Media Studies Inital Location
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The document discusses ideas for a music video that were considered but ultimately rejected. Walking down a school corridor was seen as too tacky and not representative of a music video. Using elements from 50 Cent's "Baby by Me" video, which depicts typical R&B tropes, was mentioned as a potential influence. Incorporating a nightlife setting was suggested as it could effectively set a romantic mood between two people in the video.
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Media Evaluation
The document summarizes audience feedback received on a student's music video project. Key points:
- The audience enjoyed the storyline, narrative, and Grace's performance as the ballerina. Shots using different camera angles fit well and added pace.
- Feedback led to recasting the lead role, "Isabel Beau", twice until settling on Jess, whose performance was an improvement but some felt she did not fit the stereotypical pop star image. Others appreciated her unconventionality.
- Jess's emotions and performance strengthened in upbeat parts of the song, relating to a theory of polysemic meaning, though this was unintentional.
- Outdoor filming locations were tried but did not work
styles of music video
An impressionist music video uses seemingly unrelated shots to express the themes of the video and relate to the song's lyrics. Videos take the audience on a journey through different feelings and moods, like Gotye's "Somebody That I Used To Know" which uses primary colors to portray blended characters fading into a wall. Interpretive videos directly reflect the song's lyrics through actions on screen without a deep narrative. Allusion videos imply something will happen but change at the end, surprising the audience, like Carly Rae Jepsen's "Call Me Maybe" implying a love story but revealing the guy is gay. Surrealist videos are abstract and may not relate to the music, using live footage and animation for surreal
Storyboard
1) The storyboard went through revisions from an initial draft using sticky notes to the final draft. Shots were changed or removed to better portray the theme of the protagonist aging and regretting his past life choices.
2) Specific shots were chosen to represent biblical elements from the song and show remorse, including shots of a church interior and exterior, a grave, and a congregating audience.
3) Flashbacks were incorporated to highlight negatives in the protagonist's past, including a gang attack and instances of domestic violence, to emphasize the theme of karma in the song's lyrics.
digipak making
The document discusses choosing photos for the cover of a digipak to promote a dance music project. It describes 5 photos selected: 1) a mid-air jump suggesting a "dropping beat"; 2) a shot in Southend near an amusement park to depict "gloomy depression"; 3) colorful walls contrasting with a character's plain clothes; 4) a mysterious shot of a character walking into darkness; 5) a faded shot of a female character with Southend pier in the background. The photos were edited using Color Splash software to apply effects and keep to a bright color scheme fitting for dance/house music.
Recce Shots
The document discusses choosing a field location for a music video. It notes the field conveys meanings of freedom, nature, and vast openness. These relate to the video's lyrics by showing the female lead letting out natural feelings for a love interest freely and openly, while also feeling lost amid mixed emotions of love and hatred for the male protagonist as she searches for him.
1. In what ways does your media product use, develop or challenge conventions...
1. The document discusses how the media product challenges and develops conventions of real music videos. It aimed to create an original music video without lip syncing. It used the song lyrics to construct a narrative and depict teenagers dealing with life through alcohol abuse.
2. Locations and camera work both followed and challenged conventions. Urban locations followed hip hop conventions while rural areas developed them. Shots included long shots to set the scene, mid-shots for expression, and flashbacks in black and white to signify the past.
3. Costumes followed hip hop conventions like hoodies and jeans but developed indie conventions by adding black and white flashbacks to the editing. This incorporated both genres' styles into telling the narrative.
What have you learned from your audience feedback?
The document summarizes feedback received on a music video and the resulting changes made. Key points of feedback included using both color and black and white filters for dramatic effect; adding breaks to the beat throughout verses after initial breaks were seen as out of place; collecting more footage to better match fast parts of the song; applying black and white instead of inversion to match the color scheme; and filming in a busy location like Oxford Street for shots more relevant to the intended societal and busy tone.
Evaluation q2
- The author created a music video, digital album cover (digipak), and magazine advertisement to promote an artist's work, with the goal of conveying a consistent theme and style across all three pieces.
- Inspired by artists like Calvin Harris, the author styled the pieces to have similar imagery by having the performer wear the same clothes in the video and promotional materials.
- Elements like location and lighting were also kept consistent to improve continuity between the video and ancillary texts.
