UK-based artist, Gabriel Hollington's artworks are influenced by skateboarding, punk rock and extensive travelling and he makes sure they are bold and striking.
The song "Chasing Cars" by Snow Patrol became popular in the UK and US in 2006. It peaked at #6 in the UK and #5 in the US charts. The song was written by frontman Gary Lightbody in the garden of their producer's cottage after drinking white wine. It has remained extremely popular in the UK, staying in the top 75 charts for 85 non-consecutive weeks. The lyrics describe a pure and open love song.
The six front covers of Country Weekly magazine all feature typical conventions like a dominant main image of a solo country music artist at the center making direct eye contact. This draws the reader in and connects them to the featured artist. Most of the artists depicted are male, reflecting the larger number of male versus female country music stars. The costumes shown emphasize the genre, with males in shirts, jeans and sometimes cowboy hats and females in simple dresses using earthtone and blue colors. Together these consistent elements across the covers attract readers who are fans of country music.
This album cover analysis discusses "Weird Al" Yankovic's album Straight Outta Lynwood. The cover parodies hip-hop album styles through elements like the graffiti-style font used for the title and artist name, Yankovic posing in gangster clothes next to an expensive car and rough scenery, and a bulldog at his side. These visuals successfully mimic hip-hop album conventions to humor Yankovic's target audience. As a parody artist, Yankovic's covers are intentionally synthetic reflections of the genres he parodies for comedic effect.
Andrew Goodwin argues that pop music videos have a different narrative structure than novels and films. He provides several reasons for this, including that videos are created around songs rather than traditional narrative arcs, the singer acts as both narrator and main character, and the singer directly addresses the audience. Goodwin also discusses different types of relationships between song lyrics and music videos, including illustration, amplification, and disjuncture. He notes that music videos try to appeal to a wide audience while targeting the core fans.
The document discusses different types of album art, including minimalistic designs using a single image, portrait covers with close-up photos of the artist, image-based designs that relate to the artist's concept, and type-based covers consisting solely of text. It also covers digital, black and white, hand-drawn, grunge/gothic, photo manipulated, and vector art styles and provides examples of albums representing each type.
The song analyzes how young males can easily become killers and how it affects them. The music video tells the story of a young teen who goes through abuse and becomes more angry and distant over time. He is followed by a hooded figure. In the final scene, the hooded figure reveals himself to be the artist looking in the mirror. The intended music video will use close-ups of the artist and editing to show two versions of the artist - one good and one bad. It aims to portray the artist's honesty through modest clothing with minimal branding to discuss social issues. The target audience listens to conscious rappers like Kendrick Lamar who focus on lyricism and storytelling over mainstream hip hop genres.
The document discusses images used in rock music posters and albums. It provides several examples, such as a poster depicting people gathering around a fire playing music amid destruction, suggesting people will continue playing music even at the end of the world. Another poster shows a skull with an organ for teeth and a telegraph pole with an all-seeing eye, implying media control over perception. One highly controversial album cover featured a self-immolating monk protesting election fraud in Vietnam. Some bands depict gore to grab attention, such as posters showing severed arms or a chest being ripped open. The document ends noting inspiration taken from bold contrasting colors and attention-grabbing central images used in posters.
The document discusses several iconic album covers including The Sex Pistols' "Never Mind The B*******" which shocked many with its profanity and anarchist style. Pink Floyd's "The Dark Side of the Moon" used a refracting prism image that became synonymous with the band. Nirvana's "Nevermind" featured a naked baby chasing a dollar bill causing controversy. The Beatles' "Abbey Road" showed the band crossing the street and became a phenomenon often copied by fans. Elvis Presley's debut and The Clash's "London Calling" also used similar concepts that paid homage to musical legends.
The song "Chasing Cars" by Snow Patrol became popular in the UK and US in 2006. It peaked at #6 in the UK and #5 in the US charts. The song was written by frontman Gary Lightbody in the garden of their producer's cottage after drinking white wine. It has remained extremely popular in the UK, staying in the top 75 charts for 85 non-consecutive weeks. The lyrics describe a pure and open love song.
