The document discusses paintings by French artist Antoine-Jean Gros that were part of an exhibition curated to shift perspectives of Napoleon Bonaparte. The paintings depicted gruesome war scenes and portrayed Napoleon as a figure of fear and death, in contrast to his popular image among the French people. One painting illustrated Napoleon poisoning prisoners of war to test different toxins. While the paintings highlighted Napoleon's atrocities, the exhibition notes that he was still widely loved in France and seen as a great leader. The document examines how perspective can differ on historical figures like Napoleon.
Abel Gance & J'accuse: Cinematic Pacifism & Filmic PoetryRyan Evans
An exploration of Abel Gance's contributions to cinema technique and storytelling via his film, J'accuse (1919). Acknowledged as the first anti-war feature film, J'accuse is unique in its use of battlefield footage and soldiers on leave from the frontlines at Verdun as actors. Presented at <em>The Cambridge Center for Adult Education</em> with an associated screening of excerpts from the film. (November 2009)</p
Abel Gance & J'accuse: Cinematic Pacifism & Filmic PoetryRyan Evans
An exploration of Abel Gance's contributions to cinema technique and storytelling via his film, J'accuse (1919). Acknowledged as the first anti-war feature film, J'accuse is unique in its use of battlefield footage and soldiers on leave from the frontlines at Verdun as actors. Presented at <em>The Cambridge Center for Adult Education</em> with an associated screening of excerpts from the film. (November 2009)</p
“Goya was an innovative painter and etcher and one of the great masters of Spanish painting. Francisco Jose de Goya y Lucientes was born near Saragossa in Aragon on 30 March 1746. His father was a painter. Goya's formal artistic education began at the age of 14 when he was apprenticed to a local painter. In 1763 Goya went to Madrid and worked under another artist from Aragon, Francisco Bayeu, whose sister he married.
In 1771, Goya visited Italy. By 1775, he had settled in Madrid and was designing for the Royal Tapestry Factory. In 1786, he was appointed court painter to Charles IV.
In the winter of 1792, Goya became seriously ill and was left totally deaf. This was a turning point in his career. His paintings were transformed from his previous Rococo style to a more expressionistic vision and he chose increasingly dark subject matters.
During the brutal Napoleonic occupation of Spain, Goya saw at first hand the horrors of warfare. These inspired a series of etchings 'The Disasters of War' and two paintings '2 May 1808' and '3 May 1808'.
In around 1820, Goya began a series of frescoes on the walls of his country house near Madrid, which became known as the 'Black Paintings'.
In 1824, political upheavals in Spain forced Goya to go into exile in France. He returned to Madrid for a brief visit in 1826, but died in Bordeaux on 16 April 1828.” BBC History
Brushstrokes of Inspiration: Four Major Influences in Victor Gilbert’s Artist...KendraJohnson54
Throughout his career, Victor Gilbert was influenced heavily by various factors, the most notable being his upbringing and the artistic movements of his time. A rich tapestry of inspirations appears in Gilbert’s work, ranging from their own experiences to the art movements of that period.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
All the images mentioned in 'See What You're Missing'
Fear the French
1. FEAR THE FRENCH
The curation of Antoine-Jean Gros
Napoleon Bonaparte the French to Fear
2. Purpose
Antoine-Jean Gros. An amazing individual who managed to
shift the perspective of a man who had the people of France
wrapped around his fingers. In his paintings he showed what
this self proclaimed savior of France truly was. A figure of fear.
Although many loved and honored him as a leader he
committed many atrocities that I can't over look. It all boils
down to perspective
3. The Battle of Eylau
This piece is one of the many piece I
brought to the gallery that illustrate the
art of war. In my opinion war is the
pinnacle of fear, and this painting by
Antoine-Jean Gros illustrates the rated R
impact that war brings, and as you look
through the piles of bodies and take in
the smoking house in the distance you
have this realization war is scary. Very
scary. It really brings perspective to war,
especially if look at it contextually. A
Frenchman bringing truth to the people
while still staying in guidelines given to
him. Once I saw this I knew I had to
have it in my gallery.
4. The Battle of Abukir
This is another piece painted by
Frenchman Antonie-Jean Gros in 1806.
No stranger to tragedy my friend
continues to bring. However this photo is
in the midst of the action. As the battle
around takes place there sits Napoleon
who in my opinion really represents the
harbinger of death. An untouched figure
standing in the crossfire. Truly a fearful
figure. The perspective of this piece really
not only showed me the ruthlessness of
war but the dominance and almost
invincibility of Napoleon. If I was
ignorant to Napoleons history I think my
whole view on him would be quite
different
5. Surrender of Madrid
When you look at the Surrender of
Madrid you get to start to empathize
with these people who are seemingly
begging for their lives as the stern
figure stands over them dictating life
and death for these poor individuals.
Antonie-Jean Gros is a genius. He's
managed to shift the attention towards
these fallen individuals, but also
managed to isolate this figure of
death. I just think it's so interesting
how all of his paintings he shows this
guy who is loved by his people and
becomes the Emperor of France as
this figure of fear.
6. Bonaparte at the Pont d'Arcole
When you look at the Surrender of
Madrid you get to start to empathize
with these people who are seemingly
begging for their lives as the stern
figure stands over them dictating life
and death for these poor individuals.
Antonie-Jean Gros is a genius. He's
managed to shift the attention towards
these fallen individuals, but also
managed to isolate this figure of
death. I just think it's so interesting
how all of his paintings he shows this
guy who is loved by his people and
becomes the Emperor of France as
this figure of fear.
7. Napoleon Bonaparte Visiting the
Plague Stricken Victims in Jaffa
This piece is the darkest I think. The
others focus on war an image, but this
illustrates who Napoleon was when he
wasn't in the publics eye. During
Napoleons war runs he actually
poisoned 32 different people to test
different poisons. Many of the 32 died
others forced to lived with different
types of handicaps as poison does leave
a mark permanently. The whole photo
really shows the perspective that this
man isn't the holy savior, he's a
monster. A war hungry monster, and a
good one at that.
8. The Coronation of Napoleon
Bonaparte
This giant painting wasn't painted by
Antoine-Jean Gros, but by fellow French
painted Jacques-Louis David. The
reason I decided to add this was
perspective. Napoleon did commit many
atrocities, and was responsible for the
deaths of dare I say millions. However,
the reality is Napoleon is regarded as the
greatest leaders France has ever had.
After returning from exile he was met by
cheers and hugs from his French
brothers and sisters. People loved this
guy. He was even close to the Pope. At
the end of the day it really is all about
perspective.