The document analyzes the convergence between the print and online versions of two magazines, The Wire and Mixmag. For The Wire, the online layout mirrors the print version categories and stories are consistently featured across both. The online version also promotes subscriptions to the print magazine. Both versions similarly feature a story on the composer behind the Joker soundtrack. Mixmag's online and print versions also converge, with the print cover vaguely promoting artists and content that align with stories online. However, the Mixmag online version contains ads while the initial print pages do not.