Inglourious Basterds Analysis
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The document discusses the film Inglourious Basterds and how it draws from and references other films and styles. It manipulates time and positions the audience. Specifically, it references The Dirty Dozen for its similar concept of a team assembled for a mission during WWII. It also resembles scenes from The Sound of Music in its French mountain setting. Some scenes contain textual overlays or overhead shots that imply the film's premise is not entirely real, similarly done in Kill Bill.
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Robert Capa
Robert Capa was a famous war photographer known for documenting major events of the 20th century including the Spanish Civil War, World War II, and the D-Day landings. Some of his most iconic photos include images of American soldiers storming Omaha Beach on D-Day. Capa was born in Hungary in 1913 and died in 1954 after stepping on a landmine in Indochina while following a French regiment. He co-founded the Magnum photography cooperative and was dedicated to using his camera to capture the human faces and emotions of war.
German expressionism
German expressionism was an artistic movement in Germany between 1910-1930 that portrayed psychological states through distorted forms and unnatural colors. It began as a reaction to World War I and the isolation Germany felt, but gained international popularity after the war. Notable films like Fritz Lang's Metropolis used expressionist techniques like stark contrasts, shadows, and irregular shapes to depict inner emotions rather than realistic surfaces. This new style of filmmaking influenced genres like horror and film noir and continues to impact modern cinema through conventions adopted from early German expressionist works.
Cinema history (1)
This document provides a list and commentary on classic international films from 1934-1960. It notes that these films were completed by small crews working independently outside of the major studio system. As a result, the films are more idiosyncratic and original, reflecting the artistic vision of the director. Some of the films mentioned that exemplify this include The Virgin Spring (1960) directed by Ingmar Bergman and The Grand Illusion (1936) directed by Jean Renoir. The document encourages exploring these films which offer subtleties of character and psychological complexity not found in many mainstream studio productions of the time period.
Robert capa
Robert Capa was a Hungarian war photographer who covered five major wars throughout his career, most notably documenting the course of World War II through photography in locations like London, Africa, Italy, and the Normandy landings. Capa sought to capture war realistically without propaganda by photographing distraught soldiers and taking landscape photos that showed the full context of battles, believing media often romanticized war's true horrors. He is considered one of the most accomplished war photographers of all time.
Photojournalism Robert Capa
Robert Capa was a famous war photographer who documented major events in the 20th century. He took iconic photographs during the Spanish Civil War in the 1930s and covered World War 2 from 1943-1944, including the D-Day landings in Normandy. Some of his most famous photos include a wounded soldier during the Spanish Civil War and the landing of American troops on Omaha Beach on D-Day. He was known for taking risks to get close to the action and capture compelling images of the human impact of war.
Robert Capa
Robert Capa was a famous war photographer who documented major events in the 20th century. He took photos during the Spanish Civil War in the 1930s, World War II from 1943-1944, and the D-Day invasion in Normandy. Some of his most iconic photos include a wounded soldier during the Spanish Civil War and soldiers storming the beaches on D-Day. He is considered one of the greatest war photographers of all time for capturing the human faces and impact of war through his photos.
Nosferatu presentation
Nosferatu was released on March 4th 1922 after being shot in 1921. While the film was praised overall, some critics felt that brighter colors and lighting in some scenes made it less frightening than a horror movie at times. The German expressionist horror film was directed by F.W. Murnau and starred Mack Schreck, Gustav Von, and Alexander Granach.
The Cabinet of Dr. Caligari
The Cabinet of Dr. Caligari was a 1920 German Expressionist horror film written by Hans Janowitz and Carl Mayer. It tells the story of Francis who shares strange stories with a companion, including about a disturbed woman and encounters with the mysterious Dr. Caligari at a fair. Francis investigates after his friend is found dead, learning that Caligari is actually the director of a nearby asylum. In a twist ending, Francis and other characters are revealed to be patients in the asylum. The film was an early example of psychological horror and influenced expressionism in set design and filmmaking techniques.
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Robert Capa
Robert Capa was a famous war photographer known for documenting major events of the 20th century including the Spanish Civil War, World War II, and the D-Day landings. Some of his most iconic photos include images of American soldiers storming Omaha Beach on D-Day. Capa was born in Hungary in 1913 and died in 1954 after stepping on a landmine in Indochina while following a French regiment. He co-founded the Magnum photography cooperative and was dedicated to using his camera to capture the human faces and emotions of war.
