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“Theatre-landscapes”:
   Understanding and Alterity
at the Theater an der Ruhr (TaR),
              Germany
                    
                    
             Jonas Tinius
   Division of Social Anthropology
       University of Cambridge
          jlt46@cam.ac.uk
Fig. 1: Rosemarie Brücher, Rupert Seidl, Klaus Herzog in P. Handke’s
      Kaspar, White Nights Festival 2011, photo: R. Mischorr, TaR.
Fig. 2: Albert Bork as Diabetes in W. Allen’s God, White Nights
               Festival 2011, photo: R. Mischorr, TaR.
Fig. 3: The Jester with main characters, W. Shakespeare’s Twelfth
                               Night,
                       photo: A. Köhring, TaR.
Fig. 4: Fabio Menendez in Pirandello’s Non Si Sa Come, photo: A.
                         Köhring, TaR.
Fig. 5: Roberto Ciulli, in rehearsal for A. Schnitzler’s Traumnovelle,
                          photo: R. Seidl, TaR.
www.theaterlandscapes.blogspot.c
               om

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Jonas tinius

  • 1. “Theatre-landscapes”: Understanding and Alterity at the Theater an der Ruhr (TaR), Germany     Jonas Tinius Division of Social Anthropology University of Cambridge jlt46@cam.ac.uk
  • 2. Fig. 1: Rosemarie Brücher, Rupert Seidl, Klaus Herzog in P. Handke’s Kaspar, White Nights Festival 2011, photo: R. Mischorr, TaR.
  • 3. Fig. 2: Albert Bork as Diabetes in W. Allen’s God, White Nights Festival 2011, photo: R. Mischorr, TaR.
  • 4. Fig. 3: The Jester with main characters, W. Shakespeare’s Twelfth Night, photo: A. Köhring, TaR.
  • 5. Fig. 4: Fabio Menendez in Pirandello’s Non Si Sa Come, photo: A. Köhring, TaR.
  • 6. Fig. 5: Roberto Ciulli, in rehearsal for A. Schnitzler’s Traumnovelle, photo: R. Seidl, TaR.