This document outlines a design project with two parts for students. Part 1 involves individually sketching design elements in nature and the built environment. Students must produce sketches and abstract artworks exploring lines, shapes, textures, and more. Part 2 is a group project to create nine simple abstract artworks from daily items exploring design principles like balance, asymmetry, and unity. The artworks will be presented together with explanation boards. The objectives are for students to learn design processes, elements, and principles through observation and hands-on projects.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document outlines the requirements for Project 1 of an introductory design course. The project has two parts: 1) Individual sketches of design elements observed in nature and the built environment. 2) Group artwork exploring design principles using daily items, to be presented along with explanation boards. Students must demonstrate understanding of elements and principles, and will be assessed based on creativity, technique, explanations, and meeting requirements. The project aims to familiarize students with basic design components and principles through 2D abstract art.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow and levels of neurotransmitters and endorphins which elevate and stabilize mood.
Opal and inverse opal structures for optical device applicationsM. Faisal Halim
This document summarizes research on developing an all-optical silicon transistor using an opal/inverse opal photonic crystal heterostructure. Photonic crystals can act as optical waveguides and switches by manipulating light transmission through periodic dielectric structures. Most work so far uses non-silicon materials at scales above 200nm, but inverse opals have potential at the nanoscale using silicon. The document outlines challenges in developing 1D, 2D and 3D photonic crystals and integrating them with silicon chips. It then describes how opals and inverse opals are made and their photonic bandgap properties. Current research is working to shrink features below 100nm for visible light applications in silicon. The goal is an all-opt
Este documento presenta datos sobre la velocidad del aire y el coeficiente de evaporación de gotitas de combustible en una turbina de propulsión. Se utiliza un análisis de regresión lineal para predecir el coeficiente de evaporación cuando la velocidad del aire sea de 190 cm/seg y 390 cm/seg.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document outlines the requirements for Project 1 of an introductory design course. The project has two parts: 1) Individual sketches of design elements observed in nature and the built environment. 2) Group artwork exploring design principles using daily items, to be presented along with explanation boards. Students must demonstrate understanding of elements and principles, and will be assessed based on creativity, technique, explanations, and meeting requirements. The project aims to familiarize students with basic design components and principles through 2D abstract art.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow and levels of neurotransmitters and endorphins which elevate and stabilize mood.
Opal and inverse opal structures for optical device applicationsM. Faisal Halim
This document summarizes research on developing an all-optical silicon transistor using an opal/inverse opal photonic crystal heterostructure. Photonic crystals can act as optical waveguides and switches by manipulating light transmission through periodic dielectric structures. Most work so far uses non-silicon materials at scales above 200nm, but inverse opals have potential at the nanoscale using silicon. The document outlines challenges in developing 1D, 2D and 3D photonic crystals and integrating them with silicon chips. It then describes how opals and inverse opals are made and their photonic bandgap properties. Current research is working to shrink features below 100nm for visible light applications in silicon. The goal is an all-opt
Este documento presenta datos sobre la velocidad del aire y el coeficiente de evaporación de gotitas de combustible en una turbina de propulsión. Se utiliza un análisis de regresión lineal para predecir el coeficiente de evaporación cuando la velocidad del aire sea de 190 cm/seg y 390 cm/seg.
This document lists various plant species found in a raised bog, including cottongrass, cross-leaved heath, cranberry, sundew, and crowberry. It also mentions bog rosemary, sphagnum moss, and cross-leaved heath growing in a raised bog habitat dominated by sphagnum moss.
This document discusses Miller indices, which are sets of integers (h,k,l) used to identify crystal planes in a lattice. The integers are inversely proportional to the intercepts of the plane along the crystal axes. Some examples of planes in a cubic crystal are the 001, 110, and 111 planes.
El documento discute los efectos negativos de la pornografía y la violencia en los medios de comunicación. Menciona que Ted Bundy atribuyó su adicción a la pornografía violenta como un factor que contribuyó a sus crímenes. También señala que la exposición a contenido pornográfico puede conducir a una escalada hacia material más explícito y violento, e incluso a la imitación de dicho contenido. Finalmente, concluye que la pornografía y la violencia en los medios pueden dañar el cerebro, las relaciones
The document discusses the magnetotelluric (MT) method, which uses natural electromagnetic fields generated by solar winds and lightning to infer the conductivity and resistivity distribution of the subsurface. The MT method involves passive surface measurements of the earth's natural EM fields across a wide frequency range to investigate structures at intermediate to deep depths. Key aspects covered include skin effect, which causes exponential attenuation of EM waves with depth; MT data processing in the frequency domain; and 1D and 2D inversion modeling to estimate subsurface resistivity structures from measured impedance data.
1. The document outlines a design project for students to learn about design elements and principles through creating abstract artworks using natural and man-made objects.