German expressionism
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This document provides a list and commentary on classic international films from 1934-1960. It notes that these films were completed by small crews working independently outside of the major studio system. As a result, the films are more idiosyncratic and original, reflecting the artistic vision of the director. Some of the films mentioned that exemplify this include The Virgin Spring (1960) directed by Ingmar Bergman and The Grand Illusion (1936) directed by Jean Renoir. The document encourages exploring these films which offer subtleties of character and psychological complexity not found in many mainstream studio productions of the time period.
Robert capa
Robert Capa was a Hungarian war photographer who covered five major wars throughout his career, most notably documenting the course of World War II through photography in locations like London, Africa, Italy, and the Normandy landings. Capa sought to capture war realistically without propaganda by photographing distraught soldiers and taking landscape photos that showed the full context of battles, believing media often romanticized war's true horrors. He is considered one of the most accomplished war photographers of all time.
Photojournalism Robert Capa
Robert Capa was a famous war photographer who documented major events in the 20th century. He took iconic photographs during the Spanish Civil War in the 1930s and covered World War 2 from 1943-1944, including the D-Day landings in Normandy. Some of his most famous photos include a wounded soldier during the Spanish Civil War and the landing of American troops on Omaha Beach on D-Day. He was known for taking risks to get close to the action and capture compelling images of the human impact of war.
Robert Capa
Robert Capa was a famous war photographer who documented major events in the 20th century. He took photos during the Spanish Civil War in the 1930s, World War II from 1943-1944, and the D-Day invasion in Normandy. Some of his most iconic photos include a wounded soldier during the Spanish Civil War and soldiers storming the beaches on D-Day. He is considered one of the greatest war photographers of all time for capturing the human faces and impact of war through his photos.
Nosferatu presentation
Nosferatu was released on March 4th 1922 after being shot in 1921. While the film was praised overall, some critics felt that brighter colors and lighting in some scenes made it less frightening than a horror movie at times. The German expressionist horror film was directed by F.W. Murnau and starred Mack Schreck, Gustav Von, and Alexander Granach.
The Cabinet of Dr. Caligari
The Cabinet of Dr. Caligari was a 1920 German Expressionist horror film written by Hans Janowitz and Carl Mayer. It tells the story of Francis who shares strange stories with a companion, including about a disturbed woman and encounters with the mysterious Dr. Caligari at a fair. Francis investigates after his friend is found dead, learning that Caligari is actually the director of a nearby asylum. In a twist ending, Francis and other characters are revealed to be patients in the asylum. The film was an early example of psychological horror and influenced expressionism in set design and filmmaking techniques.
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The document discusses 6 styles or modes of documentary filmmaking:
1. Observational documentary aims to observe real life with minimal interference, dating back to the 1960s with portable cameras and equipment. It uses minimal commentary and may include reenactments.
2. Expository documentaries present a strong argument or perspective through voiceover and titles directly addressing the audience. Images support the commentary's objective perspective.
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1930’s horror
The 1930s saw the rebirth of horror movies with the advent of sound films. Sound added tension through music, footsteps, and other audio cues. Universal Pictures launched a successful horror film series including Tod Browning's Dracula (1931) and James Whale's Frankenstein (1931), which blended Gothic horror and science fiction. These films featured iconic monsters created by makeup artist Jack Pierce and starred actors like Boris Karloff and Bela Lugosi who built careers in the genre. Frankenstein contained controversial scenes that were cut for its original release involving the monster drowning a girl and Frankenstein's line "Now I know what it feels like to be God!"
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The document discusses the genre of film noir, providing examples of classic and modern films that fall into this category. Some key characteristics of film noir include flawed protagonists, femme fatales, and stories centered around crime and mystery. Two films highlighted are Detour from 1945, about a hitchhiker who takes over a dead man's identity, and Shutter Island from 2010, where two marshals investigate the disappearance of an inmate at an asylum for the criminally insane.
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1) Swiss actor Bruno Ganz played Adolf Hitler in the controversial 2004 film Downfall, which depicted the final days of Hitler's rule from his bunker in 1945.
2) The film sparked debate in Germany about whether it was acceptable to portray Hitler as a human being. Ganz said he focused on mimicking Hitler's physical mannerisms to avoid brooding on his deadly ideology.
3) The film was praised for its realistic portrayal of Hitler, though some critics felt it was too sympathetic to secondary Nazi characters. The director said that evil people are often charming and smiling, not easily recognized as monsters.
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German expressionism and film noir
German Expressionism arose in the 1920s in Germany as a reaction to World War 1. It used stylistic techniques like sharp angles, dramatic shadows, and high contrast lighting to create a sense of paranoia and unease. One of its most famous films, Metropolis, showed the divisions in German society between the upper and working classes. These German Expressionist films influenced the later American film noir genre of the 1940s, which also used low-key lighting and shadows to portray themes of distrust and corruption. Elements of both these earlier cinematic styles can still be seen in modern horror films through the use of lighting, shadows, and urban settings.
