Langston Hughes
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Langston Hughes was an influential African American poet and writer born in 1902 in Missouri. He had a difficult childhood, being raised by his grandmother and traveling extensively due to a strained relationship with his father. Hughes became involved with the Harlem Renaissance and explored political issues through his work, gaining recognition for his poems and plays that highlighted the African American experience in America. He received many honors for his contributions to literature over his career, but faced scrutiny during the McCarthy era for his political views. Hughes continued writing until his death in 1967, leaving behind a significant body of work celebrating black culture.
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Ezra Pound was an American poet and critic born in 1885 in Idaho. He received his education at Hamilton College and the University of Pennsylvania. Pound is famous for revolutionizing poetry with his development of Imagism and for championing other modernist poets like T.S. Eliot and Robert Frost. He spent much of his later life in Italy before dying in Venice in 1972 at the age of 87.
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Langston Hughes was an influential African American poet and writer during the Harlem Renaissance of the 1920s. He was born in Joplin, Missouri in 1902 to an African American mother and a white father. Hughes focused his writing on accurately portraying the lives and struggles of working class African Americans. He advocated for racial pride and celebrating black culture. Hughes published numerous poems, novels, plays and essays throughout his life. He became a widely celebrated figure but also faced criticism from younger black writers in later years who felt his work promoted racial chauvinism. Hughes died in 1967 and left a significant impact on African American literature.
Eng 102 Nella Larsen 6pm
Nella Larsen was an African American novelist who wrote during the Harlem Renaissance. She was born in 1891 to a Danish mother and West Indian father and grew up in Denmark. Larsen worked as a nurse and librarian. She published two novels, Quicksand and Passing, which drew from her own experiences of exploring racial and cultural identity. However, her career was damaged by accusations of plagiarizing another author's work. Larsen received little recognition during her lifetime and died in 1964.
Langston Hughes Silhouette
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Young f inal draft1
Langston Hughes was an influential African American poet and writer born in Joplin, Missouri in 1902. He had a difficult childhood, moving between relatives' homes after his parents separated. Hughes graduated high school in 1920 and enrolled in college but dropped out to pursue writing. He traveled extensively in the 1920s before receiving his bachelor's degree in 1929. Hughes was a pivotal figure of the Harlem Renaissance and was awarded the Spingarn Medal in 1960 for his achievements as an African American writer. He died in 1967 in New York.
Author biographies
This document provides biographies of two authors:
1. Maya Angelou, an American writer and poet known for her autobiographies and poetry exploring themes of racism and identity. She was born in 1928 in Missouri and spent part of her childhood in Arkansas. Her career spanned over 50 years and she published several acclaimed autobiographies and books of poetry.
2. Pearl Buck, an American writer who won the Pulitzer Prize in 1932 for her novel The Good Earth. She was born in 1892 in West Virginia but spent most of her early life in China as the daughter of Presbyterian missionaries. Her novel explored the life of Chinese peasants and was a critical and commercial success.
Also by Glenn C. Altschuler Rude Republic America
Also by Glenn C. Altschuler
Rude Republic: Americans and Their Politics
in the Nineteenth Century (with Stuart M. Blumin)
Changing Channels: America in TV Guide
(with David I. Grossvogel)
Revivalism, Social Conscience, and Community
in the Burned-Over District
(with Jan Saltzgaber)
Better Than Second Best: Love and Work in the Life of Helen Magill
Race, Ethnicity, and Class in American Social Thought, 1865-1919
Andrew D. White—Educator, Historian, Diplomat
PIVOTAL MOMENTS
IN AMERICAN HISTORY
Series Editors
David Hackett Fischer
James M. McPherson
James T. Patterson
Brown v. Board of Education:
A Civil Rights Milestone and Its Troubled Legacy
Maury Klein
Rainbow's End:
The Crash of 1929
James M. McPherson
Crossroads of Freedom:
Antietam
This page intentionally left blank
GLENN C. ALTSCDULER
HOW
ROCK 'N' ROLL
CHANGED AMERICA
OXFORD
UNIVERSITY PRESS
2 0 0 3
OXTORD
UNIVERSITY PRESS
Oxford New York
Auckland Bangkok Buenos Aires Cape Town Chennai
Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata
Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi
Sao Paulo Shanghai Taipei Tokyo Toronto
Copyright © 2003 by Glenn C. Altschuler
Published by Oxford University Press, Inc.
198 Madison Avenue, New York, New York 10016
www.oup.com
Oxford is a registered trademark of Oxford University Press
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise,
without the prior permission of Oxford University Press.
Library of Congress Cataloging-in-Publication Data
Altschuler, Glenn C.
All shook up : how rock 'n' roll changed America / Glenn C. Altschuler.
p. cm.— (Pivotal moments in American history)
Includes bibliographical references (p. ) and index.
ISBN 0-19-513943-7
Rock music—Social aspects—United States.
Rock music—United States—History and criticism.
