MAH_07_15_Expressionism.ppt
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Expressionism was an artistic movement that originated in Germany in the early 20th century. It focused on distorting reality and exaggerating emotions to express inner experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Pioneering expressionist artists like Edvard Munch, Ernst Ludwig Kirchner, and Emil Nolde used vivid colors, dynamic forms, and exaggeration to convey emotion and subjective experience over realistic representation. Expressionism had a significant influence on painting, but also theater, literature, dance, and film during this period.
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Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
Expressionism In Germany
The document discusses Expressionism in Germany in the early 20th century. It began with the artist group Die Brücke, who were inspired by primitive art and sought an emotional expression of the artist's inner feelings. Key Expressionist artists mentioned include Emil Nolde, Paula Modersohn-Becker, and members of Die Brücke such as Ernst Kirchner. Expressionism spread to other media like prints and other countries in Europe, including the Der Blaue Reiter group in Germany and Egon Schiele and Oskar Kokoschka in Austria.
Expressionism 1st
Expressionism emerged in early 20th century Germany and Austria as an avant-garde art movement. Expressionist artists sought to depict subjective emotions and inner experiences rather than objective reality through vivid colors, exaggerated forms, and jarring compositions. Major expressionist groups included Die Brücke and Der Blaue Reiter, whose works explored feelings of anxiety and turmoil through distorted figures and scenes. Prominent expressionist artists like Munch, Dix, and Beckmann used expressive styles to convey intense personal emotions and criticisms of modern society.
KCC Art 211 Ch 21 Early 20th Century
The document provides an overview of early 20th century artistic movements including Fauvism, German Expressionism, Cubism, and Futurism. It discusses key artists such as Matisse, Kirchner, Kandinsky, Picasso, and Braque and their contributions to these movements. Major developments included Fauvism's emphasis on bright color, Expressionism's focus on emotion, and Cubism's fragmentation of form through multiple perspectives.
Fauvisim & expressionism
This document provides an overview of Fauvism and Expressionism. It discusses key Fauvist artists like Henri Matisse and their use of bright, unnatural colors. It then covers major Expressionist artists like Edvard Munch, Franz Marc, Marc Chagall, and their use of distortion, emotion, and non-realistic styles to express inner feelings and experiences impacted by events like World War I. Expressionist works explored themes like mental illness, anxiety, and the horrors of war through bold styles that broke from realism and natural color.
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
Chapter 6 expressionism in germany and austria
The document provides information on several German and Austrian expressionist artists that were part of the Die Brücke and Der Blaue Reiter movements in the early 20th century. It discusses key figures like Ernst Ludwig Kirchner, Erich Heckel, Emil Nolde, Vasily Kandinsky, Franz Marc, Gabriele Münter, and Marianne von Werefkin. It describes their expressive styles using color and form to convey emotion, as well as symbols and subjects important in their work like animals and landscapes. It also gives biographical details and contexts around the founding and influences of the Die Brücke and Der Blaue Reiter groups on the development of German expressionism
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Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
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The document discusses Expressionism in Germany in the early 20th century. It began with the artist group Die Brücke, who were inspired by primitive art and sought an emotional expression of the artist's inner feelings. Key Expressionist artists mentioned include Emil Nolde, Paula Modersohn-Becker, and members of Die Brücke such as Ernst Kirchner. Expressionism spread to other media like prints and other countries in Europe, including the Der Blaue Reiter group in Germany and Egon Schiele and Oskar Kokoschka in Austria.
Expressionism 1st
Expressionism emerged in early 20th century Germany and Austria as an avant-garde art movement. Expressionist artists sought to depict subjective emotions and inner experiences rather than objective reality through vivid colors, exaggerated forms, and jarring compositions. Major expressionist groups included Die Brücke and Der Blaue Reiter, whose works explored feelings of anxiety and turmoil through distorted figures and scenes. Prominent expressionist artists like Munch, Dix, and Beckmann used expressive styles to convey intense personal emotions and criticisms of modern society.
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The document provides an overview of early 20th century artistic movements including Fauvism, German Expressionism, Cubism, and Futurism. It discusses key artists such as Matisse, Kirchner, Kandinsky, Picasso, and Braque and their contributions to these movements. Major developments included Fauvism's emphasis on bright color, Expressionism's focus on emotion, and Cubism's fragmentation of form through multiple perspectives.
Fauvisim & expressionism
This document provides an overview of Fauvism and Expressionism. It discusses key Fauvist artists like Henri Matisse and their use of bright, unnatural colors. It then covers major Expressionist artists like Edvard Munch, Franz Marc, Marc Chagall, and their use of distortion, emotion, and non-realistic styles to express inner feelings and experiences impacted by events like World War I. Expressionist works explored themes like mental illness, anxiety, and the horrors of war through bold styles that broke from realism and natural color.
