Lighting plan
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Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve three main purposes: clarity of image so viewers can see important elements, emotional impact through how light is used, and an attempt to make the film seem like a real life situation through mainly low key lighting to attract the target suspense/mystery audience.
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Lighting plan
Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve three main purposes: clarity of image so viewers can see important elements, emotional impact through how light is used, and an attempt to make the film seem like a real life situation through mainly low key lighting to attract the target suspense/mystery audience.
Location Research and Reconnaissance
The document discusses common locations for supernatural horror films, which typically take place in isolated settings like old houses where escape is difficult. It provides an example of Lucio Fulci's film The Beyond, which is set in a run-down, isolated hotel built on a gateway to hell. The author then explains they have chosen an abandoned school as the setting for their own supernatural horror film due to its many dark locations suitable for promotional materials like trailers, magazine covers, and posters.
The Conjuring Textual Analysis
This document analyzes the opening title sequence of the film "The Conjuring" through its use of camera work, editing, sound, and mise-en-scene. It notes that the camera remains fixed on an overhead projector, allowing the audience to focus on disturbing images. Editing techniques like superimposition and fading are used to startle viewers and set a dark, gloomy tone. Unsettling sounds accompany the images, while the mise-en-scene of an old, creepy house with vintage costumes and frightening newspaper headlines further establishes the frightening atmosphere.
Lighting plan
This lighting plan for a horror movie uses low lighting and darkness to create tension, suspense, and a horror effect by controlling what is revealed about the surroundings and characters. Bright lighting and shooting in bright colors would not achieve the intended horror effect, so the plan keeps the background dull and uses low lighting to set the dark, tense tone and mood for the film.
Lighting plan
Low-key lighting is mainly used in horror films to create tension through dim, shadowy scenarios that reveal characters and surroundings in a mysterious, dark atmosphere. The document discusses how low-key lighting sets the tone and mood for danger by keeping backgrounds dark and dim. It also explains that the filmmaker used natural low-key lighting by blocking light on one side to create a feeling of fear and suspense as a witch haunts the main character, enhancing the tension and suspense throughout the film.
Location
The document discusses horror film locations and why the author chose their location. The Blair Witch Project was filmed in woodland areas which can invoke a shared fear of forests. Friday the 13th was set in a forest surrounded by open fields to create a sense of isolation and insignificance. The author chose to set their opening sequence in a dark woodland area with dim lighting to generate tension and unease in the audience about what may happen due to the limited visibility.
Role of light in Photo Composition
Light plays an essential role in composition for both photography and videography. Understanding light and how to use shadows is important, as they go hand in hand. Different lighting conditions like time of day, positioning of the light source, and use of natural versus artificial lighting can impact contrasts and tones to add drama or reveal texture. Shadows should not be neglected and can be used to enhance the subject and create a sense of depth when layered with light.
Lighting plan2
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Recommended
Lighting plan
Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve three main purposes: clarity of image so viewers can see important elements, emotional impact through how light is used, and an attempt to make the film seem like a real life situation through mainly low key lighting to attract the target suspense/mystery audience.
Location Research and Reconnaissance
The document discusses common locations for supernatural horror films, which typically take place in isolated settings like old houses where escape is difficult. It provides an example of Lucio Fulci's film The Beyond, which is set in a run-down, isolated hotel built on a gateway to hell. The author then explains they have chosen an abandoned school as the setting for their own supernatural horror film due to its many dark locations suitable for promotional materials like trailers, magazine covers, and posters.
The Conjuring Textual Analysis
This document analyzes the opening title sequence of the film "The Conjuring" through its use of camera work, editing, sound, and mise-en-scene. It notes that the camera remains fixed on an overhead projector, allowing the audience to focus on disturbing images. Editing techniques like superimposition and fading are used to startle viewers and set a dark, gloomy tone. Unsettling sounds accompany the images, while the mise-en-scene of an old, creepy house with vintage costumes and frightening newspaper headlines further establishes the frightening atmosphere.
