This Presentation is a part of My academic Presentation of Literary theory & Criticism, M.A English Department of English M.K Bhavanagar University and It is Submitted to Prof. Dr.Dilip Barad Sir.
Relational Construccionist Performance and Practice in Generative TherapyEdgardo Morales
In this presentation we propose a view of therapy as imaginative participatory theater. In it we illustrate how this approach can serve to unleash imaginative possibilities in our relationship with our clients. Transformative theater and its dialogic practices can co-generate a relational space of trust and openness that enables joint exploration and reflection. It also maximizes the use of conversational resources such as creative improvisation, humor, hyperbole, metaphor, storytelling, art and drama to relationally engage clients, disrupt dominant stories and discourses, evoke alternate relational performances, and promote the re-authoring of new narratives and identities in therapy, as well as the emergence of new possibilities in the life of the person, couple or family.
This document contains summaries of 5 photos by different photographers that impacted the author. The first photo by Shane Kalyn shows a ghostly island floating in the clouds in Tumuch Lake, evoking feelings of being lost and free. The second photo by Joe Motohashi contrasts a bird's white eye against blurred flowers, bringing feelings of peace and wonder. The third by Marc Henauer depicts an underwater park in Austria after spring flooding. The fourth by Spencer Black uses long exposure to capture the movement of blue ghost fireflies in a dark forest. The last landscape photo by Julie Fletcher shows a beach with lightning-struck trees during a perfect disaster.
This document discusses the key elements of a story - setting, characters, and plot. It defines setting as the time and place the story occurs. It identifies the main and minor characters and describes the protagonist as the character the reader empathizes with and the antagonist as opposing the protagonist. It then explains that the plot is the sequence of events and defines the five stages as the introduction, rising action, climax, falling action, and denouement.
The document defines plot as the sequence of events in a story that relate to each other and drive the narrative. A plot has key elements such as exposition, rising action, climax, falling action and resolution. It focuses on characters, connects events, and maintains reader interest to help readers understand the story and its message. A good plot is complete, of an appropriate magnitude, and either simple or complex. The characters' actions and motivations revealed through the plot both propel the narrative forward and reveal their qualities, showing the close relationship between plot and character.
The document discusses the difference between showing and telling in writing. Showing involves using vivid descriptive details to describe events or situations, while telling simply states what happened without descriptive context. Some examples provided include:
1. A man being shot is described showing the bullet passing through his head and the abstract painting of blood on the soil.
2. A man being arrested is described showing his hands being handcuffed behind his back and being pushed into a police car.
3. Sunset by the sea is described showing the king of light kissing the lips of the queen of the sea and darkness covering them like a blanket.
The document provides instructions for writing a picture poem by having the reader choose a photo, list nouns, verbs, and adjectives describing it, identify literary devices used, and then compose lines of poetry incorporating the words and devices. It includes an example poem generated using the sky, clouds, landscape, and trees as nouns and the adjectives harmonious, intense, silent, bright and blue.
This document tells the story of a water drop falling from a cloud to the earth in 13 scenes. It experiences being alone in the darkness of the cloud (Scene 1), feeling expelled from the cloud as it begins to fall (Scene 2), separating from the only thing it has known as it leaves the cloud alone (Scene 3). As it falls towards earth, it sees other drops like itself (Scene 4) and realizes its life will soon be over (Scene 5). It lands on a green leaf and sees another unique drop (Scene 6) and slides to the ground in fear that its life may end (Scenes 7-8). It continues sliding slowly underground (Scene 9) before hearing other drops joining in a current that
This document summarizes William Wordsworth's treatment of nature in his poems. It discusses how Wordsworth viewed nature as the source of inspiration that nourishes the creative mind. It analyzes his poem "I Wandered Lonely as a Cloud" and how being in nature filled his heart with pleasure. The document concludes that in Wordsworth's poem "Tintern Abbey", nature never betrays those who love her, and that Wordsworth was continually inspired by experiences in nature.
Relational Construccionist Performance and Practice in Generative TherapyEdgardo Morales
In this presentation we propose a view of therapy as imaginative participatory theater. In it we illustrate how this approach can serve to unleash imaginative possibilities in our relationship with our clients. Transformative theater and its dialogic practices can co-generate a relational space of trust and openness that enables joint exploration and reflection. It also maximizes the use of conversational resources such as creative improvisation, humor, hyperbole, metaphor, storytelling, art and drama to relationally engage clients, disrupt dominant stories and discourses, evoke alternate relational performances, and promote the re-authoring of new narratives and identities in therapy, as well as the emergence of new possibilities in the life of the person, couple or family.
