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Man and his brother must survive in a post-disaster wasteland. They travel together, protecting each other while trying to save a town from a dictator. However, their morals eventually come into conflict. The setting would include rural locations like woods and fields featuring ruined clothing. The visual style is dull colors like greens and browns, while the music uses dramatic orchestral strings and brass to set the atmosphere.
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Proposal
A man awakens to find his suburban street destroyed by fire. As he searches for his missing family through the wasteland, he faces adversity from the harsh landscapes and gangs. The film will follow this man's journey using a linear narrative structure of beginning, middle, and end. It will feature eerie music, blurred filters, and slow fades between shots to build suspense and show the scale of the destruction and protagonist's journey. The target audience is those over 18 who enjoy horror conventions like gore and violence.
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Film industry
The document provides information on production companies for several films and games. It discusses that The Book of Eli was produced by Alcon Entertainment and Silver Pictures and filmed in New Mexico. The Road was produced by Dimension Films and 2929 Productions and filmed in several Eastern US states. The Last of Us video game was developed by Naughty Dog and published by Sony and is set in a post-apocalyptic United States.
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The document discusses representations of gender in disaster films. It notes that male characters are often portrayed as stronger, more intelligent leaders who sacrifice themselves heroically. Female characters are sometimes sexualized but can also be depicted as normal characters. It also discusses how the "male gaze" can objectify women on screen and how characters like Joel from The Last of Us and Eli from The Book of Eli follow conventions of gritty, troubled male protagonists in disaster films through their appearance and role as survivors who protect others and sustain injuries.
Location ideas
Reading Town Centre would provide derelict areas, empty warehouses, and a deserted feel in the early morning to illustrate the scale of devastation in a post-apocalyptic world. Tilehurst Woods in autumn could show a destroyed, dead landscape as leaves fall off bare trees. The Tilehurst train station at night appears completely deserted with flickering lights on empty tracks, capturing the eerie, destroyed feeling inspired by scenes from the movie "Days Gone". Various abandoned car parks around Reading with heavy weathering and flickering lamps at night could portray already damaged areas to depict destruction.
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The document discusses genre conventions of disaster movie trailers. It explains that the 1972 film "The Poseidon Adventure" established the disaster movie genre by depicting a simple series of events leading to an eventual catastrophe. This includes setting the scene, providing background information, showing the disaster unfold, focusing on a small group's survival, and creating suspense around whether characters will live or die. Additionally, disaster movie trailers often link the major event to characters' personal stories. Stock character stereotypes are also commonly used that audiences can relate to, with one or two being killed off to increase intensity.
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The document discusses sources of inspiration for a post-apocalyptic film/trailer project. It lists several post-apocalyptic movies like Mad Max Fury Road and The Road that inspired the filmmaker's style and elements. It provides information on the film production companies involved in some of the inspirational movies, including Dimension Films and 2929 Productions. It also lists the video game studio Naughty Dog as inspiration and their history.
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The document profiles the target audience for a disaster movie as 18-25 year old males who enjoy socializing and outdoor activities. A questionnaire is provided to gather information about audiences' preferences, including their favorite movie genres, aspects they enjoy and fear in post-apocalyptic movies, and demographic information to help tailor the film. Feedback from the questionnaire will illustrate what audiences want to see in a trailer for the disaster movie.
Ancillary task 1
The document provides information about designing the front cover of a film magazine. It discusses key elements of magazine covers like the masthead, buzz words, taglines, primary images, and cover lines. It also discusses institutions that distribute film magazines. The rest of the document includes mood boards and inspiration for designing a post-apocalyptic themed magazine cover, including proposed images, color schemes, compositions, and text placements. Feedback is provided on two draft designs.
Ancillary task 2.5
This document provides information about codes and conventions for movie posters, including key elements such as graphics, title, tagline, cast/directors, credits/companies. It discusses conventions like being eye-catching and defining the genre. Research was done on poster genres and target audiences. Composition techniques are described like grid layout, rule of thirds, and Z-layout. A photographic moodboard is presented with the top 3 photos analyzed for their suitability to a post-apocalyptic genre.
Presentation3
The document appears to be a storyboard, which is a visual representation of the sequence of events in a story or film. Storyboards are used in filmmaking and video production to help plan scenes and shots and visualize how they will be arranged and flow together. They provide an outline of the key plot points, scenes, characters, and visual elements before going into production.
Evaluation survey
The document summarizes the results of a survey conducted to collect feedback on a media idea from teenagers. It provides the responses from 8 survey participants. Most respondents said they enjoy social media like Instagram and Facebook, as well as television shows and music. They appreciate being able to connect with others and stay up to date on trends. Most rated the idea positively and provided suggestions for improvements like adding more character development and suspenseful elements.
Evaluation question 4
Cameras, computers, phones, and various media software like YouTube, IMovie, iTunes, Garage Band, and Microsoft Office were used throughout the planning, research, construction, and evaluation of the project. IMovie was especially important for creating a trailer, while Garage Band enabled recording dialogue and scoring. Presentation software like PowerPoint helped present the ongoing work.
Ancillary task 1
The document provides information and instructions for creating a magazine cover for a film in the post-apocalyptic genre. It discusses key elements of magazine covers like the masthead, primary image, and cover lines. It also includes examples of covers and inspiration for graphical elements, color schemes, composition, and text placement. Feedback on early drafts noted that the image could be smaller to show more of the background, and the text needed to be more prominent and professionally spaced.
