HAIKU by  peter van der meulen
A haiku is a three line poem consisting of 5–7–5 syllables for example: the/ ca/the/dral/ bell   (5) is sha/king/ a / few/ snow/flakes (7) from/ the/ mor/ning/ air   (5) -Virgilio
HISTORY Haiku evolved from tanka (short poems) 31 syllable poems  structured 5-7-5-7-7 developed by court poets in the Heian  period (794-1185). These tanka were externded into renga (linked verses).  Renga were written in groups with a hokku (opening verse) of  17 syllables (5-7-5) which established a seasonal setting or  mood around which the remainder   of the poem was fashioned.
Four concepts intrinsic to a true haiku… kigo kireji yugen   & kyo
kigo - a word suggesting a season
kireji - a cutting word such as ya… a moment to meditate
yugen - lies beneath the surface… touches the heart
kyo – become one with the object…  do not impose yourself on it -Bashõ
The original Japanese exhibits the 5-7-5 structure. The translation most often does not. furuike ya   the old pond kawazu tobikomo   a frog jumps in mizo no oto   the sound of water   -Bashõ   -Bashõ .
 
hanamori ya   blossom guards shiroki kashira o   their white heads tsukiawase   facing each other -Kyori   -Kyori   (Basho disciple )
 
There are four  pre-eminent haiku poets… Matsuo Bashõ Yosa Buson Kobayashi Issa  & Masaoka Shiki
MATSUO BASHÕ 1644-1694
Matsuo Bashõ 1644-1694 Airy spirituality Related consciousness and nature Objectively represented charged moments of real experience
the winter storm hid in the bamboo grove and quieted away -Bashõ
 
YOSA BUSON 1716-1783
Yosa  Buson  1716-1783 By treating haiku images in a painterly style, highlighted  imaginative expression
komu na yo ga  will it come again. . . mata mo aro ka  another night like this one tsuki ni kari  wild geese and the moon -Buson   -Buson
 
KOBAYASHI ISSA 1763-1827
Kobayashi Issa 1763-1827 Childlike identification with nature and  human behavior Provided poetic  experience accessable to common man.
the snail climbs Mount Fuji slowly. . .slowly -Issa
 
MASAOKA SHIKI  1867-1902
Matsuoka Shiki 1867-1902 First modern haiku poet Introduced witty tone and mental play Popularized term  haiku
write me down  as one who loved poetry and persimmons -Shiki
 
going out of the house  ten paces and the vast autumn sea -Shiki
 
a school of trout  swam by the color of the water -Shiki
 
the peony made me measure it with my fan   -Issa
 
the moon in the water broken and broken again still it is there -Choshu
 
to pluck it a pity to leave it a pity ah. . .this violet   -Naojo
 
on the sandy beach footprints. . . long is the day of spring -Shiki
 
Japan’s two main religions. . . Shintoism and Zen Buddhism. . . are both expressed through Haiku.
Shintoism which worships kami – the spirits of nature.
how art begins rice planting songs in the deep interior -Bashõ
oh butterfly. . . what are you dreaming  fanning your wings   -Chiyo-ni
 
Zen Buddhism  which strives for nirvana  through meditation.
snow has melted on one shoulder  of the great Buddha -Shiki
from the nose of the colossal Buddha a swallow emerges   -Issa
a clear waterfall into the ripple  fall green pine needles -Bashõ
 
Roses. . . the flowers are easy to paint the leaves difficult -Shiki
 
“ I make my appearance I. . . the toad emerge from my thicket.” -Issa
 
 
 
As with all genuine art,  a true haiku is a clarification of experience.
Class contemplating  Japanese art in springtime Inspirational -ART 221-001
Thank you, for your time. -Peter
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Through haiku we are released into nearness.
 
