This document is a bibliography listing 57 sources used in researching the history of a property located at Cathedral Place in Richmond, Virginia. The sources include US Census records, city directories, maps, architectural pattern books, manufacturer catalogs, newspaper articles, biographies, and theses related to Richmond architecture from the late 19th century.
This document defines and provides a brief history of various fashion styles including baby doll, nautical, military, fetish, bondage, deconstruction, kitsch, retro, gothic, punk, bohemian, safari, preppy, emo, ethnic, and smocking. It outlines when and how each style originated and became popularized.
The document summarizes the driving forces of fashion from 1926-1945, including key technological, social, cultural, and historical events that influenced styles. Cinema and radio introduced new celebrity icons like Clara Bow and the Duke and Duchess of Windsor. The Great Depression and World Wars led to more casual styles using practical fabrics. Major designers like Coco Chanel, Mainbocher, and Christian Dior established their houses. Celebrities like Louise Brooks, Betty Davis, and Doris Day popularized flapper dresses, soft silhouettes, and tailored menswear-inspired looks respectively.
The document provides an overview of various architectural styles from the 19th and 20th centuries, including Gothic Revival, Greek Revival, Queen Anne Victorian, and more. It also discusses specific buildings like the Hornibrook House and Falling Water, as well as architects like Frank Lloyd Wright. The document then shifts to discussing various art styles and movements like Cubism, Expressionism, and various artists who worked in those styles like Picasso, Schiele, and Kokoschka.
Sworders Mid Century Design Tuesday 23 June 2020Sworders
Mid-Century Design
Tuesday 23 June, 10am
Viewing by appointment, more details available on our website.
URL –
https://www.sworder.co.uk/auction/search?au=882
"From Ore to God: Giuseppe Moretti's Sculptures and the Italian Migrant Experience in the Birmingham District". Exhibition for the International Conference Religion(s) and Cultural Production(s) of the Italian Diaspora(s), Utrecht University, 19-20 May 2017.
The Dering Roll is the earliest surviving English roll of arms from around 1280. It contains 324 painted coats of arms representing about a quarter of the English baronage from the reign of Edward I. In the 17th century, Sir Edward Dering embellished the roll by replacing an original coat of arms with a fictitious ancestor of his own. The roll has passed through various private collections until being acquired by the British Library in 2008 after a fundraising campaign.
This document discusses the Johnson family dynasty of architects in Melbourne over six generations dating back to the 19th century. It focuses on three generations in particular - George Raymond Johnson who designed many notable buildings in the late 19th century, his son Harry Raymond Johnson who was a prolific designer of houses and flats in St Kilda in the early-mid 20th century, and Harry's son Raymond Milton Johnson who was a structural engineer. It then discusses Mordecai Benshemesh's modernist design of Edgewater Towers, one of Melbourne's earliest large apartment developments, built in St Kilda in 1959-60.
This document is a bibliography listing 57 sources used in researching the history of a property located at Cathedral Place in Richmond, Virginia. The sources include US Census records, city directories, maps, architectural pattern books, manufacturer catalogs, newspaper articles, biographies, and theses related to Richmond architecture from the late 19th century.
This document defines and provides a brief history of various fashion styles including baby doll, nautical, military, fetish, bondage, deconstruction, kitsch, retro, gothic, punk, bohemian, safari, preppy, emo, ethnic, and smocking. It outlines when and how each style originated and became popularized.
The document summarizes the driving forces of fashion from 1926-1945, including key technological, social, cultural, and historical events that influenced styles. Cinema and radio introduced new celebrity icons like Clara Bow and the Duke and Duchess of Windsor. The Great Depression and World Wars led to more casual styles using practical fabrics. Major designers like Coco Chanel, Mainbocher, and Christian Dior established their houses. Celebrities like Louise Brooks, Betty Davis, and Doris Day popularized flapper dresses, soft silhouettes, and tailored menswear-inspired looks respectively.
The document provides an overview of various architectural styles from the 19th and 20th centuries, including Gothic Revival, Greek Revival, Queen Anne Victorian, and more. It also discusses specific buildings like the Hornibrook House and Falling Water, as well as architects like Frank Lloyd Wright. The document then shifts to discussing various art styles and movements like Cubism, Expressionism, and various artists who worked in those styles like Picasso, Schiele, and Kokoschka.
Sworders Mid Century Design Tuesday 23 June 2020Sworders
Mid-Century Design
Tuesday 23 June, 10am
Viewing by appointment, more details available on our website.
URL –
https://www.sworder.co.uk/auction/search?au=882
"From Ore to God: Giuseppe Moretti's Sculptures and the Italian Migrant Experience in the Birmingham District". Exhibition for the International Conference Religion(s) and Cultural Production(s) of the Italian Diaspora(s), Utrecht University, 19-20 May 2017.
The Dering Roll is the earliest surviving English roll of arms from around 1280. It contains 324 painted coats of arms representing about a quarter of the English baronage from the reign of Edward I. In the 17th century, Sir Edward Dering embellished the roll by replacing an original coat of arms with a fictitious ancestor of his own. The roll has passed through various private collections until being acquired by the British Library in 2008 after a fundraising campaign.
This document discusses the Johnson family dynasty of architects in Melbourne over six generations dating back to the 19th century. It focuses on three generations in particular - George Raymond Johnson who designed many notable buildings in the late 19th century, his son Harry Raymond Johnson who was a prolific designer of houses and flats in St Kilda in the early-mid 20th century, and Harry's son Raymond Milton Johnson who was a structural engineer. It then discusses Mordecai Benshemesh's modernist design of Edgewater Towers, one of Melbourne's earliest large apartment developments, built in St Kilda in 1959-60.
This document is a curriculum guide for teachers to use activities and discussion topics related to the book "The Wright 3" by Blue Balliett. It includes suggestions for art, social studies, language arts and math lessons focused on Frank Lloyd Wright's Robie House and themes from the book like architecture, preservation and family. Appendices provide resources like vocabulary lists, floor plans and photos to support the lessons. The goal is to help students learn more about the Robie House and Wright's Prairie style of design through projects and discussions sparked by their interest in the book.
The document provides background information on George Harrison and his home, Kinfauns, during the 1960s-1970s. Harrison, the lead guitarist of the Beatles, lived at Kinfauns from 1964-1970. During this time, he and his wife painted the outside of the house in psychedelic patterns inspired by the trends of the era. The interior also reflected 1960s-1970s designs through items like gold records adorning the walls. The leaflet this brief is creating will provide ideas for incorporating elements of Kinfauns' 1960s-1970s aesthetic into modern homes.
Levi Strauss was born in 1829 in Bavaria, Germany and died in 1902 in San Francisco, California. He moved to the United States in 1843 and opened a dry goods wholesale business with his brother-in-law in California in the 1850s. Miners complained that their cotton pants were ripping easily, so Strauss created sturdier denim jeans reinforced with copper rivets. In 1873, Strauss received a patent for this design along with a tailor. Levi Strauss & Co. was then established to manufacture the famous Levi's jeans brand in San Francisco. After Strauss' death, his thriving company passed to his nephews.
Frank lloyd wright and louis comfort tiffany.reflets
Frank Lloyd Wright was an American architect who designed over 1,000 projects, including more than 500 completed works. He was known for his innovative use of stained glass windows, designing over 4,000 stained glass windows and doors for more than 150 of his buildings in unique styles using transparent and iridescent glass with gold leaf. Louis Comfort Tiffany was an American artist and designer best known for his work in stained glass windows, lamps, glass mosaics and other decorative arts. He incorporated color, texture and tonal variations into his glasswork, which was used in both wealthy homes and public buildings.
This document discusses plans for an exhibition on men's shoes from the 1920s. It will showcase various styles of men's brogue shoes from the 1920s in America and Europe through items borrowed from museums. The exhibition will include shoes representing different trends like wingtip brogues and two-toned spectator shoes popular among American gangsters. Related props, films, music and lectures will be used to immerse visitors in the cultural context of the 1920s. The goal is to convey fashion trends and social developments through the lens of men's footwear in the "Roaring Twenties" era.
Charles Rennie Mackintosh was a Scottish architect and designer active in the late 19th/early 20th century known for his unique "Glasgow Style." Some of his most notable works included the Glasgow School of Art, Hill House, and several tea room interiors. He designed furniture, textiles, and other decorative elements to complement his architectural spaces. Mackintosh had some success exhibiting his work in Europe but struggled to gain recognition in his native Glasgow. He spent his later years painting landscapes in France before passing away in 1928.
Barbara Hulanicki was the creative force behind the iconic British fashion label Biba. She opened her first boutique in London in 1964 which became hugely popular for its affordable yet edgy and innovative designs. By 1973, Biba had grown into a massive seven-floor department store known as Big Biba. Biba attracted celebrities and royalty with its bohemian aesthetic. While Hulanicki left Biba in 1975, she remains prolific at age 80 with interior design projects, a new shoe collection, and a fashion book. She now lives and works in Miami, drawing inspiration from its art deco architecture and creative community.
All About Detroit - Mrs. Radner's 3rd Grade Classlrothfeld
This is a PowerPoint presentation created by 3rd graders about various places of significance in the city of Detroit, Michigan. Each student completed individual research on a specific place, and then used what he or she learned to write about the place and to design a PowerPoint slide.
Virgil Abloh founded his first fashion house, Off-White, in 2013. The brand gained widespread attention for its streetwear apparel featuring designs like quotation marks and barricade tape. By 2018, Off-White was ranked the hottest fashion label in the world. Abloh has also worked with brands like Louis Vuitton, IKEA, and Nike. He is seen as elevating streetwear and the black experience in fashion.
Historical Research and Planning Project Patricia Lin
Extended researching and planning for a mock exhibition regarding to the Art Deco Fashion. From making brochure to planning all the actives for the three-day exhibition. Researched for appropriate speakers for the exhibition and plan the best route of the exhibition for the visitors.
In this class we look at Frank Lloyd Wright's ambition to produce affordable housing through his Usonian houses, and consider Jacobs I and Jacobs II as examples. We then turn to Rudolf Schindler, Richard Neutra, and finally former Bauhaus director Walter Gropius's house in Lincoln, MA.Arch416 class15modernhouses1
Interior Design History: Victorianism and Arts and Craftsmarkeric64
The Industrial Revolution generated social changes in the 19th century as the middle class grew and sought to express their wealth through home decor. Writers like Pugin and Ruskin criticized mass-produced goods and advocated for Gothic Revival and Arts and Crafts styles that referenced medieval design. William Morris founded Morris & Co. to produce handcrafted wallpaper, textiles and furniture in the Arts and Crafts style, influencing interior design globally.