This document contains summaries of 5 photos by different photographers that impacted the author. The first photo by Shane Kalyn shows a ghostly island floating in the clouds in Tumuch Lake, evoking feelings of being lost and free. The second photo by Joe Motohashi contrasts a bird's white eye against blurred flowers, bringing feelings of peace and wonder. The third by Marc Henauer depicts an underwater park in Austria after spring flooding. The fourth by Spencer Black uses long exposure to capture the movement of blue ghost fireflies in a dark forest. The last landscape photo by Julie Fletcher shows a beach with lightning-struck trees during a perfect disaster.
This document discusses the key elements of a story - setting, characters, and plot. It defines setting as the time and place the story occurs. It identifies the main and minor characters and describes the protagonist as the character the reader empathizes with and the antagonist as opposing the protagonist. It then explains that the plot is the sequence of events and defines the five stages as the introduction, rising action, climax, falling action, and denouement.
The document defines plot as the sequence of events in a story that relate to each other and drive the narrative. A plot has key elements such as exposition, rising action, climax, falling action and resolution. It focuses on characters, connects events, and maintains reader interest to help readers understand the story and its message. A good plot is complete, of an appropriate magnitude, and either simple or complex. The characters' actions and motivations revealed through the plot both propel the narrative forward and reveal their qualities, showing the close relationship between plot and character.
The document discusses the difference between showing and telling in writing. Showing involves using vivid descriptive details to describe events or situations, while telling simply states what happened without descriptive context. Some examples provided include:
1. A man being shot is described showing the bullet passing through his head and the abstract painting of blood on the soil.
2. A man being arrested is described showing his hands being handcuffed behind his back and being pushed into a police car.
3. Sunset by the sea is described showing the king of light kissing the lips of the queen of the sea and darkness covering them like a blanket.
The document provides instructions for writing a picture poem by having the reader choose a photo, list nouns, verbs, and adjectives describing it, identify literary devices used, and then compose lines of poetry incorporating the words and devices. It includes an example poem generated using the sky, clouds, landscape, and trees as nouns and the adjectives harmonious, intense, silent, bright and blue.
This document tells the story of a water drop falling from a cloud to the earth in 13 scenes. It experiences being alone in the darkness of the cloud (Scene 1), feeling expelled from the cloud as it begins to fall (Scene 2), separating from the only thing it has known as it leaves the cloud alone (Scene 3). As it falls towards earth, it sees other drops like itself (Scene 4) and realizes its life will soon be over (Scene 5). It lands on a green leaf and sees another unique drop (Scene 6) and slides to the ground in fear that its life may end (Scenes 7-8). It continues sliding slowly underground (Scene 9) before hearing other drops joining in a current that
This document summarizes William Wordsworth's treatment of nature in his poems. It discusses how Wordsworth viewed nature as the source of inspiration that nourishes the creative mind. It analyzes his poem "I Wandered Lonely as a Cloud" and how being in nature filled his heart with pleasure. The document concludes that in Wordsworth's poem "Tintern Abbey", nature never betrays those who love her, and that Wordsworth was continually inspired by experiences in nature.
This presentation is a part of My Academic Presentation of The Renaissance Literature, M.A English Department of English M.K Bhavanagar University and It is submitted to Prof.Dr.Dilip Barad Sir.
Classical criticism in eng lit. presentationPatrick Dave
This document provides a summary of Classical Criticism from ancient Greek and Roman times. It discusses the views of important classical critics like Plato and Aristotle. Plato saw art as inferior copies removed from truth, while Aristotle viewed art/poetry as pleasurable imitation that can provide knowledge. The document also contrasts classical and romantic styles, examines Aristotle's theory of tragedy, and provides background on classical works and their influence.
Literary criticism provides poets with tools for self-evaluation and improvement. It introduces them to works from different time periods and cultures. Literary critics have many skills including close reading, analysis, and evaluation of literature. There are various approaches to literary criticism such as new criticism, rhetorical, stylistic, and more, each with their own focus and techniques. Practicing criticism can help poets develop their craft by reflecting on their work and gaining insights from different critical lenses.
The document discusses various traditional and modern approaches to literary criticism, including formalistic, psychological, mythological, and archetypal approaches. It provides details on key aspects of each approach, such as New Criticism focusing on the text itself rather than external contexts, Freudian psychoanalysis emphasizing unconscious drives and sexuality, Jungian archetypal criticism exploring innate symbolic themes across cultures, and Joseph Campbell analyzing common hero archetypes through the stages of departure, initiation, and return.
