Act I Scene 1 of The Merchant of Venice establishes the mood and introduces key characters and plots. Antonio is melancholy while Bassanio seeks a loan to woo Portia. They discuss the bond with Shylock and Portia's father's will requiring suitors choose among caskets. This sets up the intertwining stories of the bond and casket lottery that will drive the play's events.
PUN OF USING THE WORD ARDEN AS A-DEN OF SHAKESPEARE'S DRAMA AS YOU LIKE IT--Rituparna Ray Chaudhuri
http://youtu.be/ZWMb_rmZKsM ..PUN OF USING THE WORD ARDEN AS A-DEN OF SHAKESPEARE'S DRAMA AS YOU LIKE IT--Thanks in making the writing as a legendary-document.
PUN OF USING THE WORD ARDEN AS A-DEN OF SHAKESPEARE'S DRAMA AS YOU LIKE IT--Rituparna Ray Chaudhuri
http://youtu.be/ZWMb_rmZKsM ..PUN OF USING THE WORD ARDEN AS A-DEN OF SHAKESPEARE'S DRAMA AS YOU LIKE IT--Thanks in making the writing as a legendary-document.
An Attitude of Defiance - Shakespeare's womenEloivene Blake
I will be exploring this distinctive characteristic as I look at the virtues and mishaps of Shakespeare's women in the context of the Shakespearean comedy.
https://youtu.be/VAhd2GNf1js...ABUSE TO HUMAN GREED AND ITS IMPULSE ELSE-THE ...Rituparna Ray Chaudhuri
https://youtu.be/gBsuOBWtEFI... ‘‘ A COMPLETE SELF-ANALYSIS,EDITED AND WRITTEN ON BASIS OF THE ORIGINAL STORY AND,THE KEEN DIRECTION BY SATYAJIT RAY IN HIS FILM ‘MONIHARA’ (1961) ON BASIS OF THE AFORESAID ORIGINAL-STORY AND THE THEME.’’ .
An Attitude of Defiance - Shakespeare's womenEloivene Blake
I will be exploring this distinctive characteristic as I look at the virtues and mishaps of Shakespeare's women in the context of the Shakespearean comedy.
https://youtu.be/VAhd2GNf1js...ABUSE TO HUMAN GREED AND ITS IMPULSE ELSE-THE ...Rituparna Ray Chaudhuri
https://youtu.be/gBsuOBWtEFI... ‘‘ A COMPLETE SELF-ANALYSIS,EDITED AND WRITTEN ON BASIS OF THE ORIGINAL STORY AND,THE KEEN DIRECTION BY SATYAJIT RAY IN HIS FILM ‘MONIHARA’ (1961) ON BASIS OF THE AFORESAID ORIGINAL-STORY AND THE THEME.’’ .
How far generation has or can bear knowledge on the language.....I have myself on verge of the question...https://plus.google.com/108060242686103906748/posts/cwvdB6mK3J6
I cannot claim myself, but I can suggest. I have come across the problem on topic of discussion several times, and still now hearing of the same. Experts can only show us the path..Where are they? "You, Experts please come in front and hold our hands, take the liberty of your Knowledge to educate us more..."
The English language : 'I am' but 'I do' speak English! AND ? ITS WHISPERS O...Rituparna Ray Chaudhuri
"THE ENGLISH LANGUAGE: AND ITS WHISPERS OF IMMORTALITY".(DIRECT TO ALSO: http://archive.org/details/THEENGLISHLANGUAGEIAMBUTIDOSPEAKENGLISH) (http://www.slideshare.net/RituparnaRayChaudhur/the-english-language-i-am-but-i-do-speak-english)http://bit.ly/1Ps8sR7
“What is it that agitates you, my dear Victor? What is it you fear?”: [* SELF...Rituparna Ray Chaudhuri
“The monster now becomes more vengeful. He murders Victor’s friend Henry Clerval and his wife Elizabeth on the night of her wedding to Victor, and Victor sets out in pursuit of the friend across the icy Arctic regions. The monster is always ahead of him, leaving tell tale marks behind and tantalizing his creator. Victor meets with his death in the pursuit of the monster he had created with a noble objective.”