The six front covers of Country Weekly magazine all feature typical conventions like a dominant main image of a solo country music artist at the center making direct eye contact. This draws the reader in and connects them to the featured artist. Most of the artists depicted are male, reflecting the larger number of male versus female country music stars. The costumes shown emphasize the genre, with males in shirts, jeans and sometimes cowboy hats and females in simple dresses using earthtone and blue colors. Together these consistent elements across the covers attract readers who are fans of country music.
This album cover analysis discusses "Weird Al" Yankovic's album Straight Outta Lynwood. The cover parodies hip-hop album styles through elements like the graffiti-style font used for the title and artist name, Yankovic posing in gangster clothes next to an expensive car and rough scenery, and a bulldog at his side. These visuals successfully mimic hip-hop album conventions to humor Yankovic's target audience. As a parody artist, Yankovic's covers are intentionally synthetic reflections of the genres he parodies for comedic effect.
Andrew Goodwin argues that pop music videos have a different narrative structure than novels and films. He provides several reasons for this, including that videos are created around songs rather than traditional narrative arcs, the singer acts as both narrator and main character, and the singer directly addresses the audience. Goodwin also discusses different types of relationships between song lyrics and music videos, including illustration, amplification, and disjuncture. He notes that music videos try to appeal to a wide audience while targeting the core fans.
The document discusses different types of album art, including minimalistic designs using a single image, portrait covers with close-up photos of the artist, image-based designs that relate to the artist's concept, and type-based covers consisting solely of text. It also covers digital, black and white, hand-drawn, grunge/gothic, photo manipulated, and vector art styles and provides examples of albums representing each type.
The song analyzes how young males can easily become killers and how it affects them. The music video tells the story of a young teen who goes through abuse and becomes more angry and distant over time. He is followed by a hooded figure. In the final scene, the hooded figure reveals himself to be the artist looking in the mirror. The intended music video will use close-ups of the artist and editing to show two versions of the artist - one good and one bad. It aims to portray the artist's honesty through modest clothing with minimal branding to discuss social issues. The target audience listens to conscious rappers like Kendrick Lamar who focus on lyricism and storytelling over mainstream hip hop genres.
The document discusses images used in rock music posters and albums. It provides several examples, such as a poster depicting people gathering around a fire playing music amid destruction, suggesting people will continue playing music even at the end of the world. Another poster shows a skull with an organ for teeth and a telegraph pole with an all-seeing eye, implying media control over perception. One highly controversial album cover featured a self-immolating monk protesting election fraud in Vietnam. Some bands depict gore to grab attention, such as posters showing severed arms or a chest being ripped open. The document ends noting inspiration taken from bold contrasting colors and attention-grabbing central images used in posters.
The document discusses several iconic album covers including The Sex Pistols' "Never Mind The B*******" which shocked many with its profanity and anarchist style. Pink Floyd's "The Dark Side of the Moon" used a refracting prism image that became synonymous with the band. Nirvana's "Nevermind" featured a naked baby chasing a dollar bill causing controversy. The Beatles' "Abbey Road" showed the band crossing the street and became a phenomenon often copied by fans. Elvis Presley's debut and The Clash's "London Calling" also used similar concepts that paid homage to musical legends.
The document summarizes and analyzes the digipak covers of three alternative rock albums:
1) Green Day's "American Idiot" features a bleeding heart grenade on the cover symbolizing the Iraq War, with bold red, black, and white colors appealing to a rebellious younger audience.
2) Gorillaz's "Demon Days" references The Beatles' "Let It Be" on the cover to expand their audience, showing silhouettes of band members on the CD.
3) Coldplay's "Viva La Vida" references Eugene Delacroix's painting "Liberty Leading the People" to link its themes of war and liberation to the album
The music video will represent economic inequality between social classes in the UK using the song "Inglorious" by Slowthai featuring Skepta. It will tell the story of two characters who face stereotyping as working-class drug dealers and criminals through their struggles. The target audience is young adults aged 16 and older who can relate to the themes of oppression against the lower classes addressed in the song's lyrics. To film the video, abandoned houses and locations will be used to establish scenes of the artist rapping with a mix of shots that reference the lyrics. A variety of camera techniques will be employed to keep viewers engaged including handheld shots to add chaos and drone shots for establishing angles.