Greenwich Living Design in Stamford, Connecticut has a New Name, A New Look a...associate14
The showroom features furniture and home décor by designers from the 18th through the 20th century, with a focus on 19th century French design and 20th century works.
Copy Of Successors To A Long Line Of Pewterer 3 AStephenbjohnson
This document provides a history of the pewter manufacturing company A.E. Williams of Birmingham, UK. It traces the company's lineage back to 1780 and discusses how it has acquired molds, tools and equipment from previous pewter companies over the years. It also describes A.E. Williams' collection of historic molds dating back to 1729, reproductions of pewterware they have produced, and repair services they offer. Additionally, it mentions a pewter museum in Birmingham that was destroyed in 1941 and shows photos of items it contained.
Frank Lloyd Wright designed his Oak Park Home and Studio in 1889 as his family home and place of work. The home was originally built in the Shingle style but Wright experimented with new designs and additions. He added a studio in 1898 to bring his family and work together. Many important commissions came from the studio, including Unity Temple and Robie House. Wright left Oak Park in 1909 but the home and studio have since been restored to their 1909 appearance and are now open to the public as an architectural museum.
Many small industries, stores, and crafts flourished in 19th century Sherborn, located along North and South Main Streets. These included grist mills, saw mills, blacksmiths, carriage shops, wheelwrights, ox yoke and sled makers, rope braiders, tanners, whip makers, shoemakers, gunsmiths, willow weavers, straw weavers, and general stores. Industries utilized the town's waterways and resources, with tanners soaking hides in swamp pits and willow weavers growing osier trees to supply their weaving business. Over time, some industries like shoemaking declined as machines replaced handcrafted methods and small producers could not
The document summarizes the Arts and Crafts movement, which originated in Europe in the late 19th century as a reaction against the impersonal nature of industrialization. It focused on traditional craftsmanship and simple forms over machine production. William Morris was a leading figure who established workshops to revive old techniques. The movement spread to the United States and emphasized craft objects made of natural materials. It declined as machine production modernized in the early 20th century.
In addition to spending her time volunteering with charitable organizations such as Heading Home, Gigi Cowan-Bondick works as a professional photographer. One of Gigi Cowan-Bondick’s interests is architecture, particularly the works of Luis Barragan and Frank Lloyd Wright. Frank Lloyd Wright had a long career in which he popularized many new styles, and is considered one of the great American architects.
The 1930s marked the beginning of the Usonian style home created by Frank Lloyd Wright. Originally only sixty homes were built in this style. It featured many of his previous architectural ideas such as large areas of glass, integration with the landscape, and minimalist interior design. This style was distinctive, as the homes were typically a single story with an emphasis on design that encouraged passive heating and cooling. In addition, during this time Frank Lloyd Wright came up with the word “carport” and introduced it into American vernacular.
Some famous houses in this style include the Winckler-Goetsch house in Michigan and the Jacobs house in Wisconsin. Rising in popularity in the 1950s, ranch style houses are seen as drawing heavily from Frank Lloyd Wright’s Usonian style architecture. Another famous example of this style is Alabama’s Rosenbaum House, built by John Sargeant.
The Arts and Crafts Movement began in late 19th century England as a reaction against the Industrial Revolution. Members sought a return to medieval craftsmanship and design. The movement was influenced by the writings of John Ruskin and William Morris, who rejected machine production and advocated for handmade, socially purposeful designs. Key figures included William Morris, Walter Crane, and Edward Burne-Jones, who designed wallpapers, textiles, furniture and more in the Arts and Crafts style.
Frank Lloyd Wright was an influential American architect known for pioneering the Prairie School style of architecture. Some key aspects of the Prairie Style include strong horizontal lines, cantilevered projections, wide eaves, and an emphasis on geometry and forms inspired by nature. In 1904, Wright designed the Larkin Building in Buffalo, New York, which embodied his vision of productive labor but was demolished in 1950.
Franklin's role in the industrial revolution presentationFranklin Matters
Franklin, Massachusetts was at the center of the Industrial Revolution in New England due to its advantageous location between two rivers and proximity to ports. Straw braiding was one of the first industries to develop in the late 1700s/early 1800s. Textile mills soon followed, powered first by water and then by steam. The Ray Brothers became prominent textile manufacturers, specializing in cotton, wool, and felt. Town population and immigrant workforce grew dramatically through the 1800s. Wealthy industrialists like the Rays and Dean donated to the town, funding institutions like the library and academy that still stand today. Franklin transformed from a rural to industrial town and its legacy continues in modern industrial parks.
refers to the early 19th-century British and American movement to revive handicrafts. The movement was also the inspiration behind the Craftsman and bungalow styles. English reformer William Morris was one of the founders of the Arts and Crafts Movement in the late 1880s.
This document is a curriculum guide for teachers to use activities and discussion topics related to the book "The Wright 3" by Blue Balliett. It includes suggestions for art, social studies, language arts and math lessons focused on Frank Lloyd Wright's Robie House and themes from the book like architecture, preservation and family. Appendices provide resources like vocabulary lists, floor plans and photos to support the lessons. The goal is to help students learn more about the Robie House and Wright's Prairie style of design through projects and discussions sparked by their interest in the book.
The document provides background information on George Harrison and his home, Kinfauns, during the 1960s-1970s. Harrison, the lead guitarist of the Beatles, lived at Kinfauns from 1964-1970. During this time, he and his wife painted the outside of the house in psychedelic patterns inspired by the trends of the era. The interior also reflected 1960s-1970s designs through items like gold records adorning the walls. The leaflet this brief is creating will provide ideas for incorporating elements of Kinfauns' 1960s-1970s aesthetic into modern homes.
Levi Strauss was born in 1829 in Bavaria, Germany and died in 1902 in San Francisco, California. He moved to the United States in 1843 and opened a dry goods wholesale business with his brother-in-law in California in the 1850s. Miners complained that their cotton pants were ripping easily, so Strauss created sturdier denim jeans reinforced with copper rivets. In 1873, Strauss received a patent for this design along with a tailor. Levi Strauss & Co. was then established to manufacture the famous Levi's jeans brand in San Francisco. After Strauss' death, his thriving company passed to his nephews.
Frank lloyd wright and louis comfort tiffany.reflets
Frank Lloyd Wright was an American architect who designed over 1,000 projects, including more than 500 completed works. He was known for his innovative use of stained glass windows, designing over 4,000 stained glass windows and doors for more than 150 of his buildings in unique styles using transparent and iridescent glass with gold leaf. Louis Comfort Tiffany was an American artist and designer best known for his work in stained glass windows, lamps, glass mosaics and other decorative arts. He incorporated color, texture and tonal variations into his glasswork, which was used in both wealthy homes and public buildings.
This document discusses plans for an exhibition on men's shoes from the 1920s. It will showcase various styles of men's brogue shoes from the 1920s in America and Europe through items borrowed from museums. The exhibition will include shoes representing different trends like wingtip brogues and two-toned spectator shoes popular among American gangsters. Related props, films, music and lectures will be used to immerse visitors in the cultural context of the 1920s. The goal is to convey fashion trends and social developments through the lens of men's footwear in the "Roaring Twenties" era.
Charles Rennie Mackintosh was a Scottish architect and designer active in the late 19th/early 20th century known for his unique "Glasgow Style." Some of his most notable works included the Glasgow School of Art, Hill House, and several tea room interiors. He designed furniture, textiles, and other decorative elements to complement his architectural spaces. Mackintosh had some success exhibiting his work in Europe but struggled to gain recognition in his native Glasgow. He spent his later years painting landscapes in France before passing away in 1928.
Barbara Hulanicki was the creative force behind the iconic British fashion label Biba. She opened her first boutique in London in 1964 which became hugely popular for its affordable yet edgy and innovative designs. By 1973, Biba had grown into a massive seven-floor department store known as Big Biba. Biba attracted celebrities and royalty with its bohemian aesthetic. While Hulanicki left Biba in 1975, she remains prolific at age 80 with interior design projects, a new shoe collection, and a fashion book. She now lives and works in Miami, drawing inspiration from its art deco architecture and creative community.
All About Detroit - Mrs. Radner's 3rd Grade Classlrothfeld
This is a PowerPoint presentation created by 3rd graders about various places of significance in the city of Detroit, Michigan. Each student completed individual research on a specific place, and then used what he or she learned to write about the place and to design a PowerPoint slide.
Virgil Abloh founded his first fashion house, Off-White, in 2013. The brand gained widespread attention for its streetwear apparel featuring designs like quotation marks and barricade tape. By 2018, Off-White was ranked the hottest fashion label in the world. Abloh has also worked with brands like Louis Vuitton, IKEA, and Nike. He is seen as elevating streetwear and the black experience in fashion.
Historical Research and Planning Project Patricia Lin
Extended researching and planning for a mock exhibition regarding to the Art Deco Fashion. From making brochure to planning all the actives for the three-day exhibition. Researched for appropriate speakers for the exhibition and plan the best route of the exhibition for the visitors.
In this class we look at Frank Lloyd Wright's ambition to produce affordable housing through his Usonian houses, and consider Jacobs I and Jacobs II as examples. We then turn to Rudolf Schindler, Richard Neutra, and finally former Bauhaus director Walter Gropius's house in Lincoln, MA.Arch416 class15modernhouses1
Interior Design History: Victorianism and Arts and Craftsmarkeric64
The Industrial Revolution generated social changes in the 19th century as the middle class grew and sought to express their wealth through home decor. Writers like Pugin and Ruskin criticized mass-produced goods and advocated for Gothic Revival and Arts and Crafts styles that referenced medieval design. William Morris founded Morris & Co. to produce handcrafted wallpaper, textiles and furniture in the Arts and Crafts style, influencing interior design globally.
Greenwich Living Design in Stamford, Connecticut has a New Name, A New Look a...associate14
The showroom features furniture and home décor by designers from the 18th through the 20th century, with a focus on 19th century French design and 20th century works.