2. It is divided into two parts - the first involves individually sketching design elements in nature and the built environment, and creating two abstract art paintings. The second part has students work in groups to create nine simple artworks using daily items to demonstrate design principles.
3. Students are assessed based on their understanding of design elements and principles as demonstrated through the originality, creativity, and quality of the artworks and presentation boards created.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and producing abstract artworks. Part 2 involves working in groups to create nine simple abstract artworks from daily items exploring design principles. Students must submit sketches and artworks demonstrating understanding of elements and principles. They will give a presentation explaining the group artwork's theme, applied principles, and composition through diagrams and boards. Assessment criteria include demonstrated understanding of elements, principles, composition, originality, creativity, and presentation quality.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements, and composition used. They will be assessed on their understanding and application of design concepts, the originality and quality of their artworks, and the clarity of their presentation.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students must select a base, fixtures to connect items, and apply one principle to each artwork. They must present the artworks and explain the applied principles on two presentation boards.
The objectives are to learn design processes, components, and principles. On completion, students should recognize and apply elements and principles
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students must select an item, base, and method of arrangement. They will apply one principle to each artwork, such as balance or asymmetry. The artworks and presentation boards will be assessed based on demonstrated understanding of elements and principles as well as creativity, technique, and clarity of explanation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements, and composition used. They will be assessed on their understanding and application of design concepts, the originality and quality of their artworks, and the clarity of their presentation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items to demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and producing abstract artworks. Part 2 involves working in groups to create nine simple abstract artworks from daily items exploring design principles. Students must submit sketches and artworks demonstrating understanding of elements and principles. They will give a presentation explaining the group artwork's theme, applied principles, and composition through diagrams and boards. Assessment criteria include demonstrated understanding of elements, principles, composition, originality, creativity, and presentation quality.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students select a material, base, and method of arrangement. They apply principles like balance and asymmetry. The artworks and presentation boards are assessed on understanding of elements and principles, creativity, and clarity of explanation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and producing abstract artworks. Part 2 involves working in groups to create nine simple abstract artworks from daily items exploring design principles. Students must submit sketches and artworks by specified dates and be prepared for pin up tutorial sessions to present their work. They will be assessed based on demonstrated understanding of design elements, principles, composition, originality, creativity, and quality of presentation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students select a material, base, and method of arrangement. They apply principles like balance and asymmetry. The artworks and presentation boards are assessed on understanding of elements and principles, creativity, and clarity of explanation.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students select a material, base, and method of arrangement. They apply principles like balance and asymmetry. The artworks and presentation boards are assessed on understanding of elements and principles, creativity, and clarity of explanation.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items to demonstrate design principles, elements, and composition. Students must choose items, a base, and methods to arrange the items. They will apply 9 principles like balance and asymmetry. They must present the artworks and explain the principles on boards.
The project aims to help students recognize and apply design elements and principles through observation
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items to demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document lists various plant species found in a raised bog, including cottongrass, cross-leaved heath, cranberry, sundew, and crowberry. It also mentions bog rosemary, sphagnum moss, and cross-leaved heath growing in a raised bog habitat dominated by sphagnum moss.
This document discusses Miller indices, which are sets of integers (h,k,l) used to identify crystal planes in a lattice. The integers are inversely proportional to the intercepts of the plane along the crystal axes. Some examples of planes in a cubic crystal are the 001, 110, and 111 planes.
El documento discute los efectos negativos de la pornografía y la violencia en los medios de comunicación. Menciona que Ted Bundy atribuyó su adicción a la pornografía violenta como un factor que contribuyó a sus crímenes. También señala que la exposición a contenido pornográfico puede conducir a una escalada hacia material más explícito y violento, e incluso a la imitación de dicho contenido. Finalmente, concluye que la pornografía y la violencia en los medios pueden dañar el cerebro, las relaciones
The document discusses the magnetotelluric (MT) method, which uses natural electromagnetic fields generated by solar winds and lightning to infer the conductivity and resistivity distribution of the subsurface. The MT method involves passive surface measurements of the earth's natural EM fields across a wide frequency range to investigate structures at intermediate to deep depths. Key aspects covered include skin effect, which causes exponential attenuation of EM waves with depth; MT data processing in the frequency domain; and 1D and 2D inversion modeling to estimate subsurface resistivity structures from measured impedance data.
1. The document outlines a design project for students to learn about design elements and principles through creating abstract artworks using natural and man-made objects.
2. It is divided into two parts - the first involves individually sketching design elements in nature and the built environment, and creating two abstract art paintings. The second part has students work in groups to create nine simple artworks using daily items to demonstrate design principles.