This document summarizes and compares magazine advertisements for four musical artists: Ellie Goulding, Florence and the Machine, Kings of Leon, and Linkin Park. It notes similarities and differences in elements like image use, color schemes, font, and positioning of information. A key difference highlighted is that the pop artists' ads (Ellie Goulding and Florence) emphasize reviews and popularity while the rock artists' ads (Kings of Leon and Linkin Park) have a more unconventional, mysterious style aligned with their genre.
The document discusses several theories for analyzing music videos, including Claude Levi-Strauss' theory of binary oppositions which suggests music videos portray both positive and negative through contrasts like good vs evil or black vs white. It notes this theory will be used in a video by portraying two races, black and white, to emphasize the effort of a runner to succeed. It also mentions other common techniques like relating the lyrics and visuals, reflecting the tone of the music through atmosphere, including demands of the record label, focusing on the artist's sex appeal, and using intertextual references to other media.
This music video for an indie-pop song features various visual elements that relate to American culture and the "American Dream." It includes symbols of American patriotism like the flag, costumes representing stereotypical Americans like cheerleaders and cowboys, and scenes set in locations resembling iconic places like the White House. The singer is featured prominently throughout as she expresses her obsession with America through dancing, lip-syncing, and interactions with mirrors and American memorabilia. Fast cuts and close-ups synchronize with the upbeat music to keep the audience engaged.
I have created a timeline of the history of music from the 1960's to current day looking at how genre has changed in popularity and how the music videos have changed.
This document provides details for planning the production of the front cover and contents page for the first issue of "The Alternative" music magazine.
The front cover will feature a photo of Leah Holloway looking edgy in dark makeup and alternative clothing. Coverlines will promote featured artists in stamped text boxes at random angles.
The contents page will include the editor's message, feature articles on various artists, and a main image of Tommy Pym playing guitar. It will also include thumbnail photos of Leah and guitar accessories.
A double-page spread will feature an interview and rehearsal photo of an amateur band, exploring their inspiration and ambitions to make it in the music industry professionally.
Kanye West promoted his single "All of the Lights" through limited edition posters in his hometown of Chicago and an impressive music video directed by Hype Williams that received heavy airplay. He also collaborated with prominent rappers on an exclusive remix that expanded his fan base. Drake promoted "Marvin's Room" with a darker, relatable music video that portrayed heartbreak realistically rather than flashy stereotypes. He conducted an informal YouTube interview to seem more down-to-earth. Covers of the song by JoJo and Chris Brown introduced Drake to new audiences and positioned him as equally talented.
This document provides definitions and examples of different music genres including pop, alternative rock, and R&B. For pop music, it notes characteristics like verse-chorus form, focus on melodies and hooks, and themes of love/relationships. Alternative rock usually follows a narrative with close-ups of bands and cuts between performance and narrative. R&B songs often focus on love/breakups, with female artists fully clothed and videos typically using sepia/grayscale tones. Examples of artists in each genre are provided, and Ellie Goulding's "Still Falling For You", Twenty One Pilots' "Heavydirtysoul", and Adele's "Rolling In The Deep" are analyzed.
This document provides definitions and examples of different music genres including pop, alternative rock, and R&B. For pop music, it notes characteristics like verse-chorus form, focus on melodies and hooks, and themes of love/relationships. Alternative rock usually follows a narrative with close-ups of bands and cuts between performance and narrative. R&B songs often focus on love/breakups, with female artists fully clothed and videos typically using sepia/grayscale tones. Examples of artists in each genre are provided, and Ellie Goulding, Twenty One Pilots, and Adele videos are analyzed.
This music video for Colbie Caillat's "Bubbly" demonstrates several key features of a music video: it shows Colbie's characteristic as a singer-songwriter through her casual clothes and guitar playing; the visuals are in direct relationship to the lyrics by illustrating the moments and feelings described; and the visuals also relate to the happy, relaxed music. The video focuses closely on Colbie, develops motifs of her smiling face and shy glances, and references the classic love story genre to create intertextuality. However, it avoids the common voyeuristic treatment of women found in many music videos.
