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This document discusses font choices for an advertisement based on comic strips. The author chose fonts that best match the original comic strips out of the options reviewed. While the ad will not include character dialogue, suitable body fonts were found. The title font is important for identifying the comic at the start of the strip. Additional fonts were selected as being suitable for the IRN BRU brand.
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Typeface
This document discusses font ideas for the title of a thriller film called "Framed". It previews 3 fonts - "Lost Lubbock Motels", "Face Your Fears", and "Anarchy" - and analyzes how each font could establish themes for the film. The author selects "Anarchy" as their favorite font because it has a thin and imperceptible style that gives a sense of being enigmatic and written with a sharp object, fitting the film's themes of violence and uncertainty.
Font Samples
The author created several samples of different fonts for the masthead of their magazine to see which would look best. The first font was too bold and serif, while the second had a bubble-like E letter. Font 4 in COCOGOOSE, downloaded from Dafont.com, was a possible title font as it was plain and simple, fitting the desired indie genre. Font 5 in LEMON MILK, also from Dafont.com, was used for some sell lines despite being less bold than COCOGOOSE. Font 6 was determined to be ideal as a non-serif, plain font that stood out enough for the indie genre.
Font research
The document discusses font research for a horror film opening. It examines several fonts including "Some Lines", "Zombified", "Face Your Fears", and "Scratch Kit" but ultimately selects "Trajan Pro" for the title and credits. "Trajan Pro" was chosen because it had a horror feel, was bold and clear to read, and could transition from red to white to represent the film's mysterious main character.
Font analysis
This document analyzes 5 different fonts for their suitability to use in a horror film poster and trailer. Font 2 is recommended as it looks hand-drawn like the symbols in the trailer, creating continuity, and has a rough style fitting the horror genre. Font 3 is also suitable as it is bold and eye-catching but too simple to convey the horror theme. Font 4 could work by linking to the child voiceover but is too thin to stand out on a poster. Fonts 1 and 5 are not recommended due to their comical or non-eye-catching appearances respectively.
Front 1
The document discusses the design elements of a magazine cover and pages. It notes that the bold masthead font implies the genre of music featured in the magazine. It also comments that using more than three colors on the cover makes the design look unattractive and busy. Additionally, it observes that the main image on the cover features a man who appears to be in a recording studio, implying he is a solo artist.
Analysis of Comic
1) Pride and Prejudice and Zombies adds martial arts and zombie attacks to Jane Austen's original novel, creating a literary mashup. Some critics see it as commercial, while others view it as a delightful reimagining.
2) The graphic novel is targeted towards mature audiences who can understand its complex narrative and high-level dialogue. It appeals more to females due to its romantic elements and more to higher socioeconomic classes due to its complexity and price.
3) The main characters Elizabeth Bennet and Fitzwilliam Darcy realize they are in love as they join together to face challenges throughout their quest against zombies. Secondary characters help the main characters develop while advancing the plot.
3. fmp production experiments
The student created a storyboard and script as experiments for their final media production project on crime and mystery. For the storyboard, they used an online tool to design scenes and shots for an original story involving a murder or kidnapping. For their script experiment, the student began writing in chapter 2 of the story, creating original names, locations, and dialogue on the spot about someone's relative going missing. They refined the script over multiple versions, adding formatting and more of the story. The student also took test photos at potential filming locations to use in storyboards. They found the online storyboarding and script formatting helpful for planning their final project.
Duotone proposal
The document provides details about a proposed low-budget psychological thriller film. It would target a young adult/adult demographic and receive funding from British film organizations. The film would have a limited cast of mostly unknown actors and a modest crew. The plot involves a man whose sister is kidnapped by a drug lord and he is forced to carry out violent tasks to secure her release. The opening title sequence would feature only two locations and focus on lighting, color grading, and a licensed song. Diegetic sounds would be ambient noise and effects with little dialogue. The typography for the title is planned to be large, sans-serif lettering to represent the genre and production values.
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Typeface
This document discusses font ideas for the title of a thriller film called "Framed". It previews 3 fonts - "Lost Lubbock Motels", "Face Your Fears", and "Anarchy" - and analyzes how each font could establish themes for the film. The author selects "Anarchy" as their favorite font because it has a thin and imperceptible style that gives a sense of being enigmatic and written with a sharp object, fitting the film's themes of violence and uncertainty.