Lighting plan
This lighting plan for a horror movie uses low lighting and darkness to create tension, suspense, and a horror effect by controlling what is revealed about the surroundings and characters. Bright lighting and shooting in bright colors would not achieve the intended horror effect, so the plan keeps the background dull and uses low lighting to set the dark, tense tone and mood for the film.
Lighting plan
Low-key lighting is mainly used in horror films to create tension through dim, shadowy scenarios that reveal characters and surroundings in a mysterious, dark atmosphere. The document discusses how low-key lighting sets the tone and mood for danger by keeping backgrounds dark and dim. It also explains that the filmmaker used natural low-key lighting by blocking light on one side to create a feeling of fear and suspense as a witch haunts the main character, enhancing the tension and suspense throughout the film.
Location
The document discusses horror film locations and why the author chose their location. The Blair Witch Project was filmed in woodland areas which can invoke a shared fear of forests. Friday the 13th was set in a forest surrounded by open fields to create a sense of isolation and insignificance. The author chose to set their opening sequence in a dark woodland area with dim lighting to generate tension and unease in the audience about what may happen due to the limited visibility.
Role of light in Photo Composition
Light plays an essential role in composition for both photography and videography. Understanding light and how to use shadows is important, as they go hand in hand. Different lighting conditions like time of day, positioning of the light source, and use of natural versus artificial lighting can impact contrasts and tones to add drama or reveal texture. Shadows should not be neglected and can be used to enhance the subject and create a sense of depth when layered with light.
Lighting plan2
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
Lighting plan
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
How did you attract
We used tense dramatic music, low visibility from shooting in the dark, and loud monster screams to attract and address our audience for the film. The music enticed viewers into the film while the dark shooting made it unclear what was present, drawing them in. Loud screams from the monster aimed to scare the audience for a more engaging viewing experience.
Extra Research Lighting - Nathan
The document discusses different lighting techniques used in filmmaking:
- High key lighting uses a low contrast style to brighten everything and reduce shadows, and is often used for comedies to create a natural look.
- Low key lighting uses shadows and a single light to convey drama, tension, and darkness for genres like horror films.
- Backlighting refers to a light source placed behind the subject to illuminate them from behind for the camera or audience.
Extra research Lighting
The document discusses different lighting techniques used in filmmaking:
- High key lighting uses a low contrast style to brighten everything and reduce shadows, and is often used for comedies to create a natural look.
- Low key lighting uses shadows and one main light to convey drama, tension, and darkness for genres like horror films.
- Backlighting refers to lights placed behind the subject to create separation and depth.
Lighting
Lighting is an important technical element in film and media that helps convey genre and mood to viewers. Different lighting setups, such as low-key lighting for suspense and high-key lighting for comedy, elicit different emotional responses from audiences. A director can use mixtures of lighting within a single scene to portray changing moods and feelings over time. In film production, the use of lighting is crucial to engaging audiences and achieving profitability by effectively setting the genre and tone.
Evaluation
The document discusses how the weather impacted the filming of a movie. Originally, dull but sunny weather was planned to create a light but troubled mood. However, on the day of filming the weather became dull and drizzly, greatly changing the atmosphere to be more gloomy and suggesting a more sinister theme. The natural lighting used added a dark, noisy effect that furthered the sinister and mysterious tone by making some objects unclear and suggesting something sinister was hiding in the shadows.
Creative Critical Reflection
question1: How does your product use or challenge conventions and how does it represent social groups or issues
Lighting plan
Lighting is one of the most influential elements of mise-en-scene in film and can be used to evoke emotions or manipulate viewer attitudes. There are two main types of lighting: high key lighting, which has little dramatic effect and is often used in upbeat scenes; and low key lighting, which comprises both bright and dark areas and is typically used in tense scenes to add emotion or tension. Psychological thrillers tend to use low key lighting throughout, as seen in the film Black Swan, which the author references. For their short film, the author has used low key lighting except for one scene, and concludes they have effectively used both low key and natural lighting.