- A narrative of lost love was portrayed across all three pieces to maintain a cohesive representational theme.
Recommended
Media Evaluation
The document summarizes audience feedback received on a student's music video project. Key points:
- The audience enjoyed the storyline, narrative, and Grace's performance as the ballerina. Shots using different camera angles fit well and added pace.
- Feedback led to recasting the lead role, "Isabel Beau", twice until settling on Jess, whose performance was an improvement but some felt she did not fit the stereotypical pop star image. Others appreciated her unconventionality.
- Jess's emotions and performance strengthened in upbeat parts of the song, relating to a theory of polysemic meaning, though this was unintentional.
- Outdoor filming locations were tried but did not work
styles of music video
An impressionist music video uses seemingly unrelated shots to express the themes of the video and relate to the song's lyrics. Videos take the audience on a journey through different feelings and moods, like Gotye's "Somebody That I Used To Know" which uses primary colors to portray blended characters fading into a wall. Interpretive videos directly reflect the song's lyrics through actions on screen without a deep narrative. Allusion videos imply something will happen but change at the end, surprising the audience, like Carly Rae Jepsen's "Call Me Maybe" implying a love story but revealing the guy is gay. Surrealist videos are abstract and may not relate to the music, using live footage and animation for surreal
Storyboard
1) The storyboard went through revisions from an initial draft using sticky notes to the final draft. Shots were changed or removed to better portray the theme of the protagonist aging and regretting his past life choices.
2) Specific shots were chosen to represent biblical elements from the song and show remorse, including shots of a church interior and exterior, a grave, and a congregating audience.
3) Flashbacks were incorporated to highlight negatives in the protagonist's past, including a gang attack and instances of domestic violence, to emphasize the theme of karma in the song's lyrics.
digipak making
The document discusses choosing photos for the cover of a digipak to promote a dance music project. It describes 5 photos selected: 1) a mid-air jump suggesting a "dropping beat"; 2) a shot in Southend near an amusement park to depict "gloomy depression"; 3) colorful walls contrasting with a character's plain clothes; 4) a mysterious shot of a character walking into darkness; 5) a faded shot of a female character with Southend pier in the background. The photos were edited using Color Splash software to apply effects and keep to a bright color scheme fitting for dance/house music.
Recce Shots
The document discusses choosing a field location for a music video. It notes the field conveys meanings of freedom, nature, and vast openness. These relate to the video's lyrics by showing the female lead letting out natural feelings for a love interest freely and openly, while also feeling lost amid mixed emotions of love and hatred for the male protagonist as she searches for him.
1. In what ways does your media product use, develop or challenge conventions...
1. The document discusses how the media product challenges and develops conventions of real music videos. It aimed to create an original music video without lip syncing. It used the song lyrics to construct a narrative and depict teenagers dealing with life through alcohol abuse.
2. Locations and camera work both followed and challenged conventions. Urban locations followed hip hop conventions while rural areas developed them. Shots included long shots to set the scene, mid-shots for expression, and flashbacks in black and white to signify the past.
3. Costumes followed hip hop conventions like hoodies and jeans but developed indie conventions by adding black and white flashbacks to the editing. This incorporated both genres' styles into telling the narrative.
What have you learned from your audience feedback?
The document summarizes feedback received on a music video and the resulting changes made. Key points of feedback included using both color and black and white filters for dramatic effect; adding breaks to the beat throughout verses after initial breaks were seen as out of place; collecting more footage to better match fast parts of the song; applying black and white instead of inversion to match the color scheme; and filming in a busy location like Oxford Street for shots more relevant to the intended societal and busy tone.
Evaluation q2
- The author created a music video, digital album cover (digipak), and magazine advertisement to promote an artist's work, with the goal of conveying a consistent theme and style across all three pieces.
- Inspired by artists like Calvin Harris, the author styled the pieces to have similar imagery by having the performer wear the same clothes in the video and promotional materials.
- Elements like location and lighting were also kept consistent to improve continuity between the video and ancillary texts.
- A narrative of lost love was portrayed across all three pieces to maintain a cohesive representational theme.
