This portfolio document provides an overview of Justin Andrew Schuck's creative work across various disciplines over the past 17 years. It includes sections summarizing his background and experience in branding, UI/UX design, website design, digital and print design, and photography. For each project highlighted, it provides context on the client and challenges, an overview of the creative process, and the results achieved. The portfolio is intended to showcase Schuck's full range of skills and the quality of work produced for an array of clients.
the backbone of the various presentations held at the launch of the book 'Brand Driven Innovation' by Erik Roscam Abbing. Videos will soon be posted on youtube.
From the MarTech Conference in San Francisco, California, March 31-April 1, 2015. SESSION: The Role Of Technology In The Modern Creative Agency - Given by Fred Gerantabee, @GROOVEYORKCITY - Grey Group, SVP/Director of Creative Technology
The workplace of the future is adapting to the demands of a worker who has always known collaborative technology, and physical location is no longer a barrier to connection. In this eBook, experts in employee engagement and workplace design discuss how all companies can create a more connected place, regardless of size or budget.
The first Hong Kong-based Graphic Recording agency is glad to present his latest projects in this online portfolio. Drop us a line if you want to collaborate we'd love to hear from you.
the backbone of the various presentations held at the launch of the book 'Brand Driven Innovation' by Erik Roscam Abbing. Videos will soon be posted on youtube.
From the MarTech Conference in San Francisco, California, March 31-April 1, 2015. SESSION: The Role Of Technology In The Modern Creative Agency - Given by Fred Gerantabee, @GROOVEYORKCITY - Grey Group, SVP/Director of Creative Technology
The workplace of the future is adapting to the demands of a worker who has always known collaborative technology, and physical location is no longer a barrier to connection. In this eBook, experts in employee engagement and workplace design discuss how all companies can create a more connected place, regardless of size or budget.
The first Hong Kong-based Graphic Recording agency is glad to present his latest projects in this online portfolio. Drop us a line if you want to collaborate we'd love to hear from you.
70% of the workforce is disengaged--and environment may have something to do with it. When companies think holistically about the offices they are building and how people will use those spaces, they can help transform workplace culture, engage employees, and inspire innovation. Check out examples of engaging workspaces from Balfour Beatty Construction, one of the partners behind the book Change Your Space, Change Your Culture by Rex Miller, Mabel Casey, and Mark Konchar. http://www.wiley.com/WileyCDA/WileyTitle/productCd-1118937813.html
A group of 7 people who attended the Service Design Network Global Conference 2014 in Stockholm on October 6,7,8 2014, have shared their experiences, take-aways and ideas in a Whatsapp group, during and after the conference.
This deck shares their findings with a wider audience, hoping to initiate a healthy debate in the service design community, on where we ant to go with our conferences. We hope to see you all next year, to share an even better experience together!
How do you increase your opportunities for meaningful customer centric innovation? In this deck the Zilver team explain how they broaden the product scope and explore deeper outcomes to create blue oceans of opportunity. The Experience Design Matrix is introduced and explained with cases and exercises.
Change Your Space, Change Your Culture: Learn how workspace design can create...BalfourBeattyUS
Can space serve as a tool to produce a culture of innovation in the workplace? Finding answers to questions like this inspired this presentation and the new book Change Your Space, Change Your Culture that explores the workplace of the future and how workspace design can produce a culture of innovation. Available now, the book’s authors lay out strategies for businesses to transform their organizations by creating spaces that help stimulate ideas, energize people and transform culture.
I gave this talk to the agency I work at, as i'm the first 'creative technologist' there.
My thoughts on what my job means, where I think the industry is going and some inspirational stuff in the back end.
These slides are quite old - please see the latest version - http://www.slideshare.net/sermad1/what-is-a-creative-technologist
@sermad
This talk is primarily aimed at first-time UX job seekers but may be equally interesting to UX job changers. Topics include an overview of Agency vs. In-house vs. Enterprise UX job experiences, tips for getting noticed by hiring managers, and tips for nailing the interviews.
