Our âWhyâ
⢠Whyam I here?
⢠Why are you here?
⢠What are we trying to accomplish?
5.
A Few PreliminariesâŚ.
â˘Three promises:
⢠This will be a fast-paced hour
⢠Weâll learn somethingâŚand weâll have fun
⢠Youâll have access to these slidesâŚtake notesâŚor notâŚ.
⢠Three answers to the question on the last slide:
⢠Mine is simpleâŚ.
⢠Youâll share yours
⢠âNews you can useâ
13.
Weâre in theStarting Blocks
⢠Writing is about telling stories â itâs about the
narrative
⢠All of us have our own narratives â and that in itself
is story
⢠Letâs all tell the story of our lives in two minutes.
Suggest starting: âI was born at a very young age.â
⢠Some things you might includeâŚ.
14.
The Story ofMy Life in Two Minutes
⢠Where born
⢠Family (X-generation, siblings, etc.)
⢠Where you grew up
⢠Where you went to school
⢠How you happened to be in California in 2025
⢠What you hope to get out of this course
âNo one evermade a decision based on a number. They
need a story.â
Michael Lewis
The Undoing Project
21.
Some Suggested GroundRules
⢠We can conduct this seminar anywhere along a spectrum
⢠Some ground rules Iâve found helpful in courses Iâve taken:
â Interactive
â Participatory
â Mutual learning
â Constant feedback
⢠Homework â but it is all voluntary
⢠Opportunities to take your game to the next level
⢠The âGolden Ruleâ for your fellow attendees
⢠A word about power pointâŚ.
⢠Slides available on my website after each session
22.
âExit Criteria:â WhatYou Should Expect
⢠If youâre interested in writing shorter pieces: blogs,
newsletters, print or online articles â youâre ready
⢠If youâre interested in writing a book or publishing a
book youâve already written:
o You know enough to give yourself a good pole position to
break yourself away from the crowd
o You know enough about the resources available that you
can choose the ones that work for you
o Youâre mindful of the level of effort required for these
pursuits as well as the odds of success
23.
GreatâŚso now thatthe administrative âstuffâ is out of
the way, what will we cover in these six weeks?
24.
Course Construct
⢠SeminarOne: Why Write?
⢠Seminar Two: First - and Essential - Steps
⢠Seminar Three: Non-Fiction - The Hungry Market
⢠Seminar Four: âThe Great American Novelâ
⢠Seminar Five: Establishing an Online Presence
⢠Seminar Six: Social Media - Challenges and Opportunities
Session One: WhyWrite?
⢠History is what writers say it is
⢠Picking your medium
⢠A building block approach
⢠Due diligence the easy way
27.
Session Two: First- and Essential - Steps
⢠Content-hungry media
⢠Repurposing and building content
⢠Building relationships with editors â a win-win for
both parties
⢠Solo or with a wingman? The pros and cons of
collaboration
28.
Session Three:
Non-Fiction -The Hungry Market
⢠Being - or becoming - the expert?
⢠Pursuing a subject - or letting life happen?
⢠Scratching itches - or entertaining?
⢠How much to tell and whatâs next?
29.
Session Four:
âThe GreatAmerican Novelâ
⢠Great or not-so-great? What you need to know
getting started
⢠Mainstream or genre? Which way should you go?
⢠Defining your audience and picking a âvoiceâ and
point of view
⢠Getting the sale â and then promoting your work
30.
Session Five:
Establishing anOnline Presence - Plus
⢠What makes yours unique?
⢠Beating the competition for âeyesâ
⢠Balancing content and entertainment
⢠Doing-it-yourselfâŚorâŚ?
31.
Session Six:
Social Media-Challengesand Opportunities
⢠Everyone is doing it
⢠Vote early and often
⢠Building a following
⢠Sustaining momentum
âHistory is whatthe historians and writers say it is.â
Norman Polmar
(Forty books â and counting)
34.
Why Write?
⢠Historyis what writers say it is â what you say it is
⢠Picking your medium
⢠A suggested building block approach
⢠Due diligence the easy way
⢠If you do nothing else â Bill Terry
35.
âThere are authorsand artists and then again
there are writers and painters.â
Ian Fleming
How to Writer a Thriller
36.
I keep sixhonest serving-men
(They taught me all I knew);
Their names are What and Why and When
And How and Where and Who.
Rudyard Kipling
The Elephantâs Child
37.
Some Things toConsider Before You Write
⢠Who are you writing for?
⢠What are you going to write?
⢠Where are you going to write?
⢠When are you going to write?
⢠Why are you going to write?
⢠How are you going to write?
38.
âStorytelling is ashuman as breathing. Literature, since
it emerged 4,000 years ago, has shaped the lives of
most humans on planet Earth. We are what we read.â
John Sutherland
âBook Peopleâ
39.