I. Title. II. Series.
ML3534 .A465 2003
781.66'0973-dc21
2003001214
1 3 5 7 9 8 6 4 2
Printed in the United States of America
on acid-free paper
To Jed, voluntary brother,
and to Rob, ceremonial son
This page intentionally left blank
CONTENTS
Editors' Note xi
Acknowledgments xiii
1 "ALL SHOOK OP" 3
Popular Music and American Culture, 1945-1955
2 "BROWN-EYED HANDSOME MAN" 35
R o c k ' o ' R o l l and Race
3 "GREAT BALLS OF FIRE" 67
Rock'n'Roll and Sexuality
4 "YAKETY YAK, DON'T TALK BACK" 99
Rock 'n' Roll and Generational Conflict
5 "ROLL OVER BEETHOVEN, TELL TCHAIKOVSKY THE NEWS" 131
Rock'n'Roll and the Pop Culture Wars
6 "THE DAY THE MUSIC DIED" 161
Rock'n'Roll's Lull and Revival
EPILOGUE: "BORN IN THE USA" 185
The Persistent Power of Rock'n' Roll
Notes 193
Index 213
ix
This page intentionally left blank
EDITORS' NOTE
This volume is part of a series called Pivotal Moments in American
History. E ...
Also by Glenn C. Altschuler Rude Republic America.docx
Also by Glenn C. Altschuler
Rude Republic: Americans and Their Politics
in the Nineteenth Century (with Stuart M. Blumin)
Changing Channels: America in TV Guide
(with David I. Grossvogel)
Revivalism, Social Conscience, and Community
in the Burned-Over District
(with Jan Saltzgaber)
Better Than Second Best: Love and Work in the Life of Helen Magill
Race, Ethnicity, and Class in American Social Thought, 1865-1919
Andrew D. White—Educator, Historian, Diplomat
PIVOTAL MOMENTS
IN AMERICAN HISTORY
Series Editors
David Hackett Fischer
James M. McPherson
James T. Patterson
Brown v. Board of Education:
A Civil Rights Milestone and Its Troubled Legacy
Maury Klein
Rainbow's End:
The Crash of 1929
James M. McPherson
Crossroads of Freedom:
Antietam
This page intentionally left blank
GLENN C. ALTSCDULER
HOW
ROCK 'N' ROLL
CHANGED AMERICA
OXFORD
UNIVERSITY PRESS
2 0 0 3
OXTORD
UNIVERSITY PRESS
Oxford New York
Auckland Bangkok Buenos Aires Cape Town Chennai
Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata
Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi
Sao Paulo Shanghai Taipei Tokyo Toronto
Copyright © 2003 by Glenn C. Altschuler
Published by Oxford University Press, Inc.
198 Madison Avenue, New York, New York 10016
www.oup.com
Oxford is a registered trademark of Oxford University Press
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise,
without the prior permission of Oxford University Press.
Library of Congress Cataloging-in-Publication Data
Altschuler, Glenn C.
All shook up : how rock 'n' roll changed America / Glenn C. Altschuler.
p. cm.— (Pivotal moments in American history)
Includes bibliographical references (p. ) and index.
ISBN 0-19-513943-7
Rock music—Social aspects—United States.
Rock music—United States—History and criticism.
I. Title. II. Series.
ML3534 .A465 2003
781.66'0973-dc21
2003001214
1 3 5 7 9 8 6 4 2
Printed in the United States of America
on acid-free paper
To Jed, voluntary brother,
and to Rob, ceremonial son
This page intentionally left blank
CONTENTS
Editors' Note xi
Acknowledgments xiii
1 "ALL SHOOK OP" 3
Popular Music and American Culture, 1945-1955
2 "BROWN-EYED HANDSOME MAN" 35
R o c k ' o ' R o l l and Race
3 "GREAT BALLS OF FIRE" 67
Rock'n'Roll and Sexuality
4 "YAKETY YAK, DON'T TALK BACK" 99
Rock 'n' Roll and Generational Conflict
5 "ROLL OVER BEETHOVEN, TELL TCHAIKOVSKY THE NEWS" 131
Rock'n'Roll and the Pop Culture Wars
6 "THE DAY THE MUSIC DIED" 161
Rock'n'Roll's Lull and Revival
EPILOGUE: "BORN IN THE USA" 185
The Persistent Power of Rock'n' Roll
Notes 193
Index 213
ix
This page intentionally left blank
EDITORS' NOTE
This volume is part of a series called Pivotal Moments in American
History. E ...
The harlem renaissance
The Harlem Renaissance was a cultural movement in the 1920s where African American artists and writers flourished in Harlem, New York. The document discusses key figures of the Harlem Renaissance like Langston Hughes, Zora Neale Hurston, Billie Holiday, and Josephine Baker. It explores how their poetry, music, art, dance, and literature contributed to a new African American cultural identity and sense of self-determination after World War I.