When building a startup, designer needs prove to be at the same time indispensable, urgent, and often, a pain in the a**. From our experience of choosing between outsourcing and in-house designers and handling a designer teams on a daily basis, we came up with these advice to help you work in a creative and peaceful atmosphere. Enjoy!
These slides were originally created by Alex Delivet (@alexd) for a presentation at BlendWeb in France.
a presentation about touch point orchestration, and how to design customer experiences using the customer journey and multi-disciplinary design management
The bar is set low for B2B brands. Painfully, unproductively, boringly low. Learn how B2B marketers use design thinking and bold ideas to break out. No more badly designed blue logos, empty trade shows booths and generic whitepapers. B2B can do better.
Coworking and corporates - The next step in the New World of WorkJean-Yves Huwart
Presentation given by Rosa Gompers, from the Community Office, at the Coworking Europe 2017 conference, in Dublin. It's about innovation, engagement, culture.
IdeaPaint Design Works: Effects of Workplace Design on Company and it's Emplo...Daniel Sarao
Modern workplace design intimately affects recruitment, productivity, and the psychological health of your employees. It also offers the unique opportunity to express what kind of company you are. And that, ultimately, is what will set your company apart.
In Design Works, an eBook by IdeaPaint you’ll find a sampling of businesses that are doing workplace design right. They’ve engaged A&D partners to help them move beyond brass tacks to the larger challenge of creating a company culture. We interviewed both sides of the conversation - the architects and interior designers, as well as their client counterparts - to find out how specific business objectives manifest in the built environment, and learned that behind each decision is a philosophical underpinning. From the paint on the walls to the beers on draft, all the small things add up. And the dividends can be big.
The takeaways here are evergreen. It doesn’t matter if you’re planning for your first office or your fifth, in the end, how well your team works together will determine if the doors stay open. As these case studies illustrate, well- thought-out design is your best weapon.
Borrow as you see fit and remember, the future of work is up to you.
70% of the workforce is disengaged--and environment may have something to do with it. When companies think holistically about the offices they are building and how people will use those spaces, they can help transform workplace culture, engage employees, and inspire innovation. Check out examples of engaging workspaces from Balfour Beatty Construction, one of the partners behind the book Change Your Space, Change Your Culture by Rex Miller, Mabel Casey, and Mark Konchar. http://www.wiley.com/WileyCDA/WileyTitle/productCd-1118937813.html
A group of 7 people who attended the Service Design Network Global Conference 2014 in Stockholm on October 6,7,8 2014, have shared their experiences, take-aways and ideas in a Whatsapp group, during and after the conference.
This deck shares their findings with a wider audience, hoping to initiate a healthy debate in the service design community, on where we ant to go with our conferences. We hope to see you all next year, to share an even better experience together!
How do you increase your opportunities for meaningful customer centric innovation? In this deck the Zilver team explain how they broaden the product scope and explore deeper outcomes to create blue oceans of opportunity. The Experience Design Matrix is introduced and explained with cases and exercises.
Change Your Space, Change Your Culture: Learn how workspace design can create...BalfourBeattyUS
Can space serve as a tool to produce a culture of innovation in the workplace? Finding answers to questions like this inspired this presentation and the new book Change Your Space, Change Your Culture that explores the workplace of the future and how workspace design can produce a culture of innovation. Available now, the book’s authors lay out strategies for businesses to transform their organizations by creating spaces that help stimulate ideas, energize people and transform culture.
I gave this talk to the agency I work at, as i'm the first 'creative technologist' there.
My thoughts on what my job means, where I think the industry is going and some inspirational stuff in the back end.
These slides are quite old - please see the latest version - http://www.slideshare.net/sermad1/what-is-a-creative-technologist
@sermad
This talk is primarily aimed at first-time UX job seekers but may be equally interesting to UX job changers. Topics include an overview of Agency vs. In-house vs. Enterprise UX job experiences, tips for getting noticed by hiring managers, and tips for nailing the interviews.