Digi pack
This document summarizes the design choices for the front and inside covers of a digipak album. Photos of the singer playing guitar were used on the front cover to identify the artist and fit genre conventions. Inside left uses overlapping lips to represent the song "Dirty Talk" in a seductive way. Inside right includes collaged photos of the artist with guitar to show their focus is on music over image. The back cover again features the artist, drawing attention to the song list. Common themes were continuity across the covers and representing the artist and their music.
Initial ideas music vid a2
The document discusses several potential concepts for a music video, including having the main actress and love interest walking on the beach, but filming at the beach would be difficult. Another idea of the couple arguing is deemed too basic and negative. The final proposed concept involves solely focusing on the main actress's performance in various locations like a dance studio, keeping it simple but using lighting and camera angles to make it interesting.
Question 3
The document discusses the effectiveness of combining a music video with ancillary texts like advertisements and album artwork.
It explains that the creator planned from the beginning to portray a consistent theme across the music video, digital album, and magazine advertisement. Inspired by artists like Calvin Harris, the creator styled the performer in matching outfits for the video and ancillary shoots. Images from the advertisement and album cover were also reused to improve continuity.
The creator analyzed popular music videos and incorporated a dream-like narrative into their own video to represent losing a relationship. This same theme of loss was then suggested through imagery in the ancillary texts to maintain consistency across products. Overall, the document argues that the ancillary texts successfully complement
Question 2
The document discusses the effectiveness of combining a music video with ancillary texts like advertisements and album artwork.
It explains that the creator planned from the beginning to portray a consistent theme across the music video, digital album, and magazine advertisement. Inspired by artists like Calvin Harris, the creator styled the performer in matching outfits for the video and ancillary shoots. Images from the advertisement and album cover were also reused to improve continuity.
The creator analyzed popular music videos and incorporated a common narrative device - a dream sequence about a lost relationship. This theme was then carried through consistently in all three media products to represent the story and genre conventions. Overall, the document argues that the ancillary texts effectively complement the music video
our pitch
The document discusses plans for creating a music video and album cover for an unknown artist named Tinashe. It summarizes research conducted on conventions of music videos and how artists portray themselves. It describes initially considering an urban theme but deciding on a surreal fantasy theme inspired by Katy Perry and Gwen Stefani videos. The theme explores media influence on identity using an Alice in Wonderland narrative with the Queen representing media control and Alice rebelling to create her own identity. Plans are outlined for filming at locations, including performance and story scenes, with an artistic style.
Music video pitch presentation
The document outlines a music video pitch for the song "Midnight Moon" by Oh Wonder. It discusses why this song was chosen over others considered for its indie genre and duo artists, allowing for more shot variation. Locations like a drama hall, park, and beach are proposed to represent the artists' freedom and eco-friendliness. Potential issues like weather, timing delays, and camera problems are also addressed. The pitch envisions combining performance, concept, and narrative elements in the final video.
Evaluation question 1
The document summarizes a student's music video project for a dubstep song. The student aimed to do something different by creating an abstract video with no clear narrative, only hints shown through pictures on a phone. The video fits Svein Carlsson's theory of music videos having either a narrative/performance or being abstract. Shots include close-ups, long shots and tracking shots. The video edits clips quickly to keep viewers interested. The artist's outfit is typical of a teen at the beach to make the video seem realistic. The ancillary texts, like the album cover, use bright colors and the artist in black and white to contrast the colorful background, conforming somewhat but also changing conventions to be less typically male-
Media q4
Through gathering feedback from peers, surveys, and social media, the group was able to create a video that satisfied both their target audience and themselves. Audience feedback revealed unintentional elements that added depth, like the actress avoiding eye contact initially. It also sparked new interpretations around themes of death and rebirth that the group incorporated. While one criticism addressed overused landscape shots, the group felt they added needed variety. Color symbolism and ambiguous lyrics allowed for varied individual interpretations, showing the feedback was successful.
