Georgios Giannakis, Professor and ADC Chair in Wireless Telecommunications, University of Minnesota, Department of Electrical & Computer Engineering (IEEE/EURASIP Fellow, IEEE SPS DL), Sparsity Control for Robustness and Social Data Analysis
Georgios Giannakis, Professor and ADC Chair in Wireless Telecommunications, University of Minnesota, Department of Electrical & Computer Engineering (IEEE/EURASIP Fellow, IEEE SPS DL), Sparsity Control for Robustness and Social Data Analysis
Polytetrafluoroethylene (PTFE) market summaryTejas Shah
The Changing Dynamics of Fluoropolymers Industry (2000-2030) Strategy Report – 2017 is written to provide clients with a historical perspective and an insightful future market outlook for global and regional Fluoropolymers market during the period 2000-2030. This section (Introduction and Executive Summary) is intended to provide the client with an overview, findings and highlights of PTFE and fluoropolymer industry. In this short report we have covered strategic analysis and market dynamics from our Changing Dynamics of Fluoropolymers Industry Strategy Report that Prismane Consulting believes could have a significant impact on Fluoropolymers industry in the short and long-term forecast. Additional analysis of capacity, supply, demand, trade, prices, profitability, technology, and production costs, major application sectors and market analysis at country and regional level can be found in the Changing Dynamics of Fluoropolymers Industry (2000-2030) Strategy Report – 2017.
Advertising Media Kit - Cut Through The ClutterFleetAnswers
Market your products and services to the largest online fleet social network. With decreasing returns on investment in traditional media marketing and an increasingly fragmented audience base, FleetAnswers offers an ideal solution for the next generation of fleet advertisers.
Tweeting to 13.1 Miles: How Social Media Has Impacted Health and FitnessDeanna Tomaselli
Social media has significantly impacted health and fitness by allowing easy sharing of accomplishments, injuries, and disappointments with online communities at users' fingertips, helping to motivate continued exercise progress that some track by tweeting along the route of a 13.1 mile half marathon race. The presentation discusses both traditional fitness influences like magazines as well as new tools like blogs, videos, and Twitter that have expanded online communities and support networks for runners, yogis, and others tracking healthy lifestyles.
Organizational Readiness: Social Media Tactics for SuccessDeanna Tomaselli
A nice refresher on how to user simple tactics to achieve organizational readiness in social, plus a few quick stats on successful Facebook wall posts.
Polytetrafluoroethylene (PTFE) market summaryTejas Shah
The Changing Dynamics of Fluoropolymers Industry (2000-2030) Strategy Report – 2017 is written to provide clients with a historical perspective and an insightful future market outlook for global and regional Fluoropolymers market during the period 2000-2030. This section (Introduction and Executive Summary) is intended to provide the client with an overview, findings and highlights of PTFE and fluoropolymer industry. In this short report we have covered strategic analysis and market dynamics from our Changing Dynamics of Fluoropolymers Industry Strategy Report that Prismane Consulting believes could have a significant impact on Fluoropolymers industry in the short and long-term forecast. Additional analysis of capacity, supply, demand, trade, prices, profitability, technology, and production costs, major application sectors and market analysis at country and regional level can be found in the Changing Dynamics of Fluoropolymers Industry (2000-2030) Strategy Report – 2017.
Advertising Media Kit - Cut Through The ClutterFleetAnswers
Market your products and services to the largest online fleet social network. With decreasing returns on investment in traditional media marketing and an increasingly fragmented audience base, FleetAnswers offers an ideal solution for the next generation of fleet advertisers.
Tweeting to 13.1 Miles: How Social Media Has Impacted Health and FitnessDeanna Tomaselli
Social media has significantly impacted health and fitness by allowing easy sharing of accomplishments, injuries, and disappointments with online communities at users' fingertips, helping to motivate continued exercise progress that some track by tweeting along the route of a 13.1 mile half marathon race. The presentation discusses both traditional fitness influences like magazines as well as new tools like blogs, videos, and Twitter that have expanded online communities and support networks for runners, yogis, and others tracking healthy lifestyles.
Organizational Readiness: Social Media Tactics for SuccessDeanna Tomaselli
A nice refresher on how to user simple tactics to achieve organizational readiness in social, plus a few quick stats on successful Facebook wall posts.
This was presented to a group of senior citizens from Westmoreland County, Pa. at Redstone Highlands Senior Living Communities. They wanted to know more about social media so I started with the basics: Facebook and Twitter.
Social Media for Event Planners and Vendors: 8 Tactics You Can UseDeanna Tomaselli
Keynote presentation to International Special Events Society (ISES), Pittsburgh Chapter. Includes tactics event planners and vendors can use to increase reach and visibility with social media.
The document discusses social media use in the workplace and its ethical implications. It notes that while social media can impact businesses, politics and socialization, its misuse in the workplace through activities like excessive personal use of company equipment and networks can lead to issues like lower productivity. The document advocates for organizations to have clear social media policies and guidelines that balance employee rights with business needs. It also stresses the importance of ethical decision making and treating all workers proportionately when it comes to social media.
Hey, College Students—Learn How To Use Social Media Like a Real Professional—...Mary Snauffer
The document provides tips for using social media professionally, emphasizing that everything posted is visible to an "invisible audience" of future employers, recruiters, and others, and outlines best practices for platforms like LinkedIn, Instagram, and Twitter to strategically build a personal brand through defining key passions and networking with influencers in desired industries or fields. It also describes an opportunity to join a paid social media freelance network run by a startup focused on optimizing clients' online presences and personal brands.
PRSA Pittsburgh Professional Development Day Twitter Transcript: 10/20/11Deanna Tomaselli
The document summarizes tweets from the Twitter hashtag #prsapdd between October 17-20, 2011. It discusses a Professional Development Day event hosted by PRSAPgh, including promotion of the event, student volunteers, and registration. The majority of tweets summarize an ethics panel discussion that addressed topics like controlling messages in a digital age, the PRSA code of ethics, handling criticism on social media, and setting parameters for online conversations.
Responsible Use of Social Media in the PhilippinesWoManila
The document discusses the results of a study on the impact of COVID-19 lockdowns on air pollution. Researchers found that lockdowns led to significant short-term reductions in nitrogen dioxide and fine particulate matter pollution globally as transportation and industrial activities declined substantially. However, the document notes that the improvements in air quality were temporary and pollution levels rose back to pre-pandemic levels as restrictions eased and activity increased again.
This document promotes the creation of Haiku Deck presentations on SlideShare and includes photos credited to various photographers. It encourages the viewer to get started making their own Haiku Deck presentation by providing a link to do so. The document aims to inspire the viewer to try out Haiku Deck's presentation software.
Key Points in this presentation:
- Application of Social Media in the Workplace
- Are Employers Permitted to Monitor Social Media Use by Employees at Work?
- Percentage of Business using Social Media
- How does your organization use SM for Internal communications
- Managing the Risks
- Social Media Policy
- Steps to creating a Policy
A copy of the presentation given to Cornish graduates attending an innovative course run by Unlocking Cornish Potential (UCP).
The course focused exclusively on building employability skills at Higher Education level with a range of private sector speakers taking time to work with graduates entering the employment market.