When building a startup, designer needs prove to be at the same time indispensable, urgent, and often, a pain in the a**. From our experience of choosing between outsourcing and in-house designers and handling a designer teams on a daily basis, we came up with these advice to help you work in a creative and peaceful atmosphere. Enjoy!
These slides were originally created by Alex Delivet (@alexd) for a presentation at BlendWeb in France.
a presentation about touch point orchestration, and how to design customer experiences using the customer journey and multi-disciplinary design management
The bar is set low for B2B brands. Painfully, unproductively, boringly low. Learn how B2B marketers use design thinking and bold ideas to break out. No more badly designed blue logos, empty trade shows booths and generic whitepapers. B2B can do better.
Coworking and corporates - The next step in the New World of WorkJean-Yves Huwart
Presentation given by Rosa Gompers, from the Community Office, at the Coworking Europe 2017 conference, in Dublin. It's about innovation, engagement, culture.
IdeaPaint Design Works: Effects of Workplace Design on Company and it's Emplo...Daniel Sarao
Modern workplace design intimately affects recruitment, productivity, and the psychological health of your employees. It also offers the unique opportunity to express what kind of company you are. And that, ultimately, is what will set your company apart.
In Design Works, an eBook by IdeaPaint you’ll find a sampling of businesses that are doing workplace design right. They’ve engaged A&D partners to help them move beyond brass tacks to the larger challenge of creating a company culture. We interviewed both sides of the conversation - the architects and interior designers, as well as their client counterparts - to find out how specific business objectives manifest in the built environment, and learned that behind each decision is a philosophical underpinning. From the paint on the walls to the beers on draft, all the small things add up. And the dividends can be big.
The takeaways here are evergreen. It doesn’t matter if you’re planning for your first office or your fifth, in the end, how well your team works together will determine if the doors stay open. As these case studies illustrate, well- thought-out design is your best weapon.
Borrow as you see fit and remember, the future of work is up to you.
I AM A DESIGNER WHO LOVES POWERPOINT.
A versatile PowerPoint and presentation designer, graphic designer and project manager with 15+ years' experience, specialising in PowerPoint with creative design skills (templates, pitch work and presentations).
-----------------
I LOVE POWERPOINT SO YOU DON'T HAVE TO.
Nine ways Creative Professionals can become Creative Entrepreneurs Dominique Falla
An entrepreneur is an individual who creates a new business, bearing most of the risks and enjoying most of the rewards. The process of setting up a business is known as entrepreneurship. The entrepreneur is commonly seen as an innovator, a source of new ideas, goods, services, and business/or procedures.
Creative entrepreneurs then use their creative or intellectual knowledge and skills to earn a living, usually in a business or as a solopreneur. This differs from traditional entrepreneurship that has mainly focused on manufacturing and industrial products.
In this Slideshare, we look at nine ways graphic designers can become creative entrepreneurs
SKYE SANT Finding a Job Project Strengths Assessment My.docxMARRY7
SKYE SANT
Finding a Job Project:
Strengths Assessment
My strongest trait that I can bring to any business is my ability to collaborate. I
actively search for touchstones with the people within my working sphere
despite traditional differences that might separate collaborators working
toward a common goal. This will allow me to succeed in what I believe has
become an increasingly team-based business model. I communicate clearly
and as shown through my work as chairwoman of the University of
Colorado’s student government Public Relations department I am selfmotivated,
responsible, and I am a leader who consciously forges strong
relationships with a wide variety of people. I am equally at home speaking at
conferences, classes, seminars or before government legislatures.