Media Homework - Teddy Fisher
The document provides guidance for tasks related to improving a music video rough cut. It discusses genre conventions used in the rough cut and ways to strengthen the relationship between visuals, lyrics, and music. Specifically, it recommends filming additional footage for the chorus to make it less repetitive by showing flashbacks of the artist and girlfriend being happy together previously. It also discusses using photos of the artist from filming to design the digipak cover and how artists like Chris Brown use social media to promote new music videos.
question 4
Our music video for the song "Three Tree Town" by the indie artist James Lorell both follows and challenges conventions of the indie genre. We followed conventions by using close-up shots of the artist singing and playing guitar, simple editing with fade transitions, and incorporating the guitar as a focal point. However, we also challenged conventions by having equal focus on performance and narrative scenes, including more context about the artist's personal life through the narrative, and having more elaborate mise-en-scene and long shots during the narrative portions of the video. Overall, we aimed to be largely consistent with expectations of the indie genre while also making our video more interesting through some unconventional elements.
Ideas and Concepts
The document discusses four potential song choices and interpretations for a music video:
1) "Human" by Christina Perri - A video with girls expressing talents in a plain white room, conveying a theme of isolation. Shots would include silhouettes and transparency to link to the song's lyrics.
2) "You Found Me" by The Fray - A video revealing a hidden meaning through the lives of individuals, filmed using techniques like time-lapse and dissolves.
3) "I'll Be Good" by Jaymes Young - A video of a man reflecting on his relationship with his father, using flashbacks and handheld shots in black and white.
4) An unnamed song
S1 Critical Perspectives Key Concepts Application
The document provides an analysis of a music video for a song featuring two artists. It discusses the intended audience as having general interest in comparing and contrasting videos and songs. It analyzes the use of narrative theory, with scenes split between the artists following a linear narrative of them searching and realizing something. It also discusses the genre as indie, with typical conventions like a quirky, arty style shown through the vintage setting and clothing.
Evaluation Tasks - Question 1 - Ben Crisp
This document discusses the conventions used in the media product's music video, digipak, and magazine advertisement for a solo pop artist. The music video establishes the time through beer cans and bottles. It introduces the artist smiling and well-dressed to appeal to audiences. Shots frame and focus on the artist to sell their image. Dancing and lip syncing match the music. The digipak and ad keep a consistent black and white, ghostly theme to clearly link the products and sell the artist. Overall, the media product uses conventions of framing, performance, and branding to effectively promote the solo pop artist.
Textual analysis of ed sheeran’s castle on the hill
This document provides a textual analysis of Ed Sheeran's "Castle on the Hill" music video in 3 paragraphs. It summarizes the mise-en-scene elements used to portray Ed Sheeran's childhood and teenage years as normal, including locations, iconography, costumes and lighting. Camerawork techniques like close-ups, long shots and point-of-view are described as ways to illustrate the lyrics and show relationships between characters. However, the portrayal of underage drinking and smoking in the video could negatively stereotype Ed Sheeran.
Conventions Of Music Videos And Acoustic Videos
This document discusses conventions used in music videos. It notes that camera work, editing techniques, mise-en-scene, props, costumes, and location all impact the meaning of a music video. It provides examples of conventions for acoustic music videos, such as slow camera movement, shots of an artist performing, and isolated or run-down locations that relate to the song's subject. The document also discusses genre theory, stating that genres develop through the repetition of conventions that become recognizable to audiences.
Freaks and geeks childish gambino
The one-shot music video for Childish Gambino's "Freaks and Geeks" focuses entirely on the artist through simple and intentional directorial choices. There are no cuts, props, or other distractions from the red-clad artist, who stands out against a dull background as the camera zooms in on him. Symbolic lighting makes him appear godlike as he sings directly to the audience. Through these minimal elements, the video maintains attention on the performer from beginning to end.
Proposal
The proposal is for a music video for James Bay's song "Scars." It intends to create a narrative that reflects the meaningful lyrics and shows the emotion of the song through a single character experiencing loneliness after losing his girlfriend. Scenes will be filmed in a black box room to depict his pain and while walking in London to show him trying to clear his head. Close-up shots will emphasize his emotion while singing. The video aims to connect with viewers by constantly showing his thoughts and feelings through each word sung.
Initial ideas music vid a2
This document discusses potential concepts for a music video. The first concept involves the main actress and love interest walking on the beach holding hands to portray their love, but filming at the beach would be difficult. The second concept is solely a narrative of the couple arguing and the actress crying over photos, but it is too basic and negative. The third involves only a dance performance by the couple, but it risks becoming repetitive and finding the right male dancer would be difficult. The final concept proposed incorporates both a narrative and performance elements by alternating between scenes of the couple intimate at home as the song is sung and the actress dancing while being watched by her love interest.
