INTANGIBLE- by Denise Flasz [ MFA Design and Technology ]Victoria Vesna
Intangible is an electro-kinetic sculpture that reacts to radio frequency waves from cell phones and WiFi in real time. The RF spectrum is one of the many unperceivable phenomenon that are in constant interaction with us. To shape this sculpture, I was mainly inspired by quantum principles like waveforms and particles. I analyzed existent theories of electromagnetic waves, movement, and functionality to produce a tangible representation of our everyday interaction with radio frequency waves.
Final exhibit slideshow for the Hybrid Worlds class at Parsons, The New School. This project is conceived as a DIY zine reflecting on the process of growing and exploring the world of mushrooms and mycology.
Arts and science are similar in that theyare expressions of .docxwraythallchan
Arts and science are similar in that they
are expressions of what it is to be human
in this world by Ariane Koek
Luc Lalande
Jun 26, 2017 · 6 min read
The following post is a copy/paste of an article by Ariane Koek that
deeply in9uenced my thinking of true art-science collaboration.
. . .
Original Source:
http://www.theartnewspaper.com/articles/Cern%3a+where+art+a
nd+science+collide/24678
By Ariane Koek.
Published online: 04 October 2011
Arts and science are similar in that they are
expressions of what it is to be human in this
world
https://medium.com/@luclalande?source=post_page-----b5624a2ffe2a----------------------
https://medium.com/@luclalande?source=post_page-----b5624a2ffe2a----------------------
https://medium.com/@luclalande/arts-and-science-are-similar-in-that-they-are-expressions-of-what-it-is-to-be-human-in-this-world-b5624a2ffe2a?source=post_page-----b5624a2ffe2a----------------------
https://twitter.com/beautyquark
http://www.theartnewspaper.com/articles/Cern%3a+where+art+and+science+collide/24678
Olafur Eliasson’s “Your Split Second House”, shown at the Venice Architecture
Biennale in 2010, took physics as its jumping-oK point
It is one of the fashionable arts movements of the moment. It is also
one of the most troubled because the aesthetic is unsubtle and still
evolving. With the seemingly giddy rise of the wonders of science in
our culture, epitomised by the boyish Brit physicist Brian Cox’s
blockbuster TV series, “Wonders of the Universe” on the BBC,
arts/science (sometimes called “sciart”) is gaining ascendancy in the
21st century as a movement of inXuence and power.
Almost every week, across the world, exhibitions are opening that are
billed as arts/science to cash in on this emerging trend, which is also
driven by new funding possibilities from science in the current arts
cash crisis.
But we are in the middle of a crisis of another kind — a reduction in
the wonder of creativity itself, and the question of who controls it and
how. Creativity, and where it comes from, is one of the last great
human frontiers, and one over which we have little control, cash crisis
or no cash crisis.
But there is a battle to do just that, and reduce creativity to a
systematic formula in our function-obsessed, input-output,
application-driven world. Artists are being driven to become
scienti]c, from the moment they ]ll in a funding application
predicting their ]nal production.
Let me explain. I work in arts/science myself. So, you could argue,
who I am to talk? After all, I have created an artists’ residency
programme at Cern, the world’s largest particle physics laboratory
and home to the large hadron collider. But it has at its heart the
wonder of the creative process. It is not a residency which is process-
driven or de]ned by an outcome; nor does it demand communication
about or homage to the science.
I have deliberately set it up to be a laboratory of the imagination,
where freeplay can hap.
All Hands on Deck - Getting Visitors Involved in the Work of the Museum (AAM ...sloverlinett
It’s the age of participatory engagement, and the crowd is making vital contributions in areas where only experts used to tread. How can museums harness their visitors’ collective skills and intelligence, not just to make exhibits and programs more engaging but also to help carry out the museum’s scientific, historical, aesthetic, or environmental work? In this panel, we looked at how three science-themed institutions are approaching this new frontier and what the future holds in three state-of-the-art facilities now on the drawing boards: a new learning space at the National Museum of Natural History; a redesigned visitor center at NASA's Kennedy Space Center in Florida; and the new Nature Research Center at the North Carolina Museum of Natural Sciences. In the q&a, we debated the whys and hows of bringing citizen science inside the museum and inviting visitors to lend their hands, eyes, and minds to the cause.
Open Science - Paradigm Shift or Revival of Old Ideas?Heidi Laine
Slides for a lecture held as part of a course on Science and Society, organized by the University of Helsinki Doctoral School HYMY during spring semester 2016.