Secondly I have a practiced creativity. I am innately a creative person but I
believe that, like a second language, without practicing my creativity I will not
be able to keep current with my contemporaries or expand my own vision. I
routinely produce and show my artwork in galleries in Denver and I am an
active performing artist. As the owner of a small digital design business I
innovate, explore, and use all the tools available to me - in many cases this
includes traditional forms and methods of art. I am well versed in the
sculpture of wood, metals and mixed media as well as traditional handdeveloped
photographic processes. I delight in rendering illustration in a wide
variety of mediums including conte, charcoal, watercolor and pencil.
Finally I am strong in technical skills across a wide range of software
programs. These include print design applications such as Microsoft Office
(Word, Power Point, Excel), Adobe InDesign, Open Office and Adobe
Acrobat, and other graphic applications in the Adobe Suite (Photoshop,
Illustrator). I also know the digital design and movie making applications in the
Adobe Suite CS5; AfterEffects, DVD Studio Pro, iDVD, Bridge, Quicktime,
RealPlayer, DVD Player ,Final Cut Pro, and iMovie. I can edit and create in
sound applications such as Soundtrack Pro and GarageBand and can
program websites using Wordpress, iWeb, FlashCS4 (and ActionScript),
FrontPage, HTML4, and CSS.
�
SKYE SANT
Finding a Job Project:
Job Requirements
TITLES: User Interface Designer; Experience Designer; Interaction Designer;
Information Architect; Social Interaction Designer; Interface Designer; User
Experience Designer; Interactive Systems Engineer and Kinetic User Interface
Designer.
METHODOLOGIES: Candidate should be able to apply various
methodologies of creating user interfaces including design research, research
analysis and concept generation, visualization, wireframing, envisioning
multiple design solutions, and affective processes in interaction design. To a
lesser extent, the candidate may be involved in prototype and usability
testing, implementation and system testing.
FIEL ...
Propelland is a global strategic design and engineering firm based in San Francisco helping Fortune500 companies and start-ups transform and grow by bringing to life products, services, and experiences that add value in people's lives. We are a multidisciplinary team of designers, engineers, and strategists with offices in San Francisco, Madrid, and Mexico City. Living in the intersection of physical and digital, we focus on bringing ideas to life through agile and fast-prototyping methodologies that add value to consumers and move the needle for our clients. Please visit our website to see some examples of our work: www.propelland.com.
2013 Content Marketing Awards: Agency of the Year EntryBabcock Jenkins
Here's a look at Babcock & Jenkins' content marketing practice, including our approach, our work, our people and our vision for the future. Check it out! And visit http://orangecrush.bnj.com to see more...
Project on Branding | Branding of ridege e solution Sanklha paul
Nshm knowledge campus
student
Name SANKHA PAUL
it's all free! download and enjoy the taste of branding
website blog trueexperience.info
my youtube channel https://youtu.be/WRKienOW-LQ
From insight to idea, to implementation.
Design Thinking helps us create value-driven innovation.
Lean UX secures success through testing and iterations.
These key ingredients make up a winning combination.
Lillian Ayla Ersoy, BEKK
Laicos is a technology Startup Studio led by Ryan Negri and Kyle Matthews. With 20 years combined operational and startup experience, Negri and Matthews want to shape the up-and-coming startup ecosystem of Tampa, Florida, developing their own ideas to create a new tech hub of innovation and entrepreneurship.
A “Startup Studio” is a structure whose aim is to repeatedly build products into companies. Thanks to its infrastructure and resources, a startup studio increase a product’s chance of success and optimize its creation and growth.
The difference between incubators/accelerators and Startup Studios is the vested human capital involved around an idea. At the core of the startups studio model are dedicated teams helping business ideas develop into beautiful products and successful companies.
Laicos’ flagship inaugural product, Fuse, is a social media management platform for the consumers and power users, with a simple price model and a clean and attractive UI. In addition, Laicos is developing four additional products: BusFinder, currently in beta version, an app utilizing data from the Tampa Public Transportation System; $1Market, to offer many different services to users for $1 dollar/mo, Order to Seat, for fans to order food to their seat while at a stadium or arena, and FoodStops, a food truck tracking app for consumers and marketing platform for vendors. In 20I7, we plan to work with other founders to help turn their ideas into reality.
