world to photograph important events and moments using only his 35mm Leica camera. He is renowned for his ability to capture the "decisive moment" that gives meaning and order to events.
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Henri Cartier-Bresson was a famous French photographer known as "the father of modern photojournalism." He helped develop street photography and was influenced by surrealist art. After studying painting, he became frustrated and switched to photography. Notable photos include "Hyères" from 1932 and landscapes from Mexico and France that emphasize contrast through black and white film.
Claire[1]
Photojournalism involves capturing images to tell journalistic stories. It aims to document events objectively and in a timely manner to inform the public. Photojournalists work in dangerous conditions to document important events and bring awareness to issues around the world. While their work informs the public, it also carries great risks as they must get close to subjects and events to convey meaning and truth. Their images have power to impact viewers and preserve history if done ethically according to journalistic standards.
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24 quotes on photography
The document provides 24 quotes from photographers and writers about photography. The quotes discuss various aspects of photography such as capturing moments in time, the importance of light, photography's ability to represent both hope and despair, and photography's power to shape human perception. One quote is also included from U.S. President Abraham Lincoln about photographs.
Henri Cartier-Bresson - the father of photojournalism
Born in Chanteloup, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting early on, and particularly with Surrealism. In 1932, after spending a year in the Ivory Coast, he discovered the Leica - his camera of choice thereafter - and began a life-long passion for photography. In 1933 he had his first exhibition at the Julien Levy Gallery in New York. He later made films with Jean Renoir.
Henri cartier bresson
Henri Cartier-Bresson was a renowned French photojournalist born in 1908 who is considered the father of modern photojournalism. He is renowned for his countless memorable images capturing 20th century individuals and events. His works were remarkable for their flawless composition, and he believed the subject could not be separated from the composition, framing subjects to tell stories. He never cropped his pictures and believed the "decisive moment" was when the whole picture came together to tell its story by capturing fleeting moments in time. His 1952 photo book "Images à la Sauvette" compiled 126 plates from around the world demonstrating his approach of capturing the decisive moment.
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Henri Cartier-Bresson was considered the father of modern photojournalism. He was born in 1908 in Sicily and developed an interest in painting and surrealism in the 1920s. In the 1930s, he spent time in the Ivory Coast photographing in Europe and Mexico. In the 1940s, he photographed portraits of famous artists in Paris and co-founded the photo agency Magnum Photos. Throughout the 1950s and 1960s, Cartier-Bresson continued traveling the world to photograph important events and moments using only his 35mm Leica camera. He is renowned for his ability to capture the "decisive moment" that gives meaning and order to events.
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Henri Cartier-Bresson was a famous French photographer known as "the father of modern photojournalism." He helped develop street photography and was influenced by surrealist art. After studying painting, he became frustrated and switched to photography. Notable photos include "Hyères" from 1932 and landscapes from Mexico and France that emphasize contrast through black and white film.
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Photojournalism involves capturing images to tell journalistic stories. It aims to document events objectively and in a timely manner to inform the public. Photojournalists work in dangerous conditions to document important events and bring awareness to issues around the world. While their work informs the public, it also carries great risks as they must get close to subjects and events to convey meaning and truth. Their images have power to impact viewers and preserve history if done ethically according to journalistic standards.
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- Throughout his career he documented many other wars for publications like Life magazine and helped found the Magnum Photos cooperative.
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Photojournalism involves using images and video in journalism to tell a story in an objective, timely, and narrative way. It requires photographers to make quick decisions while exposed to risks in the field. Henri Cartier-Bresson and Robert Capa were legendary photojournalists, with Cartier-Bresson known for his "decisive moments" and Capa documenting several wars including Normandy. Photojournalism risks life to capture impactful photos that convey important events and stories.
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The document provides an overview of the history and development of photography. It discusses how the word "photography" is derived from Greek words meaning "light" and "to draw." It then summarizes some key early developments and inventors in photography, including the pinhole camera, Joseph Niepce taking the first permanent photograph in 1826, and Henry Talbot inventing the negative photography process. The document also briefly outlines the development of color photography, point-and-shoot cameras, and different photography styles and artistic movements over time including surrealism and pop art.
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Henri Cartier-Bresson was a pioneering French photographer born in 1908. He is considered a master of candid street photography and photojournalism. Some of his most famous works include his black and white coverage of Gandhi's funeral in 1948. Throughout his career, he traveled extensively in countries like India, China, and the Soviet Union, documenting everyday life and important events. He is regarded as one of the most influential photographers of the 20th century.