Analysis of visuals
The document analyzes the visuals used in various sections of a publication. For the cover page, it summarizes that the image of David Tennant stands out against the black background due to high key lighting and use of a rule of thirds composition. It notes the image is intriguing but initially confusing due to the blackness, but once adjusted the skull imagery is shocking. For the contents page, it summarizes that the page focuses on imagery accompanying text on different topics, with professionally shot crisp images, though their contexts differ. It also notes not all images belong to the publication but are used to mutually benefit both. For the main article, it summarizes that imagery dominates most of the page to provide a focus on the
Influences
This document discusses visual influences for a music video shoot. It describes several scenes, including one by a fire with a smoky effect and emphasized visuals. Another scene shows an image through a steamed up window to give the impression of someone watching. The dark forest is noted as influential because it is the desired time of day for filming. One scene focuses on the artist "Yung Lean" in an exaggerated hospital gown by a bright fire to attract the eye.
Narrative
The document provides an analysis of the film "The Boy in the Striped Pajamas". It summarizes a key scene in which the two main characters, a Nazi commandant's son and a Jewish concentration camp inmate, bond and find out they have the same birthday. The climax of the scene is when the commandant's son enters the camp and calls out his friend's name, building suspense through music, dialogue, and camera work. The director uses elements like costume, lighting, and shots to draw the audience in emotionally and show the difference between the fortunate and unfortunate.
M:\Media Studies\Photoshoot 2 For Music Mag
This document provides details for an additional photoshoot, including the agency name, shoot date, items and models to be shot, desired shot types and angles, lighting and background preferences, positioning in publications, and requested editing details. Specific instructions are given for a close-up shot of Sara Halub with flash against a white background for the magazine cover, specifying touch-ups to makeup and adding illustrated effects.
Lighting plan
Low-key lighting is used in horror films to create tension through a mysterious and dark atmosphere with dim hues and shadows that only partially reveal characters and surroundings. The document discusses how a horror film lighting plan uses low-key lighting to set an ominous tone through a dank look generated with dim lighting, such as using a small lamp for scenes shot in the dark.
Mise-en-Scene
This document discusses various elements of mise-en-scène that can be analyzed in films and television shows, including décor, lighting, costume, props, location, body language, and semiotic analysis. It provides information on different lighting techniques like high-key and low-key lighting and how they can evoke different emotions. Costuming is discussed as a way to establish characters' roles, personalities, and stereotypes. The document encourages close analysis of sequences to derive meanings from these mise-en-scène elements regarding characterisation.
Lighting plan
The document outlines a lighting plan for a film. It discusses how lighting is a key technical element that helps create visual impressions and emotional impact. The plan aims to use natural lighting and bulbs to achieve clarity of image and make scenes seem realistic, using mainly low-key lighting to suit a suspense/mystery genre.
Lighting plan
The document outlines a lighting plan for a film. It discusses how lighting is a key technical element that helps create visual impressions and emotional impact. The plan aims to use natural lighting and bulbs to achieve clarity of image and make scenes appear realistic, using mainly low-key lighting to suit the suspense/mystery genre. The goal is to attract the target audience.
AS Media Studies:Codes And Conventions
The document discusses the codes and conventions of film opening sequences. It explains that openings are meant to introduce the genre, establish setting and mood, and present production details. Common elements openings use include establishing shots, narration, flashbacks, studio logos, titles representing genre, character introductions, themes/topics, credits, and sounds setting the tone. The purpose is to draw audiences in and set expectations for the film.
AS Media Studies Codes and Conventions
The document discusses the codes and conventions of film opening sequences. It explains that openings are meant to introduce the genre, establish setting and mood, and present production details. Common elements openings use include establishing shots, narration, flashbacks, studio logos, titles representing genre, character introductions, themes, credits, and sounds setting the tone. The purpose is to draw audiences in and set expectations for the film.