INTANGIBLE- by Denise Flasz [ MFA Design and Technology ]Victoria Vesna
Intangible is an electro-kinetic sculpture that reacts to radio frequency waves from cell phones and WiFi in real time. The RF spectrum is one of the many unperceivable phenomenon that are in constant interaction with us. To shape this sculpture, I was mainly inspired by quantum principles like waveforms and particles. I analyzed existent theories of electromagnetic waves, movement, and functionality to produce a tangible representation of our everyday interaction with radio frequency waves.
Final exhibit slideshow for the Hybrid Worlds class at Parsons, The New School. This project is conceived as a DIY zine reflecting on the process of growing and exploring the world of mushrooms and mycology.
Arts and science are similar in that theyare expressions of .docxwraythallchan
Arts and science are similar in that they
are expressions of what it is to be human
in this world by Ariane Koek
Luc Lalande
Jun 26, 2017 · 6 min read
The following post is a copy/paste of an article by Ariane Koek that
deeply in9uenced my thinking of true art-science collaboration.
. . .
Original Source:
http://www.theartnewspaper.com/articles/Cern%3a+where+art+a
nd+science+collide/24678
By Ariane Koek.
Published online: 04 October 2011
Arts and science are similar in that they are
expressions of what it is to be human in this
world
https://medium.com/@luclalande?source=post_page-----b5624a2ffe2a----------------------
https://medium.com/@luclalande?source=post_page-----b5624a2ffe2a----------------------
https://medium.com/@luclalande/arts-and-science-are-similar-in-that-they-are-expressions-of-what-it-is-to-be-human-in-this-world-b5624a2ffe2a?source=post_page-----b5624a2ffe2a----------------------
https://twitter.com/beautyquark
http://www.theartnewspaper.com/articles/Cern%3a+where+art+and+science+collide/24678
Olafur Eliasson’s “Your Split Second House”, shown at the Venice Architecture
Biennale in 2010, took physics as its jumping-oK point
It is one of the fashionable arts movements of the moment. It is also
one of the most troubled because the aesthetic is unsubtle and still
evolving. With the seemingly giddy rise of the wonders of science in
our culture, epitomised by the boyish Brit physicist Brian Cox’s
blockbuster TV series, “Wonders of the Universe” on the BBC,
arts/science (sometimes called “sciart”) is gaining ascendancy in the
21st century as a movement of inXuence and power.
Almost every week, across the world, exhibitions are opening that are
billed as arts/science to cash in on this emerging trend, which is also
driven by new funding possibilities from science in the current arts
cash crisis.
But we are in the middle of a crisis of another kind — a reduction in
the wonder of creativity itself, and the question of who controls it and
how. Creativity, and where it comes from, is one of the last great
human frontiers, and one over which we have little control, cash crisis
or no cash crisis.
But there is a battle to do just that, and reduce creativity to a
systematic formula in our function-obsessed, input-output,
application-driven world. Artists are being driven to become
scienti]c, from the moment they ]ll in a funding application
predicting their ]nal production.
Let me explain. I work in arts/science myself. So, you could argue,
who I am to talk? After all, I have created an artists’ residency
programme at Cern, the world’s largest particle physics laboratory
and home to the large hadron collider. But it has at its heart the
wonder of the creative process. It is not a residency which is process-
driven or de]ned by an outcome; nor does it demand communication
about or homage to the science.
I have deliberately set it up to be a laboratory of the imagination,
where freeplay can hap.
All Hands on Deck - Getting Visitors Involved in the Work of the Museum (AAM ...sloverlinett
It’s the age of participatory engagement, and the crowd is making vital contributions in areas where only experts used to tread. How can museums harness their visitors’ collective skills and intelligence, not just to make exhibits and programs more engaging but also to help carry out the museum’s scientific, historical, aesthetic, or environmental work? In this panel, we looked at how three science-themed institutions are approaching this new frontier and what the future holds in three state-of-the-art facilities now on the drawing boards: a new learning space at the National Museum of Natural History; a redesigned visitor center at NASA's Kennedy Space Center in Florida; and the new Nature Research Center at the North Carolina Museum of Natural Sciences. In the q&a, we debated the whys and hows of bringing citizen science inside the museum and inviting visitors to lend their hands, eyes, and minds to the cause.
Open Science - Paradigm Shift or Revival of Old Ideas?Heidi Laine
Slides for a lecture held as part of a course on Science and Society, organized by the University of Helsinki Doctoral School HYMY during spring semester 2016.
Combining mobile technology and mobile interface design with automotive technology can improve the driving experience, while reducing the state of driver to mobile device dysfunction. Currently there are wide spread publicity about the dangers of texting or emailing while driving. Engaging in these activities while operating a vehicle can easily lead to information overload, causing dysfunction for the driver.