The music video will represent the inequality between social classes in the UK using the song "Inglorious" by Slowthai featuring Skepta. It will tell the story of two characters who face stereotyping as working-class drug dealers and criminals through props and a variety of shots that reference the song's lyrics protesting how the government has failed to help those in hard times. The target audience is young adults aged 16 and older who will relate to the song's themes of oppression against the lower classes. Abandoned locations will be used as settings, establishing shots will be done with a drone, and a mixture of shots including handheld footage will keep viewers engaged while conveying the chaotic atmosphere represented in the lyrics.
The document summarizes various technical, representational, historical, and audience-related aspects of Michael Jackson's music video "Billie Jean":
- Technically, the video uses a monochrome color scheme initially and focuses the camera on Jackson's face and dance moves to portray him as the protagonist. The editing cuts to the beat of the song to emphasize rhythm.
- Representationally, it portrays Jackson breaking stereotypes as a black male expressing emotion through song and dance. This influenced MTV to feature more African American artists.
- Historically, the song is about a woman claiming Jackson is the father of her child, though the lyrics leave it ambiguous. It was inspired by real experiences of Jackson
This document provides details on the planned contents and layout for the front cover, contents page, and a double-page spread for a magazine focused on indie and rock music. The front cover will feature a teenage boy holding a guitar against a sunset backdrop. The contents page lists over 20 featured articles on bands like Don Broco, Arctic Monkeys, and Miles Kane. It also includes images and brief descriptions. The double-page spread will profile an upcoming indie artist named Matty and include a large photo of him playing guitar in the hills against a sunset, along with interview questions about his background, influences, and music.
Indie pop originated in the UK in the 1980s, combining elements of punk rock's DIY ethic with melodic and relatively angst-free music. Well-known indie pop artists include The Smiths, Fun, and Florence and the Machine. Common conventions of indie pop music videos include using a narrative that relates to the song's lyrics, applying filters over clips to convey a mood, employing mise en scène that links to the narrative, and focusing camera angles on the performers. For example, Scouting for Girls' "Heartbeat" video tells a story of lost and found love through a filter showing heartbeats and settings that inspire romance.
Olly murs 'Right place, Right time' music magazine advert analysis.JDSMEDIACOURSEWORK
Olly Murs is a pop musician and TV presenter who released his album "Right Place, Right Time". The album was a commercial success, debuting at number one on the UK charts and being certified double platinum. The lead single "Troublemaker" featuring Flo Rida also reached number one. The magazine ad aims to promote Olly's image as a humble yet sexy pop star to gain more fans. It shows him in a casual pose with a simple font to seem relatable. Mentioning his hit single and website helps promote album sales. The ad design saves money by reusing the album cover artwork.
This document provides plans for the production of the first issue of a music magazine called "The Alternative".
The front cover plans include using a medium shot of singer Leah Holloway looking down at the camera from above with lighting from above to make her stand out. She will have black nails, two buns in her hair, minimal makeup with dark purple lipstick, and will wear a black choker, white dress, denim jacket, black tights, and Dr. Marten shoes to look rebellious.
The contents page plans include feature articles on various artists, regular content sections, and thumbnail photos of Leah making faces and guitar accessories in black and white to give an edgy feel.
This document provides plans for the production of a music magazine called "The Alternative".
The front cover plans include a medium shot of singer Leah Holloway looking down at the camera from above with minimal makeup but dark purple lipstick. Coverlines will promote featured artists in stamped boxes at random angles.
The contents page will list regular sections like posters, reviews of gigs and concerts, competitions, puzzles and feature articles on various artists. The main image is of up-and-coming artist Tommy Pym playing guitar on stage. Additional thumbnail photos include close-ups of Leah's faces and guitars.
A double-page article will interview amateur band Just Noise, asking questions about their musical inspiration and ambitions
The document discusses several iconic rock album covers and what made them memorable. It provides context for album covers such as Sgt. Pepper's Lonely Hearts Club Band, which depicted figures important to the band members. The Sex Pistols' Never Mind the Bollocks had a ransom-note style design that was quickly imitated. Sticky Fingers featured an actual working zipper. Pink Floyd's The Dark Side of the Moon represented the band's music and live shows. Several other covers are mentioned along with interesting details and anecdotes about their designs.
Sharif Tarabay is a Montreal-based illustrator who works in an exceptional range of classic art and illustration styles, creating colorful pastiche images infused with realism and authentic character. You could even call him the Norman Rockwell of the 21st century.
