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After watching numerous thriller
openings for inspiration and ideas, I used
and developed many conventions in my
own thriller. Such as the titles, I took a lot
of inspiration from Shutter Island (Martin
Scorsese, 2010) and The Dark Knight Rises
(Christopher Nolan, 2012) where the titles
really captured the suspense and
mystery of the film. Such as in Shutter
Island, where the titles shake and
change colour, they begin red which
connotes the danger and then changes
to white which indicates the purity of
humanity, which is recurring theme from
Shutter Island. In the end, I kept my titles
quite simplistic and used a subtle plain
white font; I wanted the narrative of the
opening sequence to really be the focal
point. Therefore I didn't challenge the
convention of titles but developed them
to suit the style and narrative of my
opening sequence.
The narrative of the opening sequence, I tried to
keep quite traditional to typical Thrillers, I did this by
beginning with the police interrogation interview, I
felt this began the narrative well and allowed me
capture the audience's attention successfully. I
chose to do a non-linear narrative structure and
used a flashback. I was sceptical about involving a
flashback into my opening sequence at the
beginning, but felt it worked and incorporated
successfully in the final draft. The use of the police
interrogation interview also introduced the
subgenre, which was Crime Thriller. The theme of
my opening sequence was good vs. evil and the
idea of moral ambiguity, which is typical
conventional themes in thrillers.
The characters I developed slightly challenged the
conventions of Thrillers, I had a strong female character
who played the murderer, this challenged the codes and
conventions as it's mainly male characters who plays the
dominant & ‘bad guy’ roles in Thrillers. To gain some more
knowledge about female protagonists in Thriller, I
researched movies such as Salt (Philip Noyce, 2010) and
Kill Bill (Quentin Taratino, 2003) where the females
dominate, I found that female protagonists weren't as
rarely seen in thrillers as I first thought. However, I do follow
a typical thriller convention by having another women
playing the victim. I also didn't want my female character
to look stereotypically like a 'murderer' because I wanted
to shock the audience and make them ask questions
about her. I felt her being portrayed as ‘normal’ made the
overall outcome more sinister.
I used non-diegectic sound effectively to
build up suspense and tension throughout
my opening sequence, I took inspiration
from The Usual Suspects (Bryan
Singer, 1995), where music is used to
punctuate the events and the pace and
volume is altered to heighten the suspense. I
tried to imitate and use many different
camera angle & frames that I picked up
from different opening sequences, I used
close ups of the protagonist to really portray
the anguish of my characters and again
raise tension. I also used panning, which I
noticed and developed from the opening
sequence of Blue Velvet (David
Lynch, 1986). Over the shoulder, low angle
shots and canted angles was also used to
convey a sense of terror & suspense and to
produce a professional looking opening
sequence.

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In what ways does your media product use

  • 1.
  • 2. After watching numerous thriller openings for inspiration and ideas, I used and developed many conventions in my own thriller. Such as the titles, I took a lot of inspiration from Shutter Island (Martin Scorsese, 2010) and The Dark Knight Rises (Christopher Nolan, 2012) where the titles really captured the suspense and mystery of the film. Such as in Shutter Island, where the titles shake and change colour, they begin red which connotes the danger and then changes to white which indicates the purity of humanity, which is recurring theme from Shutter Island. In the end, I kept my titles quite simplistic and used a subtle plain white font; I wanted the narrative of the opening sequence to really be the focal point. Therefore I didn't challenge the convention of titles but developed them to suit the style and narrative of my opening sequence.
  • 3. The narrative of the opening sequence, I tried to keep quite traditional to typical Thrillers, I did this by beginning with the police interrogation interview, I felt this began the narrative well and allowed me capture the audience's attention successfully. I chose to do a non-linear narrative structure and used a flashback. I was sceptical about involving a flashback into my opening sequence at the beginning, but felt it worked and incorporated successfully in the final draft. The use of the police interrogation interview also introduced the subgenre, which was Crime Thriller. The theme of my opening sequence was good vs. evil and the idea of moral ambiguity, which is typical conventional themes in thrillers.
  • 4. The characters I developed slightly challenged the conventions of Thrillers, I had a strong female character who played the murderer, this challenged the codes and conventions as it's mainly male characters who plays the dominant & ‘bad guy’ roles in Thrillers. To gain some more knowledge about female protagonists in Thriller, I researched movies such as Salt (Philip Noyce, 2010) and Kill Bill (Quentin Taratino, 2003) where the females dominate, I found that female protagonists weren't as rarely seen in thrillers as I first thought. However, I do follow a typical thriller convention by having another women playing the victim. I also didn't want my female character to look stereotypically like a 'murderer' because I wanted to shock the audience and make them ask questions about her. I felt her being portrayed as ‘normal’ made the overall outcome more sinister.
  • 5. I used non-diegectic sound effectively to build up suspense and tension throughout my opening sequence, I took inspiration from The Usual Suspects (Bryan Singer, 1995), where music is used to punctuate the events and the pace and volume is altered to heighten the suspense. I tried to imitate and use many different camera angle & frames that I picked up from different opening sequences, I used close ups of the protagonist to really portray the anguish of my characters and again raise tension. I also used panning, which I noticed and developed from the opening sequence of Blue Velvet (David Lynch, 1986). Over the shoulder, low angle shots and canted angles was also used to convey a sense of terror & suspense and to produce a professional looking opening sequence.