AS Media Studies Codes And Conventions
The document discusses the various codes and conventions used in film opening sequences. It identifies elements like establishing the genre, introducing characters, setting the theme and mood, using narration, sound, enigmas, credits, flashbacks and establishing shots. The purpose is to draw the audience in and set expectations for the film by revealing its tone and genre from the very start. Common techniques include positioning characters in genre-specific situations, enticing the audience with unanswered questions, and using animation, music and visuals to immerse viewers.
Cinematography
This document discusses four key aspects of cinematography - camera shots/angles/framing/composition, editing, sound, and mise en scene - and how they powerfully affect audiences. Camera shots engage viewers by showing subjects from the best angles to understand characters. Editing combines shots into sequences, adds effects, and removes unnecessary parts to create compelling footage. Sound is especially important in thrillers, where it builds suspense and foreshadows dramatic events. Mise en scene encompasses all visual details that provide context about characters and scenes to audiences. All of these cinematography techniques are powerful ways to influence how audiences experience and understand films.
6. Cinematography
Cinematography, editing, sound, and mise en scene are powerful filmmaking techniques that affect the audience. Cinematography engages viewers through different camera shots that provide the best angles to understand characters. Editing combines shots to create sequences and adds special effects to tell a story. Sound is particularly important in thrillers, where it builds suspense and anticipation. Mise en scene provides context for understanding characters and scenes through costumes, props, and details of the visual frame. These techniques are powerful as they influence the audience's emotional engagement and comprehension of the film.
Opening sequence codes and conventions
The document discusses the purpose and elements of a film opening sequence. It explains that the opening sequence is meant to introduce the audience to the genre, establish the setting and mood. It does this through techniques like shots, angles, sounds and colors. The opening sequence also displays the studio, titles, and production credits. There are many elements that can be used in an opening sequence, such as establishing shots, narration, character introductions, themes/topics, and animation, to draw the audience in and set expectations for the film. Common elements include the studio logo, titles representing the film's mood, and establishing the genre through character placement.
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Lighting plan
This lighting plan discusses using low-key lighting for a horror film to create tension, mystery, and fear. Low-key lighting produces dim shadows that set the dark and ominous tone needed for horror by revealing characters and surroundings in a controlled way through shadows and dull backgrounds. The document explains that a torch light was used to generate shadows, and low-key lighting throughout the film builds tension as a ghost spies on the main character, Lucas.
How did you attract
We used tense dramatic music, low visibility from shooting in the dark, and loud monster screams to attract and address our audience for the film. The music enticed viewers into the film while the dark shooting made it unclear what was present, drawing them in. Loud screams from the monster aimed to scare the audience for a more engaging viewing experience.
Extra Research Lighting - Nathan
The document discusses different lighting techniques used in filmmaking:
- High key lighting uses a low contrast style to brighten everything and reduce shadows, and is often used for comedies to create a natural look.
- Low key lighting uses shadows and a single light to convey drama, tension, and darkness for genres like horror films.
- Backlighting refers to a light source placed behind the subject to illuminate them from behind for the camera or audience.
Extra research Lighting
The document discusses different lighting techniques used in filmmaking:
- High key lighting uses a low contrast style to brighten everything and reduce shadows, and is often used for comedies to create a natural look.
- Low key lighting uses shadows and one main light to convey drama, tension, and darkness for genres like horror films.
- Backlighting refers to lights placed behind the subject to create separation and depth.
Lighting
Lighting is an important technical element in film and media that helps convey genre and mood to viewers. Different lighting setups, such as low-key lighting for suspense and high-key lighting for comedy, elicit different emotional responses from audiences. A director can use mixtures of lighting within a single scene to portray changing moods and feelings over time. In film production, the use of lighting is crucial to engaging audiences and achieving profitability by effectively setting the genre and tone.