 
 
 
 
 
 
 
the first snow the leaves of the daffodils are just bending -Bashõ
 
 
 
 

H A I K U4

  • 1.
    HAIKU by peter van der meulen
  • 2.
    A haiku isa three line poem consisting of 5–7–5 syllables for example: the/ ca/the/dral/ bell (5) is sha/king/ a / few/ snow/flakes (7) from/ the/ mor/ning/ air (5) -Virgilio
  • 3.
    HISTORY Haiku evolvedfrom tanka (short poems) 31 syllable poems structured 5-7-5-7-7 developed by court poets in the Heian period (794-1185). These tanka were externded into renga (linked verses). Renga were written in groups with a hokku (opening verse) of 17 syllables (5-7-5) which established a seasonal setting or mood around which the remainder of the poem was fashioned.
  • 4.
    Four concepts intrinsicto a true haiku… kigo kireji yugen & kyo
  • 5.
    kigo - aword suggesting a season
  • 6.
    kireji - acutting word such as ya… a moment to meditate
  • 7.
    yugen - liesbeneath the surface… touches the heart
  • 8.
    kyo – becomeone with the object… do not impose yourself on it -Bashõ
  • 9.
    The original Japaneseexhibits the 5-7-5 structure. The translation most often does not. furuike ya the old pond kawazu tobikomo a frog jumps in mizo no oto the sound of water -Bashõ -Bashõ .
  • 10.
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    hanamori ya blossom guards shiroki kashira o their white heads tsukiawase facing each other -Kyori -Kyori (Basho disciple )
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    There are four pre-eminent haiku poets… Matsuo Bashõ Yosa Buson Kobayashi Issa & Masaoka Shiki
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    Matsuo Bashõ 1644-1694Airy spirituality Related consciousness and nature Objectively represented charged moments of real experience
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    the winter stormhid in the bamboo grove and quieted away -Bashõ
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    Yosa Buson 1716-1783 By treating haiku images in a painterly style, highlighted imaginative expression
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    komu na yoga will it come again. . . mata mo aro ka another night like this one tsuki ni kari wild geese and the moon -Buson -Buson
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    Kobayashi Issa 1763-1827Childlike identification with nature and human behavior Provided poetic experience accessable to common man.
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    the snail climbsMount Fuji slowly. . .slowly -Issa
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    MASAOKA SHIKI 1867-1902
  • 27.
    Matsuoka Shiki 1867-1902First modern haiku poet Introduced witty tone and mental play Popularized term haiku
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    write me down as one who loved poetry and persimmons -Shiki
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    going out ofthe house ten paces and the vast autumn sea -Shiki
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    a school oftrout swam by the color of the water -Shiki
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    the peony mademe measure it with my fan -Issa
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    the moon inthe water broken and broken again still it is there -Choshu
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    to pluck ita pity to leave it a pity ah. . .this violet -Naojo
  • 39.
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    on the sandybeach footprints. . . long is the day of spring -Shiki
  • 41.
  • 42.
    Japan’s two mainreligions. . . Shintoism and Zen Buddhism. . . are both expressed through Haiku.
  • 43.
    Shintoism which worshipskami – the spirits of nature.
  • 44.
    how art beginsrice planting songs in the deep interior -Bashõ
  • 45.
    oh butterfly. .. what are you dreaming fanning your wings -Chiyo-ni
  • 46.
  • 47.
    Zen Buddhism which strives for nirvana through meditation.
  • 48.
    snow has meltedon one shoulder of the great Buddha -Shiki
  • 49.
    from the noseof the colossal Buddha a swallow emerges -Issa
  • 50.
    a clear waterfallinto the ripple fall green pine needles -Bashõ
  • 51.
  • 52.
    Roses. . .the flowers are easy to paint the leaves difficult -Shiki
  • 53.
  • 54.
    “ I makemy appearance I. . . the toad emerge from my thicket.” -Issa
  • 55.
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  • 57.
  • 58.
    As with allgenuine art, a true haiku is a clarification of experience.
  • 59.
    Class contemplating Japanese art in springtime Inspirational -ART 221-001
  • 60.
    Thank you, foryour time. -Peter
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    Through haiku weare released into nearness.
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    the first snowthe leaves of the daffodils are just bending -Bashõ
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Editor's Notes