Copy Of Successors To A Long Line Of Pewterer 3 AStephenbjohnson
This document provides a history of the pewter manufacturing company A.E. Williams of Birmingham, UK. It traces the company's lineage back to 1780 and discusses how it has acquired molds, tools and equipment from previous pewter companies over the years. It also describes A.E. Williams' collection of historic molds dating back to 1729, reproductions of pewterware they have produced, and repair services they offer. Additionally, it mentions a pewter museum in Birmingham that was destroyed in 1941 and shows photos of items it contained.
Frank Lloyd Wright designed his Oak Park Home and Studio in 1889 as his family home and place of work. The home was originally built in the Shingle style but Wright experimented with new designs and additions. He added a studio in 1898 to bring his family and work together. Many important commissions came from the studio, including Unity Temple and Robie House. Wright left Oak Park in 1909 but the home and studio have since been restored to their 1909 appearance and are now open to the public as an architectural museum.
Many small industries, stores, and crafts flourished in 19th century Sherborn, located along North and South Main Streets. These included grist mills, saw mills, blacksmiths, carriage shops, wheelwrights, ox yoke and sled makers, rope braiders, tanners, whip makers, shoemakers, gunsmiths, willow weavers, straw weavers, and general stores. Industries utilized the town's waterways and resources, with tanners soaking hides in swamp pits and willow weavers growing osier trees to supply their weaving business. Over time, some industries like shoemaking declined as machines replaced handcrafted methods and small producers could not
The document summarizes the Arts and Crafts movement, which originated in Europe in the late 19th century as a reaction against the impersonal nature of industrialization. It focused on traditional craftsmanship and simple forms over machine production. William Morris was a leading figure who established workshops to revive old techniques. The movement spread to the United States and emphasized craft objects made of natural materials. It declined as machine production modernized in the early 20th century.
In addition to spending her time volunteering with charitable organizations such as Heading Home, Gigi Cowan-Bondick works as a professional photographer. One of Gigi Cowan-Bondick’s interests is architecture, particularly the works of Luis Barragan and Frank Lloyd Wright. Frank Lloyd Wright had a long career in which he popularized many new styles, and is considered one of the great American architects.
The 1930s marked the beginning of the Usonian style home created by Frank Lloyd Wright. Originally only sixty homes were built in this style. It featured many of his previous architectural ideas such as large areas of glass, integration with the landscape, and minimalist interior design. This style was distinctive, as the homes were typically a single story with an emphasis on design that encouraged passive heating and cooling. In addition, during this time Frank Lloyd Wright came up with the word “carport” and introduced it into American vernacular.
Some famous houses in this style include the Winckler-Goetsch house in Michigan and the Jacobs house in Wisconsin. Rising in popularity in the 1950s, ranch style houses are seen as drawing heavily from Frank Lloyd Wright’s Usonian style architecture. Another famous example of this style is Alabama’s Rosenbaum House, built by John Sargeant.
The Arts and Crafts Movement began in late 19th century England as a reaction against the Industrial Revolution. Members sought a return to medieval craftsmanship and design. The movement was influenced by the writings of John Ruskin and William Morris, who rejected machine production and advocated for handmade, socially purposeful designs. Key figures included William Morris, Walter Crane, and Edward Burne-Jones, who designed wallpapers, textiles, furniture and more in the Arts and Crafts style.
Frank Lloyd Wright was an influential American architect known for pioneering the Prairie School style of architecture. Some key aspects of the Prairie Style include strong horizontal lines, cantilevered projections, wide eaves, and an emphasis on geometry and forms inspired by nature. In 1904, Wright designed the Larkin Building in Buffalo, New York, which embodied his vision of productive labor but was demolished in 1950.
Franklin's role in the industrial revolution presentationFranklin Matters
Franklin, Massachusetts was at the center of the Industrial Revolution in New England due to its advantageous location between two rivers and proximity to ports. Straw braiding was one of the first industries to develop in the late 1700s/early 1800s. Textile mills soon followed, powered first by water and then by steam. The Ray Brothers became prominent textile manufacturers, specializing in cotton, wool, and felt. Town population and immigrant workforce grew dramatically through the 1800s. Wealthy industrialists like the Rays and Dean donated to the town, funding institutions like the library and academy that still stand today. Franklin transformed from a rural to industrial town and its legacy continues in modern industrial parks.
refers to the early 19th-century British and American movement to revive handicrafts. The movement was also the inspiration behind the Craftsman and bungalow styles. English reformer William Morris was one of the founders of the Arts and Crafts Movement in the late 1880s.
The document provides background research on the play "Sleuth" including what was happening in 1970 England, details about manor houses and their design, information about Wiltshire, England as the play's setting, and various productions of the play on Broadway and in film adaptations. Specific topics covered in more depth include the economic downturn and anti-war protests in Britain during the late 1960s, characteristics of manor houses and examples from Wiltshire, and the original Broadway production of the play.
This document provides background information and details about Biltmore Estate, the largest private residence in America built in Asheville, North Carolina in the late 19th century. It was commissioned by George Washington Vanderbilt II and designed by architect Richard Morris Hunt in the style of 16th century French chateaus. The estate featured over 250 rooms, gardens, farms and vineyards totaling 125,000 acres. The document describes the architecture, design inspiration, landscaping by Frederick Law Olmsted and various rooms, gardens and outbuildings of the Biltmore Estate.
The Arts and Crafts Movement began in late 19th century England as a reaction against the Industrial Revolution. Members sought a return to medieval craftsmanship and design. Leading members included William Morris, Walter Crane, and the Pre-Raphaelite Brotherhood. They rejected machine production and advocated for handmade, locally-sourced materials. William Morris' Red House in London, designed by Philip Webb in 1859, was an early exemplar that inspired the movement.
A look at the history, products and services offered by the iconic stained glass studios of Associated Crafts® & Willet Hauser Architectural Glass, Inc.
This document provides a biography and overview of notable works by famous American architect Frank Lloyd Wright. It discusses his principles of organic architecture and integration with nature. Key projects summarized include the Guggenheim Museum with its spiral ramp design, Fallingwater built cantilevered over a waterfall, and Robie House hailed as the greatest example of the Prairie School style. Timelines cover Wright's education, apprenticeships, major designs produced, and personal life events over his 70-year career during which he designed over 1000 buildings.
Bloomingdale's is an upscale department store chain owned by Macy's that was founded in 1861 in New York City by brothers Joseph and Lyman Bloomingdale. It started as a notions shop selling hoop skirts on Manhattan's Lower East Side. In 1872, they opened their first full-fledged store and over the decades Bloomingdale's expanded across the US, known for its designer shopping bags and becoming a tourist attraction in the 1970s when they stamped "Bloomie's" on underwear. Bloomingdale's continued expanding in the late 20th century, opening over 40 stores across various states, dealing in clothing, accessories, beauty products, home goods and more.
The document provides an assignment for students to present on one of Frank Lloyd Wright's residential works in a 5-minute visual presentation. It lists 15 residential works by Wright that students can choose from, including his home and studio in Oak Park, the Willits House in Highland Park, Illinois, the Heurtley House in Chicago, the Martin House in Buffalo, and the Robie House in Chicago. The presentation should include images, plans, sections, elevations, details, and renderings that visually define the style of the chosen work based on Wright's oeuvre and demonstrate the architectural principles. Students are instructed to save their presentation in PDF format and cite any sources used.
This document provides an assignment for students to present on one of Frank Lloyd Wright's residential works in a 5-minute visual presentation. It lists 15 residential works by Wright that students can choose from, including his home and studio in Oak Park, the Willits House in Highland Park, the Heurtley House in Chicago, the Martin House in Buffalo, and Fallingwater in Pennsylvania. The presentation should include images, plans, sections, elevations, details, and renderings to visually define the style of the work and demonstrate Wright's design principles. Students are instructed to save their presentation in PDF format and cite any sources using MLA format.
Similar to Jw john widdicomb furniture we got the mid cetury style credenza from john widdicomb - its made of real walnut wood - all the way through (20)
Alina Matsenko and Ajay Mishra are students at a university who are working on a project about the future. They are researching emerging technologies like artificial intelligence, renewable energy, and space exploration to understand how these areas may impact and change life in the coming decades. Their goal is to create a short report highlighting the most significant trends and developments that could shape the future by the year 2050.
ALINA MATSENKO AND AJAY MISHRA THE THEORY AND THESTORY OF EVERYONE AND EVERYTHING ALINA MATSENKO AJAY MISHRA REAL LIFE NOT LIE BUT LOFE AND LOVES STORIE OF REALA ND LIVINGA ND DEADPEOLEBUT YES THER
This document appears to be a disjointed discussion touching on various topics without clear context or meaning. It mentions Google image searches, predictions, fame, money, politicians like Obama, Clinton and Biden, celebrities, and identity politics. The writing style is challenging to follow and summarize concisely due to repetitive and unclear language.
Fr 1987-01-16 1987 resgister 67 type and the prime numbers 1987 which is gaussian prime steven speilebrg heello or shalom is same s priveta dn namaste, but shalom has word om
- The call began with Trump congratulating Zelensky on his election victory in Ukraine.
- Zelensky thanked Trump and said Ukraine wants to "drain the swamp" of old politicians, learning from Trump's example.
- Trump said the US does a lot for Ukraine and suggested Germany and other European countries should do more. He also said the US has been very good to Ukraine.
- The call then focused on Trump asking Zelensky to investigate interference in the 2016 US election and Biden's son related to his work in Ukraine. Trump said he would have Giuliani and Barr contact Zelensky.
- Zelensky agreed to cooperate and said the next prosecutor
The US trade deficit is driven by Americans spending more than they produce, rather than foreign trade barriers. If Americans save more or invest less, the trade deficit would shrink, but this would also reduce the amount of goods and services available for US consumption and investment. Eliminating the trade deficit entirely would require exporting about 2.5% more of US output as well as price changes that reduce the real value of both exports and imports by around 2.7% of GDP, lowering American incomes by about 5%. In the long run, investment levels determine economic growth, so policies that increase savings without reducing investment could help narrow the trade deficit while maintaining or boosting incomes.
- The US goods and services trade deficit decreased slightly in July to $54.0 billion from a revised $55.5 billion in June. Exports increased $1.2 billion while imports decreased $0.4 billion.
- Exports of goods increased $1.2 billion in July driven by increases in consumer goods like pharmaceuticals and capital goods. Imports of goods decreased $0.4 billion led by a fall in computer imports.
- The trade deficit with China decreased in July as US exports to China fell less than imports from China. The surplus with South and Central America also decreased as US exports to the region fell more than imports.