Evaluation
The document discusses how the weather impacted the filming of a movie. Originally, dull but sunny weather was planned to create a light but troubled mood. However, on the day of filming the weather became dull and drizzly, greatly changing the atmosphere to be more gloomy and suggesting a more sinister theme. The natural lighting used added a dark, noisy effect that furthered the sinister and mysterious tone by making some objects unclear and suggesting something sinister was hiding in the shadows.
Creative Critical Reflection
question1: How does your product use or challenge conventions and how does it represent social groups or issues
Lighting plan
Lighting is one of the most influential elements of mise-en-scene in film and can be used to evoke emotions or manipulate viewer attitudes. There are two main types of lighting: high key lighting, which has little dramatic effect and is often used in upbeat scenes; and low key lighting, which comprises both bright and dark areas and is typically used in tense scenes to add emotion or tension. Psychological thrillers tend to use low key lighting throughout, as seen in the film Black Swan, which the author references. For their short film, the author has used low key lighting except for one scene, and concludes they have effectively used both low key and natural lighting.
Analysis of visuals
The document analyzes the visuals used in various sections of a publication. For the cover page, it summarizes that the image of David Tennant stands out against the black background due to high key lighting and use of a rule of thirds composition. It notes the image is intriguing but initially confusing due to the blackness, but once adjusted the skull imagery is shocking. For the contents page, it summarizes that the page focuses on imagery accompanying text on different topics, with professionally shot crisp images, though their contexts differ. It also notes not all images belong to the publication but are used to mutually benefit both. For the main article, it summarizes that imagery dominates most of the page to provide a focus on the
Influences
This document discusses visual influences for a music video shoot. It describes several scenes, including one by a fire with a smoky effect and emphasized visuals. Another scene shows an image through a steamed up window to give the impression of someone watching. The dark forest is noted as influential because it is the desired time of day for filming. One scene focuses on the artist "Yung Lean" in an exaggerated hospital gown by a bright fire to attract the eye.
Narrative
The document provides an analysis of the film "The Boy in the Striped Pajamas". It summarizes a key scene in which the two main characters, a Nazi commandant's son and a Jewish concentration camp inmate, bond and find out they have the same birthday. The climax of the scene is when the commandant's son enters the camp and calls out his friend's name, building suspense through music, dialogue, and camera work. The director uses elements like costume, lighting, and shots to draw the audience in emotionally and show the difference between the fortunate and unfortunate.
M:\Media Studies\Photoshoot 2 For Music Mag
This document provides details for an additional photoshoot, including the agency name, shoot date, items and models to be shot, desired shot types and angles, lighting and background preferences, positioning in publications, and requested editing details. Specific instructions are given for a close-up shot of Sara Halub with flash against a white background for the magazine cover, specifying touch-ups to makeup and adding illustrated effects.
Lighting plan
Low-key lighting is used in horror films to create tension through a mysterious and dark atmosphere with dim hues and shadows that only partially reveal characters and surroundings. The document discusses how a horror film lighting plan uses low-key lighting to set an ominous tone through a dank look generated with dim lighting, such as using a small lamp for scenes shot in the dark.
Mise-en-Scene
This document discusses various elements of mise-en-scène that can be analyzed in films and television shows, including décor, lighting, costume, props, location, body language, and semiotic analysis. It provides information on different lighting techniques like high-key and low-key lighting and how they can evoke different emotions. Costuming is discussed as a way to establish characters' roles, personalities, and stereotypes. The document encourages close analysis of sequences to derive meanings from these mise-en-scène elements regarding characterisation.
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Lighting plan
The document outlines a lighting plan for a film. It discusses how lighting is a key technical element that helps create visual impressions and emotional impact. The plan aims to use natural lighting and bulbs to achieve clarity of image and make scenes seem realistic, using mainly low-key lighting to suit a suspense/mystery genre.