So Many Outletsâ So Little Time
⢠A wide array of online media
⢠Newsletters
⢠Alumni magazines
⢠Professional journals
⢠Popular magazines
⢠Newspapers
⢠Portions of non-fiction books
⢠Non-fiction books
⢠Short stories
⢠Novels â of all kinds
40.
âNow, if youâregetting all fired up and ready to pound the keys, I
might inject a word of caution. Actually, this word comes from my
wife. For most of us, writing is not a team sport. An article for a
trade journal or a short story is no big deal, but if you find
yourself writing a long piece or a book, you probably ought to
have a chat with your spouse. For most of us, writing means
closing off the other people in your life for several hours a day
and itâs something you may want to talk about before you begin.â
Dick Couch
(Fifteen books â and counting)
Shipmate, April 1993
41.
With That Cautionin Mind
⢠Telling stories â the oldest profession
⢠Telling stories â like your life depended on it!
⢠We all grew up on stories
⢠Life is a narrative
⢠The test: So youâre in a bar with your friendsâŚ
42.
One Way ofApproaching This
⢠Article in an alumni magazine
⢠Article in a trade journal
⢠Article in a professional journal
⢠Newspaper articles
⢠Non-fiction
⢠Novels
⢠Conference proceedings
⢠âŚ.
43.
Mr. Clancy saidnone of his success came easily, and he would
remind aspiring writers of that when he spoke to them. âI tell
them you learn to write the same way you learn to play golf,â
he once said. âYou do it, and keep doing it until you get it right.
A lot of people think something mystical happens to you,
that maybe the muse kisses you on the ear. But writing isnât
divinely inspired â itâs hard work.â
Tom Clancy
Quoted in the New York Times
October 2, 2013
âListen, Stephen Kingused to write in the washroom of his
trailer after his kids went to sleep. Harlan Ellison wrote in the
stall of a bathroom of his barracks during boot camp. Elmore
Leonard got up at 5 AM every morning to write before work.
Every time my alarm goes off at 5 AM and I donât want to get up,
or I would rather sit down after work and play a videogame, I
think about those guys. Take care of your family. They need you
and love you. Make time for them. Then stop screwing around
and finish your damn book.â
Bernard Schaffer
Whitechapel: The Final Stand of Sherlock Holmes
Industry Insider Perspectiveon Books
⢠Few industries have changed as much as publishing
⢠These changes are still working themselves out
⢠The changes present challenges â and opportunities
⢠If you know the landscape â you tilt it in your favor
52.
Where and HowDo Books Get Published?
⢠Legacy publishing houses
⢠Amazon and its imprints
⢠Academic houses
⢠Vanity presses
⢠Self-Publishing on your own
53.
Who Are theLegacy Houses?
⢠Penguin Random House
⢠Harper Collins
⢠Simon & Schuster
⢠The Hachette Book Group
⢠Macmillan
54.
What Are theAmazon Imprints?
⢠Amazon Encore
⢠Amazon Crossing
⢠Montlake Romance
⢠Thomas & Mercer
⢠47 North
⢠New Harvest
⢠Amazon Publishing
⢠Grand Harbor Press
⢠Amazon Children's Publishing
⢠Little A
⢠Jet City Comics
⢠Lake Union Publishing
⢠StoryFront
⢠Waterfall Press
55.
Where and HowDo Books Get Published?
⢠Legacy publishing houses
⢠Amazon and its imprints
⢠Academic houses
⢠Vanity presses
⢠Self-Publishing on your own
56.
Helpful Resources
⢠Writerson Writing (I)
⢠Writers on Writing (II)
⢠NYT Book Review
⢠NYT Book Review â Last Page
âSome men wantto die with their boots on. When I
cash in my chips, I want to be slumped over the
keyboard. And they can plant me with my word
processor. I may wake up and want to write about it.â
Dick Couch
(Fifteen books â and counting)
Shipmate, April 1993
First - andEssential - Steps
⢠Content-hungry media
⢠Repurposing and building content
⢠Building relationships with editors â a win-win for
both parties
⢠Solo or with a wingman? The pros and cons of
collaboration
61.
Optional Homework Assignment
forNext Week
⢠A significant number of writers who eventually write
books begin their careers by writing for journals and
magazines
⢠Pick a magazine you enjoy, and write a short letter to
the editor pitching your idea for an article
⢠Send it to me by Tuesday, April 8, and Iâll put in into
our slides for next Thursday
⢠Donât struggle with this â give yourself no more than
thirty minutes
#9Â North of 50,000-words
300-words a minute
Three or so hours to read
#13Â Writing is about telling stories â itâs about the narrative
All of us have our own narratives â and that in itself is story
Letâs all tell the story of our lives in three minutes. Suggest starting: âI was born at a very young age.â
Some things you might include:
#14Â Where born
Family (X-generation, siblings, etc.)