The US trade deficit is driven by Americans spending more than they produce, rather than foreign trade barriers. If Americans save more or invest less, the trade deficit would shrink, but this would also reduce the amount of goods and services available for US consumption and investment in the short term. Eliminating the trade deficit entirely would require exporting about 2.5% more of US output as well as price changes that reduce the real value of both exports and imports by around 2.7% of GDP, lowering American incomes by about 5%. However, in the long run higher national saving could allow for more domestic investment and ultimately higher incomes.
This document summarizes a research article that estimates the impact of increased import competition from China on US employment between 1999-2011. The authors find:
1) Direct exposure to Chinese imports reduced US manufacturing employment by 560,000 jobs.
2) Accounting for supply chain linkages, the total estimated job losses in manufacturing were 985,000, and total losses across the economy were 1.98 million jobs.
3) Examining local labor markets, the authors found no evidence that job losses were offset by reallocation of workers to other industries. They estimate total employment losses across the economy due to Chinese import growth during this period were 2.4 million jobs.
The US trade deficit is driven by Americans spending more than they produce, rather than foreign trade barriers. If Americans save more or invest less, the trade deficit would shrink, but this would also reduce the amount of goods and services available for US consumption and investment. Eliminating the trade deficit entirely would require exporting about 2.5% more of US output as well as price changes that reduce the real value of both exports and imports by around 2.7% of GDP, lowering American incomes by about 5%. In the long run, investment levels determine economic growth, so policies that increase savings without reducing investment could help narrow the trade deficit while maintaining or boosting incomes.
This document summarizes the Solow growth model. It begins by outlining the basic building blocks of the model, including a production function, constant returns to scale, exogenous population growth, capital depreciation, savings rate, and technological progress. It then describes the mechanics of the model, showing how capital stock evolves over time and reaches a steady state. It derives expressions for the steady state capital stock and output in the special Cobb-Douglas case. It also discusses the concept of the "Golden Rule" savings rate that maximizes steady state consumption. Finally, it extends the model to include market forces and derives expressions for factor prices and income shares in a competitive market framework.
This invoice from RX Pest dated September 10, 2019 is billing Mr. Ajay Mishra $102.84 for pest control services between tenants at 208 Westhaven CleanM. The invoice provides the customer and location details, service description, amount due and payment instructions.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help boost feelings of calmness, happiness and focus.
This document is the executive summary of the report "India as an agriculture and high value food powerhouse: A new vision for 2030". It discusses the need for a second Green Revolution in India to realize the vision of making India a global powerhouse in food and agriculture. This will require a mission mode approach and greater public-private partnerships. Industry-farmer partnerships and development of the food processing industry will create linkages between these two pillars of the economy. The future lies in crop diversification to high value crops and higher value addition. Infrastructure development, extension services, quality inputs, and appropriate mechanization can improve farm productivity and returns for farmers. The recommendations aim to enhance farmer incomes and make quality food more accessible and affordable
This invoice from the City of Austin charges Mr. Ajay Mishra $320.54 for electric utility expenses during the vacancy of his property at 208 Westhaven. The invoice provides billing details including the invoice date and number, billing and payment contact information, property location and description of charges, and a message thanking Mr. Mishra for his business with the City of Austin.
This document is a water utility bill for an account associated with Dassor Management & Investment at 208 Westhaven Dr. It shows meter readings from July 4, 2019 of 386 cubic feet of water usage being billed. The charges on the bill include a minimum charge of $2.50, a usage charge of $159.04 based on the meter reading, a TCEQ regulatory fee of $0.81, and a current amount due of $162.35. It also lists additional details about the water district such as allowed irrigation schedules and how to access water quality reports.
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4. The John Widdicomb Company is steeped in history and tradition. It is breathtaking in its
beauty, solid in its foundation and legendary in its enduring legacy. It begins in 1845 in
Devonshire, England, meanders through Syracuse, New York, settles in Grand Rapids,
Michigan and in 2000 returns to its first American home in Syracuse, New York.
Widdicomb Timeline
1858 1863 1865
George Widdicomb settles in
Grand Rapids, Michigan. He sets
up a small cabinet shop with his
four sons: “George Widdicomb
& Sons.”
All four of George’s sons enlist
in the Union Army, putting the
furniture business on hiatus
during the last years of the
Civil War.
The Widdicomb boys return
from duty in the Union Army to
form a new furniture shop.
The Widdicomb Furniture
Company quickly gains a
reputation as one of Grand
Rapids’ finest furniture makers.
History
2
JohnWiddicomb
1845 – 1857
Furniture maker George
Widdicomb emigrates from
Devonshire, England and sets up
a cabinet shop in Syracuse, N.Y.
When in 1845 George Widdicomb left Devonshire, England he set
up a cabinet shop in Syracuse NY where his fourth son, John
Widdicomb was born. The family lived and worked in Syracuse and
the Central NY area until 1857 when they slowly moved westward,
settling in Grand Rapids, Michigan. George gathered together
twelve craftsmen and set up a small cabinet shop which prospered
from the start. His English training was different from the frontier
training of the average small town cabinetmaker and his well made
furniture found a ready market. The name of that company was
George Widdicomb and Sons. The outbreak of the Civil War put a
sudden end to the new enterprise, when the entire work force
including his four sons joined the Union army.
In 1867, with one brother lost in the war, the company reopened
as Widdicomb Brothers and Richards. In 1873 the company
incorporated as Widdicomb Furniture Company, a manufacturer
of inexpensive bedroom furniture. After successfully bringing the
company through the turbulent financial crisis of 1893, John left
this company to form his own. Meanwhile, the Widdicomb Furniture
Company under the leadership of John’s older brother William,
continued through the turn of the century making period style San
Domingo (Haitian) Mahogany and Tabasco (Mexican) Mahogany
wood bedroom furniture. The company introduced its first modern
pieces in 1928, and by 1938 had ceased all production of traditional
and revival styles. Lines designed in the 1940s and 1950s by T. H.
Robsjohn Gibbings and George Nakashima made Widdicomb
Furniture Company an important producer of Mid Century
Modern furniture.
Ralph Widdicombe, a nephew of John, had earlier become interested
in the designing of fine furniture, and when his uncle branched out
for himself, Ralph joined him. For fifty-three years until his
retirement in 1951, all John Widdicomb Company Furniture was
designed by Ralph Widdicombe, known as the Dean of furniture
designers. Ralph Widdicombe always retained the old English spelling
of his name ending with the “e”.
Although Ralph Widdicombe will always be remembered best for his
classical designs, he was awarded first prize for his Modern bedroom
suite at the Paris Exposition in 1900. In 1924, working from models
he had procured in Europe, Ralph Widdicombe introduced Louis XV
Provincial designs, which were the first of their kind to be made in this
country, and started the wave of popularity for French Provincial that
still continues.
5. 3
1894, 1896 1897 1900 1924
John Widdicomb establishes
his own company, the John
Widdicomb Company, making
interior woodwork and
fireplace mantels.
Ralph Widdicombe, John
Widdicomb’s primary designer,
is awarded a gold medal at the
Paris Exposition for his moderne
bedroom suite. Ralph eventually
becomes known as the “Dean of
Furniture Design.”
John Widdicomb Company
introduces its Louis XV Provincial
designs. The collection is
recognized for creating a wave of
popularity for French Provincial
furniture that continues today.
The Widdicomb Furniture
Company joins Stickley Brothers
Furniture Company to open a
furniture storehouse in London.
Albert Stickley and John
Widdicomb travel together
throughout Britain and
Continental Europe looking for
new furniture ideas.
6. 4
The John Widdicomb Company was instrumental in the creation
of the the Grand Rapids Furniture Makers Guild. The American
Furniture Market had been held in Grand Rapids, Michigan
since 1878 and The Grand Rapids Furniture Guild and its
related companies were leaders in the American furniture
manufacturing industry.
John Stuart joined the company as Director and Sales Manager
in 1929. He later became General Manager and Vice President and
in 1943 he was named President of John Widdicomb. Shortly after
John Stuart, Inc. was formed. It appears it had been a separate
company that ran the designer showroom in New York and later in
Philadelphia. In 1964 John Stuart, Inc. and John Widdicomb
collaborated in the building and opening of a 23 room showroom in
the D&D Building in New York.
The Widdicomb name, which had been shared by two manufacturers
since John left his father in 1897, was brought together again in
1970 when the John Widdicomb Company purchased the name
and goodwill of the Widdicomb Furniture Company, the latter
having ceased production several years previously.
Gerald R. Ford of Grand Rapids became president of the United
States of America in 1974. That year the John Widdicomb Company
was purchased by Hickory Furniture who later sold it in 1986 to an
investment group called “Widdicomb Associates”. This era witnessed
the introduction of a new collection of English furniture designed by
the internationally renowned designer, Mario Buatta.
Once more the John Widdicomb Company was sold in 1996 to the
Grand Rapids Furniture Company and Jim Devries became chairman.
1924 1951 1970 2002
Ralph Widdicombe, “Dean of
Furniture Designers,” retires
after 53 years as the primary
designer of John Widdicomb
Company furniture.
The Widdicomb Furniture
Company is purchased by John
Widdicomb Company, uniting
the “Widdicomb” name under
one organization for the first time
in 73 years.
L. & J.G. Stickley purchased the
assets of the John Widdicomb
Company and moved production
of this product to their state of
the art manufacturing plant in
Manlius, New York.
The 1990’s brought many changes including the launching of a new
company “Bexley Heath, Ltd.” which was absorbed by John
Widdicomb in 1998. The John Widdicomb Company manufacturing
operations and offices were moved to the newly renovated Grand
Rapids furniture campus at 560 Fifth Street, the former Widdicomb
plant. It was also in 1998 that the John Widdicomb company signed
an exclusive licensing agreement with the Victoria & Albert
Museum in London, England. The Victoria & Albert Museum is the
largest museum of the decorative arts in the world.
In May of 2002, The John Widdicomb Company closed its Grand
Rapids doors and a new chapter in the history of this revered company
began. L. & J.G. Stickley, Inc. purchased the assets of John
Widdicomb Company furniture and moved its production to their
state of the art factory in Manlius, New York under the ownership of
Mr. and Mrs. Alfred and Aminy Audi.
The John Widdicomb line includes nearly one hundred French,
Italian, English, and Russian reproductions, as well as a broad range
of pieces from the Moderne tradition of the early 20th century, all of
which are crafted in limited quantities and in the tradition of highest
quality for which the Widdicomb name has been internationally
known for over one hundred forty-five years.