German Expressionism
German Expressionist films of the 1920s used stylized, non-realistic sets and lighting techniques to convey mood and deeper meaning with limited budgets. These films dealt with dark psychological themes rather than standard genres. While short-lived, Expressionism influenced later films through its artistic control of scenery and lighting. German filmmakers who emigrated to Hollywood in the 1930s brought Expressionist techniques and influenced genres like horror and film noir. Elements of German Expressionism remain common in modern films through its legacy.
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Quentin tarantino
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The document discusses 6 styles or modes of documentary filmmaking:
1. Observational documentary aims to observe real life with minimal interference, dating back to the 1960s with portable cameras and equipment. It uses minimal commentary and may include reenactments.
2. Expository documentaries present a strong argument or perspective through voiceover and titles directly addressing the audience. Images support the commentary's objective perspective.
3. Participatory documentaries include the filmmaker as part of the film, showing how their presence affects the situation. This approach believes filming cannot avoid influencing events.
4. Performative documentaries stress subjective experience and emotional responses, and may include hypothetical enactments of perspectives.
5.
Alex and George's presentation
The document discusses the 1922 German expressionist film Nosferatu and how it was influenced by events in Germany following World War 1 such as the Spanish influenza pandemic. Some of the key influences discussed are how the film reflected the trauma of war through themes of death and insanity, used the vampire Count Orlok to represent the threat from the East, and employed innovative film techniques like stop motion and unchained camerawork. German expressionist cinema of the 1920s, including Nosferatu, was known for its distorted shapes, shadows, and themes of outsiders.
History of documentaries
The history of documentary film began in 1895 with the Lumiere brothers creating actualities, short unedited clips capturing life. In 1922, Nanook of the North established the more familiar documentary format, with scenes planned for drama and excitement. John Grierson later coined the term "documentary" and emphasized poetic elements of film through films like Nightmail. This led to the direct cinema movement in the 1950s-60s, aiming to present social and political issues in a direct, unmediated way using smaller cameras. Similar techniques were used in cinema verite films to convey a sense of unmodified reality.
Marlene Dietrich
Marlene Dietrich was a legendary German-American actress and singer. She was born in Berlin in 1901 and pursued a career in acting after injuring her wrist ended her dreams of becoming a concert violinist. Her breakthrough role was in the 1930 film The Blue Angel, which led to Hollywood stardom. During WWII, she entertained Allied troops and made anti-Nazi broadcasts. Dietrich spent her later life primarily in Paris, dying there in 1992 at the age of 90. She remains an iconic figure known for her glamour, mystique, and contributions during WWII.
Film noir
Film noir refers to stylish Hollywood crime dramas from the 1940s-1950s that emphasize cynical attitudes and sexual motivations. It is associated with a low-key black-and-white visual style influenced by German Expressionism. Many noir stories and attitudes come from hardboiled crime fiction of the Depression era. While some films noir appeared earlier, Stranger on the Third Floor (1940) is often cited as the first true film noir, though it lost money for its studio despite a modest budget.
Vj day, 1945
Alfred Eisenstaedt was a renowned German-American photojournalist known for capturing candid, spontaneous moments. He took the iconic "VJ Day kiss" photograph in 1945 showing a U.S. sailor kissing a nurse in Times Square on V-J Day, celebrating the end of WWII. Though the identities of those in the photo remain unknown, it became one of the most famous photographs ever published. Eisenstaedt had a long, successful career as a photographer for Life magazine until his retirement in the 1970s. He passed away in 1995 at the age of 96, leaving behind a legacy as the "Father of Photojournalism."
European cinema
This document summarizes the history and evolution of European cinema after World War 2. It discusses German Expressionism in the early 20th century and how many German directors fled to the US to escape Nazism. It then describes Italian Neorealism characterized by stories of the working class filmed on location. Neorealism films like Rome, Open City and The Bicycle Thief brought this style global fame. It also reviews the French New Wave of the 1960s led by directors like Godard and Truffaut that abandoned traditional techniques. Finally, it provides brief biographies of influential Spanish film directors like Luis Garcia Berlanga and Pedro Almodovar.