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Henri Cartier-Bresson was a pioneering French photographer and photojournalist known for his candid street photography using a small, concealed camera. He helped found the international photography cooperative agency Magnum Photos in 1947. Some of Cartier-Bresson's most iconic photos captured fleeting moments in time that portrayed the human experience. He focused on composition and capturing the "decisive moment" to reveal the significance of an event. Cartier-Bresson published several books of his photos and received numerous awards, before retiring from photography in the 1970s.
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1) David Hockney's "Pearlblossom Highway" photo collage that uses traditional film photography techniques.
2) Wanda Wulz's 1932 surrealist self-portrait merging two photos during exposure to create a hybrid effect.
3) Nigel Tomm's photos that are distorted by arranging printed photos on uneven levels before rephotographing them.
4) Evilsabeth Schmitz-Garcia's use of a photocopier scanner in her "Scanography" technique, which is a contemporary experimental method.
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Similar to Model / Ritter
History of Photography
Photography evolved over centuries from early concepts of the camera obscura and pinhole cameras to the first permanent photograph in 1826. Key developments included Daguerre's daguerreotype process in 1839, Talbot's calotype process producing negatives, and the widespread adoption of photography following its introduction to the United States in the 1840s. Advances like the tintype and gelatin dry plates improved accessibility and allowed photographs to document events like the Civil War. The introduction of portable cameras like the Kodak in the late 1800s enabled photography to become a popular hobby and art form.
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Art and Photography History of Photography .docx
Art and Photography
History of Photography
C. Jabez Hughes �
: photography into three classes
• 1) Mechanical photography
• 2) Art photography
• 3) A photograph that can “instruct, purify and
ennoble.”
• Depiction vs imagination
• Objective description vs moral uplift
• Entertainment vs. Education
(textbook 3.6) Etienne Carjat, Charles Baudelaire, c. 1862. Woodburytype.
Nadar (Gaspard-Félix Tournachon), Portrait of Charles Baudelaire, c. 1863.
3.7. Nadar, Panthéon Nadar, 1854. Lithographic print, George Eastman House,
Rochester, New York.
Nadar, “Revolving” Self-Portrait, c. 1865.
Nadar, pseudonym of
Gaspard-Félix Tournachon,
(1820 - , 1910),
French writer, caricaturist
and photographer.
-best known for his
photographic portraits.
Nadar, Paris from above in 1858.
3.9. Nadar, Theophilie Gautier, 1854-55. Albumen salted paper print, mounted on Bristol
board, Musee d’Orsay, Paris.
*Gautier: proponent of art
for art’s sake and author
of the novel about
Parisian bohemian life,
Mademoiselle de Maupin
(1835)
*the writer’s antagonism
toward the bourgeois.
*Nadar’s photographic
studio became a
fashionable intellectual
salon.
3.10. Nadar, The Sewers of Paris, 1864-65. Modern print from a glass negative.
Nadar, Catacombs, c. 1860.
Nadar, Sarah Bernhardt, c. 1860.
Nadar, Victor Hugo at Deathbed. 1885.
Tableaux Vivants (living pictures)
William Lake Price, An Interior, 1858.
High Art Photography
Tableux vivants
3.12. William Lake Price, Don Quixote in His Study. Early 1850s.
Albumen print from a wet collodion negative. [Miguel de Cervante]
Tableux vivants
High Art Photography
(textbook 3.13) Oscar Rejlander, The Two Ways of Life, 1857.
Combination Albumin print.
High Art Photography
Raphael, School of Athens 1509-1511, Vatican City
Thomas Couture, The Romans of Decadence, 1855.
(see also your textbook for the scale of this painting, page 461.
13.31. Thomas Struth, Musee d’Orsay, Paris, 1989)
3.14. Henry Peach Robinson, Group with
Recumbent Figure (Sketch with cut-out),
1860. Albumen print and pastel collage on
paper. Gernsheim Collection.
Henry Peach Robinson
(1830 – 1901)
Self-portrait, 1895.
Henry Peach Robinson, When Day’s Work is Done, 1877.
A combination print made from six different negatives.
Henry Peach Robinson, Figures in Landscape, early 1890s, Combination albumen print
3.15. Henry Peach Robinson, Fading Away, 1858, Albumen composite print
(Combination Print),
Science Museum, London.
• Robinson, Henry Peach: “Pictorial Effect In Photography:
Being Hints On Composition And Chiaroscuro For
Photographers.” Piper & Carter, 1869
• Robinson, Henry Peach: “The Elements of a Pictorial
Photograph”. Lund, 1896.
• Video: combination printing darkroom techniques.
Julia Margaret Cameron (1815 – 1879)
Henry Hersschel Hay Cameron, Julia Margaret.
