Hierarcy
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The document outlines the job roles and hierarchy for an event. At the top is the Events Manager who oversees everything happening at the event. Underneath is the Technical Manager in charge of music and lighting, the FOH Manager handling operations before, during, and after the show, and the Stage Manager ensuring the show runs smoothly. Lower roles include the Lighting Designer, Wardrobe Manager, and assistants to the managers, followed by technicians, dressers, makeup artists, front-of-house staff, and assistant stage managers.
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1. The passage describes the author's reaction to reading a graphic account of torture during the war from Mamiya's perspective. It made the horrors seem more real. The author's grandfather also told of torture endured by Japanese prisoners of war. While some may question why soldiers didn't give up information, withstanding torture helped countries maintain independence.
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Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as deputies. Other roles covered are sound and lighting designers, who design audio and visual elements, and their operators who implement them. Front of house, costume, and props managers are also summarized as supporting roles that ensure the smooth running of performances.
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The document describes the roles and responsibilities of various positions within the production of a musical. It begins by explaining there is a hierarchy and then lists the roles of Stage Manager, Assistant Stage Manager, Deputy Stage Manager, Sound Designer, Sound Operator, Front of House Manager, Lighting Designer, and Lighting Operator. For each role it provides details of their responsibilities and how they interact with other roles to ensure smooth execution of the production.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as their assistant. Other roles covered include sound designer and operator, lighting designer and operator, costume mistress, props mistress, and front of house manager. Each role has specific tasks such as designing elements, operating equipment, or overseeing departments and ensuring smooth performances. The stage manager sits at the top of the hierarchy and coordinates communication between all roles.
Job roles
The stage manager is responsible for overseeing all backstage operations during a performance, including ensuring actors and props are ready at the appropriate times and communicating with other crew members. The deputy stage manager assists the stage manager and fills their role if needed. The front of house manager oversees all front of house operations like ticket sales and ushering audiences.
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The document outlines several job roles in theatre production, including stage manager, sound designer/operator, lighting operator, front of house manager, and props mistress. A stage manager coordinates all aspects of a production to ensure successful performances. They manage rehearsals, actors, technicians and liaise between departments. A sound designer plans sound effects while an operator plays them at the right time. A lighting operator programs and operates lights to match scenes and cues. The front of house manager oversees customer service. The props mistress sources and manages all props for the production.
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The document describes several job roles in theatre production:
Stage Manager coordinates all aspects of a production from rehearsals through performances to ensure successful delivery. Their duties include managing schedules, props, costumes, budgets and communicating between departments.
Sound Designers and Composers create sound effects and music to fit the production concept as directed. Sound Operators operate sound equipment during rehearsals and performances, cueing effects at the proper moments.
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The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through scene changes, cues, and crew tasks. The deputy stage manager cues the lighting and sound operators during performances based on cues prepared during rehearsals. Other important roles include the assistant stage manager, stage crew, lighting and sound designers/operators, and those responsible for costumes, props, and front of house duties.
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The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through cues and organization. The deputy stage manager cues the lighting and sound operators during performances. Other important roles include the assistant stage manager, stage crew, lighting and sound designers and operators, mic operator, and those in charge of props, costumes, and front of house.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through cues and organization. The deputy stage manager cues the lighting and sound operators during performances. Other important roles include the assistant stage manager, stage crew, lighting and sound designers and operators, mic operator, and those in charge of props, costumes, and front of house.
Theatre hierarchy
The Stage Manager oversees every performance and ensures efficient backstage management by communicating the director's vision and assigning tasks to the Assistant Stage Manager and Stage Crew. The Deputy Stage Manager cues the lighting and sound operators during performances based on cues learned during rehearsals. The Assistant Stage Manager assists the Stage Manager and is often in charge of the Stage Crew and props. The Stage Crew assists with quick scene and costume changes to ensure smooth performances.
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The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as deputies. Other roles covered are sound and lighting designers, who design audio and visual elements, and their operators who implement them. Front of house, costume, and props managers are also summarized as supporting roles that ensure the smooth running of performances.
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The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as their assistant. Other roles covered include sound designer and operator, lighting designer and operator, costume mistress, props mistress, and front of house manager. Each role has specific tasks such as designing elements, operating equipment, or overseeing departments and ensuring smooth performances. The stage manager sits at the top of the hierarchy and coordinates communication between all roles.
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The stage manager is responsible for overseeing all backstage operations during a performance, including ensuring actors and props are ready at the appropriate times and communicating with other crew members. The deputy stage manager assists the stage manager and fills their role if needed. The front of house manager oversees all front of house operations like ticket sales and ushering audiences.
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The document describes several job roles in theatre production:
Stage Manager coordinates all aspects of a production from rehearsals through performances to ensure successful delivery. Their duties include managing schedules, props, costumes, budgets and communicating between departments.
Sound Designers and Composers create sound effects and music to fit the production concept as directed. Sound Operators operate sound equipment during rehearsals and performances, cueing effects at the proper moments.
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Front of House Managers oversee ticket sales and audience experience to maintain the production's public image and quality service.
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Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through scene changes, cues, and crew tasks. The deputy stage manager cues the lighting and sound operators during performances based on cues prepared during rehearsals. Other important roles include the assistant stage manager, stage crew, lighting and sound designers/operators, and those responsible for costumes, props, and front of house duties.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through cues and organization. The deputy stage manager cues the lighting and sound operators during performances. Other important roles include the assistant stage manager, stage crew, lighting and sound designers and operators, mic operator, and those in charge of props, costumes, and front of house.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through cues and organization. The deputy stage manager cues the lighting and sound operators during performances. Other important roles include the assistant stage manager, stage crew, lighting and sound designers and operators, mic operator, and those in charge of props, costumes, and front of house.