3. Students are assessed based on their understanding of design elements and principles as demonstrated through the originality, creativity, and quality of the artworks and presentation boards created.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and producing abstract artworks. Part 2 involves working in groups to create nine simple abstract artworks from daily items exploring design principles. Students must submit sketches and artworks demonstrating understanding of elements and principles. They will give a presentation explaining the group artwork's theme, applied principles, and composition through diagrams and boards. Assessment criteria include demonstrated understanding of elements, principles, composition, originality, creativity, and presentation quality.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements, and composition used. They will be assessed on their understanding and application of design concepts, the originality and quality of their artworks, and the clarity of their presentation.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students must select a base, fixtures to connect items, and apply one principle to each artwork. They must present the artworks and explain the applied principles on two presentation boards.
The objectives are to learn design processes, components, and principles. On completion, students should recognize and apply elements and principles
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students must select an item, base, and method of arrangement. They will apply one principle to each artwork, such as balance or asymmetry. The artworks and presentation boards will be assessed based on demonstrated understanding of elements and principles as well as creativity, technique, and clarity of explanation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements, and composition used. They will be assessed on their understanding and application of design concepts, the originality and quality of their artworks, and the clarity of their presentation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items to demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and producing abstract artworks. Part 2 involves working in groups to create nine simple abstract artworks from daily items exploring design principles. Students must submit sketches and artworks demonstrating understanding of elements and principles. They will give a presentation explaining the group artwork's theme, applied principles, and composition through diagrams and boards. Assessment criteria include demonstrated understanding of elements, principles, composition, originality, creativity, and presentation quality.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students select a material, base, and method of arrangement. They apply principles like balance and asymmetry. The artworks and presentation boards are assessed on understanding of elements and principles, creativity, and clarity of explanation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and producing abstract artworks. Part 2 involves working in groups to create nine simple abstract artworks from daily items exploring design principles. Students must submit sketches and artworks by specified dates and be prepared for pin up tutorial sessions to present their work. They will be assessed based on demonstrated understanding of design elements, principles, composition, originality, creativity, and quality of presentation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students select a material, base, and method of arrangement. They apply principles like balance and asymmetry. The artworks and presentation boards are assessed on understanding of elements and principles, creativity, and clarity of explanation.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items exploring design principles. Students select a material, base, and method of arrangement. They apply principles like balance and asymmetry. The artworks and presentation boards are assessed on understanding of elements and principles, creativity, and clarity of explanation.
This document outlines Project 1A for an introductory design course. It has two parts:
1. Individual sketches of design elements in nature and the built environment, with 8 sketches and 2 abstract artworks. Students must identify lines, shape, texture, form, and hue in nature and the built environment.
2. A group project to create 9 simple abstract artworks using daily items to demonstrate design principles, elements, and composition. Students must choose items, a base, and methods to arrange the items. They will apply 9 principles like balance and asymmetry. They must present the artworks and explain the principles on boards.
The project aims to help students recognize and apply design elements and principles through observation
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items to demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and producing abstract artworks. Part 2 involves working in groups to create nine simple abstract artworks from daily items exploring design principles. Students must submit sketches and artworks demonstrating understanding of elements and principles. They will give a presentation explaining the group artwork's theme, applied principles, and composition through diagrams and boards. Assessment criteria include demonstrated understanding of elements, principles, composition, originality, creativity, and presentation quality.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their work along with boards explaining the principles, elements, and composition used. They will be assessed on their understanding and application of design concepts, the originality and quality of their artworks, and the clarity of their presentation.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and creating abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items that demonstrate design principles. Students will present their artworks and explanations of the design elements and principles used. They will be assessed on their understanding and application of design concepts, as well as the originality, quality and presentation of their creative works.
This document outlines a design project with two parts for students. Part 1 involves individually sketching natural and built environment elements and producing abstract artworks. Part 2 involves working in groups to create 9 simple abstract artworks using daily items to demonstrate design principles. Students will present their work along with boards explaining the principles, elements and composition used. They will be assessed on their understanding and application of design concepts, the quality and creativity of their artworks, and the clarity of their presentation.
This document outlines the requirements for Project 1 of an introductory design course. The project has two parts: 1) Individual sketches of design elements observed in nature and the built environment. 2) Group creation of nine abstract artworks exploring design principles using common items. Students must demonstrate understanding of elements and principles through their work and presentations. They will be assessed based on creativity, technical skill, and clarity of explaining elements and principles.
The document provides instructions for a project on analyzing modern architectural buildings in Klang Valley, Malaysia. Students must form groups to research and document and analyze a selected building. They are to write a report of around 3000 words discussing the building's history, architectural style, construction, and significance. The report should be divided into an introduction, main paragraphs analyzing different aspects of the building, and a conclusion. It will be assessed based on the quality of content, research, and teamwork.
This document outlines the third project for the Architectural Design Studio 2 module. Students are tasked with further developing their previous project into a 150m2 weekend getaway at the National Botanical Garden in Shah Alam. The objectives are to introduce concepts of program, space, form, and function as well as site-specific design. Students must submit sketches, models, site analysis, drawings including plans, sections, elevations, and details. The project aims to develop understanding of user requirements, spatial configuration, architectural tectonics, and materials.
