German Expressionist cinema of the 1920s differed from the Hollywood studio system in several key ways: it did not adopt the vertical integration model and directors maintained greater creative control, it was more closely connected to the artistic Expressionist movement in Europe, and actors were more concerned with artistic reputation than celebrity publicity. Expressionist films often featured Expressionist themes of madness, paranoia, and subjective perspectives through their use of stylized architecture, geometric forms, and stark contrasts of light and shadow.
Lecture: 6 Europe After the War
Discussed is the European reaction to the Abstract-Expressionist movement, Nouveaux Realisme, the influence of Art Brut, as well as a rediscovery of figuration in Francis Bacon's work.
This cartoon by the British cartoonist David Low was published in the Evening Standard newspaper on 21 October 1939. Having destroyed Poland, Hitler and Stalin stroll down their now-shared frontier.
Lecture: 6 Europe After the War
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This cartoon by the British cartoonist David Low was published in the Evening Standard newspaper on 21 October 1939. Having destroyed Poland, Hitler and Stalin stroll down their now-shared frontier.
DEPTH STUDY GERMANY: WEIMAR REPUBLIC - 07. STRESEMMAN ERA 1924-1929George Dumitrache
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Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
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2. Art and Industry
German Expressionism
1. True or False. Both the production of American and
German early cinema was dominated by a few large
companies.
2. In the 1920s, what was the attitude of German actors
towards celebrity publicity?
3. What was Ufa?
4. True or False. Directors enjoyed a greater degree of
artistic freedom in Germany than their American
counterparts.
5. True or False. Only a small portion of the films made in
Germany during the 1920s were expressionistic.
11. European cinema
in contrast to America...
did not adopt the vertical integration model
director maintained creative control throughout script
development and editing
12. European cinema
in contrast to America...
did not adopt the vertical integration model
director maintained creative control throughout script
development and editing
connected with an artistic movement already
underway in Europe
13. European cinema
in contrast to America...
did not adopt the vertical integration model
director maintained creative control throughout script
development and editing
connected with an artistic movement already
underway in Europe
celebrities more concerned with artistic reputation
19. Americans
killed 126,000
wounded 234,000
France
20. Americans
killed 126,000
wounded 234,000
France
killed 1.3 million
21. Americans
killed 126,000
wounded 234,000
France
killed 1.3 million
wounded 4.2 million
22. Americans
killed 126,000
wounded 234,000
France
killed 1.3 million
wounded 4.2 million
Russia
23. Americans
killed 126,000
wounded 234,000
France
killed 1.3 million
wounded 4.2 million
Russia
killed 1.7 million
24. Americans
killed 126,000
wounded 234,000
France
killed 1.3 million
wounded 4.2 million
Russia
killed 1.7 million
wounded 4.9
25. Americans
killed 126,000
wounded 234,000
France
killed 1.3 million
wounded 4.2 million
Russia
killed 1.7 million
wounded 4.9
Germany
26. Americans
killed 126,000
wounded 234,000
France
killed 1.3 million
wounded 4.2 million
Russia
killed 1.7 million
wounded 4.9
Germany
killed 1.7 million
27. Americans
killed 126,000
wounded 234,000
France
killed 1.3 million
wounded 4.2 million
Russia
killed 1.7 million
wounded 4.9
Germany
killed 1.7 million
wounded 4.2 million
28.
29. “The German people,
starving and dying by the
hundred thousand, were
reeling deliriously between
blank despair, frenzied
revelry and revolution.
Berlin had become a
nightmare, a carnival of jazz
bands and machine guns.”
Count Harry Kessler,
chronicler of post-WWI
Berlin
42. german expressionist
anti-hero (to the point of being evil)
frequently involves madness, paranoia, or obsession
told from subjective point of view
urban setting
presence of criminal underworld/outerworld
complex architectural and compositional possibilities
strong geometric forms
stark contrasts of light and shadow
45. German expressionism
By 1918, American had 5 big studios, 3 smaller
studios. Germany had 310 companies. Less likely
for vertical integration to take place.
46. German expressionism
By 1918, American had 5 big studios, 3 smaller
studios. Germany had 310 companies. Less likely
for vertical integration to take place.
