GR.7 Day 1_M1 LUZON Folk Songs.pptx
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This presentation is about the folk songs of Luzon. This includes songs from different regions of Luzon. It also includes listening examples.
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This document discusses different types of music in the Philippines, including folk music, liturgical music, and devotional music. It provides examples of various folk songs from different regions of the Philippines. It then explains several religious musical traditions from the Philippines that incorporate Spanish influences, including the Pasyon (a narrative of Christ's passion), Salubong (a ritual reenacting Christ's resurrection), and Flores de Mayo (a May devotion to Mary involving children's offerings of flowers). Overall, the document outlines important folk and religious musical traditions in the Philippines and how they have been shaped by both native and foreign influences over time.
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Because songs are based on the daily experiences of the people in a particular place and the message of the songs needs to be understood easily to be appreciated, the lyrics of the songs are written or sung in their own dialects. For example, the Tagalog folk songs came from the people who speak Tagalog. (Bahay Kubo, Leron, Leron Sinta, Magtanim ay „Di Biro). The Ilocanos have their own (Manang Biday and Pamulinawen). The Kapampangan’s Atin Cu Pung Singsing, and the Bicolano’s Sarung Banggi are just a few among the folk songs of Luzon that are sung in their own dialects.
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2) Kumintang - a love and courtship song originating from Batangas, performed in triple meter. Popular songs listed.
3) Pandanggo - a fast-paced courtship dance derived from the Spanish fandango, performed in some Luzon islands and Visayas.
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Folk songs from the lowlands of Luzon reflect both Spanish and indigenous Philippine influences. Religious music also shows the impact of Spanish colonization over three centuries, though some native forms were incorporated into Christian practices. Secular music includes harana serenades, kumintang love songs, pandanggo courtship dances and songs, polka, balitaw dialogues, and kundiman art songs expressing spiritual devotion. Traditional instruments include brass bands, the Las Piñas bamboo organ, musikong bumbong, pangkat kawayan bamboo ensembles, and angklung.
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2. Folk songs are generally simple vocal and instrumental music based on the daily experiences of common people like farmers, fishermen, and artisans. They are typically sung in the local dialect and passed down orally.
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1. Rhythm is the regular repeated pattern of sounds that serves as the pulse of a musical composition. It has three components: beat, tempo, and meter.
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This document discusses folk songs from the lowlands of Luzon, Philippines. It notes that these folk songs were:
1) Passed down orally and learned by family/community members through memorization.
2) Sung in the native tongue of the local people, such as Tagalog, Ilocano, Kapampangan, and Bicolano.
3) Simple in structure with simple key signatures and rhythmic patterns that were common at the time.
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- Dr. Rodolfo Cornejo was a child prodigy composer who had two doctorate degrees in music and wrote his first composition at age 10.
- Ryan Cayabyab is one of the most popular composers in the Philippines and has written works for theater, ballet, film and television.
- Hilarion Rubio was a bandleader and orchestra conductor who composed works for opera and film and taught at several universities.
- Lucio San Pedro was proclaimed a National Artist of the Philippines for his contributions as a composer and teacher of music. He studied internationally and taught at several conservatories.
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The document discusses solo and choral music. It provides biographies of two famous Filipino composers - Lucio San Pedro and Felipe De Leon. It explains that a solo is a musical piece performed by one person unaccompanied, while a choral piece is composed for and sung by a choir. It also outlines the criteria for being proclaimed a National Artist of the Philippines, the highest honor bestowed by the state for significant contributions to Philippine arts.
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GR.7 Day 1_M1 LUZON Folk Songs.pptx
- 2. Listen to the music.
- 3. Listen to the music.
- 4. Music of Lowlands Luzon: FOLK SONGS
- 6. Characteristics of Folk Songs • Originally passed down orally to the family and to the other members of the community. • Learned through rote or listening. • Sung in his/her own dialect. • Begins in one key and ends in the same key.
- 7. Characteristics of Folk Songs • Composers and lyricists are usually unknown. • Mood can be sentimental, playful, and humorous. • Concepts are based on nature or people’s work, tradition, and culture. • Short and Simple • Either in 2 meter, 3 meter or 4 meter.
- 8. FOLK SONGS: What has influenced us? Spanish and Western influences.
- 9. Examples of Folk songs from the lowlands of Luzon ILOCANO • Pamulinawen • Nariag a Bulan • Manang Biday • Dungdunwen Kanto
- 10. Examples of Folk songs from the lowlands of Luzon ILOCANO • Bannatiran • Ti Ayat ti Maysa nga Ubing • Igid Diay Baybay • Diro ni Ayat
- 11. Examples of Folk songs from the lowlands of Luzon KAPAMPANGAN • Atin Cu Pung Singsing • Doredo • Caca, O Caca • Ing Bulung Lara Y Rizal • Tinanam Kung Kamantigui
- 12. Examples of Folk songs from the lowlands of Luzon KAPAMPANGAN • Misan a Cayaldawan • Patag a Bundoc • Nung Acuing Cucutnan • Y Mariang Malagu
- 13. Examples of Folk songs from the lowlands of Luzon TAGALOG • Magtanim ay ‘Di Biro • Bahay Kubo • Leron Leron Sinta • Sitsiritsit • Paru-Parong Bukid
- 14. Examples of Folk songs from the lowlands of Luzon BICOLANO • Sarung Banggi
- 16. Give other examples of folk songs.
- 17. Listen to the examples of folk songs.
- 18. Listen to the examples of folk songs.
- 19. Folk songs in the lowlands of Luzon have Spanish and European influences. The melodic chants and indigenous instruments are created based on the materials available where they lived. The concepts are based on the livelihood of the community like farming and fishing.