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10 ThrillerOpenings-Sequence Grid
Film Thriller
codes and
conventions
Opening codes
and
conventions
What did you enjoy? What would
you improve?
How could this
influence your thriller
opening?
Watchmen Low-key
lighting/
Filtered
picture.
Low-key
lighting,
ordinary
location,fight
scene.Blood
and weapons
such as a gun
and a knife.
I enjoyedthe whole
fightscene,andhow
we neverknew who
the man whoattacked
himwas.The whole
scene wasin low-key
lightingwithafilteron
it soit lookedblack
and white,andthe
onlythingwithcolour
was the yellow smiley
face badge.
Quite slowed
pacedat the
start which
makesthe
vieweralittle
bored.
I lovedthe yellow in
stark contrastto the
filteredsurroundings.It
definitelystoodout,and
I thinkthat if I useditin
my opening,itwould
emphasise anobject,
therefore addingtothe
theme/plotasa whole.
Spectre Low-key
lighting.
Score film
music
Low-key
lighting,score
music.
I enjoyedthe goldand
blackshotsof the man
withthe women
aroundhim.
Possiblyhave
a more
insightful
glance intothe
storyline.
I likedhowitstarted
quite slow andhad lots
of close ups.Iwouldlike
to use lotsof close ups
inmy thrilleropening.
From Russiawith
love.
Mystery,
low-key
lighting,
clear
portrayal of
the heroand
villain.
Filmscore
music.There
was a
death/murder.
The suspense andthe
tensionthatwas
created.The viewer
feelslike theymust
holdtheirbreath,in
orderto not be
detectedthemselves!
It was slightly
confusing,and
I struggledto
know whowas
followingwho,
howeverno
drastic
improvements
to be made.
I likedthe suspensethat
was created from
someone being
followed.Iwouldlike to
maybe domy thriller
aroundthe theme of
someone being
followed.
Kill Bill Black and
white
Black andwhite
flashback
I enjoyedtryingto
guesswhathad
happenedtothe
woman,andwho the
mysterious manwas.
Why wasa womanin
a weddingdress
coveredinblood?
Veryminimal
music
therefore add
some music.
We shouldbe
able to see a
little more of
the villain.
Black andwhite effect.
Non-diegeticsoundsfor
example,breathing.Not
revealingthe villain’s
identity.
Face Off Flashbacks,
thrillerfont,low-
keylighting,
ordinary
scenario.
Flashbackfilter,
fontthat is
stereotypically
associatedwith
somethingfrom
the thriller
genre.
The music wasreally
effectiveasit
complimentedwhat
we saw onscreen.
The relationshipand
special bond
betweenthe father
and sonwas alsoa
nice touchdone my
JohnWoo.
Nothave the
fatherand son
relationship
shotson for
such a long
amountof
time.
I like thatit isan
ordinaryscenario,
where extraordinary
eventstake place.
10 ThrillerOpenings-Sequence Grid
The 39 steps Setin an ordinary
scenario/location.
Highand lowkey
lighting.
Notrevealing
whohad the
gun,by not
showinganyof
the face. There
was alsoa fight
scene whichin
1935, would
have beenvery
excitingto
watch as there
were lotsof
people
involved.
I enjoyedthe many
shot-reverse-shots
techniques. The
long-windedspeech
addeda little
suspense.Ithad
several comical
interludes.
I would
improve this
openingby
makingitin
colour.
Althoughitwas
producedin
1935, and
colourwas not
available,itis
still an
improvement.
Also,itisquite
longwinded
and dragged
out.
Usingthe mystery
aspectnot reveal too
much information
regardingwhothe
villainmaybe.
The Maltese
Falcon
Black andwhite,
filmscore music.
Setin an
ordinarycity.
Mysterious.
How we were told
aboutthe plotand
whatwas happening
veryclearly,and
rightfrom the very
start.
The few shots
before the
womanenters
are a little
long-winded
and boring.
Also,thiscould
do withbeing
incolour also.
It wouldbe goodif the
plotline waspartially
explainedorhinted
fromthe offset.
Bonnie and
Clyde
Mirrors, low-key
lighting.
Setin a housing
estate whichis
an ordinary
suburb.
The ‘hilarious’
humour.
The sexual
tensionwasa
little too
awkwardfor
my liking.
A conversationis
somethingIthinkis
veryimportant,even
if it isjusta few
words.
Gone girl Dialogue,and Voice over
before anysort
of picture.
Juxtaposition,
and lotsof
cutawayshots.
The cutaways were
reallynice,they
were framed
properly,were in
goodquality,andthe
juxtapositionwas
veryhelpful in
hintingatwhat may
happenandwhere
theymay be.
It was a very
short opening,
and didn’t
leave me
feelingthat
intrigued.I
haven’treally
got any
questions,
whichis
certainly
somethingthat
youwishfor
youaudience
to have.
I will ensure thatmy
openingisa suitable
length.Ialsothink
that juxtaposing
cutawaysisa great
wayof building
suspicion,andmaking
an openingalittle bit
different.
The Dark Knight
Rises
Titles, low-key
lighting,picture
cut outs.
