Humpty dumpty news report plan
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Humpty Dumpty News report plan outlines roles and script for a news report on the fall of Humpty Dumpty. Charlie Day will serve as the anchor-man introducing the story from behind a desk with papers. Matt Wood will be the on-site correspondent interviewing Mischa Kelleher, a friend of Humpty Dumpty's. James Tourle will operate the camera, cutting between the anchor and correspondent. The anchor will thank viewers for watching at the end of the report.
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Lewis Whitley will present a news segment introducing the topic and passing it to reporter Emily Judge. Emily will film related footage and interview people to get their opinions on the topic. She will summarize what she heard before returning to Lewis in the studio. He will thank Emily, summarize the events, and preview the next topic before fading to black. The shoot requires Lewis, Emily, a camera, tripod, lenses, steady cam, microphone and an empty room with a green screen.
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The document outlines a plan for a student news bulletin about the death of Humpty Dumpty. It assigns roles of anchor, reporter, witness, and camera person. It details a three part structure: the anchor introduces the story; the reporter interviews a witness on location; and the anchor concludes. It lists the classroom and outside locations. It provides a script where the anchor introduces the story, the reporter interviews a witness who was friends with Humpty, and the anchor concludes by asking viewers to contact police if they have any information.
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This shot list is for a production titled "The smoking gun" and contains 4 shots planned for Scene 1 which takes place outside in a field during the day. Shot 1 is an over the shoulder shot zooming in on a typewriter as a man types. Shot 2 moves to a medium close up of the man typing from in front of his desk. Shot 3 moves around to a medium shot as the man rips out the paper. Shot 4 returns to an over the shoulder shot as a woman enters the scene.
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A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
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The document discusses costume choices for characters in the opening sequence of a film. It explains that costumes define characters and give clues about their personality and role. Dark clothing is chosen for the first scene to represent ominous undertones. In the second scene, a white shirt and tie are selected to convey formality and professionalism, with details like color providing symbolism. Actors Matthew Wood and Will Purnell are available on filming dates and well-suited for the roles.
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Editing is traditionally focused on continuity to fully immerse the audience in the story. The purpose of editing includes identification, conflict, and intensification to make the action seem fluid. Editing pace and techniques like juxtaposition, cuts, matches, and cross-cuts are used to convey meaning and develop the narrative through visual contrasts and transitions between shots at the same or different times. Proper editing hides the construction process to seamlessly move the story forward.
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Editing
Editing is traditionally focused on continuity to immerse the audience in the story. The purpose of editing in drama includes identification, conflict, and intensification to make the action seem fluid. Editing pace and techniques like juxtaposition, cuts, matches, and cross-cuts are used to convey meaning and develop the narrative through tempo, emotion, tension, and reactions. Proper editing also considers match on action, jump cuts, cut aways, and transitions to seamlessly guide the audience through the story.
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The document discusses various camera shots and movements that directors use to convey information, set the scene, and influence audience perspective including establishing shots, wide shots, crane shots, aerial views, close-ups, point-of-view shots, two shots, shot-reverse-shot, pans, tilts, high and low angles, dolly shots, handheld shots, and zooms. These shots and movements allow directors to portray scale, draw attention to details, show character emotions and conflicts, and give the audience different visual perspectives within a scene. Mastering these techniques gives directors greater creative control over how the audience experiences and interprets what they see on screen.
Film beginning analysis
Citizen Kane (1941) directed by Orson Welles and written by Welles was released by RKO. Back to the Future (1985) directed by Robert Zemeckis and written by Bob Gale was released by Universal. When Harry Met Sally (1986) directed by Rob Reiner and written by Nora Ephron was released by MGM. Harry considers himself set for life with his negative thinking while Sally is optimistic and ready for New York, though she is more reserved than the abrasive Harry who says what he thinks.
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