With a highly perceptive and conceptual approach to every project he tackles, Maguma is a Spanish artist who works in a bright, tactile style that harks back to the heyday of illustration in the 1950s and 60s. His great ideas and vast experience make Maguma a joy to work with for his clients.
Superama -Muralist & Award Winning Animator.pdfilluwebuk
She’s an Emmy Award-winning animator. She’s a multi-storey muralist. She’s the most vivacious and colorful illustrator Miami has ever seen. Meet Superama – aka Amaranta Martínez – an artist whose work feels larger than life whether it’s on the side of a building or on an iPhone screen.
The document summarizes and analyzes the digipak covers of three alternative rock albums:
1) Green Day's "American Idiot" features a bleeding heart grenade on the cover symbolizing the Iraq War, with bold red, black, and white colors appealing to a rebellious younger audience.
2) Gorillaz's "Demon Days" references The Beatles' "Let It Be" on the cover to expand their audience, showing silhouettes of band members on the CD.
3) Coldplay's "Viva La Vida" references Eugene Delacroix's painting "Liberty Leading the People" to link its themes of war and liberation to the album
The music video will represent economic inequality between social classes in the UK using the song "Inglorious" by Slowthai featuring Skepta. It will tell the story of two characters who face stereotyping as working-class drug dealers and criminals through their struggles. The target audience is young adults aged 16 and older who can relate to the themes of oppression against the lower classes addressed in the song's lyrics. To film the video, abandoned houses and locations will be used to establish scenes of the artist rapping with a mix of shots that reference the lyrics. A variety of camera techniques will be employed to keep viewers engaged including handheld shots to add chaos and drone shots for establishing angles.
This document summarizes and compares magazine advertisements for four musical artists: Ellie Goulding, Florence and the Machine, Kings of Leon, and Linkin Park. It notes similarities and differences in elements like image use, color schemes, font, and positioning of information. A key difference highlighted is that the pop artists' ads (Ellie Goulding and Florence) emphasize reviews and popularity while the rock artists' ads (Kings of Leon and Linkin Park) have a more unconventional, mysterious style aligned with their genre.
The document discusses several theories for analyzing music videos, including Claude Levi-Strauss' theory of binary oppositions which suggests music videos portray both positive and negative through contrasts like good vs evil or black vs white. It notes this theory will be used in a video by portraying two races, black and white, to emphasize the effort of a runner to succeed. It also mentions other common techniques like relating the lyrics and visuals, reflecting the tone of the music through atmosphere, including demands of the record label, focusing on the artist's sex appeal, and using intertextual references to other media.
This music video for an indie-pop song features various visual elements that relate to American culture and the "American Dream." It includes symbols of American patriotism like the flag, costumes representing stereotypical Americans like cheerleaders and cowboys, and scenes set in locations resembling iconic places like the White House. The singer is featured prominently throughout as she expresses her obsession with America through dancing, lip-syncing, and interactions with mirrors and American memorabilia. Fast cuts and close-ups synchronize with the upbeat music to keep the audience engaged.
I have created a timeline of the history of music from the 1960's to current day looking at how genre has changed in popularity and how the music videos have changed.
This document provides details for planning the production of the front cover and contents page for the first issue of "The Alternative" music magazine.
The front cover will feature a photo of Leah Holloway looking edgy in dark makeup and alternative clothing. Coverlines will promote featured artists in stamped text boxes at random angles.
The contents page will include the editor's message, feature articles on various artists, and a main image of Tommy Pym playing guitar. It will also include thumbnail photos of Leah and guitar accessories.
A double-page spread will feature an interview and rehearsal photo of an amateur band, exploring their inspiration and ambitions to make it in the music industry professionally.
Kanye West promoted his single "All of the Lights" through limited edition posters in his hometown of Chicago and an impressive music video directed by Hype Williams that received heavy airplay. He also collaborated with prominent rappers on an exclusive remix that expanded his fan base. Drake promoted "Marvin's Room" with a darker, relatable music video that portrayed heartbreak realistically rather than flashy stereotypes. He conducted an informal YouTube interview to seem more down-to-earth. Covers of the song by JoJo and Chris Brown introduced Drake to new audiences and positioned him as equally talented.