Low key
lighting,
I thoughtthat the
fastcamera
movementsatthe
start were very
interestingand
makesthe audience
The music was
veryrepetitive
and quite
boring.Ithad
little substance
and
I do like the aspectof
cuttingout the faces
and there beinga
psychotic/obsessive
personbeinginvolved.
I believethatitwould
10 ThrillerOpenings-Sequence Grid
intriguedastowhat
ishappening.
ornamentation. be a reallyinteresting
conceptto play
aroundwith.

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10 thriller openings

  • 1. 10 ThrillerOpenings-Sequence Grid Film Thriller codes and conventions Opening codes and conventions What did you enjoy? What would you improve? How could this influence your thriller opening? Watchmen Low-key lighting/ Filtered picture. Low-key lighting, ordinary location,fight scene.Blood and weapons such as a gun and a knife. I enjoyedthe whole fightscene,andhow we neverknew who the man whoattacked himwas.The whole scene wasin low-key lightingwithafilteron it soit lookedblack and white,andthe onlythingwithcolour was the yellow smiley face badge. Quite slowed pacedat the start which makesthe vieweralittle bored. I lovedthe yellow in stark contrastto the filteredsurroundings.It definitelystoodout,and I thinkthat if I useditin my opening,itwould emphasise anobject, therefore addingtothe theme/plotasa whole. Spectre Low-key lighting. Score film music Low-key lighting,score music. I enjoyedthe goldand blackshotsof the man withthe women aroundhim. Possiblyhave a more insightful glance intothe storyline. I likedhowitstarted quite slow andhad lots of close ups.Iwouldlike to use lotsof close ups inmy thrilleropening. From Russiawith love. Mystery, low-key lighting, clear portrayal of the heroand villain. Filmscore music.There was a death/murder. The suspense andthe tensionthatwas created.The viewer feelslike theymust holdtheirbreath,in orderto not be detectedthemselves! It was slightly confusing,and I struggledto know whowas followingwho, howeverno drastic improvements to be made. I likedthe suspensethat was created from someone being followed.Iwouldlike to maybe domy thriller aroundthe theme of someone being followed. Kill Bill Black and white Black andwhite flashback I enjoyedtryingto guesswhathad happenedtothe woman,andwho the mysterious manwas. Why wasa womanin a weddingdress coveredinblood? Veryminimal music therefore add some music. We shouldbe able to see a little more of the villain. Black andwhite effect. Non-diegeticsoundsfor example,breathing.Not revealingthe villain’s identity. Face Off Flashbacks, thrillerfont,low- keylighting, ordinary scenario. Flashbackfilter, fontthat is stereotypically associatedwith somethingfrom the thriller genre. The music wasreally effectiveasit complimentedwhat we saw onscreen. The relationshipand special bond betweenthe father and sonwas alsoa nice touchdone my JohnWoo. Nothave the fatherand son relationship shotson for such a long amountof time. I like thatit isan ordinaryscenario, where extraordinary eventstake place.
  • 2. 10 ThrillerOpenings-Sequence Grid The 39 steps Setin an ordinary scenario/location. Highand lowkey lighting. Notrevealing whohad the gun,by not showinganyof the face. There was alsoa fight scene whichin 1935, would have beenvery excitingto watch as there were lotsof people involved. I enjoyedthe many shot-reverse-shots techniques. The long-windedspeech addeda little suspense.Ithad several comical interludes. I would improve this openingby makingitin colour. Althoughitwas producedin 1935, and colourwas not available,itis still an improvement. Also,itisquite longwinded and dragged out. Usingthe mystery aspectnot reveal too much information regardingwhothe villainmaybe. The Maltese Falcon Black andwhite, filmscore music. Setin an ordinarycity. Mysterious. How we were told aboutthe plotand whatwas happening veryclearly,and rightfrom the very start. The few shots before the womanenters are a little long-winded and boring. Also,thiscould do withbeing incolour also. It wouldbe goodif the plotline waspartially explainedorhinted fromthe offset. Bonnie and Clyde Mirrors, low-key lighting. Setin a housing estate whichis an ordinary suburb. The ‘hilarious’ humour. The sexual tensionwasa little too awkwardfor my liking. A conversationis somethingIthinkis veryimportant,even if it isjusta few words. Gone girl Dialogue,and Voice over before anysort of picture. Juxtaposition, and lotsof cutawayshots. The cutaways were reallynice,they were framed properly,were in goodquality,andthe juxtapositionwas veryhelpful in hintingatwhat may happenandwhere theymay be. It was a very short opening, and didn’t leave me feelingthat intrigued.I haven’treally got any questions, whichis certainly somethingthat youwishfor youaudience to have. I will ensure thatmy openingisa suitable length.Ialsothink that juxtaposing cutawaysisa great wayof building suspicion,andmaking an openingalittle bit different. The Dark Knight Rises Titles, low-key lighting,picture cut outs. Low key lighting, I thoughtthat the fastcamera movementsatthe start were very interestingand makesthe audience The music was veryrepetitive and quite boring.Ithad little substance and I do like the aspectof cuttingout the faces and there beinga psychotic/obsessive personbeinginvolved. I believethatitwould