Arc60205 arc1126 project 1 famous people, familiar faces (august 2016)Lau Hui Ming Belinda
This document outlines Project 1 for the Architectural Design Studio 2 module. Students will work in groups to select one of 22 master architects and their works. They will research the architect and create a 10 minute PowerPoint presentation. Students will then produce a set of drawings including site plans, floor plans, sections and elevations of the selected masterpiece at a scale of 1:100. They will also create 10 analysis diagrams and 10 diagrammatic models at 8x8x8cm to analyze concepts such as form, space, circulation and context hidden in the work. The project aims to investigate how architectural elements and spaces are created through analysis and abstraction of masterworks. Submission includes drawings, models and a presentation for assessment worth 20%
Arc1126 project 2 pavilion @ national botanical garden shah alamLau Hui Ming Belinda
This document outlines the tasks and requirements for Project 2 of the Architectural Design Studio 2 module. Students will work in groups of 2 to conduct site analysis of the National Botanical Garden in Shah Alam, Malaysia and design a 30m3 pavilion for the site. The project aims to develop students' skills in site analysis, user considerations, conceptual design, model making, and presentation. Students must submit site analysis drawings, conceptual diagrams, detailed drawings at 1:50 scale, and physical models of the design process and final proposal to be evaluated based on demonstrated understanding of site context, user needs, design principles, and quality of representations.
This document outlines a group project assignment for architecture students. The assignment requires students to:
1) Identify an environmental or community issue in their local area. 2) Propose and execute a solution to address the issue. 3) Document their work in a research poster and multimedia presentation. Students will work in groups to explore local issues, engage with the community, and provide designs or services to benefit the public. The goal is for students to apply their skills and increase awareness of sustainability issues.
1. The botanical garden site plan includes a location map, site plan, and SWOT analysis of the existing observation tower.
2. The observation tower is designed to blend into the surrounding forest environment, using natural materials like wood. It provides 360-degree views of Shah Alam from the top.
3. The tower faces issues with lack of maintenance, unsafe stairs, and small spaces that restrict visitor movement. Renovations are needed to improve structural integrity and safety.
The document provides details of a student group project to raise awareness about domestic violence. The group of 10 students organized a campaign called "Stop Suffering Silently" during Domestic Violence Awareness Month in October. They conducted various activities at an information booth including distributing cupcakes and bookmarks, conducting a survey, and taking photos with a prop to gain support on social media. The campaign was successful in raising awareness as they received over 50 survey responses, took over 40 photos, and distributed 80 bookmarks, achieving their goals. The survey also provided data showing some students were unaware of support organizations for domestic violence victims.
Wisma Angkasapuri is the headquarters of Radio Television Malaysia (RTM) located in Kuala Lumpur. It was designed in the international style of modernism by architect Ronald Pratt and built in 1968. The building incorporates local Malaysian influences through elements like its spade-like sun shading panels, curved barrel vault roof, and Malay wood carvings. It is accessible via major highways and public transportation. The building layout consists of an administration block and television house connected by an entrance hall with a distinctive barrel vault roof.
This document outlines a design project for students to create an object such as a mask, helmet, or glove to represent themselves. It provides guidelines for the project, including using specific materials, a size limitation of 400mmx400mmx400mm, and submission requirements of a 3D artwork and presentation board. The project aims to help students explore self-identity and creative design processes through abstract interpretation applied to an object worn on the head, hands or face. Students will generate concepts through exploration, sketching, selecting a form, and applying materials to represent themselves.
Architecture, culture and history 1 precedent studies project brief - march 2016Lau Hui Ming Belinda
This document outlines the project brief for a precedent study and analysis assignment in an Architecture, Culture and History module. Students will conduct research on a selected building to analyze its historical and architectural significance. They will present their findings through online discussions, a sketch journal, and a presentation board. The objectives are to develop students' understanding of architectural theory and skills in historical and architectural criticism. Students will investigate the intentions, concepts, and relationships demonstrated in their case study building. They will also explore how its design concepts could creatively influence future designs.
The group visited Batu Caves as part of an assignment for their MPU3123 course. Batu Caves is an important Hindu site in Malaysia that draws many pilgrims. The group explored the various caves and attractions, including the large Lord Murugan statue and climbing 272 steps to the Temple Cave. They documented their experiences and findings through photos and discussions to complete their objectives of understanding the site's architecture, art, history and importance to different cultures.
1. Joey and Jason have decided to open a music store targeting retirees by selling rap CDs. However, this target market is not suitable as retirees likely do not have interest in rap music. It would be better to target teenagers.