The above presentation was delivered by Aren Grimshaw, Tonick Media on 23rd June 2010 at St.Austell Brewery. To arrange for a similar presentation at your event please contact Tonick Media on 01209 718688 or email aren@tonickmedia.com
Media and Social Media Training for Student-AthletesChris Yandle
"Media and Social Media Training for Student-Athletes" presentation from the 2013 CoSIDA Convention. Panelists: Scottie Rodgers (moderator, Ivy League), Tom Eiser (Xavier), Dr. John Lata (Florida State), Chris Yandle (Miami).
1) The document discusses strategies for using social media for Rotaract clubs, including determining the audience, developing a content strategy, and selecting appropriate platforms.
2) It recommends starting with a SWOT analysis and setting goals, then focusing content on the club calendar, projects, and themes like Rotary and UN initiatives.
3) The presenter advocates sharing 80% existing content and creating 20% original posts, and designating one member per month to manage each platform as part of a long-term social media plan.
Motivating Millennials: Communicating with the Younger Generation in the Work...Deanna Tomaselli
Millennials often get a bad rap. They’ve been called lazy, entitled, and they also apparently “killed” cereal, chain restaurants, and napkins over the last decade (among many other things). But before you go pointing the finger at them and sayingthings like “back in my day,” take a step back and get to know this generation... from a millennial herself.
Deanna Tomaselli gave a presentation about her career in public relations and social media. Over her career, she has had many exciting experiences like traveling for work, meeting celebrities, and attending high-profile events. However, she also discussed some of the challenges of her career, such as dealing with difficult bosses, getting laid off, and not getting jobs she applied for. She outlined her career path from graduating college to her current role, and emphasized skills that have helped her success like networking, initiative, and social media savvy.
This document provides tips for building a personal brand on social media. It recommends developing a consistent brand across all online profiles by choosing a name, writing a concise bio, and using the same professional photo. It also suggests taking an inventory of one's current online presence. The presenter advocates being relatable, authentic and setting attainable goals for social media use. The key aspects for an effective personal brand are consistency, being relatable, aiming for goals that are attainable, and allowing your true self ("YOU") to shine through. An example is provided of how Taco Bell effectively brands itself on social media.
Deanna Tomaselli gave a presentation to the University of Pittsburgh Delta Phi Epsilon sorority on January 10, 2015 about career paths from college and beyond. She discussed choosing a major and classes based on your interests and experience. She recommended building your resume, networking, getting involved, and using social media to find jobs. For your career, she advised staying engaged through reading, social media, networking and conferences to build your personal brand and stay inspired. She also discussed potential side jobs or "hustles" and provided resources for career development.
The document provides steps for launching a successful social media campaign:
1) Define social media and monitor key platforms and influencers to understand audiences.
2) Build brand awareness on social media by increasing followers, interactions and positive perceptions.
3) Set up brand pages and determine content strategy and response protocols.
4) Engage audiences on social media with a content calendar and respond to comments and messages.
5) Promote social media pages across marketing channels and evaluate and refine the strategy over time.
Presentation to Point Park University grad students on how social media is an important tool in facilitating dialogue and relationships with the media.
Social Media’s Role in the World of Public RelationsDeanna Tomaselli
College students know social media is important - but this presentation addresses how it impacts public relations and their upcoming careers, citing real case studies and examples of how the journalist/PR pro relationship is changing from my own experience.
Deanna Ferrari discusses how public relations tactics have changed in the digital age, with print shrinking and brands now needing to connect with audiences through social media. She recommends that companies start by researching which social media platforms are most relevant, listening to conversations, and designating a social media team or person to begin an active presence and tell stories to engage audiences. While results may not be immediate, social media is a tool that can expedite communication if done consistently over time using the basic PR principles of engagement and storytelling.
The document summarizes Deanna Ferrari's background in public relations and how the field has changed with the rise of social media. It provides tips for students on getting experience in public relations through social media and other online platforms. The rise of social media has transformed public relations into a two-way conversation and given more control over messaging but less control of how the message spreads.
The document discusses #journchat, a Twitter chat that brings together PR professionals, journalists, and bloggers. It takes place online every Monday night and aims to improve relationships between these groups and explore how social media is influencing their industries. The author promotes the first ever live #journchat event happening in seven North American cities including Pittsburgh. Suggestions are provided for promotion through social media, local media outreach, and post-event coverage. Lessons learned from the event are shared, such as giving more advance notice and having questions provided beforehand.
#HAPPO Twitter Chat Transcript: Tips to Rock Your Summer Internship
1. 4/26/12 #HAPPO on Twitter | All Tweets | 2012-03-12 to 2012-04-27 | TweetReports
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2. 4/26/12 #HAPPO on Twitter | All Tweets | 2012-03-12 to 2012-04-27 | TweetReports
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3. 4/26/12 #HAPPO on Twitter | All Tweets | 2012-03-12 to 2012-04-27 | TweetReports
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rs rt d h t
Mac 2 , 0 2 8 1 p
rh 1 2 1 , : 2 m
@Miize I a y n lo igfr S s v yP it r t i s mme i #N C I a eo eI a r c mme d.#happo #p su c a
kn i: s n o e o kn o a M-a v R n e n hs u rn Y ? h v n cn eo n.. rt d h t
#happony
Mac 2 , 0 2 1 : 5a
rh 2 2 1 , 2 5 m
@e i j s : T@Miize I a y n lo igfr S s v yP it r t i s mme i #N C I a eo eI a r c mme d #happo
r amo s R
c kn i: s n o e o kn o a M-a v R n e n hs u rn Y ? h v n cn eo n.
#p su c a #happon
rt d h t y
Mac 2 , 0 2 2 0 a
rh 2 2 1 , : 7 m
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@H oo s N C T eR s u c F u d t ni #hr ga#C mmu i t n & #S c l daC o dn t r nH oo s A py
o jb : Y : h e o re o n a i s in
o i o nc i s
ao o i Me i o r ia o o o jb . p l:
a
h t :/.o t Z C b#happo #p jb
tp /t /OJ S z
c r s
o
Mac 2 , 0 2 3 2 p
rh 2 2 1 , : 1 m
@kh n t re : T@H oo s N C T eR s u c F u d t ni #hr ga#C mmu i t n & #S c l daC o dn t r nH oo s
tr_ors R o jb : Y : h e o re o n a i s in
o i o nc i s
ao o i Me i o r ia o o o jb .
a
A py h t :/.o t Z C b#happo #p jb
p l: tp /t /OJ S z
c r s
o
Mac 2 , 0 2 3 2 p
rh 2 2 1 , : 6 m
@mie c afr Qu sint #HAPPO & #P S u C a su e t a dr c n g a s- r y ula nn a o t o il dat ci i
k sh f : e t
e o o R t d h t t d n s n e e t r d a e o e r ig b u s c me i a t s n
a c
c l g c us s
ol e o re ?