Ancillary task 2
This document provides information about key elements and conventions of movie posters. It discusses common components like graphics, title, tagline, credits and layout. It also outlines conventions like being eye-catching and defining the genre. Research on genre posters is presented, noting style, language and focal points depend on genre. Target audience feedback on posters is analyzed to inform the creation of an original genre-specific poster. Composition techniques like grids, rules of thirds and "Z" layout are covered. Finally, three suitable moodboard photos are presented and described.
Ancillary task 2
This summary provides an overview of key information and guidelines for creating a movie poster:
- Movie posters typically include a central graphic to set the scene and genre, the movie title, tagline, cast/directors, and production company credits. Conventions include being eye-catching and defining the genre.
- Research on genre posters showed they emphasize focal points, use genre-specific styles/layouts, and include simple language on titles, companies, and actors.
- Composition techniques like grid layouts, rule of thirds, and the "Z" pattern were reviewed to effectively place poster elements.
- Three potential scene photos were presented that reflected mystery and prepared characters for a post-apocal
Character profiles
This document provides character profiles for 5 characters - Sean Gallagher, Dominic Finn, Eleanor Richmond-Knight, Hannah Warren, and Alex Butler. It describes each character's outer presence (appearance), inner presence (personality and temperament), context (where they live), and their suitability for their respective roles in the story. The profiles provide key details about each character to understand their role in the narrative.
Shooting schedule
The shooting schedule outlines the planned filming locations and times for an independent film shooting over one day. Filming will take place from 6am to 7pm across various outdoor locations including woods, fields, and urban areas. Scenes include a car driving scene, outdoor shots in the woods, indoor and outdoor shots of a destroyed house, and urban scenes by a fence, power station and train tracks. The schedule notes the availability of actors and crew, transportation details, and potential weather issues of cloudy and wet conditions. Safety precautions are mentioned for trip hazards and risks in the woodland and urban areas.
Music
The document provides information on the audio sources used in various scenes and shots of a movie. It includes pre-recorded sounds from mobile devices, royalty-free sound websites, and GarageBand for foley and musical score. It also includes a letter requesting permission from an audio distributor to use the sounds and music without profit involved, and the distributor's reply granting permission.
Homebound script
This document provides a shotlist and script for a film with scenes taking place in various outdoor and indoor locations. It involves a male protagonist who is a drifter reflecting on how society collapsed, with shots of the natural environment, infrastructure, and characters. The shotlist details camera placements and movements to capture things like a bug on a log, trees and the sun in the sky, a smashed interior, shaking hands, and a character walking through woods. It aims to portray the journey of a character in a post-apocalyptic setting through visuals of the changing world.
Movie title ideas
The document discusses conventions for disaster movie titles and provides examples. It notes that disaster movie titles often feature a bold title combined with imagery of the devastated setting to foreshadow the plot. Examples given include "Day After Tomorrow" featuring ruined New York. The document also discusses inspiration from titles like "The Road" and "Mad Max Fury Road" that use simple bold text with background imagery or a plain background with intricate text. It proposes a disaster movie title combining these conventions, with a simple title and vast background depicting a post-apocalyptic landscape through filters. Several title ideas and one final design are presented.
Costume and props
Costumes and props are important elements of post-apocalyptic films to establish setting and theme. Common costume elements include militaristic or protective clothing, damaged fabrics, improvised armor and accessories, and unnatural hair colors. Props may include makeshift weapons and tools, shields from scavenged materials, and minimal survival gear. Both costumes and props portray the depleted resources and hazardous environment of the post-apocalyptic world to immerse viewers in the genre.
Genre market research
This document summarizes information about two successful disaster movies from 2016: Deepwater Horizon and The Finest Hours. It discusses the plots, which are both based on true stories, and the star-studded casts of both films. It also analyzes the target audiences, which ranged from ages 18 and up, and how the films aimed to provoke emotional responses. Finally, it addresses that films within this genre will share similar techniques but can distinguish themselves by having a deep, emotional storyline that captivates audiences.
Risk assessment (media)
The document summarizes the risks associated with filming activities in different locations and outlines measures to reduce risks. It identifies hazards like slippery surfaces, uneven ground, sharp tools, and moving vehicles that could lead to injuries ranging from bruises to death for those involved. The risk assessment table rates the likelihood and severity of hazards in locations like parks, fields, woods, car parks, train stations and town centers. It also notes additional risks from equipment and prevents different risks for production crews and actors. Measures are proposed like avoiding risky areas when wet or dark, not running in woods or around vehicles, and taking first aid supplies.
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- 1. Idea Generation 1 Characters: Protagonist – Male Brother and bad characters, no main antagonist. Genre: Action/Disaster Narrative: Beginning, Middle, End Concept/Theme/Storyline: Man and his brother survive the main event, travel the wasteland together, protect each other, they must save a town from a dictator but come to blows as they're morals conflict. Setting/Costume/ Props: Settings would include woods, beach, fields, car park, town/city. Ruined clothing and ripped outfits. Visual Style: Dull, muted colours e.g. greens and browns. Sound: Dramatic Orchestral music, strings and brass. Minor tones to reflect atmosphere. Editing: Long, medium and short shots.
- 2. Idea Generation Mood Board Idea 1
- 3. Idea Generation 2 Characters: Male (Protagonist) and his family. Genre: Action/Disaster Narrative: End, Middle, Beginning. Concept/Theme/Storyline: Man tries to keep his family safe in their suburban home whilst he is attacked by other survivors.Setting/Costume/ Props: Settings would include woods, beach, fields, car park, town/city. Ruined clothing and ripped outfits. Visual Style: Green filter effects. Sound: Dramatic Orchestral music, strings and brass. Minor tones to reflect atmosphere. Editing: Transitions e.g. Blurred screen and fuzzy filters.
- 4. Idea Generation Mood Board Idea 2