Lighting plan
The document outlines a lighting plan for a film. It discusses how lighting is a key technical element that helps create visual impressions and emotional impact. The plan aims to use natural lighting and bulbs to achieve clarity of image and make scenes appear realistic, using mainly low-key lighting to suit the suspense/mystery genre. The goal is to attract the target audience.
AS Media Studies:Codes And Conventions
The document discusses the codes and conventions of film opening sequences. It explains that openings are meant to introduce the genre, establish setting and mood, and present production details. Common elements openings use include establishing shots, narration, flashbacks, studio logos, titles representing genre, character introductions, themes/topics, credits, and sounds setting the tone. The purpose is to draw audiences in and set expectations for the film.
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The document discusses the codes and conventions of film opening sequences. It explains that openings are meant to introduce the genre, establish setting and mood, and present production details. Common elements openings use include establishing shots, narration, flashbacks, studio logos, titles representing genre, character introductions, themes, credits, and sounds setting the tone. The purpose is to draw audiences in and set expectations for the film.
AS Media Studies Codes And Conventions
The document discusses the various codes and conventions used in film opening sequences. It identifies elements like establishing the genre, introducing characters, setting the theme and mood, using narration, sound, enigmas, credits, flashbacks and establishing shots. The purpose is to draw the audience in and set expectations for the film by revealing its tone and genre from the very start. Common techniques include positioning characters in genre-specific situations, enticing the audience with unanswered questions, and using animation, music and visuals to immerse viewers.
Cinematography
This document discusses four key aspects of cinematography - camera shots/angles/framing/composition, editing, sound, and mise en scene - and how they powerfully affect audiences. Camera shots engage viewers by showing subjects from the best angles to understand characters. Editing combines shots into sequences, adds effects, and removes unnecessary parts to create compelling footage. Sound is especially important in thrillers, where it builds suspense and foreshadows dramatic events. Mise en scene encompasses all visual details that provide context about characters and scenes to audiences. All of these cinematography techniques are powerful ways to influence how audiences experience and understand films.
6. Cinematography
Cinematography, editing, sound, and mise en scene are powerful filmmaking techniques that affect the audience. Cinematography engages viewers through different camera shots that provide the best angles to understand characters. Editing combines shots to create sequences and adds special effects to tell a story. Sound is particularly important in thrillers, where it builds suspense and anticipation. Mise en scene provides context for understanding characters and scenes through costumes, props, and details of the visual frame. These techniques are powerful as they influence the audience's emotional engagement and comprehension of the film.
Opening sequence codes and conventions
The document discusses the purpose and elements of a film opening sequence. It explains that the opening sequence is meant to introduce the audience to the genre, establish the setting and mood. It does this through techniques like shots, angles, sounds and colors. The opening sequence also displays the studio, titles, and production credits. There are many elements that can be used in an opening sequence, such as establishing shots, narration, character introductions, themes/topics, and animation, to draw the audience in and set expectations for the film. Common elements include the studio logo, titles representing the film's mood, and establishing the genre through character placement.
Opening sequence-codes and conventions
The document discusses the key elements and purposes of a film opening sequence. It explains that an opening sequence should introduce the genre, establish the setting and mood, and present the studio, titles, and credits. Common techniques used in openings include establishing shots, narration, flashbacks, sound, and animation to draw the audience in and set expectations for the film. The document provides examples of how different elements like genre, characters, themes, and sound function in setting the tone for the movie.
Codes and conventions
The document discusses the purpose and elements of a film opening sequence. It aims to introduce the audience to the genre, establish the setting and mood, and present the title, production company and cast. Key elements that are discussed include the studio logo, titles, establishing shots, character introductions, themes, narration, sound, credits and flashbacks. The opening sequence needs to draw the audience in and set expectations for the rest of the film.
Opening sequence codes and conventions
This document discusses the codes and conventions of film opening sequences. It explains that opening sequences are meant to introduce the genre, establish the setting and mood, and present production details like the studio and cast. Common elements that are discussed include establishing shots, titles, narration, sound, animation, credits and flashbacks. The purpose is to draw in the audience and set expectations for the film. Specific techniques like genre establishment, character introduction, themes and enigma are examined.
