This installation piece was inspired by Ad Reinhardt's black paintings from the 1950s. It comprised swinging lights, chanting voices piped through cylinders, dim lighting, and words broken up on metal wall panels. Lucy Guerin danced in projected images focusing on contorted body movements. The work strived to look beyond the familiar in music, dance, and language. It confirms that historical works can resonate with contemporary works, showing there is no chronology in culture, only the present moment. By breaking conventions, it reflected on Reinhardt's goal of eliminating evidence of personality through chance and negation.