Font Samples
The author created several samples of different fonts for the masthead of their magazine to see which would look best. The first font was too bold and serif, while the second had a bubble-like E letter. Font 4 in COCOGOOSE, downloaded from Dafont.com, was a possible title font as it was plain and simple, fitting the desired indie genre. Font 5 in LEMON MILK, also from Dafont.com, was used for some sell lines despite being less bold than COCOGOOSE. Font 6 was determined to be ideal as a non-serif, plain font that stood out enough for the indie genre.
Font research
The document discusses font research for a horror film opening. It examines several fonts including "Some Lines", "Zombified", "Face Your Fears", and "Scratch Kit" but ultimately selects "Trajan Pro" for the title and credits. "Trajan Pro" was chosen because it had a horror feel, was bold and clear to read, and could transition from red to white to represent the film's mysterious main character.
Font analysis
This document analyzes 5 different fonts for their suitability to use in a horror film poster and trailer. Font 2 is recommended as it looks hand-drawn like the symbols in the trailer, creating continuity, and has a rough style fitting the horror genre. Font 3 is also suitable as it is bold and eye-catching but too simple to convey the horror theme. Font 4 could work by linking to the child voiceover but is too thin to stand out on a poster. Fonts 1 and 5 are not recommended due to their comical or non-eye-catching appearances respectively.
Front 1
The document discusses the design elements of a magazine cover and pages. It notes that the bold masthead font implies the genre of music featured in the magazine. It also comments that using more than three colors on the cover makes the design look unattractive and busy. Additionally, it observes that the main image on the cover features a man who appears to be in a recording studio, implying he is a solo artist.
Analysis of Comic
1) Pride and Prejudice and Zombies adds martial arts and zombie attacks to Jane Austen's original novel, creating a literary mashup. Some critics see it as commercial, while others view it as a delightful reimagining.
2) The graphic novel is targeted towards mature audiences who can understand its complex narrative and high-level dialogue. It appeals more to females due to its romantic elements and more to higher socioeconomic classes due to its complexity and price.
3) The main characters Elizabeth Bennet and Fitzwilliam Darcy realize they are in love as they join together to face challenges throughout their quest against zombies. Secondary characters help the main characters develop while advancing the plot.
3. fmp production experiments
The student created a storyboard and script as experiments for their final media production project on crime and mystery. For the storyboard, they used an online tool to design scenes and shots for an original story involving a murder or kidnapping. For their script experiment, the student began writing in chapter 2 of the story, creating original names, locations, and dialogue on the spot about someone's relative going missing. They refined the script over multiple versions, adding formatting and more of the story. The student also took test photos at potential filming locations to use in storyboards. They found the online storyboarding and script formatting helpful for planning their final project.
Duotone proposal
The document provides details about a proposed low-budget psychological thriller film. It would target a young adult/adult demographic and receive funding from British film organizations. The film would have a limited cast of mostly unknown actors and a modest crew. The plot involves a man whose sister is kidnapped by a drug lord and he is forced to carry out violent tasks to secure her release. The opening title sequence would feature only two locations and focus on lighting, color grading, and a licensed song. Diegetic sounds would be ambient noise and effects with little dialogue. The typography for the title is planned to be large, sans-serif lettering to represent the genre and production values.
Planning titles
Joel Griffiths plans to experiment with titles for his crime drama similar to the BBC show "By any means". He will integrate dramatic titles into the setting, such as on a wall next to a railway. The titles will take inspiration from urban stills with edgy, dramatic fonts in contrasting black and white colors to portray the genre and intense mood. Main titles will be on screen longer while distributor logos and episode titles will display for around 3 to 5 seconds each to set the atmosphere.
Style Sheet
This document describes the font choices for a music magazine. It discusses 14 different fonts used throughout the magazine for various purposes like headlines, body text, quotes, and credits. The fonts were chosen to fit the magazine's theme of distorting norms and to give distinct voices to different elements. The main color scheme uses black, white, and red to create high contrast and fit the dark theme. A double page spread features pink instead of red to represent a featured band's signature color.