Theatre hierarchy
The Stage Manager oversees every performance and ensures efficient backstage management by communicating the director's vision and assigning tasks to the Assistant Stage Manager and Stage Crew. The Deputy Stage Manager cues the lighting and sound operators during performances based on cues learned during rehearsals. The Assistant Stage Manager assists the Stage Manager and is often in charge of the Stage Crew and props. The Stage Crew assists with quick scene and costume changes to ensure smooth performances.
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Gc1 job roles
The stage manager coordinates all aspects of a production to ensure its successful delivery. They manage rehearsals, actors, technicians and more from rehearsal through performance, dealing with any issues.
The sound designer is responsible for all audio elements of a production. This includes editing sounds, finding sound effects, and understanding sound programs like QLAB. They must adapt their role to each specific production.
The front of house manager oversees the audience experience and front of house facilities like bars and ticket sales. They are the first impression of the venue and must ensure a smooth performance.
The deputy/assistant stage manager assists the stage manager and director. They prompt actors, cue crew, and fill in for the stage manager
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The document discusses the design and details of a noticeboard and Sharpay's locker created for a High School Musical set. The noticeboard features the school's logo, flag, and paw print to represent school spirit and the basketball team. It also includes a menu, science decathlon poster, and sign-up sheet for the winter musical mentioned in the script. Sharpay's locker is painted pink and glittered to match her girly personality and stand out from the other lockers.
Overall sketch
This document describes the design process for a school noticeboard and Sharpay's locker from the musical High School Musical. The designer had to change backgrounds on the noticeboard items to improve readability. Teachers disagreed with designs for the menu and science sign, wanting all red instead. Sharpay's locker was painted pink with her glittered initials to show her special treatment. Accessories and extra clothes were included to represent her vain and girly personality.
Overall sketch
This document describes the process of designing and revising a notice board and lockers for a school play. The designer initially included too much red text that blended in with the red background. Teachers also disagreed with designs for the menu and science competition sign. The final notice board design used only red text for visibility. The lockers for the lead character Sharpay were painted pink and decorated with her glittered initials to suit her girly personality and stand out as her own.
Justification and sketches for hsm
The document describes the contents and design of a school noticeboard and Sharpay's pink bedazzled locker from the movie High School Musical. The noticeboard contains information like basketball team logos and flags, audition sign-ups, and lunch menus. It uses red and bright colors to grab attention. Sharpay's locker interior includes a pink feather boa, mirror, makeup, her initials, and tiara, reflecting her vain personality. A bedazzled pink font with glitter will be used on the locker's outside.
Gc4 m aterial list
(1) This material list is important for creating flags for the musical "High School Musical" as it ensures the creator has all necessary supplies and knows how many are needed, which saves time and budget. (2) The list includes rolls of A2 paper from the creator's sister to cut large flags, red paper also from the sister for the school color background, hand-drawn stencils of the wildcat symbol and letters used in the design, white and black paint or pens to create the designs that will be clear from a distance. (3) Having the material list helps ensure all required items are obtained for successful construction of the flags representing the musical.
Overall sketch
This document describes the design process for creating signs and decorations for a school noticeboard and lockers. The designer had to change backgrounds and colors to improve readability since the noticeboard was red. Teacher feedback resulted in redesigning the science decathlon sign. Details were added to a locker to identify it as belonging to a particular student known for special treatment.
Justification and sketches for hsm
The document describes the contents and design of a school noticeboard and Sharpay's pink bedazzled locker from the movie High School Musical. The noticeboard contains information like basketball team logos and flags, audition sign-ups, and lunch menus. It uses red and bright colors to grab attention. Sharpay's locker interior includes a pink feather boa, mirror, makeup, her initials, and tiara, reflecting her vain personality. A caption explains her view of herself as a high drama princess who deserves star status.
Gc4 the product explanantion finish
Firstly, the student was in charge of creating the first flat on stage right for their production. They had to design and construct the flat from start to finish, including drawing out the design of an escape ladder to scale and drilling steps to create a 3D effect. They then painted the flat beige as a base coat before adding details like brick patterns and dirt to make it appear like an old, run-down flat building in Manhattan as described in the script. In the end, they had created a realistic looking flat without any additional props.
Material list for in the heights finished
This material list provides details on the materials needed to construct flats and a fire escape for the play "In The Heights". Plywood, screws, drills, saws, polystyrene, paint in various colors, moss, vines, and wood will be used. Justifications are provided for each material, explaining how they will be used and why the specific material was chosen to match the run-down setting of downtown Manhattan and create a realistic design. The material list ensures that all necessary supplies are accounted for and will save time and budget by knowing quantities needed.
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【业务选择办理准则】
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对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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- 1. The Hierarchy shows the Job roles of each person and my manager which is under the Event manager. The Events manager is in charge of everyone else and what is going on at all times. Underneath them is the Technical Manager who is clearly in charge of what is going on with music and lighting, FOH who is in charge of what is going on before the show, in the interval and the end of the show, Stage Manager who is in charge of what is going on, on stage is everything is going to plan and Marketing manager who is the advertiser of the whole event. Underneath that is the Lighting Designer who designs all the lights for the pieces, Wardrobe Manager who is important of costume and where they are put. Underneath them are the Assistants so the assistant Technical manager so if the manager is busy it is down to the assistant technical manager, again with the assistant technical manager in sound, OH and marketing. Lastly Underneath them is the lighting technician who will be the one who is lighting the stage on the cues, the sound technician who is in charge of playing the correct tracks, dressers who help with quick changes for the performers, Makeup artist so if certain make up is needed that is what they will be doing, FOH so people: selling tickets, clicking people in, ushering people to their seats and their car parking and the ASM who makes sure things are going right in the two rooms.