e
Mac 2 , 0 2 6 4 p
rh 2 2 1 , : 7 m
@B l r : T@D r B P : a ho P fm @B l r i hr ga#S c l daI t r t sa t S Ph t :/.o F 9 MJ D #HAPPO
ol e R
a a a u R #F s in R i
r ol e s in
a i o i Me i n e n o t r A A tp /t /z d E
a c
#P J
R OB
Mac 2 , 0 2 6 4 p
rh 2 2 1 , : 8 m
@h n ma 8u c mmo pe e o a vc fr h t i t Rit riw (i @a ih n o ) tp /t o 0 5 U #P S u C a #P S A
a _ : no n ic s f d i o t a fs P n e ve va
e r r a s n h t :/. / Ox QB L R t d h t R S
k c
#HAPPO
Mac 2 , 0 2 7 2 p
rh 2 2 1 , : 9 m
@h n ma 8MidG me T a R cut r Pa D r gI t riws(i @B sn s I sd r h t :/.o U 5 h Z #jb u th t C a
a_ : n a s h t e r i s ly u i n e ve
e n va u ie sn ie ) tp /t / jZ y g o h n c a #T h t
c
#HAPPO #P S u C a
R td h t
Mac 2 , 0 2 7 4 p
rh 2 2 1 , : 6 m
@y i : g o r a wi s meg e t d i ! T eN x BgS e - tp /t o mY tx J i @S IT o
gl A o d e d t o
a h r a a vc - h e t i t p h t :/. / b x e va
e c H F c mm #p su c a #p s a
rt d h t rs
#HAPPO
Mac 2 , 0 2 9 0 p
rh 2 2 1 , : 9 m
@al o mio : n t ji o r d l n E t a Wer hr g h t s/t o 3 51 i #happo #u 0 r #p jb
l n l n Wa t o on u @E ema S A e m?
i
s t ’ in : tp :/. / H jVQ
e i c 3 po r so
Mac 2 , 0 2 1 : 3p
rh 2 2 1 , 0 4 m
@_ r Wi o _ Wa t oji o r d l n E t a Wer hr g h t s/t o Y G j2 #happo #u 0 r #p jb
B e l n : n t on u @E ema S A e m?
s ’ in : tp :/. /8 Vn p
e i c 3 po r so
Mac 2 , 0 2 1 : 5p
rh 2 2 1 , 1 3 m
@V lr Smo :
ae i i n Q5Afw o mymu t olws@a ih n o ( #HAPPO p rn r @s o ai fr r ola u s@te s ln e
e e f s fl o r a s n my
k a t e ) h n l& o me c l g e
e r s ay n
@g jh a @g i n lo #p su c a
oo n b al es n
_ rt d h t
Mac 2 , 0 2 1 1 a
rh 3 2 1 , : 6 m
@h n ma G e t er s e : 1f q e t b th d@A S ye o kp it: tp /t o x q H D #P S u C a #p 2 c a #P S
a _ : ra rf h r 1 r u nl oc e
e e y P tlB o on s h t :/. /1 v v V R t d h t r 0 h t R A
c
#HAPPO
Mac 2 , 0 2 6 3 p
rh 3 2 1 , : 9 m
@J n l B o n o : T@h n ma G e t er s e : 1f q e t b th d@A S ye o kp it: tp /t o MmH 1 4 #P S u C a
a el J h s n R
e a _ : ra rf h r 1 r u nl oc e
e e y P tlB o on s h t :/. /
c tP 0 R td h t
#p 2 c a #P S #HAPPO #p su c a
r0 h t R A rt d h t
Mac 2 , 0 2 4 0 p
rh 5 2 1 , : 9 m
@g o k S c n p s u o my#b n wme i bo , o il r l: o t C e t aS c l daA dt tp /t o I h D p #happo
s s: eo d o t p n ue da lg S c t i s H w o r a e
aoa o i Me i u ih t :/. /d S S S
a c
#s c l da#s
o i me i
a m
Mac 2 , 0 2 1 : 3a
rh 6 2 1 , 1 2 m
@g o g _ a ia T lmeame r beso y[ t riw t s h t :/.o Y 2 G h #HAPPO #P su C a #jb u t g
e r e b dn : el mo a l t r i e ve i ] tp /t /K 5 7 j
n p c R td h t o h nin
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Mac 2 , 0 2 1 : 5a
rh 7 2 1 , 2 0 m
@Aih R R a yt kc sa t o r a e r E t r o a t b p r o t eN w Y r I t r P oe t p i + h u ig #HAPPO
l P : e d o i t r y u c r e ? n e t d y o e a t f h e o k n e n r jc ( ad
a k o sn )
#p su c a .
rt d h t .
.
Mac 2 , 0 2 1 5 a
rh 7 2 1 , : 0 m
@P Dv Bo : e d t kc sa t o r a e r E t r o a t b p r o t eN w Y r I t r P oe t p i + h u ig #HAPPO
R ia lg R a y o i t r y u c r e ? n e t d y o e a t f h e o k n e n r jc ( ad
k o sn )
#p su c a .
rt d h t .
.
Mac 2 , 0 2 1 5 a
rh 7 2 1 , : 0 m
@Wht R R @aih r R a yt kc sa t o r a e r E t r o a t b p r o t eN w Y r I t r P oe t p i + h u ig
i : T
P l p : e d o i t r y u c r e ? n e t d y o e a t f h e o k n e n r jc ( ad
a k o sn )
#HAPPO #p su c a .
rt d h t .
.
Mac 2 , 0 2 1 5 a
rh 7 2 1 , : 1 m
@Aih R h t :/.o Qa q s eG o lc ! T@se r x x @Aih Rwo l lv t , o d I n e ?#HAPPO #P #p su c a
l P : tp /t / x D u o d u k R
a c ira 0 : l P
a ud o e o h w o e t r R rt d h t
Mac 2 , 0 2 2 0 a
rh 7 2 1 , : 2 m
@d r a e r g : T@P Dv Bo : e d t kc sa t o r a e r E t r o a t b p r o t eN w Y r I t r P oe t p i +
be k ni e R
d R ia lg R a y o i t r y u c r e ? n e t d y o e a t f h e o k n e n r jc ( ad
k
h u ig #HAPPO #p su c a .
o sn ) rt d h t .
.
Mac 2 , 0 2 1 5 p
rh 7 2 1 , : 5 m
@D n B b n vc : no r p i H w t e g g ju n l t o s c l da| rie h t :/.o n c p p va@ma ka a c o#p
a a u o o i I fg a hc o o n a e o r ai s n o i me i A t ls tp /t / 4 V x p i
h : s a c c rr g n e r
#p s a#p su c a #happo
rs rt d h t
Mac 2 , 0 2 2 4 p
rh 7 2 1 , : 2 m
@te s ln e Myn w p s f m @P S S LP o A D yr : h #P jb#J b e rhh t :/.o Jwt H f rs #p s #P su c a
r s ay n : e o tro R A t r - m a e t e Ro o S a c tp /t /v 1 E #p s a ra
c R td h t
#HAPPO
Mac 2 , 0 2 2 4 p
rh 7 2 1 , : 8 m
@Y N hc g P S : n oit dc r e a vc t #P su e t h t :/.o 7 Oi7 cva@I B #p s a#y n a e r rt d h t
P C i o R A U s li
a c e ae r d i oe R t d n s tp /t / v E r i
c AC rs p c r e #p su c a
#happo
Mac 2 , 0 2 3 1 p
rh 7 2 1 , : 5 m
@S ma t a a k y S o l alo so y u r s méh v t es men mb r f ult?#p 1 1#happo #p su c a #h lme
a n h B n e : h ud ljb n o r e u ae h a u e obl se r0 rt d h t ep
#r s me#jb u t r n r #p it r
eu o h n #p e ty r e n
n
Mac 2 , 0 2 3 1 p
rh 7 2 1 , : 9 m
@h n ma 4mu th v a tiu e fr Rp oe so as h t :/.o G b A 6 #HAPPO #P S u C a #P S
a_ : s- a e tr t s o P r fs in l: tp /t / 1 b A 5
b c R td h t R A
Mac 2 , 0 2 5 0 p
rh 7 2 1 , : 1 m
@L n e I N C U d t gmy#r s me e c ig ( n I m s r u .) a a et eb s s u c st f d#P a d#S c l da
a d dn Y : p ai n e u : x in ! a d a e i s. Wh t r h e t o re o i
t o . n R n o i Me i
a
p st n i #N C #happo
o io s n
i Y?