History of photography
The document provides a history of photography from its origins in the 1820s to modern digital photography. It describes some of the key early innovators and inventions, including Joseph Nicéphore Niépce taking the first photograph in 1826. Formats and techniques evolved over the following decades, with pioneers experimenting with light sensitivity and developing processes. Photography became more accessible to the public in the late 1800s/early 1900s with the development of smaller, more portable cameras using roll film. The document then outlines some influential photographers and movements in photojournalism, documentary photography, and beyond.
History of photography
The document provides a history of photography from its origins in the 1820s to modern digital photography. It describes some of the key early innovators and inventions, including Joseph Nicéphore Niépce taking the first photograph in 1826. Formats and techniques evolved over the following decades, with pioneers experimenting with light sensitivity and developing processes. Photography became more accessible to the public in the late 1800s/early 1900s with the development of smaller, more portable cameras using roll film. The document then outlines some influential photographers and movements in photojournalism, documentary photography, and beyond.
Peale, Charles Wilson (left) Rachel Brewer Peale and Ba.docx
Peale, Charles Wilson: (left) “Rachel Brewer Peale and Baby Eleanor” watercolor on ivory - 1791
(right) “George Washington” watercolor on ivory - 1777
Prior to the invention of photography artists painted portraiture such as the small watercolors on ivory by Charles Wilson Peale - the small size allowed for the wearing as a pendant or even providing as an engagement or wedding gift.
*
Niepce, Joseph Nicephore: “Window at Le Gras,”
heliograph - 1826
Silver plated copper, iodine and mercury; 7-10 minute exposures, one of a kind
The First Photograph is a one-of-a-kind permanent positive-image process, secured upon the surface of a pewter plate in 1826. As such, the process did not provide for a transparent negative or for multiple positive printings on paper as later photographic processes did and continue to do today. Among the special qualities of this heliograph is the very fact that Joseph Nicéphore Niépce could only produce a singular photograph with any exposure he made. Thus, the object on view is the unique original; the creator could make no more duplicates of it.
One hundred and fifty years ago [Summer 1826] Joseph Nicéphore Niépce succeeded in obtaining a camera picture on a polished pewter plate, sensitized with bitumen of Judea. This material has the unusual property of hardening in light (not blackening like silver salts) but its light sensitivity is small. Niépce needed 8-10 h[ours] exposure in sunshine. He named his invention "heliography." After dissolving the unexposed parts of the picture in oil of turpentine and rinsing the plate, there remained, without the need for any other fixing, a permanent bitumen image of the light drawing, the shadows being indicated by the bare pewter plate. To avoid a lateral reversal of the view, Niépce had employed a prism in front of his achromatic lens. He had obtained both components from the Parisian optician [Charles] Chevalier when he purchased his first professional camera in January that year. After using glass, lithographic stone and zinc for previous experiments, he had ordered the pewterplates in May 1826.
*
Daguerre, Louis Jacques Mande (French):
“View of the Boulevard du Temple, Paris, daguerretype - 1838
Creator: Daguerre, Louis-Jacques-Mande, French
Title: View of the Boulevard du Temple, Paris, 1838 [2 views taken on same day]
Date: 1838
Location: (original destroyed)
Material: Daguerreotype
Related Item: Hartt 4: 32-1
Related Item: H&F 4: 15.24
Collection: Art History Survey Collection
Source: Catalogued by: Digital Library Federation Academic Image Cooperative
*
Daguerre, Louis J.M.: “Paris Boulevard, detail” daguerreotype - 1839
Creator: Daguerre, Louis Jacques Mandé, 1787-1851
Title: Paris Boulevard \det. man
Date: 1839
Material: daguerreotype
Subject: Photography--19th C. A.D
Collection: ARTstor Slide Gallery
Source: Data from: University of California, San Diego
*
Easterly, Thomas: (left) “Miriam Bailey (Easterly) with flowers,”
Daguerreotype.
Areas of photgraphy
This document discusses different areas of photography including photojournalism, fashion photography, documentary photography, portrait photography, advertising photography, and fine art photography. It provides brief descriptions of each type of photography, noting when they originated and how the technologies used have evolved over time. Key examples of famous photographs in photojournalism and fashion photography are also referenced.
Alfred eisenstaedt
Alfred Eisenstaedt was a German-American photographer born in 1898 who is renowned for his candid photographs that captured spontaneous moments. He worked for Life magazine from 1936, pioneering candid portraits. Some of his most iconic photos include a VJ Day sailor kissing a nurse in Times Square in 1945, and Marilyn Monroe posing above a subway grate in 1953. Eisenstaedt believed in photographing reactions rather than staged events, and often ran alongside his subjects to get unexpected shots. He lived most of his life in New York and continued photographing until his death in 1995 at age 96.