2. Businesses contribute to society by making a profit and providing goods/services that fulfill wants/needs. Examples of contributions include job creation and tax revenue.
3. "Barrier to entry" refers to obstacles that make it difficult for new businesses to enter an industry. Producing tangible goods generally has higher barriers due to requirements for facilities/equipment.
The group formed a business called De Dotz to run a charity drive selling food and drinks over 4 days to raise money for Shelter Home for Children. De Dotz sold Matcha Doriyaki, Raspberry Muffins, Cake Pops, Soya Pudding with Longan, and canned drinks. They targeted Taylor's University students and aimed to raise RM2000. Although there was competition, they managed to hit their target through strategies like posters and booth decoration. A total of RM2818.55 was raised for the charity.
This document outlines the requirements and guidelines for a final group project for an Introduction to Business course. Students will form groups to plan and run a charity drive event to raise funds for a charitable organization of their choice. They will apply concepts learned in the course like marketing, finance, operations and ethics. The project aims to provide practical experience for students and support a worthy cause. Students must submit a detailed report on the planning and results of the event as well as videos documenting aspects of the project. They will be assessed on the content and quality of the report, amount of funds raised, financial records, peer evaluations, and individual reflections.
Global warming is considered the most severe environmental problem currently faced by humans. The planet's temperature has risen more than one degree Fahrenheit since the late 1800s, with most of that increase occurring in the past three decades. The primary cause is too much carbon dioxide in the atmosphere from burning fossil fuels for energy and cutting down forests, which allows carbon to accumulate over time. Negative impacts from global warming include rising sea levels, more severe weather events, and threats to wildlife. Proposed solutions include using solar panels as an alternative energy source without harmful emissions, and improving transportation systems and community design to reduce reliance on driving.
Advertising is a multi-billion dollar industry where companies spend millions each month promoting their products to create demand. This has led to the rise of specialized advertising businesses. Advertising can now be found everywhere including newspapers, television, radio, the internet, billboards, and video games. The document discusses ethics in advertising and provides prompts for discussion and a presentation assignment on identifying and addressing false advertising or environmental issues.
The Putrajaya Botanical Garden is a 230 acre tropical garden located in Klang Valley, Malaysia. It was designed as a sanctuary for Malaysian plant life and serves as an education and research center. The garden contains over 700 species of flowering plants from Asia, Africa, and the Pacific region. It features several sections including the Explorer's Trail, Palm Hill, Sun Garden, Floral Garden, and Lakeside area. Recreational activities include the Canopy Walk, cycling, and boating. The buildings are constructed from materials like wood, glass, steel, brick, and tile.
This document contains two journal entries by a student named Lau Hui Ming about their experiences with group work and social influences. In the first entry, Lau discusses negative experiences with group projects where some members did not contribute equally to the work, forcing Lau and others to take on more work. This relates to the concept of social loafing where individual effort decreases in a group setting. The second entry describes how Lau started watching Korean dramas at the suggestion of friends to be able to participate in conversations, and took up sewing dolls as a hobby after being introduced to the materials by a friend, relating to the concept of social influences.
This document appears to be an English assignment from Taylor's University requiring students to write a report comparing two chicken rice businesses in different locations - one in Selangor, West Malaysia called Prosperity Bowl Restaurant, and the other in Sarawak, East Malaysia called Singapore Chicken Rice. The report includes sections on the history of each business, descriptions of the businesses, a comparative analysis of their competitive traits, a summary table comparing the businesses, recommendations, and appendices with pictures and interview questions/answers.
Explore the essential graphic design tools and software that can elevate your creative projects. Discover industry favorites and innovative solutions for stunning design results.
Architectural and constructions management experience since 2003 including 18 years located in UAE.
Coordinate and oversee all technical activities relating to architectural and construction projects,
including directing the design team, reviewing drafts and computer models, and approving design
changes.
Organize and typically develop, and review building plans, ensuring that a project meets all safety and
environmental standards.
Prepare feasibility studies, construction contracts, and tender documents with specifications and
tender analyses.
Consulting with clients, work on formulating equipment and labor cost estimates, ensuring a project
meets environmental, safety, structural, zoning, and aesthetic standards.
Monitoring the progress of a project to assess whether or not it is in compliance with building plans
and project deadlines.
Attention to detail, exceptional time management, and strong problem-solving and communication
skills are required for this role.
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during the 'Arena • Young adults in the workplace' conference hosted by Knight Moves.
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International Upcycling Research Network advisory board meeting 4Kyungeun Sung
Slides used for the International Upcycling Research Network advisory board 4 (last one). The project is based at De Montfort University in Leicester, UK, and funded by the Arts and Humanities Research Council.
