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The document appears to be a quiz or worksheet on topics related to ancient Rome, the Middle Ages, and the Renaissance. It includes multiple choice and short answer questions about various historical figures, religions, governments, and social hierarchies during these time periods. The questions cover a wide range of people and events including ancient Roman religion, the Gracchus Brothers, factors in the fall of Rome, views on Christianity during the Black Death, feudalism, and advances during the Renaissance.
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The document appears to be a quiz or worksheet on topics related to ancient Rome, the Middle Ages, and the Renaissance. It includes multiple choice and short answer questions about various historical figures, religions, governments, and social hierarchies during these time periods. The questions cover a wide range of people and events including ancient Roman religion, the Gracchus Brothers, factors in the fall of Rome, views on Christianity during the Black Death, feudalism, and advances during the Renaissance.
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OBESITY, CORPULENCE AND EMACIATION IN ROMAN ARTAuthor(s.docx
OBESITY, CORPULENCE AND EMACIATION IN ROMAN ART
Author(s): Mark Bradley
Source: Papers of the British School at Rome, Vol. 79 (2011), pp. 1-41
Published by: British School at Rome
Stable URL: http://www.jstor.org/stable/41725302
Accessed: 19-09-2017 21:01 UTC
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide
range of content in a trusted digital archive. We use information technology and tools to increase productivity and
facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at
http://about.jstor.org/terms
British School at Rome is collaborating with JSTOR to digitize, preserve and extend access to
Papers of the British School at Rome
This content downloaded from 128.114.34.22 on Tue, 19 Sep 2017 21:01:53 UTC
All use subject to http://about.jstor.org/terms
Papers of the British School at Rome 79 (2011), pp. 1-41 © British School at Rome
doi: 1 0 . 1 0 1 7/S006 82462 1 1 0000 1 8
OBESITY, CORPULENCE AND EMACIATION
IN ROMAN ART'
by Mark Bradley
This article explores the significance of sculptural and painted representations of f overweight ' and
' underweight ' body types in the visual culture of Roman Italy from the fourth century bc through
to the late Empire , and considers the relationship of this imagery to Greek and Hellenistic
precedents. In spite of the topical character of fat in 21st-century sociology, anthropology and
medical science , obesity and emaciation in the ancient world remain almost completely
unexplored. This article sets out to examine the relationship of fat and thin bodies to power,
wealth, character and behaviour, and seeks to identify patterns and continuities in the
iconography of fleshiness and slenderness across a stretch of several hundred years. Such bodies
could be evaluated in a number of different ways, and this article exposes the diverse - and
sometimes contradictory - responses to body fat in the art and culture of the Roman world. It
first examines the significance of obesity and emaciation in language, literature and medicine, and
then discusses visual representations under three headings: ' Fertility '; (The marginal and the
ridiculous ', examining the relationship between body fat, humour and figures at the edge of
civilized society ; and 'Portraits', exploring fat and thin in the portraiture of real-life individuals in
the realms of philosophy, Hellenistic rulership, Etruscan funerary art and Roman public sculpture.
L'articolo esplora il significato delle rappresentazioni scultoree e pittoriche dei tipi di corpi
' sovrappeso ' e s sottopeso' nella cultura figurative dell'Italia romana dal IV secolo a.C. fino al Tardo
Impero e considera la relazione di questo immaginario con i precedenti greci ed ellenistici. A
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The decline of Rome was more disruptive than the collapse of the classical dynasties in Asia. For this reason, and because memories of the collapse of this great empire became part of the Western tradition, the process of deterioration deserves particular attention.
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Recruitment of troops became more difficult, so the empire was increasingly reduced to hiring Germanic soldiers to guard its frontiers. The need to pay troops added to the demands on the state’s budget, just as declining production cut into tax revenues.
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Program tahunan mata pelajaran matematika SMA Negeri 1 Soreang untuk kelas XI semester 1 dan 2 mencakup berbagai kompetensi dasar seperti aljabar, irisan kerucut, lingkaran, statistika, limit dan turunan fungsi trigonometri yang akan ditempuh selama 124 jam efektif.
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2. It discusses important figures like Constantine, Justinian, and Theodora and events like the Great Schism of 1054 that divided the Catholic Western Church and Eastern Orthodox Church.