Mac 2 , 0 2 5 2 p
rh 7 2 1 , : 0 m
@Aih R R a yt kc sa t o r a e r E t r o a t b p r o t eN I t r P oe t tp /t o 5 T wT g#P #HAPPO
l P : e d o i t r y u c r e ? n e t d y o e a t f h Y n e n r jc h t :/. / z 9 a
a k c R
#P su c a
R td h t
Mac 2 , 0 2 5 3 p
rh 7 2 1 , : 5 m
@H oo s N C I t r a in l u ie sTme i #hr ga#S c l daE i r nH oo s A py h t :/.o v b Z p #s #happo
o jb : Y : n e n t a B sn s i s s in
o i o i Me i dt o o jb . p l: tp /t /h z G 6 m
a o c
#p jb #p jb
r s r
o o
Mac 2 , 0 2 6 0 p
rh 7 2 1 , : 2 m
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@S na o p t hy P su e t: o 'mist ng t @P S A a in l wi e c a @ 9pm. To c r e d v lp n . R S
o jP p S a l: R t d n s D nt s o ih '
s R S N t aT t rh t
o t . E n a e r e eo me t #P S A
#P su c a #HAPPO
R td h t
Mac 2 , 0 2 9 2 p
rh 7 2 1 , : 1 m
@A L Bs o : T@S na o p t hy P su e t: o 'mist ng t @P S A a in l wi e c a @ 9pm. To c r e
my _ ih p R o jP p S a l: R t d n s D nt s o ih '
s R S N t aT t rh t
o t . E n ae r
d v lp n . R S #P su c a #HAPPO
e eo me t #P S A R t d h t
Mac 2 , 0 2 9 2 p
rh 7 2 1 , : 4 m
@n h o y R @S na o p t hy P su e t: o 'mist ng t @P S A a in l wi e c a @ 9pm. To c r e
c r me : T o jP p S a l: R t d n s D nt s o ih '
s R S N t aT t rh t
o t . E n ae r
d v lp n . R S #P su c a #HAPPO
e eo me t #P S A R t d h t
Mac 2 , 0 2 9 4 p
rh 7 2 1 , : 4 m
@a b nc l1 0 : OV t i. r y uma igt i cic l ik d nmit k ?h t :/.o B D t k #p s a#HAPPO #p su c a
b y i e 2 4 L E hs A e o
o kn hs r i #Ln e I
ta sa e tp /t / B 7 9 f rs
c rt d h t
Mac 2 , 0 2 9 4 p
rh 7 2 1 , : 7 m
@A n V l ma R @S na o p t hy P su e t: o 'mist ng t @P S A a in l wi e c a @ 9pm. To c r e
n e ete : T o jP p S a l: R t d n s D nt s o ih '
s R S N t aT t rh t
o t . E n ae r
d v lp n . R S #P su c a #HAPPO
e eo me t #P S A R t d h t
Mac 2 , 0 2 1 : 6p
rh 7 2 1 , 0 1 m
@B n o t n S y uwa t owo ki #P ?H r ’ my1 t pt s I t r se t h a y u t o g t! tp /t o jp sH #HAPPO
e C to : o o n t r n R e es 0 o i ! n e e t d o e r o r h u h s h t :/. / D l2
p c s
#s c l da
o i me i
a
Mac 2 , 0 2 1 : 2p
rh 7 2 1 , 0 2 m
@k t b u a t R @S na o p t hy P su e t: o 'mist ng t @P S A a in l wi e c a @ 9pm. To c r e
a i a mg r: T
e o jP p S a l: R t d n s D nt s o ih '
s R S N t aT t rh t
o t . E n ae r
d v lp n . R S #P su c a #HAPPO
e eo me t #P S A R t d h t
Mac 2 , 0 2 1 : 8p
rh 7 2 1 , 0 4 m
@n tya : T@B n o t n S y uwa t owo ki #P ?H r ’ my1 t pt s I t r se t h a y u t o g t!
a tlv R e C to : o o n t r n R e es 0 o i ! nee td o e r o r h u hs
p
h t :/.o jp sH #HAPPO #s c l da
tp /t / D l2
c s o i me i
a
Mac 2 , 0 2 1 : 4p
rh 7 2 1 , 1 3 m
@dr z R @te s ln e Myn w p s f m @P S S LP o A D yr : h #P jb#J b e rhh t :/.o wjIg E#p s a#p s
fe : T r s ay n :
i e o tro R A t r - m a e t e Ro o S a c tp /t / YL g
c rs ra
#P su c a #HAPPO
R td h t
Mac 2 , 0 2 1 0 a
rh 8 2 1 , : 4 m
@Ln s y H : @a b nc l1 0 : OV t i. r y uma igt i cic l ik d nmit k ?h t :/.o j5 V #p s a#HAPPO
id e U S “ b y i e 2 4 L E hs A e o
o kn hs r i #Ln e I
ta sa e tp /t / OL MZ rs
c 4
#p su c a ”#J 6 P
rt d h t 50R
Mac 2 , 0 2 1 3 a
rh 8 2 1 , : 7 m
@P S A a in lH w s o l y up e a efr o r i t a o t ejb #P S ABo h ss mea vc - tp /t o 2 Kmwo -
R S N t a: o h ud o r p r o y u fs d y n h o ? R S lg a o
o r d i h t :/. / p f
e c A
#P su c a #HAPPO
R td h t
Mac 2 , 0 2 2 4 p
rh 8 2 1 , : 5 m
@D ne_n P : T rs n t n lH w s o l y up e a efr o r i t a o t ejb #P S ABo h ss mea vc -
a ili_ R R @p s a a i a: o
o h ud o r p r o y u fs d y n h o ? R S lg a o
r di e
h t :/.o bb p 8 #P su c a #HAPPO
tp /t / it A k R t d h t
c
Mac 2 , 0 2 5 1 p
rh 8 2 1 , : 9 m
@L n e I N C #T te i si t emo t o ua c a n lo ju n l t: o t e g g ju n l t o #s c l da