Literary criticism involves evaluating literary works through analyzing their genre, structure, and value. Critics publish their analyses in sources like the Times Literary Supplement and The New Yorker. Criticism can examine aspects like a work's genre, themes, and significance through approaches such as historical criticism, feminist criticism, and analyzing literary devices. Feminist criticism specifically analyzes how women are portrayed in a work and how gender influences the author and content.
Critical Approaches: Types of Literary CriticismJenny Reyes
The document discusses different approaches to literary criticism including formalist criticism, which examines the internal elements of a work like form and structure, deconstructionist criticism, which argues that language is unstable and meaning depends on opposition, and reader-response criticism, which views meaning as constructed through the interaction between reader and text rather than imposed by the author alone. Formalism looks at the work in isolation while deconstruction and reader-response theories emphasize the role of external contexts and the reader's interpretation. The different approaches analyze texts through different lenses and priorities.
Paper 3 jyotsna presentatio literary theory and criticismvalajyotsna
This document discusses the three classical unities of drama - unity of time, place, and action. It provides details on each unity: unity of time implies that a play's action should not exceed 24 hours; unity of place means that the scene should not change locations often and exist within a single physical space; and unity of action means that a play should have a single plotline without mixing genres or including many subplots. The document serves to outline the three Aristotelian unities that were rules for drama derived from Aristotle's Poetics.
According to Aristotle, there are two types of plots - simple and complex. A simple plot follows a straightforward narrative with a single conflict and clear cause-and-effect relationship between incidents. A complex plot incorporates reversal of situation and revelation of truth, with tragedy emerging organically from errors stemming from the plot structure. Aristotle preferred complex plots. He also described the three dramatic unities of time, place and action - that a play should take place in one location and over the span of one day, and events should be logically connected and revolve around a single theme. Unity of action was seen as most important.
The three unities refer to Aristotelian rules for drama that prescribe: 1) the unity of action, where a play should have one main plot with few subplots; 2) the unity of place, where a play should take place in a single location without changing places on stage; and 3) the unity of time, where the events of a play should occur within 24 hours. Aristotle noted that these unities were generally followed in Greek plays since Aeschylus, except for a few cases, though he did not prescribe them as absolute rules. The unity of place was also assumed to keep the chorus, present throughout the performance, from needing excuses to move between locations. Examples given are Sophocles' Oed
Aristotle regarded tragedy as the highest form of literature. He defined tragedy as an imitation of action that is serious, complete, and of a certain magnitude, which provokes emotions of pity and fear and achieves a catharsis of such emotions. Aristotle identified six constituent parts of tragedy: plot, character, thought, diction, song, and spectacle. He emphasized the importance of maintaining unity of action, time, and place in tragedies. The tragic hero should be a person of high reputation who makes an error that leads to their downfall. Aristotle's observations on tragedy established foundational principles for dramatic criticism.
The document discusses the Three Unities - Unity of Time, Place, and Action - which were rules for dramatic structure derived from Aristotle's Poetics. The Unity of Time requires the action to take place within 24 hours. Unity of Place requires a single location. Unity of Action demands one main plot with few subplots contributing to the main plot. These rules were redefined in 1570 and referred to as Aristotelian rules for drama. The document provides examples and discusses opinions on the Three Unities from Dryden, Ben Jonson, and Dr. Johnson.
The document discusses the three unities of drama according to Aristotle - unity of time, action, and place. Unity of time requires that a play's action takes place within a single day. Unity of action mandates that a play focuses on a single plot. Unity of place stipulates that a play is set within a single location. The three unities were established by Aristotle in his book "Poetics" and aim to create a sense of realism and coherence in dramatic works. Examples of plays that follow the three unities include Oedipus Rex and Macbeth.
Background Story (Exposition)We must adjust the w.docxrock73
Background Story
(Exposition)
We must adjust the way we read a play. The notion that what has already happened is dull and unexciting must be set aside. After all,
for the characters themselves, it is just the opposite. To them, the past is not dull and unexciting, but rather their own lives – everything good and bad that has happened to them.
James Thomas
To Reveal the Past!
Playwrights employ a unique kind of narration to reveal the past while the stage action continues to advance.