I was in a casual seat to turn of the pages of the poems, -a poem that suddenly caught my eyes. Not at all been a description so vividly as usual of me, but a speck of only the metaphors to the nature loving poem..
Thanks a lot to upraise me in Web..
"The Astronomer-Poet of Persia and Percy Bysshe Shelley"~ Rituparna Ray Chaud...Rituparna Ray Chaudhuri
"Then to this earthen Bowl did I adjourn
My Lip the secret Well of Life to learn:
And Lip to Lip it murmur'd-"While you live
Drink!-for once dead you never shall return." "
THOMAS HARDY AND HIS PHILOSOPHY TO A LARGE PART WITH THE DISCOVERY OF TRUTH- ...Rituparna Ray Chaudhuri
Critical Analysis on Hardy's philosophy which has been expressed in three themes, all of which reflect certain preoccupations of age. The calm and quiet atmosphere, along with of rural life has also become an immortal region, therefore,in the 'Realms of his Novel'-
Manuscript on english & british literature isc poem of reverie 2019 sylla...Rituparna Ray Chaudhuri
The paper, as based on quotations, is compiled significantly on self-analysis of poems, mainly, for students of ISC Board with a mannerism to develop a philosophical and socialistic answer against every contextual question.
Sense and Perception through Literature has taken me a far. Here I have taken a chance to analyse self on Bengali Literature through a classical story 'The Kabuliwala'' written by Legend Rabindranath Tagore: The Way I Have Visualised the Story..
Memorizing Literature and To Promote Self by the Expression of The Foreign Language is one of my Dictionary Words. This is the Only Weapon I had Also used in My Book. Hope the book will be helpful to your Academic Research. Thanks to Kirkus Indie Review and The Guardian Weekly on issue of 27th July, 2018. This is referred in Google.
“Three poets in three distant ages born
Greece, Italy and England did adorn;
The first in loftiness of thought surpassed.
The second in majesty; in both the last.”
Christopher Marlowe's Edward the Second...A Critical Evaluation, The Way I do..Rituparna Ray Chaudhuri
“Marlowe wrote Edward The Second in 1590. He found a suitable tragic theme in the Holinshed’s account of Edward II’s reign though it was not a promising dramatic material from the chronological point of view as the events were disjointed and uninspiring disastrous. Improper coordinates of the sources has left its mark on Marlowe’s play, nevertheless, this is his most finished and satisfactory of plays…Edward The Second can surely be regarded as Marlowe’s finest technical achievement.” (Edited, Dr. S. Sen…)
LITERATURE I UPHELD- THE ROMANTICS AND SUBJECTIVITY: SAMUEL TAYLOR COLERIDGERituparna Ray Chaudhuri
Coleridge's Treatment of nature and the Tranquillity : The phenomenal description on own thoughts regard me to describe Coleridge, along with William Wordsworth, was instrumental in initiating a poetic revolution in the early nineteenth century which is known as the Romantic Movement. Coleridge invokes the Divine Spirit that blows upon the wild Harp of Time. Time is like the stringed musical instrument on which the Spirit produces sweet harmonious melodies. Coleridge is perhaps best known for his haunting ballad Rime of Ancient Mariner, the dream-like Kubla Khan and the unfinished Christabel, but he wrote several other smaller poems, quite remarkable for their imaginative power. (Edited with own analysis)…
IMPOLITE PHILOSOPHY OF LIFE TO A CRITICAL EVALUATION ON PERCY BYSSHE SHELLEY'...Rituparna Ray Chaudhuri
Perhaps,http://youtu.be/R6mefXs5h9o.
The beautiful atmospheric phenomenon with romantic and dignified language, the ferocity and power of west wind respectively presents the genesis of the poem, making the legend to represent the soaring idealism of the Romantics and a radical belief in a Utopia.-Percy Bysshe Shelley in his alliterative poem 'Ode to the West Wind', An Eternal Beauty of Truth and Philosophy.