a d d n Y : wi rs tlh
t l s p p lr h n e fr o r ai s H w o n a e o r ai s n o i me i
s s a
h t :/.o n d E P #happo #l
tp /t / S g u W
c i
Mac 2 , 0 2 6 0 p
rh 8 2 1 , : 1 m
@te s ln e Wh t oD iaC mp n A k fr o r a e o kP s wo di aJ bI t riw h t :/.o K A P g #P S A
r s ay n : a t o f o a y s s o Y u F c b o a s r n o n e ve tp /t / 3 U n A R S
c
#HAPPO #P jb#P su c a #P jb
Ro R t d h t Ro s
Mac 2 , 0 2 1 : 6p
rh 8 2 1 , 0 1 m
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@P Dv Bo : Rsu e t, sg s n c r s o s no ish t :/.o 6 f u R#p su c a #HAPPO #p t s
R ia lg #P t d n s 5 in —a d u e —fr e ir i tp /t / 1I T
t c N rt d h t rip
Mac 2 , 0 2 2 0 p
rh 9 2 1 , : 0 m
@C r t a iP : ! g o t k o R @P Dv Bo : Rsu e t, sg s n c r s o s no ish t :/.o wD 4 X
h i i Ln R !! o d o n w T
sn R ia lg #P t d n s 5 in —a d u e —fr e ir i tp /t / V r Mr
t c
#p su c a #HAPPO #p t s#p su c a
rt d h t ri
p rt d h t
Mac 2 , 0 2 4 4 p
rh 9 2 1 , : 8 m
@N rio 7 ’2@Lv fr C mmu i Ma a e I t r s i h t :/.o b B n T h t h n l#happo #p jb #s c l da
a c 1 :1
s ieye o nty n g r n e n hp tp /t / D x A z / @S o ai
c r s o i me i
o a
Mac 2 , 0 2 8 4 p
rh 9 2 1 , : 9 m
@Aih R R @p _ o t r G tigI : a ho #P I t r s i wi D nk D l P h t :/.o 4 c P d #HAPPO #p su c a
l P: T
a rc uue et n N #F s in R n e n hp t a ia ay R tp /t / q D F H
h c rt d h t
Mac 3 , 0 2 2 2 p
rh 0 2 1 , : 3 m
@L d _ iel: n i R @Aih R R @p _ o t r G tigI : a ho #P I t r s i wi D nk D l P
a y Gz l @B ac T
e e l P: T
a rc uue etn N #F s in R n e n hp t a ia ay R
h
h t :/.o o w3 M8 #HAPPO #p su c a
tp /t / R 2 9
c rt d h t
Mac 3 , 0 2 2 2 p
rh 0 2 1 , : 5 m
@h n ma Y u gP p o , r a o st wo ko ap li l a ag (i @J c u l e P ) tp /t o wt s t #HAPPO
a _ : o n R rs 8 e s n o r n oic c mp in va a q ei O_ R h t :/. / u V O8
ta n c
#E ty R#P S u C a
n rP R td h t
A r 1 2 1 , 03 p
pi , 0 2 1 : 1 m
l
@t e o rs e k : T@h n ma Y u gP p o , r a o st wo ko ap li l a ag (i @J c u l e P )
h C u tp a s R a _ : o n R rs 8 e s n o r n oic c mp in va a q ei O_ R
ta n
h t :/.o wt s t #HAPPO #E ty R#P S u C a
tp /t / u V O8
c n rP R td h t
A r 1 2 1 , 04 p
pi , 0 2 1 : 2 m
l
@jed n H w t lv r g #s c l dat g t jbh t :/.o Z 3 g d #happo #p s a#p su c a
o lo : o o e e a e o i me i o e a o tp /t / C d y N
a c rs rt d h t
A r 2 2 1 , : 0p
pi , 0 2 3 1 m
l
@P t r els o : u l R lt n - s o it fr ia c l ea e P A e c ( e Y r, Y h t :/.o i R j r b#happo
e e B l s c P bi ea i sA s c e o Fn n i - lt d R g n y N w o k N ) tp /t /MR Me #p j
A c o a aR c j o
A r 2 2 1 , : 5p
pi , 0 2 3 2 m
l
@P t r els o : u l R lt n , o
e e B l s c P bi ea i s C mmu i t n & I v so R lt n Op o t nt s( Y N , T& T r u h u T eU S)
A c o nc i s n e t r ea i s p ru ie N , J C
ao o i h o g o t h ..
h t :/.o Q4 QC r #p jb#happo
tp /t / P cz r
c o
A r 2 2 1 , : 5p
pi , 0 2 3 2 m
l
@P t r els o : o s me & S o t P bi R lt n A e c S e igHg -e e V ( e Y r, Y h t :/.o C Z 1c#p jb
e e B l s c C n u r p rs u l ea i s g n y e kn ih L v l P N w o k N ) tp /t / Mp C i
A c o c ro
#happo
A r 2 2 1 , : 6p
pi , 0 2 3 2 m
l
@P t r els o : o /o d LfsyeP bi R lt n —A c u t n g r E s xC u t, e J re ) tp /t o f5 H l #p jb
e e B l s c H me F o /i tl u l ea i s co n Ma a e ( s e o n y N w e s y h t :/. / R bc r
A e c o c 9 o
#happo
A r 2 2 1 , : 6p
pi , 0 2 3 2 m
l
@B ry it f P bi R lt n - s o it fr ia c l ea e P A e c ( e Y r, Y h t :/.o qWio w #p jb#happo
a rPa of u l ea i sA s c e o Fn n i - lt d R g n y N w o k N ) tp /t / l 2 p
: c o a aR c ro
A r 2 2 1 , : 6p
pi , 0 2 3 3 m
l
@B ry it f P bi R lt n , o
a rPa of u l ea i s C mmu i t n & I v so R lt n Op o t nt s( Y N , T& T r u h u T eU S)
: c o nc i s n e t r ea i s p ru ie N , J C
ao o i h o g o t h ..