Where you grew up
Where you went to school
How you happened to be in California in 2015
What you hope to get out of this course
#15Â Michael Lewis, the Undoing Project
://www.vanityfair.com/news/2016/11/decision-science-daniel-kahneman-amos-tversky
#18Â The oldest known cave paintings are over 40,000 years old (art of the Upper PaleolithicUpper Paleolithic
The Upper Paleolithic (or Upper Palaeolithic, Late Stone Age) is the third and last subdivision of the Paleolithic or Old Stone Age. Very broadly, it dates to between 50,000 and 10,000 years ago, roughly coinciding with the appearance of behavioral modernity and before the advent of agriculture.
en.wikipedia.org
), found in both the Franco-Cantabrian region in western Europe, and in the caves in the district of Maros (SulawesiSulawesi
Sulawesi, formerly known as Celebes, is an island in Indonesia. One of the four Greater Sunda Islands, and the world's eleventh-largest island, it is situated east of Borneo, west of the Maluku Islands, and south of Mindanao and the Sulu Archipelago. Within Indonesia, only Sumatra, Borneo and Papua are larger in territoâŚ
en.wikipedia.org
, Indonesia).
#19Â Michael Lewis, the Undoing Project
://www.vanityfair.com/news/2016/11/decision-science-daniel-kahneman-amos-tversky
#21Â We can conduct this seminar anywhere along a spectrum
Some ground rules Iâve found helpful in courses Iâve taken:
Interactive
Participatory
Mutual learning
Constant feedback
No homework â but opportunities to take your game to the next level
The âGolden Ruleâ for your fellow attendees
A word about power point
Slides available on my website after each session
#22Â Writing anything is a journey
Most of us who do this have been mentored
Have been doing this for four decades
It might be beneficial to package what Iâve learned
This is the first time Iâve done this
Weâll learn how to do this together
#24Â Seminar One: Why Write?
Seminar Two: First - and Essential - Steps
Seminar Three: Non-Fiction - The Hungry Market
Seminar Four: âThe Great American Novelâ
Seminar Five: Establishing an Online Presence
Seminar Six: Social Media - Challenges and Opportunities
#26Â History is what writers say it is
Picking your medium
A building block approach
Due diligence the easy way
#27Â Content-hungry media
Recycling and building content
Building relationships with editors â a win-win for both parties
Solo or with a wingman? The pros and cons of collaboration
#28Â Being - or becoming - the expert?
Pursuing a subject - or letting life happen?
Scratching itches - or entertaining?
How much to tell and whatâs next?
#29Â Great or not-so-great? What you need to know getting started
Mainstream or genre? Which way should you go?
Defining your audience and picking a âvoiceâ and point of view
Getting the sale
#30Â What makes yours unique?
Beating the competition for âeyesâ
Balancing content and entertainment
Doing-it-yourselfâŚorâŚ?
#31Â Everyone is doing it
Vote early and often
Building a following
Sustaining momentum
#34Â History is what writers say it is â what you say it is
Picking your medium
A suggested building block approach
Due diligence the easy way
If you do nothing else â Bill Terry
#37Â Who are you writing for?
What are you going to write?
Where are you going to write?
When are you going to write?
Why are you going to write?
How are you going to write?
#39Â A wide array of online media
Newsletters
Alumni magazines
Professional journals
Popular magazines
Newspapers
Non-fiction books
Portions of non-fiction books
Short stories
Novels â of all kinds
#41Â Telling stories â the oldest profession
Telling stories â like your life depended on it!
We all grew up on stories
Life is a narrative
The test: So youâre in a bar with your friendsâŚ
#42Â Articles in alumni magazine
Articles in professional journal
Newspaper articles
Non-fiction books
Mass-market paperback novels
Conference proceedings
Best-selling novels
âŚ.
#51Â Writers on Writing (I)
Writers on Writing (II)
NYT Book Review
NYT Book Review â Last Page
#52Â Writers on Writing (I)
Writers on Writing (II)
NYT Book Review
NYT Book Review â Last Page
#53Â Writers on Writing (I)
Writers on Writing (II)
NYT Book Review
NYT Book Review â Last Page
#55Â Writers on Writing (I)
Writers on Writing (II)
NYT Book Review
NYT Book Review â Last Page
#56Â Writers on Writing (I)
Writers on Writing (II)
NYT Book Review
NYT Book Review â Last Page
#60Â Content-hungry media
Recycling and building content
Building relationships with editors â a win-win for both parties
Solo or with a wingman? The pros and cons of collaboration
#61Â Writing is about telling stories â itâs about the narrative
All of us have our own narratives â and that in itself is story
Letâs all tell the story of our lives in three minutes. Suggest starting: âI was born at a very young age.â
Some things you might include: