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By Macon Magee Leonardo da Vinci
Lived April 15, 1452 - May 2, 1519 Male Italian Vital Statistics
In 1466, he was apprenticed to Verrocchio From 1482-1508, moved several times between Florence and Milan In 1516, he was invited by King Francis I to move to France Personal Background
The Italian Wars start in 1494 A plague hits Milan in 1485 In 1492, Christopher Columbus discovered America LudovicoSforza ruled Milan from 1489 to 1500 Key Historical Events
He grew up near Florence, the heart of Italian Renaissance In 1466, he was apprenticed to Verrocchio Bernardino Luino, Marco d’Oggiono, and Giovanni Antonio Boltraffio worked in Leonardo da Vinci’s studio He was 23 when Michelangelo was born and 31 when Raphael was born Influence of the Art World
Subject is smooth and clear, but the background is blurry Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair Instead of using facial expression to show emotion, uses the subject’s position and hands instead The eyes are the only parts of the pictures that connect the with viewer, everything else seems isolated from the viewer Stylistic Traits
Subject is smooth and clear, but the background is blurry Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair The eyes are the only parts of the pictures that connect the with viewer, everything else seems isolated from the viewer Stylistic Trait Example Art # 1 La Belle Ferroneire (1498)
Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair Instead of using facial expression to show emotion, uses the subject’s position and hands instead The eyes are the only parts of the pictures that connect the with viewer, everything else seems isolated from the viewer Stylistic Trait Example Art # 2 The Last Supper (1498)
Subject is smooth and clear, but the background is blurry Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair The eyes are the only parts of the pictures that connect the with viewer, everything else seems isolated from the viewer Stylistic Trait Example Art # 3 Mona Lisa (1506)
Subject is smooth and clear, but the background is blurry Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair Instead of using facial expression to show emotion, uses the subject’s position and hands instead Stylistic Trait Example Art # 4 St. John the Baptist (1516)
Attempted to paint the eyes, nose, and mouth the way Leonardo did, by outlining the eyes and nose, and painting the man with a smile; painted light skin, but painting everything else dark; made it unclear what was in the background; tried to show frustration with his hand;  Painting a wall to show lighting isn’t quite as intimidating as it sounds! It was difficult and interesting to try to convey a theme through my art I did a good job of surrounding the face with dark colors I didn’t do so well of a job painting the face the way Leonardo daVinci would Conclusion

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Leonardo da Vinci by Macon Magee

  • 1. By Macon Magee Leonardo da Vinci
  • 2. Lived April 15, 1452 - May 2, 1519 Male Italian Vital Statistics
  • 3. In 1466, he was apprenticed to Verrocchio From 1482-1508, moved several times between Florence and Milan In 1516, he was invited by King Francis I to move to France Personal Background
  • 4. The Italian Wars start in 1494 A plague hits Milan in 1485 In 1492, Christopher Columbus discovered America LudovicoSforza ruled Milan from 1489 to 1500 Key Historical Events
  • 5. He grew up near Florence, the heart of Italian Renaissance In 1466, he was apprenticed to Verrocchio Bernardino Luino, Marco d’Oggiono, and Giovanni Antonio Boltraffio worked in Leonardo da Vinci’s studio He was 23 when Michelangelo was born and 31 when Raphael was born Influence of the Art World
  • 6. Subject is smooth and clear, but the background is blurry Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair Instead of using facial expression to show emotion, uses the subject’s position and hands instead The eyes are the only parts of the pictures that connect the with viewer, everything else seems isolated from the viewer Stylistic Traits
  • 7. Subject is smooth and clear, but the background is blurry Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair The eyes are the only parts of the pictures that connect the with viewer, everything else seems isolated from the viewer Stylistic Trait Example Art # 1 La Belle Ferroneire (1498)
  • 8. Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair Instead of using facial expression to show emotion, uses the subject’s position and hands instead The eyes are the only parts of the pictures that connect the with viewer, everything else seems isolated from the viewer Stylistic Trait Example Art # 2 The Last Supper (1498)
  • 9. Subject is smooth and clear, but the background is blurry Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair The eyes are the only parts of the pictures that connect the with viewer, everything else seems isolated from the viewer Stylistic Trait Example Art # 3 Mona Lisa (1506)
  • 10. Subject is smooth and clear, but the background is blurry Skin is bright but surrounded by dark hair, shadows, and clothes but with a smooth transition Faces are similar with noses that smoothly transition from forehead and a slight shadow separating from cheek, eyes that are in the same shape with large drooping eyelids surrounded by shadows, and with the slightest smile, but they are from different angles and with different hair Instead of using facial expression to show emotion, uses the subject’s position and hands instead Stylistic Trait Example Art # 4 St. John the Baptist (1516)
  • 11. Attempted to paint the eyes, nose, and mouth the way Leonardo did, by outlining the eyes and nose, and painting the man with a smile; painted light skin, but painting everything else dark; made it unclear what was in the background; tried to show frustration with his hand; Painting a wall to show lighting isn’t quite as intimidating as it sounds! It was difficult and interesting to try to convey a theme through my art I did a good job of surrounding the face with dark colors I didn’t do so well of a job painting the face the way Leonardo daVinci would Conclusion