h t :/.o d H G F #p jb#happo
tp /t / n x 1 R
c ro
A r 2 2 1 , : 6p
pi , 0 2 3 3 m
l
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@B ry it f C n u r S o t P bi R lt n A e c S e igHg -e e V ( e Y r, Y h t :/.o h 0 s e#p jb
a rPa of o s me & p rs u l ea i s g n y e kn ih L v l P N w o k N ) tp /t / M4 C R
: c o c ro
#happo
A r 2 2 1 , : 7p
pi , 0 2 3 3 m
l
@B ry it f H me F o /i syeP bi R lt n —A c u t n g r E s xC u t, e J re ) tp /t o q9 iT #p jb
a rPa of o /o d Lf tl u l ea i s co n Ma a e ( s e o n y N w e s y h t :/. / lLv I r
: e c o c o
#happo
A r 2 2 1 , : 7p
pi , 0 2 3 3 m
l
@a b nc l1 0 : r a o st wo ko ap li l a ag ( o i h w ma yt sc f ei me t n d ) tp /t o wo m1
b yi e 2 4 8 e sn o
o r n oic c mp in n t e o
ta c n ime of s n i e ! h t :/. / 4 MwC
e o c
#p su c a #p s a#HAPPO
rt d h t rs
A r 2 2 1 , : 0p
pi , 0 2 5 0 m
l
@smpy K #HAPPO R @k n k ie : n k - e n pnS h o Dsr t e k A s Dr co o C mm & P bi R lt n :
i lme : T e tas r A o a H n e i c o l iti s e s s t i t r f o
c e u l ea i s
c o
h t :/.o u eli @mn r
tp /t / q f S
c e p
A r 2 2 1 , : 8p
pi , 0 2 7 1 m
l
@H oo s N C ( t mfr , T: e e a R i #hr ga#Dgt l re igS e il t nH oo s A py h t :/.o h a yt #s
o jb : Y S a o d C ) G n r l e s ini ii Ma k t
a n p c i o o jb . p l: tp /t / u 2 f
as c G m
#s c l da#happo
o i me i
a
A r 2 2 1 , : 5p
pi , 0 2 9 1 m
l
@V lr Smo :
ae i i n @ma is ma e ofr t so h w t sa h p y@wo kh t :/.o x v Y Zva@Tf n P #HAPPO @u 0 r
e r a yr f s i
s e p n o o ty a p r tp /t /wo G p i
c ia y R
f 3 po
A r 2 2 1 , : 5p
pi , 0 2 9 2 m
l
@Ln s y H : T@V lr Smo :
id e U S R ae i i n @ma is ma e ofr t so h w t sa h p y@wo kh t :/.o E l j va@Tf n P
e r a y r f s i n o o ty a p
s e p r tp /t / Zw8i i
c O ia y R
f
#HAPPO @u 0 r #J 6 P
3 po 5 0 R
A r 2 2 1 , : 5p
pi , 0 2 9 4 m
l
@MS a a : s in P p o , h c o t r a a lm' a vc 4u c migS mme I t r S a o : tp /t o N h o s c
h h b A pr g R r s c e k u @e i k ya s d i
i k e po n u r n e n e s n h t :/. / Y n R P c
c
@c mu r d#happo #p su c a #1 c
o ga rt d h t 4
A r 3 2 1 , : 0a
pi , 0 2 1 1 m
l
@T e R o c : s flo #P J b t o 1 R s meTp fr e h oo yP oe so as#P su c a #Happo #P h t :/.o v l K U
h P C a h U eu fr R o s o : 0 e u is o T c n lg r fs in l R td h t R tp /t /Nw4 J
c
A r 3 2 1 , : 1p
pi , 0 2 3 2 m
l
@6 e r e t ln : T@T e R o c : s flo #P J b t o 1 R s meTp fr e h oo yP oe so as#P su c a #Happo
d g e sae t R h P C a h U eu fr R o s o : 0 e u is o T c n lg r fs in l R td h t
#P h t :/.o v l K U
R tp /t /Nw4 J
c
A r 3 2 1 , : 1p
pi , 0 2 3 2 m
l
@h n ma T eT p5Wa st G t o i do Ln e I . tp /t o A u j P(i @lus _lth r #l#u 0 r #jb u th t
a_ :h o y o e N t e n ik d n h t :/. / mU U N va o ie f c e ) i 3 p o o h n c a
c c e
#HAPPO
A r 3 2 1 , : 3p
pi , 0 2 9 2 m
l
@JMMu c r l : 2ice il u eu dgt lo l fr Rh t :/.o Y C 3m va@ma ka a c o#happo #p s #p s a
s a el 1 n r dby s fl ii t os o #P tp /t /h Wh f i
o a c rr g n e ra rs
#p su c a
rt d h t
A r 3 2 1 , 00 p
pi , 0 2 1 : 0 m
l
@isa e R S : T@j
a ttP S A R mmu c r l : 2ice il u eu dgt lo l fr Rh t :/.o U H C Zva@Ma k a a C O #happo
s a el 1 n r dby s fl ii t os o #P tp /t / c 8 w4 i
o a c rR g n E
#p s #p s a#p su c a
ra rs rt d h t
A r 3 2 1 , 01 p
pi , 0 2 1 : 3 m
l
@C r e G a i : T@h n ma T eT p5Wa st G t o i do Ln e I . tp /t o 4 U E 8 (i @lus _lth r #l#u 0 r
a e r r vt R
y a_ :h o y o e N t e n ik d n h t :/. / T X Z 8 va o ie f c e ) i 3 p o
c c e
#jb u th t
o h n c a #HAPPO
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A r 4 2 1 , 23 p
pi , 0 2 1 : 0 m
l
@a b nc l1 0 : 6t st r a yy u r s mei ls t a 6 miu e - Io e#4 h t :/.o j iy #it r p o#p s a
b y i e 2 4 1 i o e d o re u
o p n e s h n 0 n t s - lv ! tp /t / m3Y g n e n r
c t rs
#p su c a #HAPPO
rt d h t
A r 4 2 1 , : 0p
pi , 0 2 2 3 m
l
@U _ R S : T@a b nc l1 0 : 6t st r a yy u r s mei ls t a 6 miu e - Io e#4 h t :/.o j iy #it r p o
C PSA R b y i e 2 4 1 i o e d o re u
o p n e s h n 0 n t s - lv ! tp /t / m3Y g n e n r
c t
#p s a#p su c a #HAPPO
rs rt d h t
A r 4 2 1 , : 4p
pi , 0 2 2 5 m
l
@J
MMu c r l : 0p r s sy uc nr pa ewi o ewo dh t :/.o kImU
s a el 2 h a e o a e lc
o t n
h r tp /t /Iv WP#happo #p 2 c a #p it r #jb u th t ra
c r 0 h t r e n o h n c a #p s
n
A r 4 2 1 , : 0p
pi , 0 2 3 0 m
l
@C mp s ou in R @J
a u S lt : T MMu c r l : 0p r s sy uc nr pa ewi o ewo dh t :/.o kImU
o s a el 2 h a e o a e lc
o t n
h r tp /t /Iv WP#happo #p 2 c a
c r0 h t
#p it r #jb u th t ra
r e n o h n c a #p s
n
A r 4 2 1 , : 1p
pi , 0 2 3 4 m
l
@Lp e a lr 1 t st ma t r wi e e iu teh t :/.o L c J x #t te t s#s c l da#S
ip T yo : 0 i o
p se T t r t e t tp /t /6 b 8 W
t q c wi ri
t p o i me i
a MO #R c a #Happo
Bh t
A r 4 2 1 , : 0p
pi , 0 2 4 0 m
l
@te s ln e 3Wa st Ma i z Y u N t r R lt n hp ( r i b t loc uda pyt jbs a c ) tp /t o a r n R