2. A P O R T F O L I O O F S E L E C T E D W O R K
B Y J U S T I N A N D R E W S C H U C K
3. I About Me P . 4 - 6
II Branding P . 7 - 1 3
III UI/UX Design P . 1 4 - 1 7
IV Website Design P . 1 8 - 2 3
V Digital & Print Design P . 2 4 - 3 1
VI Photography P . 3 2 - 5 2
VII Contact Information P . 5 4 - 5 5
PORTFOLIO|TABLEOFCONTENTS|
3
5. PORTFOLIO|ABOUTME|
5
FOR OVER 17 YEARS, I’VE
WORKED HARD TO HONE MY
SKILLS IN DESIGN, PHOTOGRAPHY
AND CREATIVE DIRECTION,
LEVERAGING MY PASSION FOR
PERFECTION AND MY INTENSE
CURIOSITY OF THE WORLD.
I consider myself first and foremost
a “creative,” taking an editorial
perspective to everything I do. My
work and process reflects a deliberate
and collaborative approach to develop
products that resonate, and build brands
that authentically tell their story. I like
to think I'm "crafting the future."
The honor of working with exceptional
teams drives me to produce great
work. I’ve even built three creative
agencies from the ground up, including
the first-ever digital agency inside
of a national political committee.
Throughout my career I’ve sought new
challenges and new opportunities.
Now I’m ready to launch the next
great chapter of my career.
C R E AT I V E D I R E C T I O N
P H O T O G R A P H Y & F I L M P R O D U C T I O N
B R A N D I N G & D E S I G N
JUSTIN ANDREW SCHUCK
6. PORTFOLIO|ABOUTME|
6
“Justin and his focused staff created a spectacular website, and
has embarked on a terrific internet advertising campaign for my
new companies. I’m grateful for the quality of the product and
excited by the positive responses I've received from clients, and
even my competition. Justin has carefully analyzed our challenges.
He's correctly and professionally presented, and then produced
solutions. Honestly when I first saw his product I was speechless.”
PAUL SLIWKA
President, Central Properties
“Having worked with Justin regularly over the last two years, I can
attest to his prowess in visual design. He is one of the top website
user experience designers out there. Justin’s work speaks for
itself. He consistently produces clean, visually captivating work.”
JONAS KLEINER
Founder, Kraftiq
“I can’t say enough good things about Justin. His work is of the
highest caliber, both technically and creatively. His communication
skills and team mentality are excellent. A work ethic that’s second
to none, he frequently pulled all-nighters to deliver on short
notice. He is a pleasure personally to work with—deferential to
authority as appropriate but frank and an independent thinker—
and all who come into contact with him become friends.”
MICHAEL G. ADAMS
General Counsel & Deputy Executive Director, RGA
“This guy is, quite simply, the best photographer/website
designer in the DC area. He is reliable, creative, reasonable
and a pleasure to work with. You simply can’t do any better.
In addition to taking phenomenal pictures for my campaign,
he put together the best political website I have ever seen.”
SCOTT ROLLE
Candidate for MD Attorney General
Don't just take
my word for it.
There’s more where that came from at
LinkedIn.com/in/jaschuck
9. PORTFOLIO|BRANDING|
9
M M R | P . 1 1
C C D | P . 1 3
G O Û T E R | P . 1 0
B E N N A Y E R | P . 1 2
The stories of
how four logos
came to be.
10. PORTFOLIO|BRANDING|
1 0
The Client
The word goûter translates
from the French as "taste,"
but it's a deeper kind of taste.
Drawing on the owner's Belgian
heritage, she conceived of
a yoga-inspired organic raw
pressed juice company based
in Washington, DC. But it
wasn't all about juice; it was
about living the "Goûter Life."
The Challenge
Create a modern brand that
reflects the existing brand
equity, while developing a
system that can be leveraged
for packaging and multi-
channel marketing.