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OBESITY, CORPULENCE AND EMACIATION IN ROMAN ARTAuthor(s.docx
OBESITY, CORPULENCE AND EMACIATION IN ROMAN ART
Author(s): Mark Bradley
Source: Papers of the British School at Rome, Vol. 79 (2011), pp. 1-41
Published by: British School at Rome
Stable URL: http://www.jstor.org/stable/41725302
Accessed: 19-09-2017 21:01 UTC
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide
range of content in a trusted digital archive. We use information technology and tools to increase productivity and
facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at
http://about.jstor.org/terms
British School at Rome is collaborating with JSTOR to digitize, preserve and extend access to
Papers of the British School at Rome
This content downloaded from 128.114.34.22 on Tue, 19 Sep 2017 21:01:53 UTC
All use subject to http://about.jstor.org/terms
Papers of the British School at Rome 79 (2011), pp. 1-41 © British School at Rome
doi: 1 0 . 1 0 1 7/S006 82462 1 1 0000 1 8
OBESITY, CORPULENCE AND EMACIATION
IN ROMAN ART'
by Mark Bradley
This article explores the significance of sculptural and painted representations of f overweight ' and
' underweight ' body types in the visual culture of Roman Italy from the fourth century bc through
to the late Empire , and considers the relationship of this imagery to Greek and Hellenistic
precedents. In spite of the topical character of fat in 21st-century sociology, anthropology and
medical science , obesity and emaciation in the ancient world remain almost completely
unexplored. This article sets out to examine the relationship of fat and thin bodies to power,
wealth, character and behaviour, and seeks to identify patterns and continuities in the
iconography of fleshiness and slenderness across a stretch of several hundred years. Such bodies
could be evaluated in a number of different ways, and this article exposes the diverse - and
sometimes contradictory - responses to body fat in the art and culture of the Roman world. It
first examines the significance of obesity and emaciation in language, literature and medicine, and
then discusses visual representations under three headings: ' Fertility '; (The marginal and the
ridiculous ', examining the relationship between body fat, humour and figures at the edge of
civilized society ; and 'Portraits', exploring fat and thin in the portraiture of real-life individuals in
the realms of philosophy, Hellenistic rulership, Etruscan funerary art and Roman public sculpture.
L'articolo esplora il significato delle rappresentazioni scultoree e pittoriche dei tipi di corpi
' sovrappeso ' e s sottopeso' nella cultura figurative dell'Italia romana dal IV secolo a.C. fino al Tardo
Impero e considera la relazione di questo immaginario con i precedenti greci ed ellenistici. A
differenza del carattere topico del gra.
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This document provides an introduction and overview of the content that will be covered in a church history class. It is divided into four main sections: Early Church, Medieval, Reformation, and Modern. The Early Church period discusses the development of Christianity from the end of the New Testament to 500 CE. It highlights the transition from Judaism and adaptation to Greco-Roman culture. The Medieval section covers 500-1500 CE and the split between the Western and Eastern churches. The Protestant Reformation discusses the splintering of Christianity in the 1500s. The Modern section addresses developments from 1600-2009 including diversity, secularization, and the shift in Christianity's center.
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The document outlines the major developments in ancient Roman history from the origins of the Roman Republic through the rise and fall of the Roman Empire. It discusses the establishment of the Republic and its expansion throughout Italy and the Mediterranean. It also examines Roman culture, the institutions of the Empire under Augustus, the evolution of Rome's social and economic structures, the origins and spread of Christianity, and the challenges that led to Rome's eventual decline.
Introduction to contemporary age
This document provides an overview of major historical periods from prehistory to the contemporary age. It outlines key facts and events for each period, including the rise and fall of civilizations, religious influences, scientific and industrial revolutions, world wars, and the digital revolution and globalization of the contemporary age from 1789 to present day. The document prompts the reader to identify pictures corresponding to facts from contemporary history and explain their significance.
The Decline and Fall of the Roman Empire The Roman Empire exhibi.docx
The Decline and Fall of the Roman Empire
The Roman Empire exhibited a great many symptoms after about 180 AD. There was statistical evidence in the declining population in addition to growing difficulties in recruiting effective armies. There was also political manifestations in the greater brutality and arbitrariness of many Roman emperors—victims, according to one commentator at the time, or “lustful and cruel habits.” Tax collection became increasingly difficult as residents of the empire fell on hard times.
The decline of Rome was more disruptive than the collapse of the classical dynasties in Asia. For this reason, and because memories of the collapse of this great empire became part of the Western tradition, the process of deterioration deserves particular attention.
The quality of both political and economic life in the Roman Empire began to shift after about 180 AD. Political confusion produced a series of weak emperors and many disputes over succession to the throne. Intervention by the army in the selection of emperors complicated political life and contributed to the deterioration of rule from the top. More important in initiating the process of decline was a series of plagues that swept over the empire.
As in China, the plagues’ source was growing international trade which brought diseases endemic in southern Asia to new areas such as the Mediterranean, where no resistance had been established even to contagions such as the measles. The resulting diseases decimated the population. The population of Rome decreased from a million people to 250,000. Economic life worsened in consequence.
Recruitment of troops became more difficult, so the empire was increasingly reduced to hiring Germanic soldiers to guard its frontiers. The need to pay troops added to the demands on the state’s budget, just as declining production cut into tax revenues.
Here, perhaps, is the key to the process of decline: a set of general problems, triggered by a cycle of plagues that could not be prevented, resulting in a rather mechanistic spiral that steadily worsened.
However, there is another side to Rome’s downfall, although whether it is a cause or result of the initial difficulties is hard to say. Rome’s upper classes became steadily more pleasure-seeking, turning away from the political devotion and economic vigor that had characterized the republic and early empire.