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Lighting booklet
Lighting in film serves both a functional purpose of illuminating the scene, as well as an artistic purpose of conveying meaning and influencing the audience. Common lighting techniques include high key lighting which exposes details, and low key lighting which creates shadows and suspense through lacking visual information. Classic Hollywood used a three point lighting system with a key light, back light, and fill light to create a flattering image. Additional elements of lighting that filmmakers manipulate include the quality, direction, source, and color of the light, each of which can radically alter the mood and meaning of a scene.
Lighting booklet
Lighting in film serves both a functional purpose of illuminating the scene, as well as an artistic purpose of conveying meaning and influencing the audience. Common lighting techniques include high key lighting which exposes details, and low key lighting which creates shadows and suspense through lacking visual information. Classic Hollywood used a three point lighting system with a key light, back light, and fill light to create a flattering image. Additional elements of lighting that filmmakers manipulate include the quality, direction, source, and color of the light, each of which can radically alter the mood and meaning of a scene.
Powerpoint presentation in MAPEH Arts Grade 10
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Evaluation Question 1
The document discusses how the media product uses and challenges conventions of real music videos. It used conventions like a variety of settings to convey emotion, controlled camerawork, and special effects to make it look professional. However, it challenges conventions with a nonlinear narrative revealed through flashbacks and a unique high-speed reverse sequence. Overall it generally follows music video conventions but aims to have a unique style and story.
Crews and roles
- The document outlines the roles and responsibilities for the short film production, including director (Kenny Akale), producer (Ashley), camera operator (James), and production assistant (Ashley).
- It describes the roles of actors (Daniel and Kenny), director (Kenny), production manager, producer (overseeing all aspects), and editors (Kenny, Ashley, James).
- Equipment needed for filming includes a Canon 1100D camera, tripod, lighting, SD card, and Final Cut Pro for editing. Props include bed sheets, shovel, plastic knife, and ketchup to represent blood. Costumes include an all-black outfit for the mysterious man and business-casual clothes for the victim
Mise-en-scene Note
Mise-en-scene refers to everything that appears before the camera and is made up of 5 elements: settings, props, costumes, lighting, and positioning of characters/objects. Settings play a vital role and locations are chosen to add meaning. Costumes indicate time period and culture while reflecting character traits. Lighting can be used to highlight subjects or convey emotions. Props are also an important part of mise-en-scene but too many can confuse audiences. Cinematography incorporates camera angles, shots, and movements to tell the story.
Lighting plan
Lighting is a key element of film that can influence emotions and perceptions. There are two main types: high key lighting reduces shadows for a brighter look often used in comedies, while low key lighting uses mainly one light source and shadows to create a sense of alienation as seen in film noir. For the film Awestruck, the director used high key lighting outdoors with sunlight and low key lighting indoors at night to establish realistic settings that fit the scenes.
Progression Since Preliminary Task
The document discusses the author's progression from the preliminary task to the final film project. In the preliminary task, the author's skills in editing, camera work, sound design, and use of mise-en-scene were more limited. However, for the final film, the author gained experience that allowed for improvements in interesting camera angles, subtle audio layering, continuity, set design, costume design, use of props, lighting techniques, and cinematography. The extensive reworking of drafts also improved the overall quality and coherence of the final film compared to the preliminary task.
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The document discusses the location requirements for a movie, stating that an office setting would be perfect as it involves characters like an assistant and doctor having a conversation, and then a detective coming to investigate something internally. No outside locations were needed as all shots took place indoors.
Character profiling
Doctor Josh is a 39-year-old arrogant but highly effective psychiatrist who has been acting strangely recently according to his patients. Elena is a bold but underqualified assistant to Doctor Josh who hides her lack of understanding with confidence. Detective Mark is a 40-year-old passionate and dominant detective who has been in the field for 25 years and is very successful.
