GIRLS : BOYS:
Michele Halayahay Jersey Arandia
Justine Rose Ferrer Von Rencel Araneta
Norjanah Hadjisalic Rafabien Arandia
Rochelle Delos Santos John Cedric Canindo
Jamaica Gonzales Inosencio Chan
Geline Serios
 The one word that comes to mind when we think of contemporary Philippine
music is the type commonly termed as Original Pinoy Music or
Original Philippine Music, or OPM for short. It was originally used to refer only
to Philippine pop songs, particularly ballads, such as those popular after the
collapse of its predecessor, the Manila Sound, in the late 1970's up until the
present.
 In the 1960’s to 1970’s, nora aunor, eddie peregrina,victor wood,asin,APO
hiking society and others were highly popular OPM singers, in the 1970’s the
major commercial philippine pop music artist were claire dela fuente , didth
reyes,rico puno,ryan cayabyab and more
The 1980's to 1990's are also regarded as the golden era of Philippine ballads
Most of these compositions made use of western type melody and harmony while
expressing uniquely filipino emotions in movingly poetic lyrics these came to be known
as OPM
Ryan Cayabyab - Kay Ganda ng Ating
Musika, Kahit Ika'y Panaginip Lang
Rico J. Puno- sorry na pwede ba, may
buksa pa, magkasuyo buong gabi
Freddie Aguilar- anak,sa kuko ng
agila, bulag pipi bingi
Parokya ni Edgar- your song, pangarap
lang kita ,halaga
francis Magalona is known as Francis M, “Master
Rapper,” and “The Man From Manila.” He is often
hailed as the “King of Pinoy Rap” and is considered
a legend in the Philippine music community.-
(kaleidoscope world,cold summer nights,mga
kababayan)
 rom theater tunes to rock and roll, pop, standards,
hip hop, rap, and contemporary ballads—whether in the West, in the
Philippines, or anywhere else in the world—these all provided a rich
and diverse musical background in the development of Philippine
contemporary music. The development of Philippine music was also
influenced by the history of the country—from its pre-Spanish roots,
through the Spanish and American periods, up to the present. It has
since evolved to have its own rich and distinct identity.

Group 1 Philippine Popular Music

  • 2.
    GIRLS : BOYS: MicheleHalayahay Jersey Arandia Justine Rose Ferrer Von Rencel Araneta Norjanah Hadjisalic Rafabien Arandia Rochelle Delos Santos John Cedric Canindo Jamaica Gonzales Inosencio Chan Geline Serios
  • 3.
     The oneword that comes to mind when we think of contemporary Philippine music is the type commonly termed as Original Pinoy Music or Original Philippine Music, or OPM for short. It was originally used to refer only to Philippine pop songs, particularly ballads, such as those popular after the collapse of its predecessor, the Manila Sound, in the late 1970's up until the present.  In the 1960’s to 1970’s, nora aunor, eddie peregrina,victor wood,asin,APO hiking society and others were highly popular OPM singers, in the 1970’s the major commercial philippine pop music artist were claire dela fuente , didth reyes,rico puno,ryan cayabyab and more
  • 4.
    The 1980's to1990's are also regarded as the golden era of Philippine ballads Most of these compositions made use of western type melody and harmony while expressing uniquely filipino emotions in movingly poetic lyrics these came to be known as OPM Ryan Cayabyab - Kay Ganda ng Ating Musika, Kahit Ika'y Panaginip Lang
  • 6.
    Rico J. Puno-sorry na pwede ba, may buksa pa, magkasuyo buong gabi
  • 8.
    Freddie Aguilar- anak,sakuko ng agila, bulag pipi bingi
  • 9.
    Parokya ni Edgar-your song, pangarap lang kita ,halaga
  • 11.
    francis Magalona isknown as Francis M, “Master Rapper,” and “The Man From Manila.” He is often hailed as the “King of Pinoy Rap” and is considered a legend in the Philippine music community.- (kaleidoscope world,cold summer nights,mga kababayan)
  • 12.
     rom theatertunes to rock and roll, pop, standards, hip hop, rap, and contemporary ballads—whether in the West, in the Philippines, or anywhere else in the world—these all provided a rich and diverse musical background in the development of Philippine contemporary music. The development of Philippine music was also influenced by the history of the country—from its pre-Spanish roots, through the Spanish and American periods, up to the present. It has since evolved to have its own rich and distinct identity.