Legal deposit in Norway and new ways of archiving recorded sound - Keeping Tr...awilson_bl
Legal deposit in Norway and new ways of archiving recorded sound
The current state of music legal deposit in and a look into the future. A demonstration of a new tool for preserving production material from the recording industry.
Speakers: Trond Valberg, Lars Gaustad, National Library of Norway
As part of the British Library's Keeping Tracks symposium on music and archives in the digital age.
21.03.14
http://britishlibrary.typepad.co.uk/music/2014/04/keeping-tracks.html
István Kecskeméti (National Archives, FI): In-House Digitisation as a Core Task. The Finnish National Archives
co:op-READ-Convention Marburg
Technology meets Scholarship, or how Handwritten Text Recognition will Revolutionize Access to Archival Collections.
With a special focus on biographical data in archives
Hessian State Archives Marburg Friedrichsplatz 15, D - 35037 Marburg
19-21 January 2016
Legal deposit in Norway and new ways of archiving recorded sound - Keeping Tr...awilson_bl
Legal deposit in Norway and new ways of archiving recorded sound
The current state of music legal deposit in and a look into the future. A demonstration of a new tool for preserving production material from the recording industry.
Speakers: Trond Valberg, Lars Gaustad, National Library of Norway
As part of the British Library's Keeping Tracks symposium on music and archives in the digital age.
21.03.14
http://britishlibrary.typepad.co.uk/music/2014/04/keeping-tracks.html
István Kecskeméti (National Archives, FI): In-House Digitisation as a Core Task. The Finnish National Archives
co:op-READ-Convention Marburg
Technology meets Scholarship, or how Handwritten Text Recognition will Revolutionize Access to Archival Collections.
With a special focus on biographical data in archives
Hessian State Archives Marburg Friedrichsplatz 15, D - 35037 Marburg
19-21 January 2016
Europeana sounds: improving access to Europe's digital audio archivesEuropeana_Sounds
Presentation by Richard Ranft, coordinator for Europeana Sounds, at the Annual Conference of the Baltic Audiovisual Archival Council (europeanasounds.eu/event/baac-annual-conference-2014), 18 September 2014
GBIF-Norway status for the 6th European GBIF nodes meeting April 2014Dag Endresen
Slides prepared for the 6th European GBIF nodes meeting in Brussels. At the meeting these slides was replaced by a live online demo of these tools. Topics include citizen science transcription of specimen labels, persistent identifiers and custom collection portals. All slides are CC-by.
Europeana sounds: improving access to Europe's digital audio archivesEuropeana_Sounds
Presentation by Richard Ranft, coordinator for Europeana Sounds, at the Annual Conference of the Baltic Audiovisual Archival Council (europeanasounds.eu/event/baac-annual-conference-2014), 18 September 2014
GBIF-Norway status for the 6th European GBIF nodes meeting April 2014Dag Endresen
Slides prepared for the 6th European GBIF nodes meeting in Brussels. At the meeting these slides was replaced by a live online demo of these tools. Topics include citizen science transcription of specimen labels, persistent identifiers and custom collection portals. All slides are CC-by.
Collapsing Narratives: Exploring Non-Linearity • a micro report by Rosie WellsRosie Wells
Insight: In a landscape where traditional narrative structures are giving way to fragmented and non-linear forms of storytelling, there lies immense potential for creativity and exploration.
'Collapsing Narratives: Exploring Non-Linearity' is a micro report from Rosie Wells.
Rosie Wells is an Arts & Cultural Strategist uniquely positioned at the intersection of grassroots and mainstream storytelling.
Their work is focused on developing meaningful and lasting connections that can drive social change.
Please download this presentation to enjoy the hyperlinks!
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This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
2. A multimedial
digital library
Digitisation adopted as
a long term preservation strategy
Preferred digital (i.e. files) deposit of new material
3. Digitising the collection
1 000 books digitised every week
1 000 000 book pages every month
40 000 newpaper pages from original every week
200 000 newspaper pages from microfilm monthly
P.t. ca 350 000 books (> 75 % of all norwegian titles!)
P.t. ca 15 600 000 newspaper pages (approx. 20 % of
the norwegian newspaper collection)
4. Digital collection
-> 640 000 newspapers (ca 15,6 mill. pages)
-> 350 000 books (> 50 mill pages)
-> 375 000 pages manuscripts and music manuscripts
-> 670 000 photos
-> 920 000 hours of radio
-> 490 000 hours of television
-> 23 000 units of music
-> 9 000 units of film/video
5. Digital storage
Current:
3 * 6 Petabyte
Disk + 2 * tape
SAM-FS archive file system
Average growth 6 Tbytes / day,
Peaking at 10 TB
2014: + 1,8 petabyte * 3
13. Norwegian Parliament 2009:
National Library and National
Archives responsible for offering
long-term digital preservation
services to the cultural heritage
sector
14. AES31-1-2001 (r2011)
Standard for network and file transfer of audio —
Audio-file transfer and exchange —
Part 1: Disk format
15. AES31-2-2012
Revision of AES31-2-2006
AES standard on network and file
transfer of audio –
Audio-file transfer and exchange –
File format for transferring
digital audio data
between systems of different type and manufacture
16. AES31-3-2008
(reaffirmed 2013)
AES standard
for network and file transfer of audio -
Audio-file transfer and exchange –
Part 3: Simple project interchange
17. The US
Recording Academy Producers & Engineers Wing:
Recommendation for Delivery of Recorded Music
Projects
(Including Stems and Mix Naming Conventions)