Media Studies Planning And Research Analysis On Digipaks
1. Monica's 2006 album "The Makings of Me" depicts a more mature style compared to her past youthful poses. She wears minimal clothing representing freedom and a new start.
2. Beyonce's 2003 album "Dangerously in Love" shows her in a confident, independent pose. Bright lighting makes her stand out, and her revealing diamond costume draws attention, representing her strength.
3. Alicia Keys' 2002 album "The Diary of Alicia Keys" features a piano covering half her body, implying it is integral to who she is as a pianist. Her costume and gaze are typically seductive for R&B albums while still matching her soulful style.
11 Media Studies Costume
The document discusses the initial costume choices for an actress in an R&B music video. It was first decided that she would wear a revealing black dress to fit conventions of the genre and appear seductive. However, this dress was deemed unsuitable for the outdoor daytime location. References are made to Beyonce's "Crazy In Love" video to argue a black dress could still work. High heels were also considered but deemed impractical for dancing.
More Related Content
What's hot
Digi pack
This document summarizes the design choices for the front and inside covers of a digipak album. Photos of the singer playing guitar were used on the front cover to identify the artist and fit genre conventions. Inside left uses overlapping lips to represent the song "Dirty Talk" in a seductive way. Inside right includes collaged photos of the artist with guitar to show their focus is on music over image. The back cover again features the artist, drawing attention to the song list. Common themes were continuity across the covers and representing the artist and their music.
Initial ideas music vid a2
The document discusses several potential concepts for a music video, including having the main actress and love interest walking on the beach, but filming at the beach would be difficult. Another idea of the couple arguing is deemed too basic and negative. The final proposed concept involves solely focusing on the main actress's performance in various locations like a dance studio, keeping it simple but using lighting and camera angles to make it interesting.
Question 3
The document discusses the effectiveness of combining a music video with ancillary texts like advertisements and album artwork.
It explains that the creator planned from the beginning to portray a consistent theme across the music video, digital album, and magazine advertisement. Inspired by artists like Calvin Harris, the creator styled the performer in matching outfits for the video and ancillary shoots. Images from the advertisement and album cover were also reused to improve continuity.
The creator analyzed popular music videos and incorporated a dream-like narrative into their own video to represent losing a relationship. This same theme of loss was then suggested through imagery in the ancillary texts to maintain consistency across products. Overall, the document argues that the ancillary texts successfully complement
Question 2
The document discusses the effectiveness of combining a music video with ancillary texts like advertisements and album artwork.
It explains that the creator planned from the beginning to portray a consistent theme across the music video, digital album, and magazine advertisement. Inspired by artists like Calvin Harris, the creator styled the performer in matching outfits for the video and ancillary shoots. Images from the advertisement and album cover were also reused to improve continuity.
The creator analyzed popular music videos and incorporated a common narrative device - a dream sequence about a lost relationship. This theme was then carried through consistently in all three media products to represent the story and genre conventions. Overall, the document argues that the ancillary texts effectively complement the music video
our pitch
The document discusses plans for creating a music video and album cover for an unknown artist named Tinashe. It summarizes research conducted on conventions of music videos and how artists portray themselves. It describes initially considering an urban theme but deciding on a surreal fantasy theme inspired by Katy Perry and Gwen Stefani videos. The theme explores media influence on identity using an Alice in Wonderland narrative with the Queen representing media control and Alice rebelling to create her own identity. Plans are outlined for filming at locations, including performance and story scenes, with an artistic style.
Music video pitch presentation
The document outlines a music video pitch for the song "Midnight Moon" by Oh Wonder. It discusses why this song was chosen over others considered for its indie genre and duo artists, allowing for more shot variation. Locations like a drama hall, park, and beach are proposed to represent the artists' freedom and eco-friendliness. Potential issues like weather, timing delays, and camera problems are also addressed. The pitch envisions combining performance, concept, and narrative elements in the final video.