John Widdicomb furniture is available through fine retail showrooms
world wide, and to interior designers through design showrooms in
major cities in the United States.
JohnWiddicomb
John Widdicomb Company
introduces its Louis XV Provincial
designs. The collection is
recognized for creating a wave of
popularity for French Provincial
furniture that continues today.
10. 8
Opposite:
JW-5583 Russian China Top, JW-5582 Russian Credenza
photograph pages 6-7:
JW-5972 Lyre Back Arm Chair, JW-5971 Lyre Back Side Chair, JW-5991 Cheshire Double Pedestal Dining Table
Its splendor evidences the fusion of English forms and a deeply ingrained feeling of the principles of national art. The composition is particularly remarkable
for its compound serpentine configuration, and its sumptuous patterns of veneers and inlays. The top is resplendent with walnut book-matched veneers
and crossbanding; oval inlays of maple and tulip wood, framed by walnut benchwork. Embellished doors, ebony inlays accentuate the posts and an
inlaid holly and ebony medallion emblazons the raised pane on the center drawer. Similarly noteworthy are the cove-shaped top edge, contrasting
brass Greco-Roman lion mask ring pulls and tapered quadrangular feet. The piece features three drawers, with a
Pacific Silvercloth® insert in the center drawer, four doors and an adjustable wood shelf in each compartment.
JW-5583
Russian China Top
78” W x 20” D x 51” H
JW-5582
Russian Credenza
78” W x 20” D x 37” H
Top has book-matched French Walnut veneers and crossbanding. Doors feature oval inlays of
maple and tulip wood, framed by walnut benchwork.
The form of this serpentine credenza was taken from the dressing room table used by
Catherine the Great of Russia.
JohnWiddicomb
12. 10
Opposite:
JW-7064 Queen Anne Baroque Side Chair, JW-7065 Queen Anne Baroque Arm Chair, JW-7191 Georgian Dining Table,
JW-5582 Russian Credenza, JW-1732 Neoclassical Etagere
JW-5590
Russian China Cabinet
(Triple) Consists of right, center
and left units.
126 1/4” W x 19” D x 86” H
This distinctively Russian neo-classical china cabinet features gilted dentil and egg-and-dart moulding that follows the horizontal line of the cornice;
and the frieze, which contains inlays of Karelian birch outlined with ebony between a pair of brass medallions. The frames of the beveled glass doors
and ends are also outlined in gilted egg-and-dart moulding while the corner posts contain Karelian birch inlays between a brass capital and base. The
cabinet features a plinth base; touch-controlled lighting, adjustable 3/8” plate grooved glass shelves and is available with an antique mirror, fabric or
wood inside back. Crafted in cherry solids with cherry and Karelian birch veneers.
The original cabinets lined an impressive wing of the Hermitage
in St. Petersburg, but were destroyed by fire.
JohnWiddicomb
JW-5588
Russian China Cabinet
(Single)
44 3/4” W x 19” D x 86” H
JW-5589
Russian China Cabinet
(Double) Consists of right and
left units.
85 1/2” W x 19” D x 86” H
16. JW-5971
Lyre Back Side Chair
21 3/4” W x 22 5/16” D x 39 5/16” H
Seat height 18”, Seat depth 19”
JW-5972
Lyre Back Arm Chair
23” W x 22 5/16” D x 39 5/16” H
Seat height 18”, Seat depth 19”
Arm height 27”
JW-7064
Queen Anne Baroque Side Chair
22 1/2” W x 22 5/8” D x 38 1/2” H
Seat height 18”, Seat depth 17”
Mahogany
JW-7065
Queen Anne Baroque Arm Chair
24” W x 23” D x 38 1/2” H
Seat height 18 1/2”, Seat depth 18”
Arm height 26 1/2”
Mahogany
An English interpretation of Baroque outlines is noticeable in the unity
of curved lines displayed by this comfortable Queen Anne design. A
refinement of scale and detail is evident in the gentle lines of the cabriole
legs, embellished with delicately carved shell and foliated designs.
Elegantly poised on small pad feet, it features carved scrolls where the
posts meet the curved French walnut splat back. Carved scrolls on the
sinuous open arm chair echo the carving on the back posts. Crafted in
mahogany, these chairs feature pull-over seats outlined with a welt.
Classic example of late Georgian chairs, featuring a double-arched back
embellished by beaded carving and a pierced lyre back splat centered by
a fine marquetry fan medallion executed in satinwood. Also featuring
inset, beaded carving are the square tapering legs, which support the
upholstered seat, and on the arm chair, the gracefully sculpted arms.
14
JohnWiddicomb
photograph pages 12-13:
JW-5572 Russian Arm Chair; JW-5571 Russian Side Chair; JW-5597 Russian Dining Table; JW-7516 British India Mirror
17. JW-5571
Russian Side Chair
20 1/2” W x 22” D x 37” H
Seat height 18” Seat depth 17”
JW-5572
Russian Arm Chair
23 3/4” W x 22 3/4” D x 37” H
Seat height 18”, Seat depth 18”
Arm height 26 1/4”
JW-1773
Klismos Side Chair
21” W x 22 1/4” D x 37 1/2” H
Seat height 17 1/2”, Seat depth 18”
JW-1774
Klismos Arm Chair
23 1/2” W x 24 3/16” D x 37 1/2” H
Seat height 18”, Seat depth 191/2”
Arm height 25 1/2”
15
The passion for classical designs, rekindled by the late 18th and early
19th century excavations of Pompeii and Herculaneum, lives on in this
modern interpretation of the Greek Klismos Chairs. While firmly rooted
in the ancient past, the underlying features of these chairs—the curved
top rail and the backposts with scroll designs—reach across the centuries
to achieve a fresh refinement for a new millenium. Crafted in solid
cherry and available in any cherry finish. Available with or without
gold trim shown here.
Distinguished by a grace and beauty of its own, this neoclassic Russian
shield-back design from the period of Alexander I represents a lyrical
adaptation of the 18th century English influences, previosuly introduced
by English craftsmen working at the court of Catherine II. The design is
particularly notable for the gently rounded curving posts; curved and
pierced backrest; tapering legs and, on the arm chair, the curved open
arms. Crafted in cherry solids, these chairs feature optional
hand-applied gold trim.
19. Opposite:
JW-9896 Staffordshire Dining Table, JW-1774 Klismos Arm Chair, JW-1773 Klismos Side Chair
17
JW-5597
Russian Dining Table
68” W x 44” D x 30” H
extends to 109” with two
20 1/2” fillers with aprons.
JW-9896
Staffordshire Dining Table
83 1/4” W x 53 1/4” D x 30” H
extends to 122 1/4” with
two 19 1/2” fillers. Features a
chamfer-cornered top with
broken stripe mahogany
bordered by satinwood.
Inspired by the grandeur of the late Georgian period, this dining table, crafted in mahogany solids and veneers,
features a chamfer-cornered top veneered with broken stripe mahogany. A satinwood border is separated from
the mahogany field by a tulipwood stripe. Four pentagonal legs, accentuated on two sides by tapering flutes,
support the top. The face of the legs are routed and addressed with an insert of fret overlay. The fluting of the
legs carries over to the apron rails to create continuity and interest along these long horizontal members.
The splendor of this Russian table from the period of Catherine II is characterized by a top of closely matched
French Walnut veneers, framed by an ebony inlay and quartered veneers; with a similarly veneered apron.
The table is very much in the style of David Roentgen, particularly evident in the brass ornaments against
a painted black field on the posts, and the brass sabots embellishing the tapered quadrangular legs, accented
with optional gold trim.
20. Opposite:
JW-9882A
Regency Sideboard
72” W x 20 1/2 D x 37 1/2” H
Crotch mahogany veneer door panels.
JW-7191
Georgian Dining Table
78” W x 46 1/8” D x 30 1/2” H
extends to 132” with three 18”
fillers with aprons. Walnut
inlayed with Satinwood
JW-5991
Cheshire Double Pedestal
Dining Table
78” W x 46” D x 30 1/8” H
extends to 132” with
three 18” fillers.
A substantial extension dining table featuring beautiful veneers, elegant details and quality construction
throughout. The solid mahogany carved and turned feet are surmounted with concave-sided, tripartite bases.
Solid mahogany, turned and tapered columns rise from the bases, complete with hand carved and optional
gilded bracelets. The top is a field of book-matched, feather crotch mahogany with a short-grain edge and
features a conforming, recessed apron optionally trimmed in gold.
The trend towards magnificence in furnishings, bred by Georgian prosperity, is well exemplified in this table.
Extravagantly figured Circassian walnut, inlaid with satinwood, edged with gadroon carving and
surmounting a solid mahogany apron, distinguishes the top. Equally magnificent are the mahogany turned
column pedestals supported by reeded sabre legs, embellished with acanthus leaf hand carvings and capped
with brass ferrules on casters, which facilitate extending the table.
Design elements from an early 19th century cabinet inspired this elegant sideboard. This regency-styled breakfront sideboard has three drawers with
custom brass hardware and four doors across the front. The center drawer has a tray for Pacific Silvercloth® liners. Each door is embelllished with exotic
crotch mahogany veneer and opens to reveal an adjustable shelf. Four turned, tapered and fluted posts ending in turned round feet support the
uniquely shaped top. An ebony line creates the border on the mahogany top. Gold trim is optional.
18
JohnWiddicomb
23. This architecturally beautiful etagere draws its form from a 19th century German neoclassical design. The etagere features a stepped top panel veneered
in solid cherry, surrounded by a classical carved and gilt egg-and-dart moulding. The top rests on four curved supports, lacquered black and headed
by four cast brass aegricane, or ram’s heads, that enclose three fixed shelves and terminate in cast brass hoof ornaments. The ram’s head was a common
motif in Greek and Roman art. The whole is raised on a conforming rectangular veneered platform.
Opposite:
JW-1732
Neoclassical Etagere
29” W x 21 1/2” D x 56 1/4” H
JW-7516
British India Mirror
38 3/4” W x 72” H
The Eastern composition of this Indian syle mirror with its engrailed
top silhouette borrows its form from the age-old architecture of the
Indian subcontinent. The style termed “Oriental” was considered a
curiosity by the British. An 18th century period mirror of this type was
prized for its exotic romanticism. This extravagent piece, crafted of select
hardwoods, boasts a coffered configuration of sixty-four individual pieces
of beveled mirror, surrounded by a moulded frame available with a
wide range of optional intricate finishes and decorations to select form.