However, smart phones, have seen vast improvements over the past six years. These improvements have also allowed the reintroduction of tablet devices, such as Apple’s Ipad and Android Tablets. These large screen devices allow for new modes of interaction.
Versatile Driving Interface (VDI), is a mobile application created for a tablet device that will explore modes of interaction and communication between driver, mobile tablet device and car; in the context of driving. The application will combine shared functions between the tablet and the vehicle, such as music, temperature and navigation. Additionally it will interface wirelessly with discreet functions of the vehicle; such as windows, mirrors, trunk, doors, gas lid., etc. The application will also receive information from the vehicles diagnostic port, giving it access to a wealth of realtime vehicle information. Through this shared information tips can be given to the driver, depending on the state of the vehicle.
VDI will also serve as a drivers mobile profile, storing their preferences of seating arrangements, music choices, contacts and directions. The driving mobile profile stored in VDI, will allow drivers to travel with their mobile tablet devices and interact with functions of other vehicles.
Currently, there is no single mobile/automotive application on the market using this mix of tablet, car, physical and software connections. VDI is a concept that will explore those possible connections and attempt to provide a better driving experience.
Using structures inspired by viruses and
their analogues, virus-like particles,
Crystallized aims to reinterpret the
beauty and evolutionary power of the
virus world within the constraints of
wearable media.
Crystallized explores the structural forms
of biologically protective particles in
vaccines as an analogy for clothing’s
fundamental role as protective architecture.
Epistemic Interaction - tuning interfaces to provide information for AI supportAlan Dix
Paper presented at SYNERGY workshop at AVI 2024, Genoa, Italy. 3rd June 2024
https://alandix.com/academic/papers/synergy2024-epistemic/
As machine learning integrates deeper into human-computer interactions, the concept of epistemic interaction emerges, aiming to refine these interactions to enhance system adaptability. This approach encourages minor, intentional adjustments in user behaviour to enrich the data available for system learning. This paper introduces epistemic interaction within the context of human-system communication, illustrating how deliberate interaction design can improve system understanding and adaptation. Through concrete examples, we demonstrate the potential of epistemic interaction to significantly advance human-computer interaction by leveraging intuitive human communication strategies to inform system design and functionality, offering a novel pathway for enriching user-system engagements.
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
Do you want to learn how to model and simulate an electrical network from scratch in under an hour?
Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
During the webinar, you will discover the PowSyBl ecosystem as well as handle and study an electrical network through an interactive Python notebook.
PowSyBl is an open source project hosted by LF Energy, which offers a comprehensive set of features for electrical grid modelling and simulation. Among other advanced features, PowSyBl provides:
- A fully editable and extendable library for grid component modelling;
- Visualization tools to display your network;
- Grid simulation tools, such as power flows, security analyses (with or without remedial actions) and sensitivity analyses;
The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
What you will learn during the webinar:
- For beginners: discover PowSyBl's functionalities through a quick general presentation and the notebook, without needing any expert coding skills;
- For advanced developers: master the skills to efficiently apply PowSyBl functionalities to your real-world scenarios.
DevOps and Testing slides at DASA ConnectKari Kakkonen
My and Rik Marselis slides at 30.5.2024 DASA Connect conference. We discuss about what is testing, then what is agile testing and finally what is Testing in DevOps. Finally we had lovely workshop with the participants trying to find out different ways to think about quality and testing in different parts of the DevOps infinity loop.
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
Dr. Sean Tan, Head of Data Science, Changi Airport Group
Discover how Changi Airport Group (CAG) leverages graph technologies and generative AI to revolutionize their search capabilities. This session delves into the unique search needs of CAG’s diverse passengers and customers, showcasing how graph data structures enhance the accuracy and relevance of AI-generated search results, mitigating the risk of “hallucinations” and improving the overall customer journey.
Pushing the limits of ePRTC: 100ns holdover for 100 daysAdtran
At WSTS 2024, Alon Stern explored the topic of parametric holdover and explained how recent research findings can be implemented in real-world PNT networks to achieve 100 nanoseconds of accuracy for up to 100 days.
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
A tale of scale & speed: How the US Navy is enabling software delivery from l...sonjaschweigert1
Rapid and secure feature delivery is a goal across every application team and every branch of the DoD. The Navy’s DevSecOps platform, Party Barge, has achieved:
- Reduction in onboarding time from 5 weeks to 1 day
- Improved developer experience and productivity through actionable findings and reduction of false positives
- Maintenance of superior security standards and inherent policy enforcement with Authorization to Operate (ATO)
Development teams can ship efficiently and ensure applications are cyber ready for Navy Authorizing Officials (AOs). In this webinar, Sigma Defense and Anchore will give attendees a look behind the scenes and demo secure pipeline automation and security artifacts that speed up application ATO and time to production.