Fear the French
The document discusses paintings by French artist Antoine-Jean Gros that were part of an exhibition curated to shift perspectives of Napoleon Bonaparte. The paintings depicted gruesome war scenes and portrayed Napoleon as a figure of fear and death, in contrast to his popular image among the French people. One painting illustrated Napoleon poisoning prisoners of war to test different toxins. While the paintings highlighted Napoleon's atrocities, the exhibition notes that he was still widely loved in France and seen as a great leader. The document examines how perspective can differ on historical figures like Napoleon.
1930’s horror
The 1930s saw the rebirth of horror movies with the advent of sound films. Sound added tension through music, footsteps, and other audio cues. Universal Pictures launched a successful horror film series including Tod Browning's Dracula (1931) and James Whale's Frankenstein (1931), which blended Gothic horror and science fiction. These films featured iconic monsters created by makeup artist Jack Pierce and starred actors like Boris Karloff and Bela Lugosi who built careers in the genre. Frankenstein contained controversial scenes that were cut for its original release involving the monster drowning a girl and Frankenstein's line "Now I know what it feels like to be God!"
Tv drama research
The Man in the High Castle is an alternate history TV drama set in 1962 where the Axis powers won WWII. The plot follows characters in a dystopian USA divided between Nazi and Japanese rule who discover propaganda films of an unknown origin. Main iconography includes Nazi and Japanese flags and symbols. The drama features a large cast of characters including Joe, a Nazi double agent, and Obergruppenfuhrer Smith, a Nazi commander. Main themes explored are morality, treachery, and living under fascist rule. The show uses period film techniques to set the tone and establish its alternate history setting across locations in the USA and Europe.
Film noir
The document discusses the genre of film noir, providing examples of classic and modern films that fall into this category. Some key characteristics of film noir include flawed protagonists, femme fatales, and stories centered around crime and mystery. Two films highlighted are Detour from 1945, about a hitchhiker who takes over a dead man's identity, and Shutter Island from 2010, where two marshals investigate the disappearance of an inmate at an asylum for the criminally insane.
German expressionism
German Expressionism was a movement in silent horror films that emerged during World War 1. These films used stylistic techniques like twisted sets and landscapes to express political opinions and critique society. The Cabinet of Dr. Caligari, released in 1920, is considered one of the earliest and most influential examples, telling a story of madness, murder and betrayal through its expressionist visuals and nonlinear plot. Other notable German Expressionist films include Nosferatu, The Hands of Orlac, and The Phantom Carriage.
The dangers of portraying hitler
1) Swiss actor Bruno Ganz played Adolf Hitler in the controversial 2004 film Downfall, which depicted the final days of Hitler's rule from his bunker in 1945.
2) The film sparked debate in Germany about whether it was acceptable to portray Hitler as a human being. Ganz said he focused on mimicking Hitler's physical mannerisms to avoid brooding on his deadly ideology.
3) The film was praised for its realistic portrayal of Hitler, though some critics felt it was too sympathetic to secondary Nazi characters. The director said that evil people are often charming and smiling, not easily recognized as monsters.
Conventions
Film noir developed after World War II, featuring dark themes that reflected postwar anxiety and pessimism. These films often told stories of antiheroes like hardboiled detectives encountering manipulative "femme fatales." While not technically a genre, film noir describes a style and tone of black-and-white American crime films from the 1940s-1960s that portrayed a bleak worldview where characters faced themes of betrayal, violence, and despair.
History of documentaries
The history of documentary film began in 1895 with the Lumiere brothers creating the first documentary by capturing unedited clips of real life. Major developments included Robert Flaherty's 1922 film Nanook of the North, which was the first to use creative interpretation of reality. In the 1930s, John Grierson pioneered the poetic-realistic style with films like Nightmail. The 1950s-60s saw the direct cinema movement aim to present events directly and unmediated, influenced by lightweight cameras. Modern social issue documentaries still draw from these traditions, though some filmmakers now use documentary techniques to intentionally mislead audiences in mockumentaries.
German expressionism and film noir
German Expressionism arose in the 1920s in Germany as a reaction to World War 1. It used stylistic techniques like sharp angles, dramatic shadows, and high contrast lighting to create a sense of paranoia and unease. One of its most famous films, Metropolis, showed the divisions in German society between the upper and working classes. These German Expressionist films influenced the later American film noir genre of the 1940s, which also used low-key lighting and shadows to portray themes of distrust and corruption. Elements of both these earlier cinematic styles can still be seen in modern horror films through the use of lighting, shadows, and urban settings.
German Expressionism
German Expressionist films of the 1920s used stylized, non-realistic sets and lighting techniques to convey mood and deeper meaning with limited budgets. These films dealt with dark psychological themes rather than standard genres. While short-lived, Expressionism influenced later films through its artistic control of scenery and lighting. German filmmakers who emigrated to Hollywood in the 1930s brought Expressionist techniques and influenced genres like horror and film noir. Elements of German Expressionism remain common in modern films through its legacy.
