Matisse: Life & Spirit, Masterpieces from the Centre Pompidou
20 November 2021 – 13 March 2022, Major exhibition gallery - Art
Gallery of New South Wales, one of Australia's most popular art
museums, presents the largest collection of the revered painter’s joyous
work to ever wing its way to Sydney, with thanks to the world-famous
Parisian home of contemporary art.
Spanning six decades of the artist’s work, Matisse: Life & Spirit presents
an extraordinary immersion in the range and depth of the art of Henri
Matisse, one of the world’s most beloved, innovative and influential artists
Developed in collaboration with the Centre Pompidou in Paris, which holds an exceptional collection of works by the artist,
Matisse: Life & Spirit is the greatest single exhibition of Matisse masterworks ever to be seen in Sydney
Paris
Sydney
Henri Matisse
(1869-1954)
Decorative figure
on an ornamental
ground (Figure
décorative sur fond
ornemental)
1925–26
Henri Matisse (1869-1954)
Decorative figure on an ornamental ground
(Figure décorative sur fond ornemental) 1925–26
Matisse’s suite of small bronze busts of Jeannette and Henriette
Matisse: Life & Spirit,
Masterpieces from the
Centre Pompidou at
Art Gallery of New
South Wales Sydney
Henri Matisse
(French, 1869-
1954)
Odalisque with red
culottes (Odalisque
à la culotte rouge)
1921
Henri Matisse
(French, 1869-1954)
Profile of a girl, her
head resting on her
arm, Louis XIV screen
behind
Henri Matisse
(French, 1869-1954)
Rest on the seat 1929
Matisse: Life & Spirit, Masterpieces from the Centre Pompidou
at Art Gallery of New South Wales Sydney
Henri
Matisse
(French,
1869-1954)
Lorette
with
coffee
cup
(1917)
Henri Matisse (French, 1869-1954)
Intérieur à Nice, la sieste (1922)
Henri
Matisse
(French,
1869-
1954)
Portrait of
Barones
Gourgaud,
1924
Henri Matisse (French, 1869-1954)
Blue nude II (Nu bleu II) 1952
Henri
Matisse
(French,
1869-1954)
Blue
nude
II
(Nu
bleu
II)
1952
What many don’t realise is that Matisse
played violin every day. That passion for
movement, music, pause and flow is
amplified across this incredible room of
work
Henri Matisse (French, 1869-1954)
Blue nude II (Nu bleu II) 1952
Henri
Matisse
(French,
1869-
1954)
Window in
Tahiti
Le
chat
aux
poissons
rouges,
1914
Henri Matisse
(French, 1869-1954)
Window in Tahiti
Henri
Matisse
(French,
1869-1954)
Polynesia,
the
sky
(Polynésie,
le
ciel)
1946
Henri Matisse
(French, 1869-
1954)
Polynesia, the sea
(Polynésie, la mer)
1946
Henri Matisse
(French, 1869-
1954)
Polynesia, the sky
(Polynésie, le ciel)
1946
Polynesia, the sea
(Polynésie, la mer)
1946
Henri Matisse
(French, 1869-
1954)
The sorrow of the
king
(La tristesse du
roi)
1952
The majestic self-
portrait The
sorrow of the
king, one of the
largest of the
famous cut-outs
that the artist
created in his late
career
Henri Matisse (1869-1954)
The sorrow of the king
Henri Matisse (French, 1869-1954)
A collection of original prints from his jazz portfolio
Henri Matisse
(French, 1869-1954)
Icare (Icarus), 1947
In addition to his bold innovations
in painting and sculpture, Matisse
produced several extraordinary
artists’ books, the majority of which
were made after a bout with
intestinal cancer in 1941 that left
him largely bedridden. This plate is
one of twenty made to illustrate his
groundbreaking book Jazz. Despite
its musical title—likely named for
the experimental, improvisational
nature of its compositions—the
book’s dominant themes are the
circus and theater. The illustrations
derive from maquettes of cut and
pasted colored papers, which were
printed using a stencil technique
known as pochoir.
Still life with shell, 1940 The swimmer in the tank La nageuse dans l'aquarium 1947
The Horse, the Rider, and the Clown 1943-4 The cowboy, 1947
Henri
Matisse
(French,
1869-1954)
Jazz
collection
Pierrot's
funeral,
from