Log sheet
This log sheet document records information from an unknown event or activity. While brief, it implies the logging of details over time, potentially including notes, measurements, or observations. The purpose is to document something in an organized manner for future reference.
Story board
The document appears to be a story board, which is commonly used in filmmaking and other visual media to plan and communicate the flow of a narrative through a sequence of drawings and captions. A story board typically includes sketches of key scenes along with descriptions of the action, dialogue, camera angles, and other details to visualize how the story will unfold. The story board helps filmmakers and other creators effectively plan and coordinate the production process before actual filming or other work begins.
Farah abdullah screen
Elena, an office assistant, receives a threatening phone call from an unknown caller saying her boss's patients have been killed and the boss is next. She informs her boss, a doctor, of the call. A detective then arrives, claiming to have been hired to investigate after some of the doctor's patients were killed. The detective unexpectedly accuses the doctor of killing his own patients.
Shot list farah
The shotlist documents 11 camera shots for a film titled "Unhiddensecret" directed by Farah Abdullah. The shots include mid shots, long shots, over the shoulder shots, and an extreme close up, with no camera movement between shots. The shots focus on an assistant speaking to a doctor in his office and a detective later entering and speaking to the doctor.
Film treatment
The psychiatrist's patients have been murdered and he has received threatening phone calls from an unknown person seeking revenge. A detective is hired to investigate the case and analyze the events. During a conversation between the psychiatrist and his assistant about the phone calls, the detective unexpectedly appears and accuses the psychiatrist of killing his own patients, though the psychiatrist refuses to respond.
Shooting schedule
The shooting schedule outlines 3 scenes to be filmed on February 24th and 26th 2015, with Scene 1 taking place from 11:30-12:00 on the 24th, Scene 2 from 1:00-2:00 that same day, and Scene 3 running from 9:00-11:00 on the 26th.
Concept
A psychiatrist's patients are being murdered. The psychiatrist's assistant receives a threatening call from an unknown person about future murders. When the assistant informs the psychiatrist, she remains calm. A detective then appears at the office to investigate, though no one called him.
Shot list farah
The shotlist documents 11 camera shots for a film titled "Unhiddensecret" directed by Farah Abdullah. The shots include mid shots, long shots, over the shoulder shots, and an extreme close up, with no camera movement between shots. The shots focus on an assistant speaking to a doctor in his office and a detective later entering and speaking to the doctor.
Lighting plan
Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve a low-key lighting style typically seen in suspense and mystery films. The goal is to make the scenes feel realistic and attract the target audience. Lighting serves three main purposes - providing a clear image so viewers can see important elements like facial expressions, creating an emotional impact, and being an important part of the visual design of cinema.
Lighting plan
Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve three main purposes: clarity of image so viewers can see important elements like facial expressions; creating an emotional impact; and making the scenes feel like real life to attract the target audience. Low key lighting is typically used for suspense and mystery films but this plan aims for a realistic look.
Lighting plan
Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve three main purposes: clarity of image so viewers can see important elements like facial expressions; creating an emotional impact; and making the scenes feel like real life to attract the target audience. Low key lighting is typically used for suspense and mystery films but this plan aims for a realistic look.
Lighting plan
Lighting is a key technical element in film that helps tell the story visually. The document outlines a lighting plan that uses natural lighting and bulbs to achieve three main purposes: clarity of image so viewers can see important elements, emotional impact through how light is used, and an attempt to make the film seem like a real life situation through mainly low key lighting to attract the target suspense/mystery audience.
Mienscene note 2
I chose an office building location to create a doctor's office atmosphere that was quiet with busy working people to avoid distractions. I used high key and low key lighting and my video location relates to those in suspense/mystery movies. I dressed the assistant casually and gave the doctor a lab coat for identification and dressed the detective seriously to portray his profession.
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Syllabus
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Lighting plan
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- 2. hopefully they will attract my target audience.