Exposition (Most Common Term)
Antecedent
Previous Action
Background Story
Understanding the past is an integral part of the play not a clumsy encumbrance. It helps create:
Mood / Atmosphere
Generates conflicts
Strongly influences environment and Given Circumstances
Clarifies relationships and the Environmental Analysis
(Potentially)Propels action forward in explosive surges
(Potentially)Increases the sense of urgency for the play/scene
Technique
Background stories tend to appear in three ways:
In extended passages near the beginning of the play
- HISTORICAL
In fragments distributed throughout the action
- MODERN
Or buried beneath the onstage action
- MINIMILIST (VEILED)
Historical Technique
In classic plays, those written before the rise of realism, the background story tend to appear in extended passages near the beginning of the play and at the end of scenes to reveal more about the previous action.
Advantages:
Collects essential facts and focuses attention on key elements at the beginning of the play
Allows playwright to spend more time on developing the action through the play
Establishes clear storytelling elements for the audience early on
Disadvantages:
- Long speeches at the beginning can be a drag for the audience at the beginning of plays
Modern Technique
- In the early part of the nineteenth century a man named Eugene Scribe, a scientist by trade, developed the playwritings style of the well made play. Scribe Began to employ the then novel principle of cause and effect into his plays with the intention to make the accidental seem necessary. Time, place and action were to operate according to scientific rules. The well made play has influenced modern playwrights since Ibsen, Shaw, Chekhov, Strindberg, Miller, Williams, O’Neill.
Well made plays employ some background story at the beginning of the play as in classic plays, but now, much of it is evenly distributed throughout the play with more characters revealing differing parts of the background story and is always used for maximum effect to the action
This cause and effect way of working is called the RETROSPECTIVE METHOD:
The onstage action moves forward in time as the past moves backward in time
FROM OUR PLAY ALL MY SONS….
LET US LOOK AT THE ANN AND CHRIS SCENE WHERE THEY REVEAL THEIR FEELING FOR ONE ANOTHER.
What do we learn about Chris and Ann with respect to their own past that helps push th ...
Theatre is a collaborative art form that presents live performances before a live audience. Performers use gestures, speech, song, dance and other elements to convey experiences to the audience. Drama is a specific mode of fiction that represents stories through performance. There are different genres of drama including tragedy, comedy, melodrama and tragicomedy. Playwrights use dramatic structures like exposition, rising action, climax, and resolution to organize their material.
Paper 8 Comparison between media culture and cultural studiessonal olakiya
Here my presentation of paper no 8 Cultural Studies.Its a part of my academic activity. Its submitted to Dr. Dilip Barad Sir department of English MKBU.
This document provides information about the novel Tom Jones by Henry Fielding. It discusses Fielding as the author, including details about his life and other works. The summary then focuses on characteristics of the protagonist Tom Jones. Tom is described as a rebellious young man who lives life on his own terms. He has numerous love affairs throughout the story but truly loves Sophia. Tom is also portrayed as living wildly and prone to drinking and fighting.
Indian writing in English(Pre-Indepedence)sonal olakiya
This presentation is part of my academic presentation of Indian writing in English(Pr-Independence) Department of M.a English M.K Bhavanagar University and It is Submitted to Prof. Dr.Dilip Barad sir.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
This presentation is a part of My Academic Presentation of The Renaissance Literature, M.A English Department of English M.K Bhavanagar University and It is submitted to Prof.Dr.Dilip Barad Sir.
Classical criticism in eng lit. presentationPatrick Dave
This document provides a summary of Classical Criticism from ancient Greek and Roman times. It discusses the views of important classical critics like Plato and Aristotle. Plato saw art as inferior copies removed from truth, while Aristotle viewed art/poetry as pleasurable imitation that can provide knowledge. The document also contrasts classical and romantic styles, examines Aristotle's theory of tragedy, and provides background on classical works and their influence.
Literary criticism provides poets with tools for self-evaluation and improvement. It introduces them to works from different time periods and cultures. Literary critics have many skills including close reading, analysis, and evaluation of literature. There are various approaches to literary criticism such as new criticism, rhetorical, stylistic, and more, each with their own focus and techniques. Practicing criticism can help poets develop their craft by reflecting on their work and gaining insights from different critical lenses.
The document discusses various traditional and modern approaches to literary criticism, including formalistic, psychological, mythological, and archetypal approaches. It provides details on key aspects of each approach, such as New Criticism focusing on the text itself rather than external contexts, Freudian psychoanalysis emphasizing unconscious drives and sexuality, Jungian archetypal criticism exploring innate symbolic themes across cultures, and Joseph Campbell analyzing common hero archetypes through the stages of departure, initiation, and return.