International Upcycling Research Network advisory board meeting 4
ITD Project 1B Brief
1. 1
SCHOOL OF ARCHITECTURE, BUILDING & DESIGN
Research Unit for Modern Architecture Studies in Southeast Asia
Foundation of Natural Build Environment (FNBE)
INTRO TO DESIGN - ARC30205
Prerequisite: None
Lecturers: Ms Delliya Zain & Ms Shazreene Shamsuddin
Project 1A
THE 10 ART WORK
(Getting To Know Elements & Principles of Design through 2D Abstract Art)
10% Individual +20% Group Work (out of the 100% overall marks)
Individual Component Submission: 4th September 2015
Group Component Submission: 2nd October 2015
Introduction
This project is divided into 2 important parts. The first part is about getting to know the basic design
elements through observing nature and the built environment by sketching the apparent and concealed
design elements in both environments. And addition to this, students are required to produce 2 abstract
artwork. The second part will concentrate on familiarizing design principles through composing simple art
work using simple daily items. Both parts are basically dealing with 2D artwork.
Objectives of Project
The objectives of this project;
1. To learn the design process and design components such as sketching, drawing conventions,
observation, investigation and production of presentation.
2. To form a comprehensive understanding of the basic principles, elements and design process at an
appropriate level.
Learning Outcomes of this Project
On successful completion of this subject, students will be able to demonstrate the following:
1. To recognize and identify design elements and design principles.
2. To apply the design elements and design principles in simple projects.
Any time one or more
things are consciously put together
in a way that they can accomplish something better
than they could have accomplished individually,
this is an act of design.
(Charles Eames)
Ms Shazreene Nurjanna, Ms Normah Sulaiman, Mr Paul Nickson Atia
1b - Group Work
The 10th Artwork
25% Group Work (out of 100% overall marks)
Submission : 25th November 2015*
2. 2
Tasks - Methodology
PART 1A – Sketching Elements of Design in Nature and the Build Environment- INDIVIDUAL
Individually students are required to observe nature and the build environment and capture design elements
apparent or unseen with their bare eyes. Students are required to sketch their findings, understanding and
interpretation of basic design elements on white A5 art block paper. In total 8 A5 sketches and 2 A4 abstract
art painting or drawing. Students are required to sketch the followings and to include an explanation page(s)
for each item behind the artwork to further explain and identify the required elements of design through
simple diagrams;
A1. Nature – A5size
Lines
A2.Nature – A5size
Shape - Organic
A3.Nature – A5size
Texture/Pattern
A4.Nature – A5size
Form & Hue
A5.Nature – A4size
Abstract Art –
Transforming organic
nature elements to
geometric art or pattern -
colour
B1.Built – A5size
Lines
B2.Built – A5size
Shape - Geometric
B3.Built – A5size
Texture/Pattern
B4.Built – A5size
Form & Hue
B5.Built – A4size
Abstract Art –
Transforming manmade
geometric elements to
organic or free form art or
pattern - monochrome
Students are required to further understand and research each design elements to help them see,
understand, record, sketch and explain in the explanation page.
For all item, students are required to sketch using pencils or felt pen / art line pen for these
sketches. For each sketch, it should only be using either pencil or felt pen – do not mix.
For A4, A5, B4 and B5, students are may use water colour, pastel, markers and pencil colour.
You may use any kind of art or drawing block or quality water colour paper only.
Students are required to prepare it according to Fig 1.0 Project One A – Submission Layout.
Fig 1.0 Project One A – Submission Layout
3
PART 1B –Daily Items Artwork Exploring Principles of Design – GROUP WORK
In groups students are required to create nine simple abstract art works using the given daily materials to
show their understanding of design principles, elements and composition. As for the final submission and
presentation, students are required to display all nine artwork as one artwork and to include 2x A2
presentation board explaining about the design principles, design elements and composition that have been
applied to the artwork. Students may also elaborate about the theme or ideas and the techniques and
consideration to make the art work.
Please follow these instructions;
STEP ONE: Firstly students will randomly accept one of the following items to create the artwork; (only
choose one type and one colour and one size if it applies to the items)
A. Cotton Wools B. Sponge/Soft Foam Sheet C. Newspapers
D. Aluminium Sheet E. Electrical Wires F. Plastic Hose Tube
STEP TWO: Select one of the followings as the most suitable base for all nine artwork. (The base should
be A4 size and should be use as it is – the original state– no paint work or spraying etc.)
A. Using the same given item as the
base OR not using any base. Each
artwork can work or be presented
without a base but still maintain A4
size
B. Framed Blank Canvas. C. Plywood OR Corrugated Board
D. Clear Perspex/Acrylic E. Wire Metal or Plastic mesh F. Rubber Sheet
Felt
Tulle Fabric
Shoe Lace
Electrical wires
Bubble wrap
Tissue roll tube
Metal Sheet
3. 4
STEP THREE: Select one of the followings as the most suitable fixtures or connecters or methods to
arrange or attach the items together as an art work for all nine artwork. If possible these supporting items
should be less obvious in the art work. Students are NOT allowed to use any form of glue, double sided
tape, masking tape or Sellotape or sticky tapes etc.