We will cover:
- How to remove silos in DevSecOps
- How to build efficient development pipeline roles and component templates
- How to deliver security artifacts that matter for ATO’s (SBOMs, vulnerability reports, and policy evidence)
- How to streamline operations with automated policy checks on container images
Enchancing adoption of Open Source Libraries. A case study on Albumentations.AIVladimir Iglovikov, Ph.D.
Presented by Vladimir Iglovikov:
- https://www.linkedin.com/in/iglovikov/
- https://x.com/viglovikov
- https://www.instagram.com/ternaus/
This presentation delves into the journey of Albumentations.ai, a highly successful open-source library for data augmentation.
Created out of a necessity for superior performance in Kaggle competitions, Albumentations has grown to become a widely used tool among data scientists and machine learning practitioners.
This case study covers various aspects, including:
People: The contributors and community that have supported Albumentations.
Metrics: The success indicators such as downloads, daily active users, GitHub stars, and financial contributions.
Challenges: The hurdles in monetizing open-source projects and measuring user engagement.
Development Practices: Best practices for creating, maintaining, and scaling open-source libraries, including code hygiene, CI/CD, and fast iteration.
Community Building: Strategies for making adoption easy, iterating quickly, and fostering a vibrant, engaged community.
Marketing: Both online and offline marketing tactics, focusing on real, impactful interactions and collaborations.
Mental Health: Maintaining balance and not feeling pressured by user demands.
Key insights include the importance of automation, making the adoption process seamless, and leveraging offline interactions for marketing. The presentation also emphasizes the need for continuous small improvements and building a friendly, inclusive community that contributes to the project's growth.
Vladimir Iglovikov brings his extensive experience as a Kaggle Grandmaster, ex-Staff ML Engineer at Lyft, sharing valuable lessons and practical advice for anyone looking to enhance the adoption of their open-source projects.
Explore more about Albumentations and join the community at:
GitHub: https://github.com/albumentations-team/albumentations
Website: https://albumentations.ai/
LinkedIn: https://www.linkedin.com/company/100504475
Twitter: https://x.com/albumentations
Unlocking Productivity: Leveraging the Potential of Copilot in Microsoft 365, a presentation by Christoforos Vlachos, Senior Solutions Manager – Modern Workplace, Uni Systems
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...SOFTTECHHUB
The choice of an operating system plays a pivotal role in shaping our computing experience. For decades, Microsoft's Windows has dominated the market, offering a familiar and widely adopted platform for personal and professional use. However, as technological advancements continue to push the boundaries of innovation, alternative operating systems have emerged, challenging the status quo and offering users a fresh perspective on computing.
One such alternative that has garnered significant attention and acclaim is Nitrux Linux 3.5.0, a sleek, powerful, and user-friendly Linux distribution that promises to redefine the way we interact with our devices. With its focus on performance, security, and customization, Nitrux Linux presents a compelling case for those seeking to break free from the constraints of proprietary software and embrace the freedom and flexibility of open-source computing.
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024Neo4j
Neha Bajwa, Vice President of Product Marketing, Neo4j
Join us as we explore breakthrough innovations enabled by interconnected data and AI. Discover firsthand how organizations use relationships in data to uncover contextual insights and solve our most pressing challenges – from optimizing supply chains, detecting fraud, and improving customer experiences to accelerating drug discoveries.
1. HONORS 177
BIOTECHNOLOGY & ART midterm
THE NEWLY WEDS
sahar mandi
iranian studies & international development
2. abstract.
In class thus far, we have focused on the influence art and
science have had on one another and the dialogue that is
forming between the two. Though this communication has
been in the works for quite a while, it is just making its way
into the forefront of people's minds as more and more
attention is being given to the collaborations artists and
scientists are making with each other. Most of both the
artistic and scientific communities hold this to be a beneficial
step to each of their fields of work, respectively. A fine
example of this forming dialogue is seen in artist Daniel
Kohn and his collaboration with MIT University’s Broad
Institute director, Todd Golub[1]. My proposal is for such a
dual working environment to grow and flourish in as many
laboratories and art studios as possible. Thus, the idea of
combining art with science and science with art will move
toward becoming the norm, allowing each field to equally
benefit from the other.
3. concept / topic.
Art benefiting science and science benefiting art!