Due to close ties to expressionist movement, a
strong director was closer to mode followed by other
art forms
47. German expressionism
By 1918, American had 5 big studios, 3 smaller
studios. Germany had 310 companies. Less likely
for vertical integration to take place.
Due to close ties to expressionist movement, a
strong director was closer to mode followed by other
art forms
Producers like Erich Pommer believed in the
economic viability of art
48. German expressionism
By 1918, American had 5 big studios, 3 smaller
studios. Germany had 310 companies. Less likely
for vertical integration to take place.
Due to close ties to expressionist movement, a
strong director was closer to mode followed by other
art forms
Producers like Erich Pommer believed in the
economic viability of art
Actors preferred to be known for their art, not gossip
49. German expressionism
By 1918, American had 5 big studios, 3 smaller
studios. Germany had 310 companies. Less likely
for vertical integration to take place.
Due to close ties to expressionist movement, a
strong director was closer to mode followed by other
art forms
Producers like Erich Pommer believed in the
economic viability of art
Actors preferred to be known for their art, not gossip
Resulted in greater creative freedom and
experimentation
50. What were the themes of
Metropolis?
Compare/contrast the two
Metropolis
worlds. How are they linked?
How can Freder be compared
to Jesus Christ? Maria to Mary?
Who are the other characters?
Describe the role of technology.
Is it always dehumanizing?
How was madness, paranoia
part of this film?
How was the architecture/
geometric lines used to support
the themes of the story?
How was the chirascuro lighting
used?
51.
52.
53.
54. world war 1 interrupted development. sapped
resources
as film shifted from actualities and short films part of
larger program and moved to long form multi-reel films,
cultural differences became more problematic
weren’t familiar with the stories
potentially offensive
Editor's Notes
\n
false. German cinema was dominated by lots of small companies (81 companies produced 185 feature length films in 1926)\nThey wanted to be known for their craft and not for details about their personal lives.\nThe largest production company in Germany - Erich Pommer head producer, brilliant, \ntrue\ntrue\n
We talked early on about the influence of french filmmaking on american cinema, the Lumiere Bros.\n
George Melies. The films of Pathe had been instrumental in keeping nickelodeons afloat until American production had kicked into full gear.\n
But before 1920, the basic tenets of classic hollywood cinema were firmly entrenched. Hollywood was not only successful with domestic production, but internationally as well. (Narrative - not driven by director, but continuity script - film got passed off down the line)\nSimultaneously with the rising industry in America, film kept growing in France and the rest of Europe as well. The three European arenas that have garnered the most critical study. is \n\n
\n
\n
\n
the vertical integration in this country restricted director to the shooting period. the continuity script was not written by the director - gave detailed instructions. the director didn’t cut the film. In class, we’ve talked the rare exceptions (Griffith, DeMille) WHAT ARE THE REASONS FOR THE CONTRAST?\n
the vertical integration in this country restricted director to the shooting period. the continuity script was not written by the director - gave detailed instructions. the director didn’t cut the film. In class, we’ve talked the rare exceptions (Griffith, DeMille) WHAT ARE THE REASONS FOR THE CONTRAST?\n
the vertical integration in this country restricted director to the shooting period. the continuity script was not written by the director - gave detailed instructions. the director didn’t cut the film. In class, we’ve talked the rare exceptions (Griffith, DeMille) WHAT ARE THE REASONS FOR THE CONTRAST?\n
the vertical integration in this country restricted director to the shooting period. the continuity script was not written by the director - gave detailed instructions. the director didn’t cut the film. In class, we’ve talked the rare exceptions (Griffith, DeMille) WHAT ARE THE REASONS FOR THE CONTRAST?\n
Part of the reason why vertical integration did not take hold was because of the impact of World War I. American involvement, while devastating, was not as devastating as it was on the world wide stage. First, we were only involved for the last two years (1917-1919). Lost \n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