This document provides definitions and examples of different music genres including pop, alternative rock, and R&B. For pop music, it notes characteristics like verse-chorus form, focus on melodies and hooks, and themes of love/relationships. Alternative rock usually follows a narrative with close-ups of bands and cuts between performance and narrative. R&B songs often focus on love/breakups, with female artists fully clothed and videos typically using sepia/grayscale tones. Examples of artists in each genre are provided, and Ellie Goulding's "Still Falling For You", Twenty One Pilots' "Heavydirtysoul", and Adele's "Rolling In The Deep" are analyzed.
This document provides definitions and examples of different music genres including pop, alternative rock, and R&B. For pop music, it notes characteristics like verse-chorus form, focus on melodies and hooks, and themes of love/relationships. Alternative rock usually follows a narrative with close-ups of bands and cuts between performance and narrative. R&B songs often focus on love/breakups, with female artists fully clothed and videos typically using sepia/grayscale tones. Examples of artists in each genre are provided, and Ellie Goulding, Twenty One Pilots, and Adele videos are analyzed.
This music video for Colbie Caillat's "Bubbly" demonstrates several key features of a music video: it shows Colbie's characteristic as a singer-songwriter through her casual clothes and guitar playing; the visuals are in direct relationship to the lyrics by illustrating the moments and feelings described; and the visuals also relate to the happy, relaxed music. The video focuses closely on Colbie, develops motifs of her smiling face and shy glances, and references the classic love story genre to create intertextuality. However, it avoids the common voyeuristic treatment of women found in many music videos.
The music video will represent the inequality between social classes in the UK using the song "Inglorious" by Slowthai featuring Skepta. It will tell the story of two characters who face stereotyping as working-class drug dealers and criminals through props and a variety of shots that reference the song's lyrics protesting how the government has failed to help those in hard times. The target audience is young adults aged 16 and older who will relate to the song's themes of oppression against the lower classes. Abandoned locations will be used as settings, establishing shots will be done with a drone, and a mixture of shots including handheld footage will keep viewers engaged while conveying the chaotic atmosphere represented in the lyrics.
The document summarizes various technical, representational, historical, and audience-related aspects of Michael Jackson's music video "Billie Jean":
- Technically, the video uses a monochrome color scheme initially and focuses the camera on Jackson's face and dance moves to portray him as the protagonist. The editing cuts to the beat of the song to emphasize rhythm.
- Representationally, it portrays Jackson breaking stereotypes as a black male expressing emotion through song and dance. This influenced MTV to feature more African American artists.
- Historically, the song is about a woman claiming Jackson is the father of her child, though the lyrics leave it ambiguous. It was inspired by real experiences of Jackson
This document provides details on the planned contents and layout for the front cover, contents page, and a double-page spread for a magazine focused on indie and rock music. The front cover will feature a teenage boy holding a guitar against a sunset backdrop. The contents page lists over 20 featured articles on bands like Don Broco, Arctic Monkeys, and Miles Kane. It also includes images and brief descriptions. The double-page spread will profile an upcoming indie artist named Matty and include a large photo of him playing guitar in the hills against a sunset, along with interview questions about his background, influences, and music.
Indie pop originated in the UK in the 1980s, combining elements of punk rock's DIY ethic with melodic and relatively angst-free music. Well-known indie pop artists include The Smiths, Fun, and Florence and the Machine. Common conventions of indie pop music videos include using a narrative that relates to the song's lyrics, applying filters over clips to convey a mood, employing mise en scène that links to the narrative, and focusing camera angles on the performers. For example, Scouting for Girls' "Heartbeat" video tells a story of lost and found love through a filter showing heartbeats and settings that inspire romance.
Olly murs 'Right place, Right time' music magazine advert analysis.JDSMEDIACOURSEWORK
Olly Murs is a pop musician and TV presenter who released his album "Right Place, Right Time". The album was a commercial success, debuting at number one on the UK charts and being certified double platinum. The lead single "Troublemaker" featuring Flo Rida also reached number one. The magazine ad aims to promote Olly's image as a humble yet sexy pop star to gain more fans. It shows him in a casual pose with a simple font to seem relatable. Mentioning his hit single and website helps promote album sales. The ad design saves money by reusing the album cover artwork.