A.
Method: sewing
Material: using thread or
monofilament (tali tangsi)
B.
Method: tying
Material: using strings or
threads or the item given
C.
Method: any method
Material: using wires
D.
Method: pin
Material: Using needle pin or
safety pin
E.
Method: screwing and fixing
Material: screws, nails and
construction fixtures
F.
Method: any method
Material: using the item given
STEP FOUR: Select nine principles from the followings. One principle to be applied to each artwork and
maybe one principle for the “10th artwork”.
Balance Asymmetry Proportion Contrast Variety
Dominance Pattern/ Repetition Movement Centralized
Emphasis Radial Random Rhythm
Balance Symmetrical Unity Hierarchy Dynamic
STEP FIVE: Explore and understand your items and materials. Look at the characteristic, limitation and
possibilities etc. It is best to really look at your item and base from all perspectives.
Explore and understand thoroughly the nine principles. You will need to consider the composition and
apply the rules of thirds or the golden rule. In each artwork you will need to also include design
element(s) – such as shape or lines or dot or space or even texture.
Through your exploration and research, come up with the best theme or approach that will tie all your
nine artwork together. It is best to look at the given items for the best suitable theme. And start planning
for the presentation boards.
STEP SIX: Follow the schedule below;
Week 5 Release of Brief – Take time to discuss and play around with the items and materials as a
group. Come up with as many options of theme, techniques and inspirations etc. Make mock
up models etc. Draw up the presentation layout and structure the content.
Week 6 Pin up tutorial session 01 –You are required to present your findings and understanding of
the materials, techniques etc. Plus the theme/approach of the artwork. Show as many
options of the art work each on an A4 size artwork. Show the possible 9 artworks and its
principles. Show the draft the presentation board layout and content on butter paper at A2
size. Show as much progress as possible.
Week 7 Pin up tutorial session 02 –Show progress on the theme, techniques, the principles, and
composition etc of the 9 art works. And the presentation board layout, diagrams, content,
method and materials. (to get final approval before submission)
Week 8 Pin up tutorial session 03 –Show final progress on the theme, techniques, the principles,
and composition etc of the 9 art works. And the presentation board layout, diagrams, content,
method and materials.
Week 9 Presentation & Submission
4. 5
Submission Requirement
PART 1A – Submission Week 6 – 4th of September 2015
The orientation of the drawings should be all the same. Please refer to Fig O1.
Students are required to paste the explanation page(s) behind the sketches attractively.
The explanation page should include diagram(s) and key words to explain further about the design
elements that you are emphasising on the sketch. Please provide a small photo of the subject/item
drawn and it must be from the site. Do not use the photo for explanation. All explanation must
be hand drawn and hand written. (Architecture handwriting)
Please write the labels and title using white pencil and it has to be architecture hand writing.
The A2 mounting board must be black.
PART 1B – Submission & Presentation Week 9 – 2nd of October 2015, Friday (time TBC)
Students are given 3 minutes for verbal presentation.
For the presentation boards, student may use any type of boards or material, all information
will need to be handwritten in architectural handwriting and hand drawn, printed images are
not allowed, please apply CRAP design principles, and only use collage technique with the
approval of your tutor.
The content of the presentation boards should be about the theme, items, technique however it
should focus more on the nine principles of the artwork plus the composition and design elements.
All this should be in point form, short sentences, diagrams and sketches. (hand written with
architecture handwriting)
The artwork should not represent any object or images or symbols. This is an abstract art.
Please use shapes, lines, dots etc.
The final artwork should be arrange in this manner;
5
The orientation of the drawings should be all the same. Please refer to Fig O1.
Students are required to paste the explanation page(s) behind the sketches attractively.
The explanation page should include diagram(s) and key words to explain further about the design
elements that you are emphasising on the sketch. Please provide a small photo of the subject/item
drawn and it must be from the site. Do not use the photo for explanation. All explanation must
be hand drawn and hand written. (Architecture handwriting)
Please write the labels and title using white pencil and it has to be architecture hand writing.
The A2 mounting board must be black.
PART 1B – Submission & Presentation Week 9 – 2nd of October 2015, Friday (time TBC)
Students are given 3 minutes for verbal presentation.
For the presentation boards, student may use any type of boards or material, all information
will need to be handwritten in architectural handwriting and hand drawn, printed images are
not allowed, please apply CRAP design principles, and only use collage technique with the
approval of your tutor.
The content of the presentation boards should be about the theme, items, technique however it
should focus more on the nine principles of the artwork plus the composition and design elements.
All this should be in point form, short sentences, diagrams and sketches. (hand written with
architecture handwriting)
The artwork should not represent any object or images or symbols. This is an abstract art.