Literary criticism involves evaluating literary works through analyzing their genre, structure, and value. Critics publish their analyses in sources like the Times Literary Supplement and The New Yorker. Criticism can examine aspects like a work's genre, themes, and significance through approaches such as historical criticism, feminist criticism, and analyzing literary devices. Feminist criticism specifically analyzes how women are portrayed in a work and how gender influences the author and content.
Critical Approaches: Types of Literary CriticismJenny Reyes
The document discusses different approaches to literary criticism including formalist criticism, which examines the internal elements of a work like form and structure, deconstructionist criticism, which argues that language is unstable and meaning depends on opposition, and reader-response criticism, which views meaning as constructed through the interaction between reader and text rather than imposed by the author alone. Formalism looks at the work in isolation while deconstruction and reader-response theories emphasize the role of external contexts and the reader's interpretation. The different approaches analyze texts through different lenses and priorities.
Paper 3 jyotsna presentatio literary theory and criticismvalajyotsna
This document discusses the three classical unities of drama - unity of time, place, and action. It provides details on each unity: unity of time implies that a play's action should not exceed 24 hours; unity of place means that the scene should not change locations often and exist within a single physical space; and unity of action means that a play should have a single plotline without mixing genres or including many subplots. The document serves to outline the three Aristotelian unities that were rules for drama derived from Aristotle's Poetics.
According to Aristotle, there are two types of plots - simple and complex. A simple plot follows a straightforward narrative with a single conflict and clear cause-and-effect relationship between incidents. A complex plot incorporates reversal of situation and revelation of truth, with tragedy emerging organically from errors stemming from the plot structure. Aristotle preferred complex plots. He also described the three dramatic unities of time, place and action - that a play should take place in one location and over the span of one day, and events should be logically connected and revolve around a single theme. Unity of action was seen as most important.
The three unities refer to Aristotelian rules for drama that prescribe: 1) the unity of action, where a play should have one main plot with few subplots; 2) the unity of place, where a play should take place in a single location without changing places on stage; and 3) the unity of time, where the events of a play should occur within 24 hours. Aristotle noted that these unities were generally followed in Greek plays since Aeschylus, except for a few cases, though he did not prescribe them as absolute rules. The unity of place was also assumed to keep the chorus, present throughout the performance, from needing excuses to move between locations. Examples given are Sophocles' Oed
Aristotle regarded tragedy as the highest form of literature. He defined tragedy as an imitation of action that is serious, complete, and of a certain magnitude, which provokes emotions of pity and fear and achieves a catharsis of such emotions. Aristotle identified six constituent parts of tragedy: plot, character, thought, diction, song, and spectacle. He emphasized the importance of maintaining unity of action, time, and place in tragedies. The tragic hero should be a person of high reputation who makes an error that leads to their downfall. Aristotle's observations on tragedy established foundational principles for dramatic criticism.
The document discusses the Three Unities - Unity of Time, Place, and Action - which were rules for dramatic structure derived from Aristotle's Poetics. The Unity of Time requires the action to take place within 24 hours. Unity of Place requires a single location. Unity of Action demands one main plot with few subplots contributing to the main plot. These rules were redefined in 1570 and referred to as Aristotelian rules for drama. The document provides examples and discusses opinions on the Three Unities from Dryden, Ben Jonson, and Dr. Johnson.
The document discusses the three unities of drama according to Aristotle - unity of time, action, and place. Unity of time requires that a play's action takes place within a single day. Unity of action mandates that a play focuses on a single plot. Unity of place stipulates that a play is set within a single location. The three unities were established by Aristotle in his book "Poetics" and aim to create a sense of realism and coherence in dramatic works. Examples of plays that follow the three unities include Oedipus Rex and Macbeth.
Background Story (Exposition)We must adjust the w.docxrock73
Background Story
(Exposition)
We must adjust the way we read a play. The notion that what has already happened is dull and unexciting must be set aside. After all,
for the characters themselves, it is just the opposite. To them, the past is not dull and unexciting, but rather their own lives – everything good and bad that has happened to them.
James Thomas
To Reveal the Past!
Playwrights employ a unique kind of narration to reveal the past while the stage action continues to advance.
