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F
M
Page 1.
c o n t e n t s
The Fallen Magdalen Concept.
Fair Isabel, Poor Simple Isabel.
Until sweet Isabella’s untouch’d cheek.
To make old prose in modern rhyme more sweet:
But Selfishness, Love’s cousin, held not long.
In the mid days of autumn.
With every morn their love grew tenderer.
And so she ever fed it with thin tears.
No heart was there in Florence.
4
7
9
13
14
16
18
22
33
Page 2.
fm
Page 3.
Inspiration from the
Past
Inspiration from the
Future
Aspiration to the
Perfect
The collection is a joining of past and
future fashion, that uses the meaning
within Pre-Raphaelite art to aspire to
create a perfect symbol of femininity.
The Fallen Magdalen
concept and design.
The past is a rich heritage of resource
and inspiration for the designer.
Isabella is Pre-Raphaelite image that
represents the natural world, the
feminist ideal in flowing lines and rich
colours.
In this collection the design (the
painitng) has been updated to appeal
to a modern audience. The purpose
of the design is to convey the idea
of purity of the feminine beauty as a
fantasy element and then grounded it
in the modern world.
Page 4.
Page 5.
Isabella and the Basil Pot
BY
WILLIAM HOLMAN HUNT
Page 6.
Past
Page 7.
Fair Isabel,
poor simple Isabel!
Keeping it simple.
The designs were
born of simple lines
and clear patterns.
Page 8.
Until sweet
Isabella’s untouch’d cheek
Fell sick within the rose’s
just domain,
Placing the rose tint/graphic of the painting
upon the designs.
Page 9.
Page 10.
Page 11.
Page 12.
To make old prose in modern rhyme
more sweet:
Taking an old design and making merry.
Page 13.
But Selfishness, Love’s cousin,
held not long.
Selfishness s Dark, Love is Light.
Page 14.
Page 15.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
Designing for Autumn/Winter.
Page 16.
Page 17.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
With every look and glance, one learns to love.
Page 18.
Page 19.
Page 20.
Future
Page 21.
And so she ever fed it with thin tears,
Whence thick, and green,and beautiful
it grew,
With spent time grew beautiful designs.
Page 22.
Page 23.
Page 24.
Page 25.
Page 26.
Page 27.
Page 28.
Page 29.
Page 30.
Page 31.
Page 32.
No heart was there in
Florence but did mourn
In pity of her love,
so overcast.
The final curtain.
Page 33.
Perfect
Page 34.
Page 35.
Page 36.
Page 37.
f
m
page 38.
Made by
Fallen Magdalen
Sarah Frankland
fm

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Final Major Project - Sarah Frankland

  • 1. F M
  • 3. c o n t e n t s The Fallen Magdalen Concept. Fair Isabel, Poor Simple Isabel. Until sweet Isabella’s untouch’d cheek. To make old prose in modern rhyme more sweet: But Selfishness, Love’s cousin, held not long. In the mid days of autumn. With every morn their love grew tenderer. And so she ever fed it with thin tears. No heart was there in Florence. 4 7 9 13 14 16 18 22 33 Page 2.
  • 5. Inspiration from the Past Inspiration from the Future Aspiration to the Perfect The collection is a joining of past and future fashion, that uses the meaning within Pre-Raphaelite art to aspire to create a perfect symbol of femininity. The Fallen Magdalen concept and design. The past is a rich heritage of resource and inspiration for the designer. Isabella is Pre-Raphaelite image that represents the natural world, the feminist ideal in flowing lines and rich colours. In this collection the design (the painitng) has been updated to appeal to a modern audience. The purpose of the design is to convey the idea of purity of the feminine beauty as a fantasy element and then grounded it in the modern world. Page 4.
  • 6. Page 5. Isabella and the Basil Pot BY WILLIAM HOLMAN HUNT
  • 9. Fair Isabel, poor simple Isabel! Keeping it simple. The designs were born of simple lines and clear patterns. Page 8.
  • 10. Until sweet Isabella’s untouch’d cheek Fell sick within the rose’s just domain, Placing the rose tint/graphic of the painting upon the designs. Page 9.
  • 14. To make old prose in modern rhyme more sweet: Taking an old design and making merry. Page 13.
  • 15. But Selfishness, Love’s cousin, held not long. Selfishness s Dark, Love is Light. Page 14.
  • 17. In the mid days of autumn, on their eves The breath of Winter comes from far away, Designing for Autumn/Winter. Page 16.
  • 19. With every morn their love grew tenderer, With every eve deeper and tenderer still; With every look and glance, one learns to love. Page 18.
  • 23. And so she ever fed it with thin tears, Whence thick, and green,and beautiful it grew, With spent time grew beautiful designs. Page 22.
  • 34. No heart was there in Florence but did mourn In pity of her love, so overcast. The final curtain. Page 33. Perfect