Evaluation question 1
The document summarizes a student's music video project for a dubstep song. The student aimed to do something different by creating an abstract video with no clear narrative, only hints shown through pictures on a phone. The video fits Svein Carlsson's theory of music videos having either a narrative/performance or being abstract. Shots include close-ups, long shots and tracking shots. The video edits clips quickly to keep viewers interested. The artist's outfit is typical of a teen at the beach to make the video seem realistic. The ancillary texts, like the album cover, use bright colors and the artist in black and white to contrast the colorful background, conforming somewhat but also changing conventions to be less typically male-
Media q4
Through gathering feedback from peers, surveys, and social media, the group was able to create a video that satisfied both their target audience and themselves. Audience feedback revealed unintentional elements that added depth, like the actress avoiding eye contact initially. It also sparked new interpretations around themes of death and rebirth that the group incorporated. While one criticism addressed overused landscape shots, the group felt they added needed variety. Color symbolism and ambiguous lyrics allowed for varied individual interpretations, showing the feedback was successful.
Media Homework - Teddy Fisher
The document provides guidance for tasks related to improving a music video rough cut. It discusses genre conventions used in the rough cut and ways to strengthen the relationship between visuals, lyrics, and music. Specifically, it recommends filming additional footage for the chorus to make it less repetitive by showing flashbacks of the artist and girlfriend being happy together previously. It also discusses using photos of the artist from filming to design the digipak cover and how artists like Chris Brown use social media to promote new music videos.
question 4
Our music video for the song "Three Tree Town" by the indie artist James Lorell both follows and challenges conventions of the indie genre. We followed conventions by using close-up shots of the artist singing and playing guitar, simple editing with fade transitions, and incorporating the guitar as a focal point. However, we also challenged conventions by having equal focus on performance and narrative scenes, including more context about the artist's personal life through the narrative, and having more elaborate mise-en-scene and long shots during the narrative portions of the video. Overall, we aimed to be largely consistent with expectations of the indie genre while also making our video more interesting through some unconventional elements.
Ideas and Concepts
The document discusses four potential song choices and interpretations for a music video:
1) "Human" by Christina Perri - A video with girls expressing talents in a plain white room, conveying a theme of isolation. Shots would include silhouettes and transparency to link to the song's lyrics.
2) "You Found Me" by The Fray - A video revealing a hidden meaning through the lives of individuals, filmed using techniques like time-lapse and dissolves.
3) "I'll Be Good" by Jaymes Young - A video of a man reflecting on his relationship with his father, using flashbacks and handheld shots in black and white.
4) An unnamed song
S1 Critical Perspectives Key Concepts Application
The document provides an analysis of a music video for a song featuring two artists. It discusses the intended audience as having general interest in comparing and contrasting videos and songs. It analyzes the use of narrative theory, with scenes split between the artists following a linear narrative of them searching and realizing something. It also discusses the genre as indie, with typical conventions like a quirky, arty style shown through the vintage setting and clothing.
Evaluation Tasks - Question 1 - Ben Crisp
This document discusses the conventions used in the media product's music video, digipak, and magazine advertisement for a solo pop artist. The music video establishes the time through beer cans and bottles. It introduces the artist smiling and well-dressed to appeal to audiences. Shots frame and focus on the artist to sell their image. Dancing and lip syncing match the music. The digipak and ad keep a consistent black and white, ghostly theme to clearly link the products and sell the artist. Overall, the media product uses conventions of framing, performance, and branding to effectively promote the solo pop artist.
Textual analysis of ed sheeran’s castle on the hill
This document provides a textual analysis of Ed Sheeran's "Castle on the Hill" music video in 3 paragraphs. It summarizes the mise-en-scene elements used to portray Ed Sheeran's childhood and teenage years as normal, including locations, iconography, costumes and lighting. Camerawork techniques like close-ups, long shots and point-of-view are described as ways to illustrate the lyrics and show relationships between characters. However, the portrayal of underage drinking and smoking in the video could negatively stereotype Ed Sheeran.
Conventions Of Music Videos And Acoustic Videos
This document discusses conventions used in music videos. It notes that camera work, editing techniques, mise-en-scene, props, costumes, and location all impact the meaning of a music video. It provides examples of conventions for acoustic music videos, such as slow camera movement, shots of an artist performing, and isolated or run-down locations that relate to the song's subject. The document also discusses genre theory, stating that genres develop through the repetition of conventions that become recognizable to audiences.