r s ay n : y o xmie o r e wo k ea i s is f bz u as o l p l o o e rh h t :/. / LH C 7
o o c
#S lP #P su c a #HAPPO
oo R R td h t
A r 4 2 1 , : 6p
pi , 0 2 4 4 m
l
@P a G U C r o a eC mmu i t n I t r s i, ..e n Fe p r, n tp :/.o tt e R #happo
R t S : op rt o nc i s n e n hp LLB a , r e o t ME h t s/t /y1 h 8
ao c
A r 4 2 1 , : 2p
pi , 0 2 6 5 m
l
@d _ id l C r o a eC mmu i t n I t r s i, ..e n Fe p r, n tp :/.o t c Z h #happo
r t al o p r t o
n : nc i s n e n hp LLB a , r e o t ME h t s/t /K n x b
ao c
A r 4 2 1 , : 2p
pi , 0 2 6 5 m
l
@Lp e a lr 2 p r s sy uc nr pa ewi o ewo dh t :/.o lI 5 2#happo #p 2 c a #p it r #jb u th t ra
ip T yo : 0 h a e o a e lc t n
h r tp /t / f h
c 7 t r 0 h t r e n o h n c a #p s
n
A r 5 2 1 , : 1p
pi , 0 2 4 0 m
l
@g me d G o if. T@Lp e a lr 2 p r s sy uc nr pa ewi o ewo dh t :/.o U N 4 y#happo #p 2 c a
o z m: o d no R ip T yo : 0 h a e o a e lc t n
h r tp /t / mA z 2
c r0 h t
#p it r #jb u th t ra
r e n o h n c a #p s
n
A r 5 2 1 , : 6p
pi , 0 2 4 0 m
l
@mie c afr R @g me d G o if. T@Lp e a lr 2 p r s sy uc nr pa ewi o ewo dh t :/.o U N 4 y
k sh f : T
e o z m: o d no R ip T yo : 0 h a e o a e lc t n
h r tp /t / mA z 2
c
#happo #p 2 c a #p it r #jb u th t ra
r 0 h t r e n o h n c a #p s
n
A r 5 2 1 , : 3p
pi , 0 2 4 3 m
l
@mie c afr Ma k t g- n J b H n ig- e s n f m t eG a eu D a : tp /t o F C Z B [ y@JF p a s #happo
k s h f : re i
e n a d o -u t n L so s r o h r t fl e d h t :/. /0 E T k B
c LS e k]
#p su c a #mp s #jb u th t
rt d h t mc m o h n c a
A r 5 2 1 , : 9p
pi , 0 2 4 5 m
l
@JF p a s R @mie c afr Ma k t g- n J b H n ig- e s n f m t eG a eu D a : tp /t o F C Z B [ y
LS e k: T k s h f : re i
e n a d o -u t n L so s r o h r t fl e d h t :/. /0 E T k B
c
@JF p a s #happo #p su c a #mp s #jb u th t
LS e k] rt d h t mc m o h n c a
A r 5 2 1 , : 0p
pi , 0 2 5 0 m
l
@Lp e a lr Wh tMa Me ' a T a hU A o t in P e sR la e : P N wsh t :/.o J B Wd va@p n ws#p
ip T yo : a ' d n C n e c s b u Wr ig r s ee s s : R e
t tp /t /N Or Y i
c re r
#happo #p 2 c a
r0 h t
A r 5 2 1 , : 0p
pi , 0 2 8 0 m
l
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@nc lf e ln : T@Lp e a lr Wh tMa Me ' a T a hU A o t in P e sR la e : P N wsh t :/.o J B Wd
i er da d R
o e ip T yo : a ' d n C n e c s b u Wr ig r s ee s s : R e
t tp /t /N Or Y
c
va@p n ws#p #happo #p 2 c a
i re r r0 h t
A r 5 2 1 , : 5p
pi , 0 2 8 1 m
l
@H oo s Sn a o e L wi P bi R lt n i #hr ga#S c l daS e il t nH oo s A py h t :/.o 2 p D J #s
o jb : ig p r : e s u l ea i s s in
c o i o i Me i p c i o o jb . p l: tp /t / N 4 k8 m
a as c
#happo #p jb
r s
o
A r 5 2 1 , : 4p
pi , 0 2 8 5 m
l
@r n y h e R @H oo s Sn a o e L wi P bi R lt n i #hr ga#S c l daS e il t nH oo s A py
e aso : T o jb : ig p r : e s u l ea i s s in
c o i o i Me i p c i o o jb . p l:
a as
h t :/.o 2 p D J #s #happo #p jb
tp /t / N 4 k8 m
c r s
o
A r 5 2 1 , : 3p
pi , 0 2 9 0 m
l
@K r H n elL o igfr ne tylv l Ro S c l dap st n p ee a l i C i g o L . n o e ig o t h r ?#happo
a a a s l o kn o a n r- e P r o i Me i o io , r fr by n hc o r A A y p nn s u t e e
: e a i a
#p su c a #e ty R
rt d h t n rP
A r 5 2 1 , 04 p
pi , 0 2 1 : 7 m
l
@Lz e r r : T@mie c afr Ma k t g- n J b H n ig- e s n f m t eG a eu D a : tp /t o F C Z B [ y
iF ra i R
_ k s h f : re i
e n a d o -u t n L so s r o h r t fl e d h t :/. /0 E T k B
c
@JF p a s #happo #p su c a #mp s #jb u th t
LS e k] rt d h t mc m o h n c a
A r 5 2 1 , 05 p
pi , 0 2 1 : 3 m
l
@J
MMu c r l : 0t st ma t r wi e e iu teh t :/.o F u c f #t te t s#s c l da#S
s a el 1 i o
o p se T t r t e t tp /t /u 9 N o wi ri
t q c t p o i me i
a MO #R c a #Happo
Bh t
A r 6 2 1 , : 0p
pi , 0 2 1 0 m
l
@H oo s S nFa c c : u r n T i #hr gaDgt l o
o jb : a r n i o C re t V s in
s i ii C mmu i Ma a e o H oo s A py h t :/.o vg MQi #s c l da
a nty n g r n o jb . p l: tp /t /i8
c C o i me i
a
#s #happo
m
A r 6 2 1 , : 3p
pi , 0 2 5 4 m
l
@J
MMu c r l : r a o s#P i s sr s fl tp /t o Pl5 L #p s #p su c a #happo #p it r #p bi ea in #p 2 c a
s a el 6 e s n
o R s o te su h t :/. / l S 0 ra rt d h t
c o r e n u lr lt s r 0 h t
n c o
A r 9 2 1 , : 0p
pi , 0 2 1 0 m
l
@d r a e r g : T@J
be k ni e R
d MMu c r l : r a o s#P i s sr s fl tp /t o c X 2 U #p s #p su c a #happo #p it r
s a el 6 e s n
o R s o te su h t :/. /u s G X ra rt d h t
c r en
n
#p 2 c a
r0 h t
A r 9 2 1 , : 0p
pi , 0 2 1 3 m
l
@P Mu e : T@d r a e r g : T@J
R r wa R be k ni e R
d MMu c r l : r a o s#P i s sr s fl tp /t o c X 2 U #p s #p su c a #happo
s a el 6 e s n
o R s o te su h t :/. /u s G X ra rt d h t
c
#p it r #p 2 c a
r en r0 h t
n
A r 9 2 1 , : 4p
pi , 0 2 1 4 m
l
@C a A a e c : T@d r a e r g : T@J
h z L wr n e R be k ni e R
d MMu c r l : r a o s#P i s sr s fl tp /t o c X 2 U #p s #p su c a