Art1100 LVA 9 Online
This document provides an overview of the history of photography and film from the early daguerreotypes through the development of motion pictures. It summarizes key figures and innovations including Louis Daguerre and the daguerreotype (1839), Fox Talbot and the calotype process (1834-1844), Alfred Stieglitz establishing photography as an art form in the early 20th century, Walker Evans and Dorothea Lange using photography to document the Great Depression, and Eadweard Muybridge whose sequential photography of motion in the 1870s led to the development of motion pictures by the Lumiere Brothers in 1895.
1 Book kia11343380
This document provides a summary of lectures, workshops, and exhibitions from a contextual and textual module. It focuses on one particularly interesting lecture about post-mortem photography in the Victorian era. Post-mortem photography involved taking photos of deceased loved ones. It was widely practiced after the invention of photography in 1839 as families sought to remember their dead. The summary explores various aspects of post-mortem photography including its role in providing undeniable proof of existence, how it was used for both adults and infants, and how attitudes towards it changed over the 19th-20th centuries. Overall, the summary examines how post-mortem photography reflected cultural views of death and the power of the new photographic medium to influence human experiences
The History Of Photography
In 1826, Joseph Nicéphore Niépce took the first photograph, called "View from the Window at Le Gras," after 8 hours of exposure, making him famous. The photograph was not in color. In 1862, James Clerk Maxwell created the first color photograph, of a ribbon, which was seen as a miracle at the time due to the limitations of photography technology. Important dates in the history of photography after include Eadward Muybridge creating early motion pictures in 1878, and Kodak releasing the first easy-to-use camera in 1888.
Rare Photographs II
This is second part of rare photographs.. enjoy the journey...
will be back.. till den.. enjoy life..cheers...
Photography Lecture
Our presentation on Photography for the Modern Literature and the Arts class at the Plymouth Canton Educational Park in 2011.
Photographer Marc Riboud
This document is a collection of photographs taken by photographer Marc Riboud across Asia, Africa, Europe and North America from the 1950s through the early 2000s. It shows scenes of daily life, politics, and protests in various countries during this time period, including photos of Mao Zedong in China, the Ayatollah Khomeini in Iran, Winston Churchill in England and a famous photo of a anti-war protester outside the Pentagon during a Vietnam war protest in 1967. Many of the photos provide glimpses into life in different places and eras through images of people, streets, and major events.
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Peale, Charles Wilson (left) Rachel Brewer Peale and Ba.docx
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Evans / Cates
Walker Evans was born in St. Louis, Missouri in 1903 and grew up in a wealthy household. He attended several private schools before graduating from Phillips Academy in 1922. Evans initially wanted to be a writer but struggled to find something to write about. He later became a photographer and is considered one of the best of his time, known for using photography to depict everyday Americans and scenes in a realistic style. Some of his most famous work was published in the book Let Us Now Praise Famous Men.
Lange / Schloemann
Dorothea Lange was a documentary photographer born in 1895 in New Jersey. She studied photography and became a successful portrait photographer in San Francisco in the 1920s. In the 1930s, during the Great Depression, she began documenting the impacts of poverty and migrated workers for the Farm Security Administration. Her most famous photograph was "Migrant Mother" from 1936. Lange continued her documentary work throughout her career, photographing subjects around issues of labor, migration, and war until her death in 1965.
Leibovitz / Briscoe
Annie Leibovitz is an American portrait photographer known for her work with Rolling Stone magazine and Vanity Fair. She began her career in the 1970s and is renowned for her intimate portraits of celebrities. Two of her most famous photographs are a nude portrait of John Lennon curled around a clothed Yoko Ono and a pregnant Demi Moore naked. Leibovitz's portraits are noted for their provocative poses and ability to reveal aspects of her subjects not typically seen.
Penn / Nolan
Irving Penn was an influential American photographer known for his fashion and portrait photography. He preferred simple, neutral backgrounds that emphasized the subject. Penn's work in the 1940s and 1950s helped define postwar notions of feminine style. He brought dramatic lighting and composition to his portraits, influencing many later photographers. Penn photographed a wide variety of subjects in unique ways throughout his career, from fashion models to still lifes of unusual objects.