21
The ram’s head was a common motif in Greek and Roman art.
24. 22
Opposite:
JW-7341
Robert Adam Demi-Lune Commode
51 1/2” W x 16 3/8” D x 35 7/8” H
Shown with optional marble top -M2
JW-7345
George III Door Cabinet
43 3/4” W x 21 3/4” D x 36” H
This elegant 18th century George III English cabinet features a
serpentine top veneered with interlocking oval patterns of crotch
mahogany veneer, carefully defined with a black inlay line and
surrounded by a quartered satinwood border, decorated with trails of
scrolls and foliage. The two doors follow the top in form and decoration
and are centered with a vertical brass astragal moulding. The enclosure
is fitted with two trays and one adjustable shelf. Raised on a
complementary waved apron and fitted with splayed bracket feet, this
exceptional cabinet is crafted in mahogany solids and select mahogany
and satinwood veneers.
Inspired by neoclassical furniture developed by Robert Adam for English interiors in the 18th century, this semi-elliptical commode, profusely decorated
with neoclassical motifs, embodies the Adam style in cabinetmaking. The top rests on a frieze rail decorated with architectural ornaments of swags
and urns, and the single top drawer is centered by a classical wreath. Three panels feature classical ornaments and are traced on their periphery
with lanquet style mouldings. The single locked door opens to one adjustable shelf and the whole is raised on four carved toupie feet. The cabinet
is crafted in cherry solids and veneers.
JohnWiddicomb
26. 24
JW-5789
Regency Commode
38” W x 16” D x 32” H
This Louis XVI design is particularly interesting for its protruding block front, extending from the fillet and
square-shaped top through the two drawers to the apron. Other notable design elements are the chamfered front
corners, tapering quadrangular front legs, shaped bottom rail, solid brass ring pulls with medallion backplates,
and brass escutcheon. Crafted in cherry veneers, this piece is available in any cherry, paint or lacquer finish
with Regency decoration and gold trim standard.
JohnWiddicomb
JW-2710
Russian Chest
52 3/8” W x 21 3/16” D x 38” H
Inspired by the Louis XVI period, this new interpretation in walnut solids and French walnut veneers brings
Russian influence to a grand salon while maintaining its neoclassic identity. Bold geometric shapes with
Macasssar ebony inserts enhance the impressive drawers of this robust drawer chest of 18th-century Russian
origins. The patterns are surrounded in brass and set with hand-cast brass drop-handles and pulls. Available
with either a wood top echoing geometric shapes or faux marble options, each conforming to the canted corners
as do the fluted posts and canted legs.
Opposite:
JW-5940
Neoclassical Console Table
62” W x 20” D x 36” H
This elegant Adam style, demi-lune console table is noteable for its excellent proportions and rich detail. Numerous neoclassical elements are
incorporated, reflecting the fascination of 18th century designers, such as Robert Adam and George Hepplewhite, wih the archeological excavations
in ancient Rome. The console features four reeded, tapered legs, each headed by an acanthus carving and terminating in a lotus flower carving.
The fluted, demi-lune apron supports a conforming, resplendent top of quartered figured mahogany featuring a ribbon inlay of walnut burl;
a leaf pattern with inlays of crotch swirl mahogany burl and maple; and a border of short-grain Santos rosewood.
28. JW-5993
Center Table
40” D x 30” H
Opposite:
JW-5593
Russian Center Table
48” D x 30” H
26
Regency Center Table featuring a sunburst crotch mahogany top with
a center star medallion of quartered macassar ebony and quartered
tropical olive; a recessed apron with a molded edge; a turned and
tapered column adorned with carved bracelets; and a tripartite base
with concave sides resting on turned and carved feet.
Gold trim is optional.
This sculptural 19th century Russian center table features a beautiful marquetry inlaid top of fine exotic veneers. The center with its star of satinwood
is framed by a field of exquisite walnut surrounded by a border of Karelian birch inset with maple and walnut burl. The whole is raised on three
shaped supports resting on an arched, tripartite platform terminating in brass paw feet with conforming pads. Gold trim is optional.
JohnWiddicomb
30. Opposite:
JW-6381
Waldorf Sofa
94” W x 37 1/2” D x 35” H
Seat height 21” , Seat depth 20”
Arm height: 26”
Width between arms: 66”
28
This sofa exudes romance and sophistication. Characterized by an artfully hand-tufted serpentine back and pleated rolled arms. It features eight-way
hand tied spring construction, a curvilinear boxed seat cushion with welt and a deep pleaed skirt.
JohnWiddicomb
JW-3222
Neoclassical Cocktail Table
40 1/2” W x 24 1/2” D x 19 1/16” H
This graceful 19th century French neoclassic-inspired cocktail table features a rectangular top wth demi-lune
ends and a moulded edge inset with blind vitruvian scroll fretwork. The border surrounding the inset
hand-beveled glass top is carefullly hand decorated with scrolling acanthus leaves and floral motifs. The top
rests on six turned posts which are joined by concave stretchers ending in toupie feet.
JW-9828
English Rose Cocktail Table
52” W x 36” D x 20 1/8” H
Reminiscent of 17th century carvings, this cocktail table features an apron adorned with a Greek key
pattern and English rosettes. The top of highly figured walnut veneer features a reverse diamond inlay
executed with short grain walnut veneers. Graceful hand carved, turned, tapered and fluted legs descend
to decorative feet.
33. JW-7328
Southhill Cocktail Table
54” W x 34” D x 22” H
This handsome cocktail table of early 19th century Regency influence is an anthology of classical motifs. A
Greek inspired, inlaid band of satinwood and select veneers, cornered with classical palmettes, frames the top
of matched American walnut stump of Angelstep figure. The movement of water- a favorite classical
theme - is simulted in the richly carved frieze rail. The channeled sabre legs, solid-brass lion masks and
hand-carved paw feet complete the decorative return to antiquity.
Opposite:
JW-2771
Iribe Salon Chair
27” W x 33” D x 44 1/2” H
Seat height 21” , Seat depth 22”
The fluid lines and assured style of this upholstered salon chair, inspired by the 20th century French designer Paul Iribe, bring a noticeable feeling
of grandeur to a room. A continuous band of solid cherry outlines the sweeping curve of the high back and rounded seat.
Opposite:
JW-2708
Rateau Occasional Table
15 1/2” D x 24 5/16” H
The organically shaped column of this round occasional table conveys the look of a natural form. In this
interpretation of the original design by the early 20th-century French master D’Armand Albert Rateau,
the pedestal is enlivened with vertical reeding and the base with spiral carving. A lacquered field of gold-leaf
squares embellishing the simple round top is protected by a glass insert as a practical consideration. With its
clean lines and casual scale, this table is an artful companion to a modern chair. Also available with
tortoise shell top.
31
35. Opposite:
JW-0650-L
Leleu Chaise
(Left side facing)
76” W x 27” D x 38” H
Seat height 14 1/2”
Arm height 22”
34
JW-2761
Chareau Bench
48” W x 16” D x 23” H
Seat height 17”
Reminiscent of antique “fainting couches”, this impressive chaise is alluring and inviting. Inspired by the works of Jules and Andre Leleu and made
with a continuously curved mahogany frame, this truly is furniture as art.
This unpretentious bench, inspired by the 20th century French designer Pierre Chareau, proves that there can
be great elegance in simplicity. The low, outward curving sides and straight seat are softened with upholstery.
The exposed frame and sturdy legs of solid cherry, reinforced with horizontal stretchers, make this design a
handsome and practical resting place, suited to a variety of decorative schemes.
Also available:
JW-0650-R
Leleu Chaise
(Right side facing)
JW-2720
Tripod Table
26” D x 27 1/2” H
In style and detail, this round occasional table, presents a fresh version of the neoclassical ideal. The
twelve-piece cherry sunburst top is supported by three gracefully splayed legs headed by voluted scrolls and
trimmed with crisp brass sabots. The circular top and shaped shelf below make this table in cherry solids a
sophisticated yet serviceable companion piece for a sofa or chaise.
33
JW-2762
Grand Chareau Bench
60” W x 16” D x 23” H
Seat height 17”
This truly is furniture as art.
36. 34
JohnWiddicomb
Opposite:
JW-2769
Chareau Club Chair
33” W x 32 1/2” D x 31” H
Seat height 18 3/4” , Seat depth 19 3/4”
Arm height 25”
A series of planes fan out in an orderly sweep, defining the unusual gondola back of this upholstered club chair. The subtle angularity of the form
is characteristic of the style of Pierce Chareau, the 20th century French designer whose work inspired this design. Cherry edging of sides and back
emphasizes the chair's at-ease style and roomy proportions. Out-turned, solid-cherry legs flank the wide seat, conveying a sense of command in even
the most relaxed situation.
JW-0603
Jules Leleu Club Chair
31 1/2” W x 32 1/2” D x 30 1/2” H
Seat height 18 1/2”
Arm Height 23 1/2”
Inspired by a chair designed in 1927 by Jules Leleu for a private residence, this club chair is as comfortable
as it is handsome. Crafted of solid cherry, the turned and fluted front legs taper elegantly. Optional large scale
brass nail heads trim the curved back and sides, and the loose seat cushion is suspended on eight-way
hand tied springs.
38. 36
JohnWiddicomb
JW-7530
Saracenic Occasional Table
26” D x 29 1/2” H
The top of this elegant occasional table is inspired by 5th century Indian printed textiles. The radiant inlay
pattern is a study in exotic native Indian woods. Satinwood, Indian rosewood and Macassar ebony are com-
bined to form a lotus petal design. The top rests on an inlaid freize composed of saracenic motifs executed in
Indian rosewood, teak and faux ivory with penwork decoration. The table is raised on five sabre legs
terminating in brass sabots and joined by an arched stretcher centered with a cinquefoliated boss.
39. JW-6321
George III Occasional Table
21” W x 21” D x 27” H
JW-6322
Chinoiserie Occasional Table
21” W x 21” D x 27” H
37
Early 19th century George III table featuring a top inlaid with a geometric star and bordered with an
interlocking pattern of triangles of olive and wenge veneers, then outlined with a thin band of rosewood.