Though the two fields of study seem very different, they
actually share a common goal: to know and better understand
the human experience and to make sense of it in the context of
the world we live in today. While science goes about
approaching life’s fundamental questions with a very calculated
approach, using well thought out techniques and
methodologies, art does the opposite, gaining knowledge
through the expression and analysis of feelings and raw
emotions[2].
4. context & precedents.
Daniel Kohn’s art studio, located on the 4th
floor of the Broad Institute, epitomizes strides
both the artistic and scientific communities are
making in the synthesis between art and science.
Calling his work “thinking drawings” rather than
art, Kohn’s 8x8” colorful sketches explore the
forms of chemical bonds, DNA sequences, and
chromatin structures. His work, exceeding more
than 700 pieces, have transformed into a
database of their own, much like the other large-
scale and purely scientific data bases that exist
in Broad. As if arranging high-throughput
microarray or chemical screening data, Kohn’s
database of the paintings are used to extract
deeper meaning through computational analysis
and manipulation. While Kohn holds his objective
in this to be a betting of science through art, the
scientific community at Broad appreciate his
efforts and further add on, “contrary to popular
belief, science requires imagination, while art
requires much of the practicality of science”[3].
5. project proposal.
More “lab-art-tories” with the already well-known
institutions (such as MIT) taking the lead and
beginning the movement that is to ensue. Thus, the
idea of combining art with science and science with
art will start to become less taboo, as more and
more people view it as the norm.
6. project proposal continued.
Laboratories will have a
section meant for artists to
work and create art in a
fashion that will be visible to
the scientists working in the
same area. This designated
zone can be separated by a
see-through glass so as to
maintain the privacy of both
the artists’ and scientists’
working environments, while at
the same time exposing their
work and the process they go
through before reaching the
end result to the other, hence
instilling a true sense of
knowledge and appreciation
for the other’s work.
7. project proposal continued.
Furthermore, the art created in
the laboratories can be displayed
in a non-intrusive way around the
laboratories, fulfilling two
purposes: 1. the art may serve as
creative reminders to scientists to
think outside the box when facing
the many challenges they
continually encounter, and 2.
knowing that their art must be
arranged and composed in a
specific way will inject a certain
structure to the artist’s way of
thought that may make the work
more comprehensive to the
general public as a whole.
8. conclusion.
Currently, many artists-scientists or scientist-artists
face ridicule for combining their work with something
they love. However, though this notion is not very
well-spread yet, strides toward making it so are taking
place. With this proposed project, the dialogue
between art and science will greatly be increased,
quickening the process even more. A dual working
environment will allow more creativity to leak into the
scientific world and more methodology to enter the art
world, assisting both fields in better understanding
the world. And this, after all, is the ultimate goal of
both art and science.
9. references.
[1] Kohn, Daniel. “Research.” KohnWorkshop. 2008. 8
February 2010 http://www.kohnworkshop.com/
gridresearchhub.php
[2] Smith, John E. Biotechnology: Studies in Biology. Fourth
ed. Cambridge: Cambridge University Press, 2004.
[3] Shapiro, Jesse. “Lab-art-orty” The Scientists. 2008. 6
Feb. 2010 http://www.the-scientist.com/news/print/54730/
10. bibliography.
• Clute, John, and Peter Nicholls, eds. The Encyclopedia of Science Fiction. New York: St. Martin's, 1993.
• Collins, Jay and Silver, Simon. Biotechnology: Potentials and Limitations. Michigan: University of Michigan
Press, 1986.
• Kohn, Daniel. “Research.” KohnWorkshop. 2008. 8 February 2010 http://www.kohnworkshop.com/
gridresearchhub.php.
• Locker, Thomas. Seeing Science Through Art. China: Thomas Locker, Inc., 1995.
• Murphy, Karen L., Roseanne DePasquale, and Erin McNamara. "Meaningful Connections: Using Technology in
Primary Classrooms." Young Children 58.6 (2003): 12-18.
• Nelson, Roxanne. “Biotechnology." Lancet 359 (2002): 1675. Academic Search Premier. EBSCOhost. Honolulu
Community College Lib., HI. 8 February 2008 http://search.epnet.com/.
• Shapiro, Jesse. “Lab-art-orty” The Scientists. 2008. 8 Feb. 2010 http://www.the-scientist.com/news/print/54730/.
• Smith, John E. Biotechnology: Studies in Biology. Fourth ed. Cambridge: Cambridge University Press, 2004.
• Sturgeon, Theodore. "Science." The Encyclopedia Americana. International ed. 1995.
• Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Massachusetts: The MIT
Press, 2002.