the
illustrated
book
Jazz
The
circus,
from
the
illustrated
book
Jazz
1947
Henri Matisse
(French,
1869-1954)
The lagoon,
from the
illustrated
book Jazz
Les Codomas
from the
illustrated
book Jazz
1947
Portrait
de
Greta
Prozor
Henri Matisse
(French, 1869-1954)
Auguste Pellerin II
Grand
intérieur
rouge
(Spring
1948)
Henri Matisse
(French, 1869-1954)
White and pink head
(Tête blanche et rose)
1914
Henri Matisse
(French, 1869-
1954)
Grand intérieur
rouge
(Spring 1948)
Henri Matisse
(1869-1954)
Le Luxe I
(summer
1907)
Henri Matisse
(1869-1954)
Algerian
woman
(L’Algérienne)
1909
Henri
Matisse
(French,
1869-1954)
Le
chant,
1938
Standing
nude
(Nu
debout)
1947
Henri
Matisse
(French,
1869-1954)
Still
life
with
green
marble
table
(Nature
morte
à
la
table
de
marbre
vert)
1941
French
window
at
Collioure
(1914)
Henri Matisse
(French, 1869-1954)
Still life with magnolia
Henri Matisse
(French, 1869-
1954)
Liseuse sur fond
noir
(August 1939)
Le
violoniste
à
la
fenêtre
(spring
1918)
Henri Matisse
(French, 1869-
1954)
Intérieur jaune et
bleu
(1946)
Interior,
goldfish
bowl
(Intérieur,
bocal
de
poissons
rouges)
1914
Henri Matisse (French, 1869-1954) Nature morte au lierre (1916) The painter in his studio (Le peintre dans son atelier) 1916
Matisse: Life & Spirit, Masterpieces from the Centre Pompidou
at Art Gallery of New South Wales Sydney
Henri Matisse
(French, 1869-1954)
Still life with a red rug
1906
Henri Matisse (French, 1869-1954)
Still life with chocolate pot
1900
Still
life
with
green
buffett
Henri Matisse
(French, 1869-1954)
Still life with green buffett
Henri
Matisse
(1869-1954)
Sleep
La
Blouse
Roumaine
1940
Henri Matisse
(French, 1869-
1954)
Luxe, calme et
volupté,
(Luxury, peace
and pleasure)
1904.
A special presentation focused on his work in Chapel of the Rosary in
Vence, in the south of France, is at the heart of the exhibition. It’s
considered to be the culmination of his life’s work
Henri Matisse (French, 1869-1954)
Virgin and Child 1950-51
Justin Paton,
curator of
‘Matisse: Life and
Spirit’
Henri Matisse
(French, 1869-
1954)
Chapel of the
Rosary
Vitrail bleu pâle
(Pale blue stained-
glass)
Henri Matisse
(French, 1869-
1954)
Chapel of the
Rosary
Henri Matisse (French, 1869-1954)
Visage sur fond jaune (Face on a yellow background) 1952
Henri Matisse
(French, 1869-
1954)
Chapel of the
Rosary
Works by Henri Matisse on
view in the exhibition, Matisse
& Picasso, at the National
Gallery of Australia 2020
A security guard with Matisse’s portrait of Lydia
Delectorskaya, titled The Romanian Blouse, at the
National Gallery of Australia
Text & pictures: Internet
All copyrights belong to their respective owners
Presentation: Sanda Foişoreanu
https://www.slideshare.net/sandafoisoreanu
https://ma-planete.com/michaelasanda
2022
Sound: Mendelssohn Bartholdy - Violin Concerto Op. 64-3; David Oistrakh, violin State Symphony Orchestra of USSR

Matisse Life & Spirit

Editor's Notes

  • #32 Matisse, The sorrow of the king, 1952 Matisse’s final self portrait. This work refers to one of Rembrandt’s paintings, David Playing the Harp before Saul, in which the young biblical hero plays to distract the king from his melancholy, as well as to Rembrandt’s late self portraits. Here Matisse depicts the themes of old age, of looking back towards earlier life (La vie antérieure, the title of a poem by Baudelaire that Matisse had already illustrated) and of music soothing all cares. Matisse has represented himself by the central black form, like a silhouette of himself sitting in his armchair, surrounded by the pleasures that have enriched his life. He has combined a number of recurring themes from his life. The yellow petals fluttering away have the gaiety of musical notation while the green odalisque symbolizes the Orient and a dancer pays homage to the female body and sensuousness