Freaks and geeks childish gambino
The one-shot music video for Childish Gambino's "Freaks and Geeks" focuses entirely on the artist through simple and intentional directorial choices. There are no cuts, props, or other distractions from the red-clad artist, who stands out against a dull background as the camera zooms in on him. Symbolic lighting makes him appear godlike as he sings directly to the audience. Through these minimal elements, the video maintains attention on the performer from beginning to end.
Proposal
The proposal is for a music video for James Bay's song "Scars." It intends to create a narrative that reflects the meaningful lyrics and shows the emotion of the song through a single character experiencing loneliness after losing his girlfriend. Scenes will be filmed in a black box room to depict his pain and while walking in London to show him trying to clear his head. Close-up shots will emphasize his emotion while singing. The video aims to connect with viewers by constantly showing his thoughts and feelings through each word sung.
Initial ideas music vid a2
This document discusses potential concepts for a music video. The first concept involves the main actress and love interest walking on the beach holding hands to portray their love, but filming at the beach would be difficult. The second concept is solely a narrative of the couple arguing and the actress crying over photos, but it is too basic and negative. The third involves only a dance performance by the couple, but it risks becoming repetitive and finding the right male dancer would be difficult. The final concept proposed incorporates both a narrative and performance elements by alternating between scenes of the couple intimate at home as the song is sung and the actress dancing while being watched by her love interest.
What's hot (18)
Textual analysis of ed sheeran’s castle on the hill
Textual analysis of ed sheeran’s castle on the hill
Viewers also liked
Media Studies Planning And Research Analysis On Digipaks
1. Monica's 2006 album "The Makings of Me" depicts a more mature style compared to her past youthful poses. She wears minimal clothing representing freedom and a new start.
2. Beyonce's 2003 album "Dangerously in Love" shows her in a confident, independent pose. Bright lighting makes her stand out, and her revealing diamond costume draws attention, representing her strength.
3. Alicia Keys' 2002 album "The Diary of Alicia Keys" features a piano covering half her body, implying it is integral to who she is as a pianist. Her costume and gaze are typically seductive for R&B albums while still matching her soulful style.
11 Media Studies Costume
The document discusses the initial costume choices for an actress in an R&B music video. It was first decided that she would wear a revealing black dress to fit conventions of the genre and appear seductive. However, this dress was deemed unsuitable for the outdoor daytime location. References are made to Beyonce's "Crazy In Love" video to argue a black dress could still work. High heels were also considered but deemed impractical for dancing.
Presentation3
Keep Calm and Carry On was a British government motivational poster created in 1939 at the start of World War 2, though it was never used. The poster showed people maintaining normal activities and keeping a calm attitude during wartime. Typography and visual elements in album artwork can convey meanings, like fonts representing fame or colors symbolizing royalty when paired with performance venues. Intertextuality and conventions provide relationships between images and words.
Media Studies Goodwins Theory
This document discusses different elements and characteristics of music videos. It provides examples of how lyrics can relate to visuals in a music video. It also explains how the music and cutting rhythm can be varied in a video to engage audiences. Genre characteristics like props and solo/band formats are described. The document also covers notions of looking at the camera and voyeurism. It discusses the demands record labels have in appealing to younger audiences. Finally, it provides an example of a performance-based music video and how that style can help convey a message.
Media lighting
The key light is the most important light in a 3-point lighting setup and is used to highlight the main subject. The fill light is also part of the 3-point setup and lessens shadows created by the key light. The back light illuminates the subject from behind to create separation from the background.
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Media Studies Planning And Research Analysis On Digipaks
Media Studies Planning And Research Analysis On Digipaks
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
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In the heart of a sleepy town nestled between rolling hills and whispering pines …
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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- 2. Location 1:
- 3. Location 2 The idea of having the main actress walking down the school corridor was not put into our music video as well because it was seen as very tacky. It did not look like a music video and if this was not felt by us, then the audience would not have felt this either.
- 4. “Baby by me” by 50 cent is a idea that might be considered this is because this is a common representation of a RnB video as mentioned on the first slide. The idea of the night life is also one that might be incorporated into our own music video as it sets the mood even better as it shows the romance of the two.