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
Colonial Empires About 1900This map is really important .docx
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
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The document provides information on several German and Austrian expressionist artists that were part of the Die Brücke and Der Blaue Reiter movements in the early 20th century. It discusses key figures like Ernst Ludwig Kirchner, Erich Heckel, Emil Nolde, Vasily Kandinsky, Franz Marc, Gabriele Münter, and Marianne von Werefkin. It describes their expressive styles using color and form to convey emotion, as well as symbols and subjects important in their work like animals and landscapes. It also gives biographical details and contexts around the founding and influences of the Die Brücke and Der Blaue Reiter groups on the development of German expressionism
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The document discusses several art movements including Realism, Abstraction, Symbolism, Fauvism, Dadaism, Futurism, Surrealism and Expressionism. It provides descriptions of each movement's key characteristics such as their portrayal of subjects, use of color, exploration of the subconscious mind, and emphasis on modern industrial themes. Realism aims to depict reality accurately while abstraction moves away from realistic representations. Dadaism was an anti-art movement reacting to World War 1. Surrealism draws from dreams to reveal hidden realities. Expressionism conveys emotion and angst through distorted forms.
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A 12 artists from germany
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11821, 1030 AM Straight Photographyhttpscoastdistric
1. Straight photography emerged in the early 20th century as an objective style that aimed to capture scenes without manipulation. One pioneer was Alfred Stieglitz, who depicted everyday modern life in photos like The Terminal.
2. Dada emerged during World War 1 as an anti-art movement that used absurdity, humor, and found objects to critique bourgeois society. Key figures included Marcel Duchamp, whose Fountain challenged notions of art, and Hannah Höch, who created political photomontages.
3. Surrealism built on Dada's interests but sought to access the subconscious through techniques like automatic drawing and exquisite corpses. Artists included Salvador Dali, who vividly depicted psychological
11821, 1030 AM Straight Photographyhttpscoastdistric
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 1/3
Straight Photography
Due Sunday by 11:59pm Points 30
Submitting a text entry box, a media recording, or a file upload
Start Assignment
Straight photography emerged in the early twentieth century and was a way of thinking about
photography as independent and unique from other artistic media like painting. It attempted to capture a
scene as objectively as possible therefore it didn't rely on methods of photographic manipulation. One of
the first photographers to experiment with straight photography was Alfred Stieglitz in the late nineteenth
and early twentieth centuries. He would often employ straight photography to depict everyday scenes of
modern life as seen in his photograph The Terminal.
Alfred Stieglitz, The Terminal. 1893, printed 1911. Photogravure. Source: flickr (https://www.flickr.com/phot
os/[email protected]/3775792984/in/photolist-6KDVH3) License: CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/
2.0/)
Watch the 10 minute video segment below from the documentary film called Alfred Stieglitz: The
Eloquent Eye (https://www.youtube.com/watch?v=2j2N1Bdh830) to learn more about Alfred Stieglitz
https://www.flickr.com/photos/[email protected]/3775792984/in/photolist-6KDVH3
https://creativecommons.org/licenses/by-nc/2.0/
https://www.youtube.com/watch?v=2j2N1Bdh830
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 2/3
Straight Photography (1)
and his photographs.
Instructions:
1. Visit the Metropolitan Museum of Art's website
(https://www.metmuseum.org/art/collection/search/270032) and read the short description about The
Terminal by Alfred Stieglitz.
2. Take your own Stieglitz inspired photograph using the method of straight photography. Keep to his
theme of illustrating the everyday scenes of modern life--but updated to illustrate life today.
3. In a paragraph (5-6 sentences) describe how your photograph uses the method of straight
photography. Also, describe how the subject matter represents life today.
Alfred StieglitzAlfred Stieglitz
https://www.metmuseum.org/art/collection/search/270032
https://www.youtube.com/watch?v=8nc6hHSyxv8
Introduction to Art Chapter 29: Between World Wars 394
Chapter 29: Between World Wars
Dada
When you look at Marcel Duchamp’s Fountain, a factory-produced urinal he submitted as a
sculpture to the 1917 exhibition of the Society of Independent Artists in New York, you might
wonder just why this work of art has such a prominent place in art history books.
Marcel Duchamp, Fountain (original), photographed by Alfred Stieglitz in 1917 after its rejection by the Society of
Independent Artists
You would not be alone in asking this question. In fact, from the moment Duchamp purchased
the urinal, flipped it on its side, signed it with a ...