Ccs presentation ~
German Expressionist films developed in Germany after World War 1 using unconventional styles to portray emotions during a difficult time. The films were unique due to limited resources and an isolated film industry. Expressionism influenced later horror and film noir genres with its dark moods and sets. Notable films include Metropolis and Nosferatu. While Expressionism declined in the late 1920s as filmmakers emigrated to Hollywood, its themes and styles continued to influence many famous directors and films thereafter.
Preston Sturges and the Great Moment
Preston Sturges began work on a film about William Morton's discovery of anesthesia based on a 1938 biography. Sturges convinced the studio to let him write the script after another version fell through. Sturges was attracted to Morton's story as a man who helped mankind but suffered personally. However, when released in 1944 as The Great Moment after much editing by the studio, it was a box office failure and damaged Sturges' career. The film remains an important cultural artifact as the only Hollywood movie about the discovery of anesthesia.
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El documento describe la carrera del director Quentin Tarantino, incluyendo que nació en Tennessee en 1963, comenzó a escribir guiones a una edad temprana, y tuvo éxito mundial con su película Reservoir Dogs de 1991. Tarantino ha dirigido otras películas exitosas como Pulp Fiction, Kill Bill, y Django Unchained, y es conocido por su estilo único que combina varios géneros y da prioridad a la venganza de los protagonistas. Además, ha colaborado frecuentemente como director con Robert Rodriguez.
Quentin tarantino
Quentin Tarantino is an American film director, screenwriter and producer born in Tennessee in 1963. He moved to California at age 4 and developed a passion for films. Some of Tarantino's most famous films include Reservoir Dogs, Pulp Fiction, Inglourious Basterds, Django Unchained, True Romance, Death Proof, Four Rooms, Jackie Brown, and From Dawn Till Dusk.
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Εισηγήτρια: Κατερίνα Κεράστα (http://card.ly/aikker)
ΔΗΜΟΣΙΑ ΚΕΝΤΡΙΚΗ ΒΙΒΛΙΟΘΗΚΗ ΛΕΒΑΔΕΙΑΣ
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Postmodern Music; Damon Albarn
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The student created several grammatically correct sentences to describe pictures based on specific punctuation and parts of speech criteria. For picture 1, a sentence was written using comma rule 2 to separate elements in a list, containing the adjectives "dark" and "gloomy". For picture 2, a sentence was written using colon rule 2 to introduce a list after a complete sentence, containing the adverb "quickly".
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The document discusses the conquest and settlement of indigenous peoples in the Americas and South Africa by European colonizers between the 15th-19th centuries. It describes how nearly 100,000 Native Americans east of the Mississippi were removed to make way for white settlers in the US, while in Argentina Europeans also sought to expand into lands occupied by indigenous groups. It also discusses how the British military destroyed the Zulu Kingdom in South Africa, opening the land to white rule, and how the US Army waged war against the Sioux Nation to claim control of the Great Plains.
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Imbibe live 2011 your website needs you!
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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3:国家专业人才认证中心颁发入库证书
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
原版制作(Mercer毕业证书)摩斯大学毕业证在读证明一模一样
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Inglourious Basterds Analysis
- 2. Pastiche Intertextuality Manipulation of time Audience positioning
- 3. Intertextuality The Dirty Dozen The Sound of Music Title-inspired by 1978 war film “The Inglorious Bastards” Misspelling of ‘Bastards’, described as “ a Basquiat-esque touch.” Basquiat was an American graffiti artist who incorporated words and typography into his paintings
- 4. The Dirty Dozen ‘The Dirty Dozen’ is an American war film released in 1967, featuring a similar concept to Inglourious; a team of men chosen to participate in a war mission together Both films are set in the Second World War, and Tarantino has acknowledged Inglourious Basterds to be [his] “my Dirty Dozen”
- 5. Trailers
- 6. The Sound of Music The opening setting of the film, set on a mountainous French dairy farm, is reminiscent of scenes from “The Sound of Music” in terms of location and mise en scene.
- 7. Narrative Some scenes in the film contain elements which show that it isn’t reality, for example the use of overlaid text (this is also used in the cinema scenes as the top Nazi representatives arrive
- 8. Narrative
- 9. Narrative This set of stills shows a scene shot from an overhead view, this creates the impression that the whole premise of the film is a set up and isn’t real, this effect was similarly used in ‘Kill Bill’, as if the audience was looking into a giant toy house.