The Process
A multi-year process, it all
started with a sketches in my
little composition book. Then
dozens more sketches. Long
sessions of collaborative design,
punctuated by "tonic breaks,"
defined this unconventional
approach to logo design.
There were three evolutions
of the Goûter brand.
The Result
After over 800 hours sketching,
prototyping, and developing
the logo, a new vision for
a growing brand came to
fruition. The new Goûter logo
and packaging evokes the
shape of their signature bottle,
creating a harmonious synergy.
Raw. Vegan. Tasty.
11. PORTFOLIO|BRANDING|
1 1
The Client
Montpelier, Vermont-based
MMR is both a law firm, and
government relations and
regulatory affairs consultancy
providing a range of services
to clients around the world.
The Challenge
Create a modern logo with
for a growing and diversifying
business. The new logo
needed to be clean and speak
to a global audience, while
remaining rooted in Vermont.
The Process
Vermont's famed Green
Mountains served as a creative
inspiration and guidepost.
While there were numerous
design directions, I worked
with the client to hone and
perfect the logo, as well as,
develop a new color palette
and visual language for MMR.
The Result
Several rounds of feedback
from all of the partners
and stakeholders led to a
wonderfully clean logo and
identity system. A company
re-imagined and reborn.
Vermont Basecamp.
Global reach.
12. PORTFOLIO|BRANDING|
1 2
The Client
BennAyer was an Atlanta,
Georgia-based start-up
corporate and political
consulting firm.
The Challenge
Under a tight deadline, create a
logo for a new consulting firm
that fuses the last names of its
two founders while drawing
inspiration from the colors of
Georgia's famous red clay.
The Process
Due to the tight turnaround
required of this project at the
outset, it was imperative to
accelerate the iterative process
early, and present a set of fully
formed logos. I wanted to
create a mark that thoughtfully
tied together the B and A
of the owners' last names.
The Result
Delivered ahead of schedule
and on budget, the above
logo perfectly delivered on
the objective, presented in
a modern, flat logo mark.
Born from the
Georgia red clay.
13. PORTFOLIO|BRANDING|
1 3
The Client
Cliff Chapital Design is a
San Francisco, California-
based interior design, retail
store design, and events
firm that serves high-profile
corporate and residential
clients from coast to coast.
The Challenge
Create a logo for a new interior
design business, then grow
and evolve the brand to reflect
the elegance and stature
of its growing clientele.
The Process
Cliff came to me in 2012 to
design a new logo, a website
holding page, and collateral
material to help him launch his
new venture. Over the course
of three years I designed
the original logo, and its
evolutionary successor, along
with a range of multichannel
marketing materials and decks.
The Result
The final logo you see above
represents the maturation of
the original logo. The mark
contains a concentric "CCD"
that evokes high-end jewelry
and home furnishings. Cliff
now has a fully formed brand
identity that reflects the
exceptional quality of his work.
Interiors. Elevated.
16. PORTFOLIO|UI/UXDESIGN|
1 6
fig. 01-03
UI/UX design for
employee training
and retention
app that deploys
dynamic teaching
tactics to create an
engaging learning
environment, ensuring
mastery across five
learning channels.
Dynamic learning.
17. PORTFOLIO|UI/UXDESIGN|
1 7
fig. 04-06
UI/UX design for employee training and retention app that
deploys dynamic teaching tactics to create an engaging learning
environment, ensuring mastery across five learning channels.
26. PORTFOLIO|DIGITAL&PRINTDESIGN|
2 6
fig. 01-04
Instagram event marketing and
digital display advertising for the
Refugee Hackathon in Atlanta,
Georgia sponsored by Silicon
Valley-based Lincoln Initiative.
Hacking for good.
27. PORTFOLIO|DIGITAL&PRINTDESIGN|
2 7
fig. 01-03
Branding and outdoor display
advertising for the Metro Atlanta
Voter Education Network in
support of a regional approach to
transit, transportation and smart
growth in Atlanta, Georgia.