The apron has a scalloped edge with a staccato frieze of gilt rosettes, accented at the corners with turned
inverted finials. Four reverse-curved legs joined by a concave quatrefoil stretcher scroll inward trimmed
in optional gold.
From the top down this early 19th-century George III table exudes eccentricity and charm. The square top
is skillfully hand-painted with unique chinoiserie scenes bordered by geometric and floral motifs. The
scalloped apron sports a staccato frieze of gilt rosettes, punctuated at the corners with inverted finials.
Playful reverse curve legs further distinguish this piece as a lively addition to the English country style.
40. JW-5509
Russian Lamp Table
26 3/8” D x 29 1/2” H
JW-9804
Teapoy Pedestal Table
30” D x 28” H
JohnWiddicomb
38
This Russian neoclassic design has a strong French influence evident in the wealth of brass embellishment:
the ribbon-and-reed moulding; Egyptian-style caryatids, or female figures, beading which accentuates the
outline of the tapered legs, ending in foliated sabots.
This inlaid pedestal table draws its inspiration from a Regency Teapoy crafted in rosewood and decorated with
parquetry of various woods in geometric patterns. The circular top is veneered with concentric bands of
Madrona burl, French walnut and Rosewood, each band divided by an ebony line. The top is supported by a
rosewood and gilt moulded frieze on a turned, tapered and reeded stem with a flared collar. The concave-sided
quadripartite base, with four scrolled square tapering legs, ends with brass paw feet and casters.
41. JW-4230
Emilio Terry Sculptural Table
29” D x 28” H
39
Like the neoclassic designs of Emilio Terry, the French architect and dreamer, this small sculptural table
achieves great stylistic refinement. The circular top features an elaborate geometric inlay of walnut burl,
Indian rosewood, and Circassian walnut set in a field of maple burl and banded with Macassar ebony.
Four sculptural legs joined by an open basket intersect at the base, resting their up-turned curves on
fine-pointed feet. The design is reminiscent of Continental furniture of the early 19th-century.
42. JohnWiddicomb
40
Opposite:
JW-2775
Louise XV Chaise
39 1/2” W x 68” D x 36 1/2” H
Seat height 21 1/2”
Luxury takes on voluptuous proportions in this upholstered Louis XV inspired chaise with shaped back and sides. The frame of mahogany solids in
antique finish provides traditional support with its seat rail of sinuous curves flowing seamlessly into cabriole legs. A shiny row of brass mails trims
the seat, where a long, soft cushion and a tailored back pillow extend an invitation to repose.
JW-4819
Wheelback Arm Chair
26” W x 26” D x 39 1/2” H
Seat height 20”, Seat depth 19”
Arm height 27”
These stylized 18th century chairs are distinguished by their pierced and carved oval wheel backs, horizontally
serpentine aprons, crisply carved rosette on the front cornersand back rail, straight quadrangular front legs on
block feet, and on the arm chair, the carved sinuous open arms.Gold trim is optional.
JW-4818
Wheel Back Side Chair
20” W x 25” D x 39” H
Seat height 19 1/2”, Seat depth 19”
45. Opposite:
JW-1408B (Queen)
Sunburst Low Post Bed
66 1/2” W x 88” D x 53” H
Headboard height 52”
JW-1408L (King)
Sunburst Low Post Bed
82 1/2” W x 88” D x 53” H
Headboard height 52”
JW-1408CL (Cal. King)
Sunburst Low Post Bed
78 1/2” W x 92” D x 53” H
Headboard height 52” JW-1410 interior JW-1411 interior
JW-1410
JW-1410 Wardrobe
44” W x 24” D x 78” H
Mahogany and English Sycamore.
JW-1411 Door Chest
44” W x 24” D x 78” H
Mahogany and English Sycamore.
JW-1412-PD Entertainment Cabinet
44” W x 24” D x 78” H
TV opening 37” W x 22 1/2” D x 30” H
Mahogany and English Sycamore.
Features four doors, lower doors conceal
drawers and shelves.
JW-1413-PD Entertainment Chest
44” W x 24” D x 78” H
TV opening 37” W x 22 1/2” D x 30” H
Same interior design as upper section
of JW-1412.
This Cubist-style wardrobe, resplendent in ribbon mahogany, rests on block
feet and features door and drawer fronts veneered with figured English
sycamore and trimmed with polished nickel hardware. The doors open to
reveal three drawers and one adjustable shelf on the left and two adjustable
shelves and a clothes rod on the right. Three large lower drawers provide ample
storage space. Also available as a standard door chest with shelves as dividers,
or as an entertainment cabinet. Shown with polished nickel bar pulls.
This Moderne bed, crafted in mahogany solids, features obelisk-shaped low posts and bed panels veneered in a spectacular radiating sunburst
pattern of figured English sycamore.
43
The Moderne bedroom suite won a gold medal in Paris after its introduction in 1900.
JW-1412 interior
47. This Cubist-style triple dresser, resplendent in ribbon mahogany, rests on block feet and features drawer fronts veneered with dramatic figured
English sycamore shown above with polished nickel stylized pulls, and at left with polished nickel bar pulls. Four large center drawers are flanked
on each side by four smaller drawers; a jewelry tray is provided in the top right drawer.
Opposite:
JW-1416 Mirror
50” W x 2 1/2” D x 38” H
Opposite:
JW-1415 Triple Dresser
74” W x 21” D x 35” H
Rectangle landscape mirror
featuring a beveled outer frame
of figured English sycamore
with a mahogany chamferred
inner frame and outer edge.
JW-1417 Tall Chest
40” W x 21” D x 60” H
Features ribbon mahogany
veneer with mahogany solids
and English sycamore veneer
drawer fronts. Seven drawers.
Two removeable dividers in the
top two drawers. Shown with
polihsed nickel bar pulls.
45
49. This Moderne bed, crafted in mahogany solids, features a high post
headboard with bed panels veneered in a spectacular radiating
sunburst pattern of figured English sycamore; low footboard.
This Moderne bed, crafted in mahogany solids, features
obelisk-shaped high posts and bed panels veneered in a spectacular
radiating sunburst pattern of figured English sycamore.
Opposite:
JW-1407B (Queen)
Sunburst High Post Bed
66 1/2” W x 88” D x 80” H
Headboard height 52”
JW-1407L (King)
Sunburst High Post Bed
82 1/2” W x 88” D x 80” H
Headboard height 52”
JW-1407CL (Cal. King)
Sunburst High Post Bed
78 1/2” W x 92” D x 80” H
Headboard height 52”
JW-1407BLFB (Queen)
Sunburst High Post Bed
with Low Footboard
66 1/2” W x 88” D x 80” H
Headboard height 52”
Footboard posts 14 5/16”
JW-1407LLFB (King)
Sunburst High Post Bed
with Low Footboard
82 1/2” W x 88” D x 80” H
Headboard height 52”
Footboard posts 14 5/16”
JW-1407CLLFB
(Cal. King)
Sunburst High Post Bed
with Low Footboard
78 1/2” W x 92” D x 80” H
Headboard height 52”
Footboard posts 14 5/16”
47
50. This Moderne bed, crafted in mahogany solids, features obelisk-shaped low posts and bed panels upholstered in fabric or leather.
48
51. JW-1401
Single Drawer Night Stand
30” W x 20” D x 28” H
Opposite:
JW-1402
Three-Drawer Night Stand
34” W x 20” D x 28” H
The Cubist night stand, resplendent in ribbon mahogany, rests on a block feet and features three identical
drawers. The drawer fronts are veneered with dramatic figured English sycamore and trimmed with
oiled bronze hardware.
The Cubist night stand, resplendent in ribbon mahogany, rests on a plinth base and features a single
drawer with open storage space above and below. The drawer front is veneered with dramatic figured
English sycamore and trimmed with polished nickel hardware.
Opposite:
JW-1406B (Queen)
Low Post Bed
with Upholstered Panels
66 1/2” W x 88” D x 53” H
Headboard height 52”
JW-1406L (King)
Low Post Bed
with Upholstered Panels
82 1/2” W x 88” D x 53” H
Headboard height 52”
JW-1406CL (Cal. King)
Low Post Bed
with Upholstered Panels
78 1/2” W x 92” D x 53” H
Headboard height 52”
49
Not shown:
JW-1405B (Queen)
High Post Bed with Upholstered Panels
66 1/2” W x 88” D x 80” H Headboard height 52”
JW-1405L (King)
High Post Bed with Upholstered Panels
82 1/2” W x 88” D x 80” H Headboard height 52”
JW-1405CL (Cal. King)
High Post Bed with Upholstered Panels
78 1/2” W x 92” D x 80” H Headboard height 52”
JW-1405 Series is available with optional low footboard
JW-1405BLFB (Queen)
JW-1405LLFB (King)
JW-1405CLLFB (Cal. King)
Footboard posts 14 15/16”
Cubism was a highly influential art style of the early 19th century,
inspired by artists like Picasso and Braque.
52. Finish Information
The Widdicomb Classics Collection is unsurpassed in the variety,
complexity and quality of its finishes. Our wood finishes are
specifically formulated to accentuate the character of the grain and
texture of the woods for which they have been designed.
We always begin with the finest woods and veneers gathered from
secure sources throughout the world. Skilled artisans use a variety of
techniques to facilitate penetration of stains deep into the grain, in
order to enhance their natural contrasts.
Highlighting, toning and shading are kept to a minimum in order
to allow the natural beauty of the wood to rise to prominence.
Wood finishes are treated to a series of applications of the finest
clear lacquers available, which are then rubbed and polished into a
deep, rich patina.
With similar passion for their craft, other finishers execute the finest
paint, faux, and laquer compositions, as well as a wide variety of
decorative arts including hand painted designs, chinoiserie
landscapes, and applications of gold and silver gilt.
If it is possible that our standard finish offering cannot
satisfy a particular requirement that you may have, please ask.
Custom finish matching is always an available option.
JohnWiddicomb
50
53. Wood Finishes
Each finish color offered for the Widdicomb Classics
Collection has been custom formulated for quality and
consistency in the application to a specific wood species.
When reviewing individual item listings, a single character
code is listed to represent the available finish grouping for
the item. The wood finish groupings are based on the
primary wood species and can be found in the table of
standard wood finishes. For each species, a range of color
tone is available and is indicated by the numeric element
of the designation. The higher the number,
the darker the tone.