THE DECLINE OF CULTURE
Cultural life decayed. Aside from some truly creative Christian writers—the father of Western theology—there was very little sparkle to the art or literature or the later empire. Many Roman scholars contented themselves with writing textbooks that rather mechanically summarized earlier achievements in science, mathematics, and literary style. New knowledge or artistic styles were not being generated, and even the levels of previous accomplishment began to slip.
The later Romans wrote textbooks about rhetoric instead of displaying rhetorical talen.
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The document discusses the extent of paganism in the late 4th century Roman Empire and the increasing power of Christianity. It finds that while Christianity became the official state religion under Constantine, paganism was still widely practiced, especially in Rome, Athens, and the Roman senate. Meanwhile, the Christian clergy gained significant influence over government officials and Emperor Theodosius, pressuring him to take action against paganism. Prior emperors had also begun issuing laws against pagan practices. The rising power of bishops like Ambrose of Milan established the Church as an influential political force seeking to further Christianize the empire.
Rise of Christianity and its Sources
Over the first few centuries CE, Christianity spread throughout the Roman Empire and local Christian communities developed their own traditions and leadership structures. This led to diversity and theological disagreements. A series of ecumenical councils were held to address heresies and establish orthodox Christian doctrine, such as the divinity of Christ. Key events that helped form the universal Catholic Church included Constantine's legalization of Christianity in 313 CE and the councils of Nicea in 325 CE and Chalcedon in 451 CE which defined core Christological doctrines. By the end of the 4th century, the biblical canon was largely fixed and the Nicene Creed provided a common foundation of belief for dispersed Christian communities to unite as one church.
Christianity’s take off
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Art1100 LVA 15
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Medieval Europe
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Freemasonry 178 the formation of the three degree structure
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This document discusses the early spread of Christianity in the Roman Empire. It describes how Paul of Tarsus helped spread Christianity and how early Christians were initially tolerated but later persecuted for refusing to worship Roman gods. Christians took refuge in the catacombs of Rome. The catacombs provided burial spaces and examples of early Christian art. Eventually, Constantine converted to Christianity and it became the official religion of the Roman Empire under Theodosius.
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Kims Jeopardy
- 2. Ancient Rome Religion Middle Ages ( Dark Ages ) Historical Figures Renaissance Government $200 CLICK $200 CLICK $200 CLICK $200 CLICK $200 CLICK $200 CLICK $400 CLICK $400 CLICK $400 CLICK $400 CLICK $400 CLICK $400 CLICK $600 CLICK $600 CLICK $600 CLICK $600 CLICK $600 CLICK $600 CLICK $800 CLICK $800 CLICK $800 CLICK $800 CLICK $800 CLICK $800 CLICK $1000 CLICK $1000 CLICK $1000 CLICK $1000 CLICK $1000 CLICK $1000 CLICK
- 3. A ruling of three people together Answer
- 4. Three items Imported and Exported from Ancient Rome Answer
- 6. What role did the Gracchus Brothers play in Ancient Rome Answer
- 7. List two factors leading to the Fall of Rome Answer
- 8. Individuals that whipped themselves during the Bubonic Plague to show God the repent for their sins Answer
- 9. This is the Reason why the Jews and Christians were persecuted in the Ancient Roman Society
- 10. Views on Christianity and Judaism during the Black Death
- 11. Religious differences between Rome and Byzantine cultures
- 12. Played a role in the spread of Christianity, founded various Christian communities
- 14. Code of honor for the knights in which they swore loyalty to the king/lord
- 15. Three Reasons for the rise of Feudalism
- 16. Because of the great number of deaths during the Black Death, this occurred (think money)
- 17. A symbol that defined a soldiers name or rank in battle
- 18. Title of an individual that took sole political power in Ancient Rome
- 19. This man ordered the building of the Hagia Sophia during the Byzantine Empire
- 20. Define Gladiator
- 21. Explanation of the assassination of Caesar
- 22. Charlemagne
- 23. This concept used in Medieval paintings begins to disappear as more realistic art becomes common
- 24. Paintings of non- religious structures and people
- 25. CLICK HERE
- 26. Renaissance or Medieval? Give two reasons why
- 27. Two examples of important advances during the Renaissance (science, art, technology, etc.)
- 28. Name three factors leading to the Renaissance
- 29. These scriptures displayed the laws in Ancient Rome and were placed in the Roman forum.
- 30. First Document that set up Constitutional Monarchies. (Written in Latin)
- 32. Rome left this form of government to become an Empire
- 33. Draw a chart showing what each social class exchanges with others in Feudalism
- 34. Triumvirate Home
- 36. Patricians: The aristocratic class in Ancient Rome, controlled most of the gov’t Plebians: The lower class in Ancient Rome (common citizens) Home
- 37. They were the first to attempt reforms and they both supported the Plebians Home
- 38. Possible Answers: Invasions (Barbarian Tribes) Economic troubles Rise of Eastern Empire Overexpansion/Military Overspending Government corruption Christianity Weakening of Roman Legions Home
- 39. Flagellants Home