Over 8.5 million dead, more than 21 million wounded. Worse, the world had never seen death and injury delivered with such viciousness. Poison gas, terror from the skies, men trapped in muddy trenches, blasting away at each other, often for weeks on end with neither side gaining an inch of territory. When the "Great War," the "war to end all wars," the "first modern war," finally came to an end in November 1918, a deeply shocked and horrified world promised itself it'd never let this happen again. People set out to put their lives back together again; people living everywhere but in Germany, that is. \nAlso depleted resources, capital, equipment, reduced the pool of available labor, etc.\n
At the end of World War I, Germany was surrounded by a military blockade. The Allies wanted to ensure that Germany would accept the terms of the peace they had yet to design. It was a blockade enforced with a vengeance. French hatred for the people who'd started the war in the first place was made explicit in Prime Minister Clemenceau's remark that there were still 20 million Germans too many. So, too, was their fear when Clemenceau added that while other nations have a taste for life, Germans have a taste for death. \n\n
In the months between Armistice Day (Nov 11, 1918) and the signing of the Treaty of Versailles in June 1919, an estimated 700,000 Germans died of hunger. \nKathe Kollwitz, poster, is an example of something else that was happening in Germany at the time.\n\n
Kathe Kollwitz - sketches capture the despair of the time.\n
Kathe’s work was part of a larger movement that had already gathered momentum in Germany at the end of the 19th century.\n
Edvard Munch - the scream 1893. Modernist movement in art that had been inspired by the nihilist philosophy of Friedrich Nietzsche\n
George Grosc, THE CITY, 1916/1917\n
emotionally agitated, high contrast, primitive, \n
Prior to Reinhardt, directors had just been one of the actors that took on additional responsibilities. Reinhardt would re-define the job.\nAustrian born, worked in German - contemporary of Brecht\n\n
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Reinhardt was particularly notable because of his use of chirascuro lighting\narchitecture and chirascuro lighting\n
scene from Midsummer Night’s Dream - he directed on film 1935\nSome of the most enduring films that came out of Germany came out of the Expressionist movement. Weren’t all the films - they had their share of comedies and melodramas. The first, was....\n
Set on a fairground, over city rooftops and in an insane asylum, the film tells the tale of one highly suspicious Dr. Caligari who hypnotizes Cesare, his ghoulish assistant, and sends him off to kill.\n
Erich Pommer was one of the more successful producers that emerged from the period. He believed that art could be big business.\n
this was partially done simply because of budget demands. lacking the capital for elaborate sets, the design was much more economical. but, also Rohrig and Reimann were both expressionist painters during the time, so tapping them to paint the background fused film with the modernist art movement in a way weren’t doing in Hollywood.\n
architecture - for example, by stairways and their railings, mirrors and reflecting windows, structures jutting every bit as vertically as they do horizontally so that...\nwhat does this remind you of...\n
we influenced them as well - Chaplin was particularly influential in Germany (probably theme of alienated stranger maybe?)\n
there was common acknowledgement that American way was more efficient. talk of adopting it - UFA eventually did.\nThe ties to the expressionist movement led to a freedom of \n
there was common acknowledgement that American way was more efficient. talk of adopting it - UFA eventually did.\nThe ties to the expressionist movement led to a freedom of \n
there was common acknowledgement that American way was more efficient. talk of adopting it - UFA eventually did.\nThe ties to the expressionist movement led to a freedom of \n
there was common acknowledgement that American way was more efficient. talk of adopting it - UFA eventually did.\nThe ties to the expressionist movement led to a freedom of \n
there was common acknowledgement that American way was more efficient. talk of adopting it - UFA eventually did.\nThe ties to the expressionist movement led to a freedom of \n
religious themes/man vs technology\nGerman people would have seen God as cold and judgmental at this point, unresponsive to their cries.\nnot unusual for religious films to see the city as example of man’s hubris. it is the way we use technology that is problematic (Bible ends with the creation of a city.)\n\n
trench foot and trench mouth came from spending so much time in the trenches.\n
hyperinflation\n
Murnau preparing Emil Jennings for scene from FAUST\n
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into the wicked type whose face is graced with a bizarre smile. The wise type is smaller than the soldier, yet holding his book and pointing heavenward, he tries to reason with the soldier. The simple type wears a dunce hat and a ridiculous facial expression. The wise man points aloft to God, while the wicked soldier points at the simple one, reflecting a derisive attitude.\n