"After Reading George Bernard Shaw's Arms and The Man, The Way- I Thought The...Rituparna Ray Chaudhuri
"A brilliant example of farce and humour, 'Arms and the Man', is 'a light hearted and gay as an operetta, yet it pauses to tell us that war is beastly.'.. " Through an open window with a little balcony a peak of Balkans wonderfully white and beautiful in the starlit snow, seems quite close at hand, though it is really miles away..."Leave the shutters so that I can close them if I hear any noise",Raina says this to Louka........
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
http://youtu.be/aWmj1bMR4Mo ,A Silent Romantic Comedy-The Merchant Of Venice.
1. How does Act I Scene 1 set the mood of the play ‘The Merchant of Venice’?
-The moon shines bright: in ‘such a night’ as thus.
When the sweet wind did gently kiss the trees.
And they did make no noise.-
It is a genre, in which Shakespeare is a master. For the other great comedy of the world’s literature, the
comedy of Moliere or Ben Jonson, is different in kind to his. The play, ‘The Merchant of Venice’,
resolves itself purely into a simple form. It illustrates the clash between the emotional and the
intellectual characters, the man of heart and the man of brain. The man of heart, Antonio, is obsessed
by tenderness for his friend. The man of brain is obsessed by lust to uphold intellect in a thoughtless
world that makes intellect bitter in every age. Shylock, is a man of intellect, who born into a despised
race. It is a tragedy, that the generous Gentiles about him can be generous to everything, except to
intellect and Jewish blood. Intellect and Jewish blood are too proud to attempt to understand the
Gentiles who cannot understand. Shylock is a proud man. The Gentiles, who are neither proud nor
intellect, spit upon him and flout him.
“How like a fawning publican he looks!
I hate him for he is a Christian;
But more that in low simplicity
He lends out money gratis, and brings down
The rate of usance here with us in Venice.”
All we can say, is that in the tragedies, the dramatist seeks to entertain generally mainly by playing on
our capacity to shudder and shed tears whereas in the comedies are the Elizabethan feelings, whether
humorous or sentimental. Shakespeare has a careful selection of the titles of his plays. His tragedies and
historic plays are named after the central character of the play. His comedies on the other hand, are
named after weak and passive characters; similar is the case with the present play. It has been named
after Antonio, the merchant of Venice, a weak and passive character suffering from nameless
melancholy. As with character, so with the feelings, the gaiety and folly and pensive sentiments of love
are portrayed to the life, but not its pain, nor its mystery-its profounder influence on the character of
the lover.
“Let me play the fool:
With mirth and laughter let old wrinkles come,
And let my liver rather heat with wine
2. Than my heart cool with mortifying groans.
Why should a man, whose blood is warm within,
Sleep when he wakes , and creep into the jaundice
By being peevish?”
If there is a moment of anxiety or sorrow, it passes and leaves no mark when things go well again.
Melancholy Antonio is so not very melancholy at the end of the play, though he has been in danger of a
dreadful death hours before. Shakespeare has been regarded as a master of opening scenes. No matter
what terms we may use, the fact cannot be denied that an author, while portraying life and human
nature in his work, gives his own point of view to us in the process. Every author looks a life from a
certain angle, and that determines the kind of reality he depicts in his work.
“Then let us say you are sad
Because you are not merry: and ‘twere as easy
For you to laugh and leap, and say you are merry
Because you are not sad.”
The opening scene of play’ The Merchant of Venice’ fully illustrates this view. The play simply begins on
a street in Venice. Antonio , the protagonist, a rich and prosperous merchant appears as a kind of a
brooding man, who says that he regards this world as the stage of a theatre on which every man has to
play a certain role, his own role being a sad man.
“ I hold the world but as the world, Gratiano;
A stage where every man must play a part,
And mine a sad one.”
Gratiano, another friend, who says in contrast that he would like to play the role of a happy and jovial
man wanting that the wrinkles of old age should come to him with mirth and laughter. He ridicules the
man who is too serious and solemn, and who pretends to be “Sir Oracle”, wanting all others to become
silent when he is about to open his mouth to speak.