s a el 6 e s n
o R s o te su h t :/. /u s G X ra rt d h t
c
#happo #p it r #p 2 c a
r en r0 h t
n
A r 9 2 1 , : 9p
pi , 0 2 2 1 m
l
@JMMu c r l : RR s méD ’ a dD nt: o t K e Y u R s méFo G ig‘ Fl’ tp /t o K X T J va@P N ws
s a el P é u
o os n o ’ H w o e p o r é u
s r m on On i h t :/. / V b v3 i
e c R e
#p su c a #happo
rt d h t
A r 9 2 1 , : 0p
pi , 0 2 8 0 m
l
@e lv n o R @J
mi o t m: T MMu c r l : RR s méD ’ a dD nt: o t K e Y u R s méFo G ig‘ Fl’ tp /t o K X T J
y s a el P é u
o os n o ’ H w o e p o r é u
s r m on On i h t :/. / V b v3
e c
va@P N ws#p su c a #happo
i R e rt d h t
A r 9 2 1 , : 3p
pi , 0 2 8 0 m
l
@P jb : T@H oo s S nFa c c : u r n T i #hr gaDgt l o
Ro s R o jb : a r n i o C re t V s in
s i ii C mmu i Ma a e o H oo s A py h t :/.o vg MQi
a nty n g r n o jb . p l: tp /t /i8
c C
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#s c l da#s #happo
o i me i
a m
A r 1 , 0 2 1 : 9a
pi 0 2 1 , 2 3 m
l
@mo c lr R @H oo s S nFa c c : u r n T i #hr gaDgt l o
e he : T o jb : a r n i o C re t V s in
s i ii C mmu i Ma a e o H oo s A py h t :/.o vg MQi
a nty n g r n o jb . p l: tp /t /i8
c C
#s c l da#s #happo
o i me i
a m
A r 1 , 0 2 1 : 0a
pi 0 2 1 , 2 4 m
l
@d nelwu c k : T@H oo s S nFa c c : u r n T i #hr gaDgt l o
a ile sh e R o jb : a r n i o C re t V s in
s i ii C mmu i Ma a e o H oo s A py
a nty n g r n o jb . p l:
h t :/.o vg MQi #s c l da#s #happo
tp /t /i8
c C o i me i
a m
A r 1 , 0 2 1 : 9a
pi 0 2 1 , 2 4 m
l
@BknMa k t g R @d r a e r g : T@J
iii re i : T
n be k ni e R
d MMu c r l : r a o s#P i s sr s fl tp /t o c X 2 U #p s #p su c a
s a el 6 e s n
o R s o te su h t :/. /u s G X ra rt d h t
c
#happo #p it r #p 2 c a
r en r0 h t
n
A r 1 , 0 2 1 : 4a
pi 0 2 1 , 1 4 m
l
@Lp e a lr Wh tMa Me ' a T a hU A o t in P e sR la e : P N wsh t :/.o J B Wd va@p n ws#p
ip T yo : a ' d n C n e c s b u Wr ig r s ee s s : R e
t tp /t /N Or Y i
c re r
#happo #p 2 c a
r0 h t
A r 1 , 0 2 40 p
pi 0 2 1 , : 0 m
l
@ma tma s R @Lp e a lr Wh tMa Me ' a T a hU A o t in P e sR la e : P N wsh t :/.o J B Wd va
ry g : T ip T yo : a ' d n C n e c s b u Wr ig r s ee s s : R e
t tp /t /N Or Y i
c
@p n ws#p #happo #p 2 c a
re r r0 h t
A r 1 , 0 2 42 p
pi 0 2 1 , : 4 m
l
@b ry u nn h m: T@Lp e a lr Wh tMa Me ' a T a hU A o t in P e sR la e : P N wsh t :/.o d V G
a rc n ig a R ip T yo : a ' d n C n e c s b u Wr ig r s ee s s : R e
t tp /t / 0 d wMJ
c
va@p n ws#p #happo #p 2 c a
i re r r0 h t
A r 1 , 0 2 51 p
pi 0 2 1 , : 8 m
l
@lu e k r y Wo nI P i lo igfr i u ln e n . male u
a r n g a : me n R s o kn o Vr a I t r s E ir s met : if@wo nn r r - R S #P su c a #happo
t o nno me ip . g #P S A R t d h t
o
A r 1 , 0 2 65 p
pi 0 2 1 , : 6 m
l
@P 2 oic : T@lu e k r y Wo nI P i lo igfr i u ln e n . male u
R P li R
ts a rn ga : me n R s o kn o Vr a I t r s E ir s met : if@wo nn r r - R S
t o nno me ip . g #P S A
o
#P su c a #happo
R td h t
A r 1 , 0 2 70 p
pi 0 2 1 , : 0 m
l
@C t e ie k R R @lu e k r y Wo nI P i lo igfr i u ln e n . male u
ah r d P : T a rn ga :
n me n R s o kn o Vr a I t r s E ir s met :no
t o if@wo nn r r - R S
me ip . g #P S A
o
#P su c a #happo
R td h t
A r 1 , 0 2 70 p
pi 0 2 1 , : 0 m
l
@A pe o r o " a r n g a : me I P i lo igfr i u ln e n . male u
s iJ u n : @lu e k r y Wo n n R s o kn o Vr a I t r s E ir s met :no
t o if@wo nn r r - R S
me ip . g #P S A
o
#P su c a #happo"
R td h t
A r 1 , 0 2 70 p
pi 0 2 1 , : 2 m
l
@T _ l t: T@A pe o r o " a r n g a :
S El t R
i
o s iJ u n : @lu e k r y Wo nI P i lo igfr i u ln e n . male u
me n R s o kn o Vr a I t r s E ir s met :no
t o if@wo nn r r -
me ip . g
o
#P S A#P su c a #happo"
RS R td h t
A r 1 , 0 2 71 p
pi 0 2 1 , : 3 m
l
@D aS : T@A pe o r o " a r n g a :
e fB R s iJ u n : @lu e k r y Wo nI P i lo igfr i u ln e n . male u
me n R s o kn o Vr a I t r s E ir s met :no
t o if@wo nn r r -
me ip . g
o
#P S A#P su c a #happo"
RS R td h t
A r 1 , 0 2 71 p
pi 0 2 1 , : 4 m
l
@iP S A R @lu e k r y Wo nI P i lo igfr i u ln e n . male u
u R S : T a rn ga : me n R s o kn o Vr a I t r s E ir s met : if@wo nn r r - R S
t o nno me ip . g #P S A
o
#P su c a #happo
R td h t
A r 1 , 0 2 75 p
pi 0 2 1 , : 4 m
l
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@nk ilt : T@A pe o r o " a r n g a :
ik_i l R
te s iJ u n : @lu e k r y Wo nI P i lo igfr i u ln e n . male u
me n R s o kn o Vr a I t r s E ir s met :no
t o if@wo nn r r -
me ip . g
o
#P S A#P su c a #happo"
RS R td h t
A r 1 , 0 2 85 p
pi 0 2 1 , : 5 m
l
@h n ma R @lu e k r y Wo nI P i lo igfr i u ln e n . male u
a _ : T a rn ga : me n R s o kn o Vr a I t r s E ir s met : if@wo nn r r - R S
t o nno me ip . g #P S A
o
#P su c a #happo
R td h t
A r 1 , 0 2 94 p
pi 0 2 1 , : 5 m
l
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