51
C40 C50 C60 C70 C90
M40 M50 M60 M70 M90
W40 W50 W60 W70
B20 S30 Y10 Y30
C40 C50 C60 C70 C90
M40 M50 M60 M70 M90
W40 W50 W60 W70
B20 S30 Y10 Y30
Each finish is offered with a choice of light distressing or no
distressing with hand rubbing, done to your specification
by some of the finest craftsmen in the industry. Your selec-
tion of distress and sheen as well as trim applications
enables you to customize our standard finishes to satisfy
your specific style and taste.
In addition to trim options, both the distress and sheen
must be specified on your purchase order. On orders placed
without distress and sheen specified we will select one for
you based on our interpretation of the design and tradition
of the individual piece.
Primary
Wood Specie
Cherry C40 C50 C60 C70 C90
M40 M50 M60 M70 M90
W40 W50 W60 W70
Y10 Y30
S30
B20
Mahogany
Walnut
Sycamore
Satinwood
Karelian Birch
Light
10
Light
20
Light
30
Light
40
Light
50
Light
60
Light
70
Light
80
Dark
90
Standard
Wood
Finishes Y90
Y90Y90
54. P10 P45/TP45
JohnWiddicomb
Paint Finishes
The art of painted finishes was historically used on
traditional pieces before lacquer finishes were brought to
Europe from Japan.
The paint finishes for the Widdicomb Classics Collection
have been developed and refined to present not just a color,
but a combination of texture, technique, distress and sheen.
Due to the complex harmony of these many facts we
recommend that you refer to your samples when selecting
one of these finishes.
Each paint finish involves a degree of distressing and
rubbing, and deviation from the predefined combinations
is subject to an up-charge as a special finish. When
considering such changes always contact Customer
Service for availability and pricing.
When specifying paint or lacquer finishes it is not necess-
sary to specify a distress or sheen.
Standard Paint Finish
P10 White Tessarae - White paint, worn through to light
colored wood with traces of fine cracklings, light
distressing and antiqued; eggshell rub.
P45 Black Bone - A smooth black paint finish, lightly
glazed creating soft appearance. No distress and a flat
sheen.
Trim
See images and table below for trim options.
52
TS15/ML2 TG20/ML3 TG22/ML4 TG24/ML5
TS15 Aged Silver ML2
TG20 Gilt, Satin rub ML3
TG22 Matte Gold ML4
TG24 Gold, rubbed through to base ML5
Trim These trim colors are available for paint, lacquer
and wood finishes. When used as a trim, specify:
When used as a metal
leaf finish, specify:
55. Lacquer Finishes
The Widdicomb Classics Collection’s many lacquered
finishes offer a wide range of colors and effects that are
suitable for smooth surfaced pieces.
Our standard lacquer finishes are not available on all
species of wood. Please consult individual item
listings for availability.
Tortoise Shell Lacquer: Historic objects d’art of tortoise
shell were the basis for our interpretation in the L55 and
L60 finishes.
Mottled Lacquer: These stain rub lacquers are created
with muted variations of color. Each finish is enhanced
with glazed shading and highlighting. Our mottled
lacquers are L35 and L40.
Finishes marked with an
asterisk (*) are not available
on all items. Individual item
listings in the price list will
indicate these exclusions.
53
F82 Green Faux No Distress High Satin
F88 Black & Gold Faux No Distress High Polish
F90 Black Jewel Faux No Distress High Polish
F92 Verde Antique Faux No Distress High Polish
Faux
Finishes
L10 Black Polish No Distress Satin
L35* Cinnabar Red Mottled No Distress Satin
L40* Bottle Green Mottled No Distress Satin
L55* Brown Tortoiseshell No Distress Satin
L60* Gold Brown Tortoiseshell No Distress High Satin
Lacquer
Finishes
Faux and marble aggregate
finishes were developed for tops
only. Availability and cost of
faux finishes is indicated in the
individual item’s listing in the
price list. If you are interested
in applying a faux finish to a
top where availability is not
indicated, contact your designer
or sales associate for pricing.
Similarily, for price and
availability of entire pieces in
these finishes, please inquire.
F82 F88 F90 F92
L10/TL10 L35 L40 L55 L60
F82 F88 F90 F92
L10/TL10 L35 L40 L55 L60
Faux Finishes
56. JohnWiddicomb
54
001 017 029 030
045 046 047 048
003 011 014 027
057 713 718028
001 017 029 030
045 046 047 048
003 011 014 027
057 713 718028
Mahogany
Cherry
Standard Stickley mahogany and cherry finishes are available on John Widdicomb pieces at no additional charge.
57. Warranty
We believe so strongly in the integrity of our workmanship that
we offer you the Stickley Lifetime Promise. We want you to be truly
pleased with your Stickley furniture as it becomes an important part
of your family for generations to come.
We offer a Manufacturer’s Limited Lifetime Warranty against
defects on all case goods except dining and office chairs. Showld the
furniture fail structurally at any time during the lifetime of the
original owner, because of workmanship or material, we will repair
or replace at our discretion.
Stickley offers Five Year Limited Warranty against defects on the
following: dining chairs, office chairs, finishes, and mechanical
devices (clock movements, recliner mechanisms, etc.). Should these
items fail within five years of purchase due to manufacturing defects,
we will repair or replace it at our discretion.
This warranty does not apply to fabric or leather supplied by
Stickley or the customer. Warranty does not apply to customer
damage, alteration, or accident. Seasonal wood movement on solid
wood products is normal and is not considered a warranty issue.
For a copy of the Stickley Warranty in its entirety, please ask your
Stickley retailer or visit www.Stickley.com
With proper care, and the Stickley Lifetime Promise, you can be
assured that your Stickley furniture is destined to become a
cherished family heirloom.
Design
Stickley reserves the right to change, modify, discontinue or improve
any product designs, finishes, or specifications at our discretion and
without prior notice.
Care
For over a century, Stickley and John Widdicomb craftsmen have
been making history by creating masterful pieces of furniture by
hand. From designing each piece to executing the intricate details of
making it a work of art, each step is meticulously perfected. Because
we have taken so much care in making the treasured antiques of the
future, we hope you will cherish each Stickley piece, and care for it
accordingly, preserving its original beauty which will undoubtedly be
enhanced with age. Please contact your John Widdicomb dealer or
sales professional for detailed care guidelines for Stickley or John
Widdicomb finishes or email us at care@stickley.com.
55
58. JohnWiddicomb
56
JW-0603 Jules Leleu Club Chair 34
JW-0650L Leleu Chaise (Left Side Facing) 32, 33
JW-0650R Leleu Chaise (Right Side Facing) 32, 33
JW-1401 Single Drawer Night Stand 49
JW-1402 Three Drawer Night Stand 48, 49
JW-1405B High Post Queen Bed–Upholstery Panels 43
JW-1405L High Post King Bed–Upholstery Panels 43
JW-1405CL High Post California King Bed–
Upholstery Panels 43
JW-1406B Low Post Queen Bed–Upholstery Panels 48, 49
JW-1406L Low Post King Bed–Upholstery Panels 49
JW-1406CL Low Post California King Bed–
Upholstery Panels 49
JW-1407B Sunburst High Post Queen Bed 47
JW-1407L Sunburst High Post King Bed 47
JW-1407CL Sunburst High Post California King Bed 47
JW-1408B Sunburst Low Post Queen Bed 42, 43
JW-1408L Sunburst Low Post King Bed 43
JW-1408CL Sunburst Low Post California King Bed 43
JW-1410 Wardrobe 43
JW-1411 Door Chest 43
JW-1412-PD Entertainment Cabinet 43
JW-1413-PD Entertainment Chest 43
JW-1415 Triple Dresser 42, 44, 45
JW-1416 Mirror 44, 45
JW-1417 Tall Chest 45
JW-1732 Neoclassical Etagere 11, 20, 21
JW-1773 Klismos Side Chair 15, 16
JW-1774 Klismos Arm Chair 15, 16
JW-2708 Rateau Occasional Table 30, 31
JW-2710 Russian Chest 24
JW-2720 Tripod Table 33
JW-2760 Petite Chareau Bench 33
JW-2761 Chareau Bench 33
JW-2762 Chareau Bench 33
JW-2769 Chareau Club Chair 34, 35
JW-2771 Iribe Salon Chair 30, 31
JW-2775 Louise XV Chaise 40, 41
JW-3222 Neoclassical Cocktail Table 28
JW-4230 Emilio Terry Sculptural Table 39
JW-4818 Wheel Back Side Chair 40
JW-4819 Wheel Back Arm Chair 40
JW-5509 Russian Lamp Table 38
JW-5571 Russian Side Chair 12, 13, 15
JW-5572 Russian Arm Chair 12, 13, 15
JW-5582 Russian Credenza 8, 9, 10
JW-5583 Russian China Top 8, 9
JW-5588 Russian China Cabinet 10
JW-5589 Russian Double China Cabinet 10
JW-5590 Russian Triple China Cabinet 10
JW-5593 Russian Center Table 26, 27
JW-5597 Russian Dining Table 12, 13, 17
JW-5789 Regency Commode 24
JW-5940 Neoclassical Console Table 24, 25
JW-5971 Lyre Back Side Chair 6, 7, 15
JW-5972 Lyre Back Arm Chair 6, 7, 15
JW-5991 Cheshire Double Pedestal Dining Table 6, 7, 18
JW-5993 Center Table 26
JW-6321 George III Occasional Table 37
JW-6322 Chinoiserie Occasional Table 37
JW-6381 Waldorf Sofa 28, 29
JW-7064 Queen Anne Baroque Side Chair 11, 14
JW-7065 Queen Anne Baroque Arm Chair 11, 14
JW-7191 Georgian Dining Table 11, 18
JW-7328 Southhill Cocktail Table 31
JW-7341 Robert Adam Demi-Lune Commode 22, 23
JW-7345 George III Door Cabinet 22
JW-7516 British India Mirror 12, 13, 21
JW-7530 Saracenic Occasional Table 36
JW-9804 Teapoy Pedestal Table 38
JW-9828 English Rose Cocktail Table 28
JW-9882A Regency Sideboard 18, 19
JW-9896 Staffordshire Dining Table 16, 17
INDEX
60. John Widdicomb is in an exclusive category
in today’s fine furniture market.
Having the ability and sheer skill
to execute successfully difficult designs
is one of the fundamental differences between
John Widdicomb and other manufacturers.
Stickley Drive • Manlius, NY 13104
PH 315.682.5500 • Fax 315.682.6306
www.johnwiddicomb.com
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