“I’ll tell thee more of this another time:
But fish not, with this melancholy bait,
For this fool-gudgeon, this opinion.”
Salerino and Solanio, other friends, are talkative persons as Gratiano is, though Gratiano has more wit
and is more glib-tongued than they. Solanio says that he too would be feeling melancholy at this time if
his ships were sailing upon the sea; and Salerino elaborates this view as his speech contains of vivid
3. pictures of a ship being tossed by the sea-waves and getting struck in shallow waters or over-turning
after a collision with dangerous rocks.
“Should I go to church
And see the holy edifice of stone,
And not bethink me straight of dangerous rocks,
Which touching but my gentle vessel’s side
Would scatter all her spices on the stream,
Enrobe the roaring waters with my silks..”
Salerino, in another speech is reasonably distinguishes now between the two kind of men, those who
are always melancholy and sullen, those who are always laughing and chattering.
“Nature hath fram’d strange fellows in her time:
Some that will evermore peep through their eyes,
And laugh like parrots at a bag-piper;
And other of such vinegar aspect
That they’ll not show their teeth in the way of smile,
Though Nestor swear the jest be laughable’’..
Bassanio, Antonio’s best friend, however, is a prodigal young intelligent man, is also romantic with an
enterprising and adventurous spirit. He wants to try his luck at Belmont but he has no money. He had
previously taken a loan from Antonio, whom he has not yet repaid. He now asks him for again, another
loan. He has an ingenious and fertile mind therefore too. Asking for a second loan, he refers over here to
one of his boyhood habits. He says that whenever as a school-boy he lost one arrow, he used to shoot
another arrow in the same direction, succeeding in finding the first arrow, besides recovering the
second.
..”I donot doubt,
(As I will watch the aim) to find both,
Or bring your latter hazard back again,
And thankfully rest debtor for the first.”
This scene, further introduces to the play’s compassionate natured heroine, Portia, who is quite
obviously resourceful and confident of herself can able to take quick decisions to put them into action
4. with intelligent plans. She has been much praised during two centuries of criticisms. She is one of the
smiling things created in the large and gentle mood that moved Shakespeare to comedy. The scene in
the fifth act, where the two women, coming home from Venice by night, see the candle burning in the
hall, as they draw near, is full of naturalness that makes beauty quicken at heart.
“The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, strategems, and spoils;”
However, though not directly, but through Bassanio’s description of her in the opening scene, he is
speaking to Antonio about his to go to Belmont in an effort to win ‘her’. In this description, loyal Portia is
here described as “a lady richly left”, as “fair, and, fairer than that word”, and “of wondrous virtues.”
Bassanio becomes eloquent when he goes on to describe her:
“Her name is Portia; nothing undervalu’d
To Cato’s daughter, Brutus’ Portia;
Nor is the wide world ignorant of her worth,
For the four winds blow in from every coast
Renowned suitors;”..
Of the mature comedy, the foundations of the major stories of the play hence have been laid very
clearly and firmly. Indeed, Shakespeare became successful in his skill of becoming an architect who had
built up the plots with his many-sided genius in the portrayal of his characters. It is wonderful that
Shakespeare has built up this play in such a way that the impacts of each of ‘the two stories’ are found
in the opening scene.
‘The Merchant of Venice ‘consists of four plots- two major and two minor, so intricately interwoven to
form one whole integrated story. The two main plots comprise ‘The Bond Story’ and ‘The Lottery of
Caskets’. These two plots are closely interlinked. The main plot of this play pertains to Antonio and the
Jew and money-lender, and of the bond that Antonio sighs and subsequently forfeits. This story is
known as ‘The Bond Story’.
“Why thou-loss upon loss! the thief gone so much,
And so much to find the thief; and no satisfaction,
No revenge: nor no ill luck stirring but what lights
O’ my shoulders; no sighs but o’ my breathing;
No tears but o’ my shedding.”
5. The other major story pertains to the will left by Portia’s father, laying down the condition which a suitor
of Portia must fulfil before he can claim Portia’s hand in marriage. This is known as ‘’The Casket Story”.