Meyerowitz / Catsavis
Joel Meyerowitz is an American photographer born in 1938 who began photographing in 1962. He was influenced by Henri Cartier-Bresson and Robert Frank and is inspired by everyday people, gestures, and interactions. Meyerowitz's work has appeared in over 120 exhibitions worldwide and he works exclusively in color. He is known for his artistic color photographs that observe the effects of light and shadow, often photographing the same location from the same spot. After 9/11, Meyerowitz photographed the destruction and recovery at Ground Zero, creating a collection of 8,000 images.
Weston / Stone
Edward Weston was an American photographer born in 1886 who had a career spanning over 40 years. He opened photography studios in California and Mexico in the early 1900s before shifting his focus in the 1920s to tightly composed landscapes and nudes for which he is now best known. Weston was innovative in his emphasis on sharp focus and the technical aspects of photography, and received acclaim including a Guggenheim fellowship in 1937. He continued photographing until poor health in 1948, dying in 1958 at the age of 71.
Adams / Spataro
Born in 1902 in California, Ansel Adams had a troubled youth but found solace in nature and music. He became a renowned photographer known for his stunning black and white landscapes capturing America's national parks. Throughout his career from the 1920s to 1980s, Adams pioneered photographic techniques like the Zone System and worked to preserve the natural beauty he photographed. He died in 1984 at age 82, but his photographs continue to inspire new generations of artists.
Parks / Jones
Gordon Parks was an American photojournalist born in 1912 in Kansas. During the Great Depression, he struggled to find musical work and took up photography by studying books and documenting poverty and racial issues in Chicago. In 1949, he became the first black photographer published in Life Magazine, a monumental achievement given the magazine's popularity and racism at the time. Parks produced notable photo essays on topics like the Black Muslims and poverty in America throughout his career.
Meyerowitz/Condie
Joel Meyerowitz is an American photographer born in 1938 in New York. He became interested in photography in 1963 after being influenced by Robert Frank. Meyerowitz is known for his street photography, including photos he took of Ground Zero after 9/11. He has received numerous grants and awards for his work.
Meyerowitz/Cohen
Joel Meyerowitz is an American street photographer known for his use of color photography. He was one of the early advocates for using color in photographs. His photos focus on architecture, light, and space. He is also known for his expansive photos of landscapes and cityscapes. Meyerowitz believes photography allows you to capture fleeting moments in a meaningful way.
Adams / Weisenfels
Ansel Adams was born in 1902 in San Francisco. He had a restless youth but found a love for music. In 1927, he made his first portfolio and believed his photographs had reached a stage worthy of critical examination. Adams took photos that emphasized technique to express his radical political and aesthetic ideals. He enhanced nature and decreased human impact. Famous photos included Moonrise, Hernandez, New Mexico from 1941.
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Model / Ritter
- 1. quot;I have often been asked what I wanted to prove by my photographs. The answer is, I don’t want to prove anything. They prove to me, and I am the one who gets the lesson.quot; Lisette Model By Elaine Ritter
- 2. Woman with Veil, San Francisco Man with Pamphlets, Paris 1949 1933
- 3. Man Seated on Doorstep, Nice Pedestrian, New York 1933 1945
- 4. They Honor their Sons, New York 1939 Never take a picture of anything you are not passionately interested in.
- 5. Blind Man Walking, Paris Man Mending Net, Nice 1933 1933
- 6. Lower East Side, New York Vincennes Zoo, Paris 1933 1933
- 7. Reflections, New York 1960
- 8. First Reflection, New York 1939 “The camera is an instrument of detection. We photograph not only what we know, but also what we don't know.”
- 9. Reflection, New York 1939 “...photography is…human beings expressing their understanding of and connection with life, themselves, and other human beings.”
- 10. Bibliography quot;Lisette Model.quot; Photo Seminars. 09 Mar 2009 <http://www.photo- seminars.com/Fame/lisettemodel.htm>. quot;Photography Quotations by Lisette Model.quot; Photo Quotes. 10 Mar 2009 <http://www.photoquotes.com/ShowQuotes.aspx?id=481&name=Model,Lisette>. quot;Lisette Model.quot;Encyclopedia of World Biography. 2nd. 1998. Nye, Valerie. quot;Lisette Model: An Aperture Monograph.quot; Library Journal Vol. 132(2007): 65. quot;Lisette Model and her Successors.quot; Galleria Carla Sozzani. 2007. 30 Mar 2009 <http://www.galleriacarlasozzani.org/>. Goldberg, Vicki. quot;A Cast of Rich, Poor and Odd.quot; New York Times 01 aug 1997: p1. All photographs from: quot;Lisette Model.quot; Cyber Muse. 05 Mar 2009 <http://cybermuse.gallery.ca/cybermuse/showcases/model/index_e.jsp>.