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Ch01_The 7 Feasts of Israel.pptx
The 7 feasts of Israel are prophetic in nature, typifying the coming of the Messiah. They demonstrate both the holiness of God and the sinfulness of humanity. There are three types of laws in the Old Testament - moral laws that show humanity's sin, civil laws regarding Israel's government, and ceremonial laws that foreshadow fulfillment in Christ. The feasts together depict how Christ sacrificed himself so that believers may have forgiveness and eternal life.
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11821, 1030 AM Straight Photographyhttpscoastdistric
1. Straight photography emerged in the early 20th century as an objective style that aimed to capture scenes without manipulation. One pioneer was Alfred Stieglitz, who depicted everyday modern life in photos like The Terminal.
2. Dada emerged during World War 1 as an anti-art movement that used absurdity, humor, and found objects to critique bourgeois society. Key figures included Marcel Duchamp, whose Fountain challenged notions of art, and Hannah Höch, who created political photomontages.
3. Surrealism built on Dada's interests but sought to access the subconscious through techniques like automatic drawing and exquisite corpses. Artists included Salvador Dali, who vividly depicted psychological
11821, 1030 AM Straight Photographyhttpscoastdistric
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 1/3
Straight Photography
Due Sunday by 11:59pm Points 30
Submitting a text entry box, a media recording, or a file upload
Start Assignment
Straight photography emerged in the early twentieth century and was a way of thinking about
photography as independent and unique from other artistic media like painting. It attempted to capture a
scene as objectively as possible therefore it didn't rely on methods of photographic manipulation. One of
the first photographers to experiment with straight photography was Alfred Stieglitz in the late nineteenth
and early twentieth centuries. He would often employ straight photography to depict everyday scenes of
modern life as seen in his photograph The Terminal.
Alfred Stieglitz, The Terminal. 1893, printed 1911. Photogravure. Source: flickr (https://www.flickr.com/phot
os/[email protected]/3775792984/in/photolist-6KDVH3) License: CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/
2.0/)
Watch the 10 minute video segment below from the documentary film called Alfred Stieglitz: The
Eloquent Eye (https://www.youtube.com/watch?v=2j2N1Bdh830) to learn more about Alfred Stieglitz
https://www.flickr.com/photos/[email protected]/3775792984/in/photolist-6KDVH3
https://creativecommons.org/licenses/by-nc/2.0/
https://www.youtube.com/watch?v=2j2N1Bdh830
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 2/3
Straight Photography (1)
and his photographs.
Instructions:
1. Visit the Metropolitan Museum of Art's website
(https://www.metmuseum.org/art/collection/search/270032) and read the short description about The
Terminal by Alfred Stieglitz.
2. Take your own Stieglitz inspired photograph using the method of straight photography. Keep to his
theme of illustrating the everyday scenes of modern life--but updated to illustrate life today.
3. In a paragraph (5-6 sentences) describe how your photograph uses the method of straight
photography. Also, describe how the subject matter represents life today.
Alfred StieglitzAlfred Stieglitz
https://www.metmuseum.org/art/collection/search/270032
https://www.youtube.com/watch?v=8nc6hHSyxv8
Introduction to Art Chapter 29: Between World Wars 394
Chapter 29: Between World Wars
Dada
When you look at Marcel Duchamp’s Fountain, a factory-produced urinal he submitted as a
sculpture to the 1917 exhibition of the Society of Independent Artists in New York, you might
wonder just why this work of art has such a prominent place in art history books.
Marcel Duchamp, Fountain (original), photographed by Alfred Stieglitz in 1917 after its rejection by the Society of
Independent Artists
You would not be alone in asking this question. In fact, from the moment Duchamp purchased
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Impressionism
Impressionism emerged in the late 19th century among Paris-based artists seeking to capture fleeting moments in their works. Expressionism originated in early 20th century Germany as a modernist movement where artists expressed emotional experiences through distorted perspectives rather than physical realism. Dadaism arose after World War I as an anti-war movement where artists rebelled against social norms through dream-like, surprising non-styles. Surrealism further developed these ideas to depict illogical dream worlds beyond conscious reality. Futurism began in early 1900s Italy to celebrate the modern age through dynamic works depicting speed, motion, and machinery. Cubism influenced these later styles by presenting fragmented perspectives of subjects from multiple angles.
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During the 19th century, many modern art styles emerged that focused on subjective personal experiences rather than realistic depictions. These included Impressionism, where artists captured fleeting impressions using light and color; Expressionism, which depicted subjective emotions; and Cubism, where objects were broken down into geometric forms. Later styles included Dadaism's nonsense art protesting war; Surrealism's dreamlike unconscious worlds; Pop Art's use of popular culture images; and Performance Art involving the artist's body. These modern art movements had influence on Filipino artists as well.