Please use shapes, lines, dots etc.
The final artwork should be arrange in this manner;
Vertical Orientation
Horizontal Orientation
25th November 2015* (Date & Venue TBC)25th November 2015* (Date & Venue TBC)25th November 2015* (Date & Venue TBC)25th November 2015* (Date & Venue TBC)
5. 6
Assessment criteria
The assessment for this assignment will be based on your
Demonstrated understanding of design element and design principles and composition on the
artwork.
Originality, creativity, theme/concept, appropriate technique and workmanship quality of the
artwork and presentation boards to enhance the design elements and principles.
Clarity and content of the explanations of elements and principles of design on the presentation
boards.
Marking criteria
Marks shall be distributed as follows:
PART 1A – (for each art work we look at the followings)
Demonstrated understanding of design element on the artwork.
(How well the students understand & express design elements on the sketches and MEETING the requirements)
20%
Clarity and depth of the explanations of elements of design.
(How well the students illustrate the design elements through diagrams and annotations, the use of design
vocabularies, appropriateness of content to the project and design elements and depth of knowledge about the design
elements)
30%
Originality, creativity, appropriate technique and workmanship quality of the artwork.
(How well the students produce the artwork aesthetically {composition, tone, hatching et})to convey the specific design
element, the appropriate technique used, the appropriate subject and position of the subject sketched, workmanship
and skills of sketching of the artwork)
50%
Total 100% (10% final marks)
PART 1B –
Demonstrated understanding of design principles and meeting the brief’s requirements and
PROGRESS - Overall
(How well the students understand & apply design principles, elements and composition and meeting the brief’s
requirements and weekly progress)
10%
Clarity and structure of content, importance of content, structured layout, diagrams application,
design vocabularies on the presentation boards design and workmanship quality of the presentation
boards.
(How well the students illustrate and elaborate about the design principles through diagrams and annotations, the use
of design vocabularies, appropriateness of content related to the artwork and design principles. The design and layout
of the presentation boards – illustration, graphics, labelling, font, hierarchy of information etc)
40%
Originality, creativity & appropriate of techniques, appropriate theme and approaches, workmanship
quality of the artwork and the aesthetic value of the artwork.
(How well the students produce the artwork aesthetically, technique(s) used, applied appropriate concept,
arrangements and composition of the artwork and originality in method and layout to present the principles and
appropriate theme or concept. This also include the workmanship quality, appropriate base use and how the overall
artwork is being presented)
50%
Total 100% (20% final marks)
6
boards.
Marking criteria
Marks shall be distributed as follows:
PART 1A – (for each art work we look at the followings)
Demonstrated understanding of design element on the artwork.
(How well the students understand & express design elements on the sketches and MEETING the requirements)
20%
Clarity and depth of the explanations of elements of design.
(How well the students illustrate the design elements through diagrams and annotations, the use of design
vocabularies, appropriateness of content to the project and design elements and depth of knowledge about the design
elements)
30%
Originality, creativity, appropriate technique and workmanship quality of the artwork.
(How well the students produce the artwork aesthetically {composition, tone, hatching et})to convey the specific design
element, the appropriate technique used, the appropriate subject and position of the subject sketched, workmanship
and skills of sketching of the artwork)
50%
Total 100% (10% final marks)
PART 1B –
Demonstrated understanding of design principles and meeting the brief’s requirements and
PROGRESS - Overall
(How well the students understand & apply design principles, elements and composition and meeting the brief’s
requirements and weekly progress)
10%
Clarity and structure of content, importance of content, structured layout, diagrams application,
design vocabularies on the presentation boards design and workmanship quality of the presentation
boards.
(How well the students illustrate and elaborate about the design principles through diagrams and annotations, the use
of design vocabularies, appropriateness of content related to the artwork and design principles. The design and layout
of the presentation boards – illustration, graphics, labelling, font, hierarchy of information etc)
40%
Originality, creativity & appropriate of techniques, appropriate theme and approaches, workmanship
quality of the artwork and the aesthetic value of the artwork.
(How well the students produce the artwork aesthetically, technique(s) used, applied appropriate concept,
arrangements and composition of the artwork and originality in method and layout to present the principles and
appropriate theme or concept. This also include the workmanship quality, appropriate base use and how the overall
artwork is being presented)
50%
Total 100% (20% final marks)
Suggested References
These are just some links that should start you with your independent learning through research. Please
don’t just refer to these links. There are books on the module outline as well.
1. http://www.makart.com/resources/artclass/simple.html
2. http://www.art21.org/teach/on-contemporary-art/contemporary-art-in-context
3. http://nwrain.net/~tersiisky/design/principles.html
4. http://www.ehhs.kent.edu/community/vlo/index.html
5. http://www.slideshare.net/jaeger33/carp-design-principles (CRAP)
(25% Final Marks)