Group1: Narrative of the Life
Frederick Douglass' narrative provides historical and cultural context of African Americans during the 1800s. It was a time of ignorance, hardship, and slavery for many. The document discusses Douglass' background as a slave born in Maryland in 1818 to a white father and black mother. It also mentions the religious restrictions and growing tensions around slavery during this expansion period in the United States. Multiple analyses are presented that examine Douglass' use of themes like Christianity and self-making to convey his experience with slavery and the injustices of the system.
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Langston Hughes
- 2. Early Years Born: Joplin Missouri 1902 Parents separated Early childhood spent in Lawrence Kansas with maternal grandmother Attended Central High School in Cleveland Ohio Columbia University – 1 year
- 3. Travel Bad relationship with father. Worked in Paris and Washington D.C. Traveled abroad on a freight and shipped out as a merchant seaman. Attended Lincoln University Was supported by patrons in NYC
- 4. Great Depression & Politics Great Depression Visit to Soviet Union Communism Spanish Civil War Senator Joseph McCarthy FBI Security Risk
- 5. Poetry Stanza forms “Low-Down folks” Write about what you know Renaissance Man The Weary Blues
- 6. Plays and Music Poetry Accompanying Music Henry “Red” Allen Band First Play - Mule Bone Harlem Suitcase Theatre
- 7. Recognition & Honors Honorary Literature Degree Honorary Doctorate Guggenheim Fellowship 1935 Spingarn Medal NYC Landmarks Preservation Commission
- 8. Death Harlem Home Landmark Died May 22, 1967
Editor's Notes
- TALK ABOUT:Father left for cuba to escape racism in americapassed around between family members.Began writing poetry in 8th grade. Selected as Class Poet.
- Spent time with father in mexico for one year 1919Worked lots of different jobs: worked in nightclub. Worked as a busboy. Wrote poetry while working and travelingWent to places like angola, spain, russia, belgium, congo, nigeria, france, italy
- great depression: brought an end to a lot of African American literature but Hughes was already a public figureSoviet Union: Hughes was drawn to Communism because it supported racial justice. Went to soviet union to observe.Langston Hughes believed in using his art to get across his feelings about politics and injustice. He traveled to other countries to learn how they dealt with racial issues.Spanish Civil War: traveled to spain as a correspondent during the warSenator and FBI: testified before Senator Joseph McCarthy FBI listed him as a security risk till 1959- b/c of his connection with McCarthy and communism
- Hughes’s poems demanded that African Americans be acknowledged as owners of the culture they gave to the U.S. and as fully enfranchised American citizensHe modeled his stanza forms on the rhythms of jazz music and adapted the vocab of everyday black speech to poetryHughes was friendly with people from all walks of life, the rich, the middle class and the poor, it was the people he called the "low-down folks" who had the greatest influence on his poetry. Hughes supported booker t washington when other writers of the time didn’t. he wrote poetry supporting many of washingtons ideasThe Weary Blues was the first volume of poems (1926) With its diction, its repetition of lines and its inclusion of blues lyrics, the poem evokes the mournful tone and tempo of blues music and gives readers an appreciation of the state of mind of the blues musician in the poem. Carl Van Vechten (white patron of African American writing) helped get The Weary Blues published.Hughes was considered a Renaissance man, someone who has wide interests and is talented in many areas. Jazz and blues were key elements of the Harlem Renaissance of the 1920s, a time when African Americans in a section of New York City started a movement to celebrate their culture
- One of his favorite pastimes whether abroad or in Washington D.C. or Harlem, New York was sitting in the clubs listening to blues, jazz, and writing poetryHughes said this music was sung by "black, beaten but unbeatable throats." In 1958, Hughes recorded his poetry to the accompaniment of the music of jazz and blues artists such as Charles MingusThe famous Henry "Red" Allen Band accompanied Hughes in a 1958 poetry recording. The rhythms of jazz also influenced his 1951 Montage of a Dream Deferred. This was a book-length poem in five sections depicting the African American urban experience using music, poetry, and history.. Hughes wrote his first play, Mule Bone, with ZoraNeale Hurston in 1930 and kept writing for the stage the rest of his lifeIn the 1940s Hughes established a theatre troupe in Los Angles and wrote several screenplays. Hughes in 1943 gave creative birth to Jesse B. Semple an everyday black man in Harlem who offered his thoughts on different topics or issues of the day.
- Honorary Literature Degree from Lincoln UniversityHonorary Doctorate from Howard UniversityGuggenheim Fellowship in 1935Awarded the Spingarn Medal from the NAACP New York City Landmarks Preservation Commission took over his Harlem Home
- His residence at 20 East 127th Street in Harlem, New York has been given landmark status by the New York City Preservation commission. His block of East 127th Street was renamed “Langston Hughes Place”Hughes died on May 22, 1967 from complications from abdominal surgery. His ashes lay in Arthur Schomburg Center for Research in Black Culture (in Harlem).