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German Expressionism was an artistic movement that flourished in Germany between 1905 and 1935. It was characterized by vivid colors, subjective and distorted images, and agitated brushstrokes used to express emotion and set a mood. Two major Expressionist groups were Die Brücke and Der Blaue Reiter. Die Brücke was based in Dresden and expressed radical social views through works inspired by Primitivism. Key artists included Kirchner, Schmidt-Rottluff, and Heckel. Der Blaue Reiter was formed in Munich and centered around Kandinsky and Marc, focusing on injecting art with spiritual values using color. Major influences included Van Gogh and Munch, known
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MAH_07_15_Expressionism.ppt
- 2. By definition: expressionism is signifying the use of distortion and exaggeration by the expressionist to exemplify an event. Late 19th and early 20th century This was the time right around World War One.
- 3. Focused on schools of emotive and interpretive art. Expressionism art didn‟t only focus on painting Played a large role in cinema, theatre, literature and dance
- 4. Most related to Germany in 1910 Started as German Expressionism Was a reaction to Impressionism, can also be noted as “Post-Impressionism” Impressionists tried to recreate an impression of the objective world. Expressionism dealt with artists own personality, feelings and emotions.
- 5. Expressionists had no desire to capture what they saw, but rather their emotional response to it. More active, and subjective type of art.
- 6. FIRST signs of expressionism was in the Fauvism movement – 1905. The general characteristics could also be seen in Van Gogh at first. Started to use pure colors. Agitated brush marks. Distortion of shapes. Expressionism developed with three main groups groups; Die Brucke (The Bridge), Der Blaue Reiter (The Blue Rider) and Die Neue Sachlichkeit (“the New Objectivity). Later Discussed.
- 7. Emotions and feelings Vivid and un-naturalistic colors Dynamic and distorted forms Exaggeration of form which adds to the emotional effect
- 8. One of the earliest artists. 12 December 1863 – 23 January 1944 Norwegian Pioneer in the expressionist movement in modern painting. Inspires present day artists Father was Christian Munch whose wife died when Edvard was only five years old. This had a big impact on his expression of emotion.
- 9. Strong sense of emotion Most pieces: orange-red bright colors. Used against black to bring more contrast from colors. Often depict image of death or suffering.
- 10. Did many woodcuts, lithographs, and etchings. This is important because he‟s bringing new tools into the art world. Brings in a more graphic style.
- 16. Means: The Bridge. Symbolizes the link, or bridge, they would form with art of the future. Founded in Dresden, Germany in 1905 by a group of young architecture students who had interest in art. First cohesive group of German artists to concentrate on expressionist styles
- 17. This group combined traditional German art with African, Post-Impressionist and Fauvist styles. Consisted of paintings, woodcuts, sculptures, and even lithographic prints. Attempted to express emotional feeling through distortion, exageration, color, and line. A Group of Artists: Otto Mueller, Kirchner, Heckel, Schmidt-Rottluff
- 18. Background born on May 6, 1880 in Aschaffenburg. Studied at a technical college until he saw Albrecht Dürer's original woodblocks, which made him decide to become a painter. Founder of „Die Bruke‟ and considered the leader of the group as well Ernst Ludwig Kirchner (1880-1938)
- 19. Style Flat Bold Colors Faces People
- 20. Ernst Ludwig Kirchner Street, Dresden 1908
- 22. Street, Berlin (1913) Ernst Ludwig Kirchner
- 23. Self Portrait As a Solider (1915) Ernst Ludwig Kirchner
- 24. Emil nolde Part of Die Bruke
- 25. Still Life with Masks (1911) Emil Nolde
- 27. Means “The Blue Rider” Believed that colors and shapes were a way of mimicking music and sound Focused on creating color combinations that would purify the soul
- 28. Born in Moscow in 1866 Fascinated by colors in nature Studied music, law and economics before deciding to become a painter Went to art school in Munich, Germany Started The Blue Rider movement with Franz Marc
- 29. Moved back to Russia once World War I started Moved back to Germany after the war to teach at the Bauhaus In 1933 when the Nazis came to power he moved to France He continued to make art until his death in 1944
- 31. Born 1880 Cofounded Der Blaue Reiter Began using abstract animal forms in his art Died at the age of 36 in World War I
- 34. Founded in Germany 1920‟s – 1930‟s After math of World War One Founded by George Grosz and Otto Dix Realistic Style combined with a cynical and socially critical stance. German meaning is “a new reality” Movement focused on the post-war life.
- 35. Focused some on faces and majorly on architecture. Cityscapes were often created, involving streets and busy intersections with large buildings. Many say that this created a new mental relation with the objects.
- 36. Born 1891 Participated in the first DADA art fair German expressionist Sketched and painted for the entirety of his life Focused a lot on the war
- 42. Beckmann differed from normal expressionism: emotional realism.
- 43. Christ and the Woman Taken in Adultery (1917) Max Beckman