This document provides plans for the production of the first issue of a music magazine called "The Alternative".
The front cover plans include using a medium shot of singer Leah Holloway looking down at the camera from above with lighting from above to make her stand out. She will have black nails, two buns in her hair, minimal makeup with dark purple lipstick, and will wear a black choker, white dress, denim jacket, black tights, and Dr. Marten shoes to look rebellious.
The contents page plans include feature articles on various artists, regular content sections, and thumbnail photos of Leah making faces and guitar accessories in black and white to give an edgy feel.
This document provides plans for the production of a music magazine called "The Alternative".
The front cover plans include a medium shot of singer Leah Holloway looking down at the camera from above with minimal makeup but dark purple lipstick. Coverlines will promote featured artists in stamped boxes at random angles.
The contents page will list regular sections like posters, reviews of gigs and concerts, competitions, puzzles and feature articles on various artists. The main image is of up-and-coming artist Tommy Pym playing guitar on stage. Additional thumbnail photos include close-ups of Leah's faces and guitars.
A double-page article will interview amateur band Just Noise, asking questions about their musical inspiration and ambitions
The document discusses several iconic rock album covers and what made them memorable. It provides context for album covers such as Sgt. Pepper's Lonely Hearts Club Band, which depicted figures important to the band members. The Sex Pistols' Never Mind the Bollocks had a ransom-note style design that was quickly imitated. Sticky Fingers featured an actual working zipper. Pink Floyd's The Dark Side of the Moon represented the band's music and live shows. Several other covers are mentioned along with interesting details and anecdotes about their designs.
Sharif Tarabay is a Montreal-based illustrator who works in an exceptional range of classic art and illustration styles, creating colorful pastiche images infused with realism and authentic character. You could even call him the Norman Rockwell of the 21st century.
With a highly perceptive and conceptual approach to every project he tackles, Maguma is a Spanish artist who works in a bright, tactile style that harks back to the heyday of illustration in the 1950s and 60s. His great ideas and vast experience make Maguma a joy to work with for his clients.
Superama -Muralist & Award Winning Animator.pdfilluwebuk
She’s an Emmy Award-winning animator. She’s a multi-storey muralist. She’s the most vivacious and colorful illustrator Miami has ever seen. Meet Superama – aka Amaranta Martínez – an artist whose work feels larger than life whether it’s on the side of a building or on an iPhone screen.
Alyssa De Asis - Children’s Book Illustrator & Graphic Designer.pdfilluwebuk
Combining elements from nature with vibrant colours and whimsical characters and settings, Filipino artist Alyssa De Assis crafts illustrations with a unique, light-hearted feel to them. She’s a natural when it comes to children’s illustration, but her style also suits editorial, fashion and publishing projects.
Sarah Beetson - Fashion, Nature, Food & Editorial Illustrator.pdfilluwebuk
The carefully controlled chaos, rainbow colours and sheer exuberance of Sarah Beetson’s artworks have made her one of the world’s most renowned contemporary illustrators. Pop culture is rendered with a retro twist through her figurative line work, vibrant colours, sparkles and paint splatters, resulting in work that brings a refreshing and imaginative edge to her clients’ projects.
Juliet Percival Medical - Medical & Scientific Illustrator, UK.pdfilluwebuk
Juliet has first class degrees in Physiology from Edinburgh University, and Illustration from Falmouth College of Arts. Working from her studio in Durham, she is a medical and scientific illustrator who, in addition to communicating information precisely through her imagery, brings an individual and creative touch to every client’s project. Combining the anatomical knowledge she has from her training in physiology with a prodigious creative talent honed at Falmouth College of Arts, she offers a warmer aesthetic to what might otherwise be quite cold and clinical artwork.
Adam Larkum - Character Design Illustrator, London.pdfilluwebuk
Adam Larkum is a character design illustrator based in London. The document provides links to examples of his character design illustrations on the IllustrationX website. It contains multiple duplicate links to Larkum's profile and character design work samples on the site.
John Holder - Classic Character Illustrator.pdfilluwebuk
British illustrator John Holder works in the classic tradition of humorous illustration dating back to Victorian times. Giving contemporary topics a vintage twist is John’s specialty and that’s why leading newspapers, magazines, ad agencies and big brands turn to this vastly experienced artist.