“O my Antonio, had I but the means
To hold a rival place with one of them,
I have a mind presage me such thrift
That I should questionless be fortunate.”
Bassanio, asks therefore for a loan of three thousand ducats from Antonio in order to be able to go to
Belmont to try to win Portia as his wife. Antonio, who has no cash in hand, hence asks Bassanio to
borrow money in his name as the guarantor from some money-lender or merchant. Both the stories
hence have been set afoot at the same time and the stories have closely interwoven also. Without the
one, the other has no obvious significance of its own.
“You know me well, and herein spend but time
To wind about my love with circumstance;
And out of doubt you do me now more wrong
In making questions of my uttermost
Than if you had made waste of all I have.”
The two sub-plots in the play are- The Jessica-Lorenzo love story and The Ring Episode. Both these sub-
plots are interrelated to each other and to the main plot as well. However, this former story includes
Jessica, Shylock’s daughter, falls in love with Lorenzo, a friend of Antonio and Bassanio. Both the lovers
go to Belmont, where Portia entrusts them with the responsibility of looking after her household, till she
remains in Venice for the trial of Antonio. When the Court scene reveals Shylock at his most horrible
and the Christians also not at very best, the scene immediately shifts to a peaceful vicinity of Belmont,
where on a glorious moonlit night the run-away lovers Lorenzo and Jessica are seen in Portia’s garden
engaged in a highly romantic conversation bandying the names of lovers of bygone times and distant
climes. Lorenzo and Jessica get half the share of Shylock’s wealth when Shylock loses the case against
Antonio.
The next episode constitutes one of the important stories in the play. It is only after Bassanio wins the
lottery of caskets, that Portia marries him and gives him a ring as a token of their love. She takes a
promise from Bassanio that he will never part with the ring. At the same time, Nerissa married Gratiano
and gives him a ring, with the promise from him that he will not part with it at any cost. The rings
represent wealth as well as emotional value. This is known as ‘The Ring Episode’, acts as an offshoot of
the Casket story. Then it is connected with the Bond Story in the Trial scene, as Bassanio and Gratiano
give their rings to Portia and Nerissa respectively as a token of gratitude for saving Antonio.
6. “The quality of mercy is not strained
It droppeth as the gentle rain from heaven
Upon the place beneath; It is twice blessed
It blesseth him that gives and him that takes.”
Justice and mercy, as delivered in the play, do not appear to be as sweet, selfless and full of grace as
presented by Portia. The play depends on the theme of appearance and reality to enrich the plot and to
present the atmosphere and to create the suspense in the storyline. The exposition of the play is therein
to the audience to convey the circumstances that unfold, leading up to the events of the play. Outward
appearances are liable to be deceptive. This principle is best demonstrated through the lottery of the
caskets. In the choice of caskets, not only their appearance but the mottoes inscribed on them are to be
considered:
“Gold: Who chooseth me shall gain what many men desire.
Silver: Who chooseth me shall get as much as he deserves.
Lead: Who chooseth me must give and hazard all he hath.”
Thus the plot of the play, determines the general framework but into it are fitted the other elements
which enrich and diversify their sense of pleasure. There is an Elizabethan phrase-‘A Paradise of Dainty
and Delight.’ The phrase well described the romantic comedy except that daintiness is not essential. Any
delight has a right to be admitted to the paradise. In the words of Raleigh, the last Act of the play of ‘The
Merchant of Venice’ is ‘an exquisite piece of Romantic Comedy’ and Shylock has no place there. It is
easier to find an analogy to Shakespeare’s comedies in musical compositions than in his classical comedy
proper. Shakespeare is closer to Mozart that to Moliere.
‘’ The lunatic, the lover, and the poet
Are of imagination all compact.”
----------------------------------------------------------------------------------------------------------------------------
[References, words, sentences, ideas, settings, orientation of words and its elaboration, contextualized
from Dr. S. Sen (of Critical Evaluations), Rajinder Paul, Textual Workbook and other]