Exposition (Most Common Term)
Antecedent
Previous Action
Background Story
Understanding the past is an integral part of the play not a clumsy encumbrance. It helps create:
Mood / Atmosphere
Generates conflicts
Strongly influences environment and Given Circumstances
Clarifies relationships and the Environmental Analysis
(Potentially)Propels action forward in explosive surges
(Potentially)Increases the sense of urgency for the play/scene
Technique
Background stories tend to appear in three ways:
In extended passages near the beginning of the play
- HISTORICAL
In fragments distributed throughout the action
- MODERN
Or buried beneath the onstage action
- MINIMILIST (VEILED)
Historical Technique
In classic plays, those written before the rise of realism, the background story tend to appear in extended passages near the beginning of the play and at the end of scenes to reveal more about the previous action.
Advantages:
Collects essential facts and focuses attention on key elements at the beginning of the play
Allows playwright to spend more time on developing the action through the play
Establishes clear storytelling elements for the audience early on
Disadvantages:
- Long speeches at the beginning can be a drag for the audience at the beginning of plays
Modern Technique
- In the early part of the nineteenth century a man named Eugene Scribe, a scientist by trade, developed the playwritings style of the well made play. Scribe Began to employ the then novel principle of cause and effect into his plays with the intention to make the accidental seem necessary. Time, place and action were to operate according to scientific rules. The well made play has influenced modern playwrights since Ibsen, Shaw, Chekhov, Strindberg, Miller, Williams, O’Neill.
Well made plays employ some background story at the beginning of the play as in classic plays, but now, much of it is evenly distributed throughout the play with more characters revealing differing parts of the background story and is always used for maximum effect to the action
This cause and effect way of working is called the RETROSPECTIVE METHOD:
The onstage action moves forward in time as the past moves backward in time
FROM OUR PLAY ALL MY SONS….
LET US LOOK AT THE ANN AND CHRIS SCENE WHERE THEY REVEAL THEIR FEELING FOR ONE ANOTHER.
What do we learn about Chris and Ann with respect to their own past that helps push th ...
Theatre is a collaborative art form that presents live performances before a live audience. Performers use gestures, speech, song, dance and other elements to convey experiences to the audience. Drama is a specific mode of fiction that represents stories through performance. There are different genres of drama including tragedy, comedy, melodrama and tragicomedy. Playwrights use dramatic structures like exposition, rising action, climax, and resolution to organize their material.
Paper 8 Comparison between media culture and cultural studiessonal olakiya
Here my presentation of paper no 8 Cultural Studies.Its a part of my academic activity. Its submitted to Dr. Dilip Barad Sir department of English MKBU.
This document provides information about the novel Tom Jones by Henry Fielding. It discusses Fielding as the author, including details about his life and other works. The summary then focuses on characteristics of the protagonist Tom Jones. Tom is described as a rebellious young man who lives life on his own terms. He has numerous love affairs throughout the story but truly loves Sophia. Tom is also portrayed as living wildly and prone to drinking and fighting.
Indian writing in English(Pre-Indepedence)sonal olakiya
This presentation is part of my academic presentation of Indian writing in English(Pr-Independence) Department of M.a English M.K Bhavanagar University and It is Submitted to Prof. Dr.Dilip Barad sir.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
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Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
1. Three Unities
Name :-Olakiya Sonal Z.
Roll no :-31
Paper :-3(Literary Theory & criticism)
Semester :- 1(one)
Work :-Presentation
Entolment No:-2069108420170022
Email Id :-sonalolakiya2405@gmail.com
Submitted by :-Bhavnagar Uni. Dept. of Eng.
Smt .S.B Gardi Maharaja Krishanakumarsinhji
Bhavnagar university.
2. Introduction
The Greek and Roman critics commended
three dramatic unities.
Which may be observed by a good critics.
They are unity Time, Place and Action.
Aristotle unities, or three unities are rules
for drama derived from a passage in Aristotle
poetics in their neo-classical from they are
as follows
4. Unity of Time
The Unities of time implies that the action in
a play should not exceed the limit of 24
hours.
The action of the play should take place in
a short internal chronology, ideally, no more
than 24 hours.
Previous events leading up to the present
situation were recounted on stage.
As Prospero tells Miranda of the events
which led to their abandonment on the
island.
5. Unity of Place
The Unity of place limits it to one general
locality that is there must be in a play no
change of scene.
Unities of place A play should not exist in a
single Physical Space and Should not attempt
to compress geography nor should the stage
represent more the one place.
6. Unity of Action
The Unity of action limits it to a single set of incidents
which are related as cause and effect, according to him.
A play should heve one main action that it follows with no
more or few subplots.
"It must have a beginning, a middle, and an end."
These are the qualities that give us the genuine tragic thrill.
Unity of Action no action or scene in the play was to be a
digression; all were to contribute directly in some way to the
plot.
So far as Dramatic unities are concerned.