For vibrant, ebullient illustrations that capture lifestyle themes with a positive, feminine vibe, look no further than Mexican illustrator Ely Ely – AKA Melissa Sanchez Zuniga. From cartoony and sketchy through to clean, symmetrical graphic forms, she works in a range of styles, hitting the perfect notes for fashion, beauty and lifestyle brands around the world.
Iratxe Lopez de Munain - Urban Scenes & Contemporary Artist.pdfilluwebuk
With an exciting style full of fun and vibrancy, Barcelona-based artist Iratxe Lopez de Munain uses colour to give her work its special character. She launched her creative career by writing and illustrating her own children’s book in 2010 and has gone on to produce excellent work for major publishing houses and creative agencies around the world.
What clients love most about Quincy Sutton’s artwork is that it’s totally unique. Nobody draws portraits and caricatures quite like he does, and he has amazing ability to adapt his style to suit the wishes of his clients. As a result, Quincy is a Los Angeles artist who is in high demand.
Fashion and beauty illustrator Tracy Turnbull continually evolves and changes her style, adapting it to the changing trends in fashion and keeping it fresh and contemporary. Having worked as a clothing designer, she has an in-depth understanding of the garments she depicts and the industry as a whole. Highly adaptable, her work covers not just fashion but lifestyle and consumer projects, always rendered in an exciting and unique way.
Toma Nguyen - Conceptual Artist, Ho Chi Minh City.pdfilluwebuk
Using linework as fine as silk and an imagination as vivid as her colour palette, Vietnamese artist Toma Nguyen delicately draws surreal decorative imagery that is simply beyond compare. Inspired by nature, mysticism and the rich cultures of the Far East, she’s winning clients around the world with her weird, whimsical and beautiful illustrations.
Vastly experienced, effortlessly witty and a consummate professional, British cartoonist Gray Joliffe has been doodling for over 50 years, bringing smiles to the faces of millions through his Chloe & Co strip, published in the Daily Mail, and books such as his Wicked Willie series.
Paul Daviz - Retro, Graphic & Cartoon Artist.pdfilluwebuk
Draw. Draw. Draw. This has been the story of Paul Daviz’s life from an early age. He drew on his schoolbooks, drew when he got a job in a pyjama factory, and built up an extraordinary portfolio of imagery which won him work storyboarding TV commercials, animated productions, packaging and print campaigns for top London agencies.
Big shapes, bright colours and hand-drawn marks and textures come together in the artwork of Drew Bardana to give it major impact, engaging viewers and hitting home with his clients’ core messages. His characters are expressive, his compositions dynamic and he loves to inject a little motion into everything he draws.
Elly Azizian - Fashion & Lifestyle Illustrator, New York.pdfilluwebuk
With a portfolio full of gorgeous and glamorous fashion illustrations, Elly Azizian is an artist who draws with verve and dynamism, which is refined only by her attention to detail. A former competitive ballroom dancer, Elly’s secret is in her understanding of movement and flexibility – that of the model, and of the garment being illustrated. It’s a holistic approach to fashion illustration, and it’s a winner.
Diego Abreu - Classical Portraiture & Fantasy Illustrator.pdfilluwebuk
Diego Abreu is a classical portraiture and fantasy illustrator whose work is featured on the IllustrationX website. The document provides links to 8 examples of Abreu's classical portraiture illustrations on his profile page.
Meet Fábio Lyra, the comic art master from Brazil who brings his award-winning skills and unique contemporary style to clients across editorial, publishing, music, entertainment, lifestyle and more. While there’s a European influence in his work –in the tradition of Hergé – Fábio delivers the individual touch his clients are looking for and always keeps his images clear, direct and punchy.
Andrew Hutchinson - Nature & Wildlife Illustrator.pdfilluwebuk
Fur, feathers and fins – they all come out perfectly when painted by British nature artist Andrew Hutchinson. Living on the North York Moors, Andrew is a part-time ranger with the Forestry Commission and monitors the activity of adders and certain bird species in his area to help conserve them, which makes him the perfect choice for any project built around a passion for wildlife.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
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Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.