Smart commuting.
28. PORTFOLIO|DIGITAL&PRINTDESIGN|
2 8
fig. 01-03
Branding and design. Shown
here: high-impact political email
marketing campaign. A/B split testing
showed this photo-centric design
outperformed the CTR of the text-
based campaign by a margin of 8-to-1.
Every dollar counts.
30. PORTFOLIO|DIGITAL&PRINTDESIGN|
3 0
fig. 01-04
Digital display advertising for an issue
advocacy campaign optimized for the
value of the impression, part of a multi-
channel advertising and content strategy.
Valuable impressions.
31. PORTFOLIO|DIGITAL&PRINTDESIGN|
3 1
fig. 01-03
"Voting in America 2012" infographic. The
Voting Information Project successfully
provided millions of voters instant access to
polling place and candidate information.
Infographitastic!
33. PORTFOLIO|PHOTOGRAPHY|
3 3
PHOTOGRAPHY HAS BEEN THE
JOURNEY AND LOVE OF MY LIFE.
My first job at age fourteen was as an
assistant at my godfather's photography
studio. He instilled in me a respect for the
craft and business of photography.
I shot my first paying photography gig
at sixteen, and over the next few years I
worked hard, perfected my craft, and grew
my little side hustle into an internationally-
acclaimed photography studio operating on
three continents.
I've been so incredibly blessed for the
experiences I've had as a photographer
covering people and events all over the
world. My work has been exhibited on four
continents, and seen in magazines like
Vogue.
In 2005, I gave a keynote address where
I said "photographers listen with their
eyes and watch with their hearts." A true
photographer sees everything in a scene,
even the soul of the moment.
HERE I'VE COLLECTED A FEW OF MY
FAVORITE IMAGES FROM ASSIGNMENTS
OVER THE LAST TWO YEARS.
34. PORTFOLIO|PHOTOGRAPHY|
3 4
A M B I A N C E S F | P . 3 2 M I L L E N N I U M T O W E R | P . 3 3 S A M M Y | P . 3 4
A H U M M I N G B I R D | P . 3 7M O T H E R & C H I L D | P . 3 6L U S C I O U S S U N R I S E | P . 3 5
45. PORTFOLIO|PHOTOGRAPHY|
4 5
ON JUNE 1, 2015, I CAPTURED
THE MOST BEAUTIFUL AND
ARTISTICALLY SIGNIFICANT
IMAGE OF MY NEARLY 20-YEAR
CAREER AS A PHOTOGRAPHER.
What you see in this photograph is the
raw, unedited image captured in-camera.
In no way have I doctored—or added
effects in post—to create this photo.
The scene is of the unremarkable side street
next to where I once lived in Alameda,
California. But, in re-seeing the street of
this scene, I was overcome with emotion.
In “Briggs Street,” I found my artistic
raison d’être. Since jumping back
into photography in 2015 after a
hiatus, I had looked for a new story
to tell with my photography.
For most of my life, I have been involved
with the cause of homelessness. This
is a community that has never been
invisible to me. Yet, as a society, we view
the street-living homeless as a piece
of infrastructure—gray, ever-present,
something to be ignored and forgotten.
Now I've invented an entirely new
method of documenting and beautifying
the anonymous invisible among us.
WITNESS AND ENJOY A CURATED
COLLECTION FROM MY AUGMENTED
REALITY AND "ANONYMOUS
INVISIBLE" PROJECTS.
46. PORTFOLIO|PHOTOGRAPHY|
4 6
A N O N Y M O U S 1 4 . 1 | P . 4 1 A N O N Y M O U S 2 | P . 4 2
A N O N Y M O U S 5 | P . 4 5P I G E O N P O I N T | P . 4 4A N O N Y M O U S 7 | P . 4 3
F L O R A A T D U S K | P . 4 0