5. pre production
This document discusses color schemes, fonts, and image styles for a pre-production project. It analyzes 4 color schemes from images related to taxidermy, animals, and horror movies. Dark browns, greys, and blacks are seen as conveying dullness, mystery, and evil. Lighter colors could represent comedy. Fonts are also analyzed for their horror or comedy impressions. Images are considered for their compositional filling of frames and use of negative space to create suspense. Specific colors, fonts, and compositions are identified as potential choices to develop characters and convey intended moods for the project.
Book evaluation
The document analyzes the story elements in the author's book, including:
- The story is linear with a single narrative strand and closed ending.
- Events in the story are anti-realist/unrealistic, such as a witch possessing magic powers.
- There is no manipulation of time or space in the story.
- The main conflict arises from the introduction of an antagonist witch.
- The resolution shows the character Barky continuing the search for Little Brown Wolf.
- An enigma is that the story acts as a prequel revealed to link to Little Red Riding Hood.
- The climax occurs when Little Brown Wolf is trapped by the witch.
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The document analyzes different poster designs for inspiration in creating a poster for a soap drama. It discusses using a solo close-up shot of the main character to focus on their facial expression and convey drama. Examples from posters for The Walking Dead, Hawaii Five-O, and House of Cards are examined for effective text styles and shots that portray authority through low camera angles and body language. The conclusion is that an extreme long shot from a low angle will be used to showcase the powerful character's profile with text in a large, dark capitalized font.
How capote creates sympathy towards perry
Capote uses short, simple sentences and vivid metaphors to elicit sympathy for the character of Perry in his biography. Descriptions of the cruel nuns as "black widows" and Perry's struggle to recount his father abandoning him without crying show the difficult emotions Perry experienced. A metaphor compares the emotions stirred by the biography to a horse race between self-pity, love, and hate, with hate ultimately winning out.
Re-shoots
The filmmaker's initial cut of "Marie" was under 2 minutes but the storyline lacked clarity. Feedback confirmed it wasn't clear who the characters were running from. To address this, the filmmaker shot additional footage from the antagonist's point of view to establish they were being chased. These new shots also allowed lengthening the opening sequence and overlaying subtitles without black screens to make it look more professional.
For the website task
The document analyzes the fonts used in various movie title designs and what they convey about the movie's genre and style. It discusses several different fonts like Footlight MT Light, Sexsmith, Aachen, Bauer Badoni Bold Oldstyle Figures, Arial, Bahnschrift Light Semi Condensed, Gotham Bold, and Brush Script. For each font, it notes whether letters are replaced by images, how letters are spaced, and the use of capital and lowercase letters to infer the movie's mood, atmosphere, and whether it is a thriller, horror, romantic, or other genre of film.
Typography
The document discusses different typography options for the title of the author's short film. The first font discussed leaves a sense of mystery as it doesn't reveal much. This font would work well for the film poster as it wouldn't overwhelm the main image. The second font has a scarier tone that could suggest sinister or bloody themes, fitting for the film's themes of stress, anxiety, and suicide. The third font is bold and would stand out, resembling the feeling of being trapped that the main character experiences. The author ultimately prefers the first font discussed as it leaves an enigmatic impression, connecting to the film's themes through its visual qualities.
Title planning
The document discusses title planning for a short film called "Adam". It will have only one title at the beginning, as is common for short films. The document considers using different fonts for the title, including a handwritten effect to represent the main character Adam's handwriting as he is a school boy. Another option discussed is a sharp, precise style font to represent the character's organized and precise personality with some OCD traits.
Media font
The document discusses different font options for a British thriller film. It considers whether fonts look too bold, child-like, or suited more for horror. In the end, the author selects a simple yet creepy font found in Adobe Premiere, concluding it is less child-like than options on dafont.com and its scratchy look complements the soundtrack, making it suitable for a thriller.
Media font
The document discusses several fonts under consideration for a British thriller film. The first font is quite bold but may not suit the thriller. The second font could be interpreted as quirky and creepy or childlike. The third similar font adds mystery but has less detail and could be too loud. Ultimately, a simple font found in Adobe Premiere was selected as it looks creepy but not childlike and complements the soundtrack well for a thriller.
Blog Task 2
The document analyzes several film posters for short films and compares them to feature film posters. The short film posters have differences from feature posters due to lower budgets and niche target audiences. Specifically, the George Lucas in Love poster uses a sepia effect and hand-drawn style to appeal to fans of that genre, while the I'm Here poster most resembles a feature poster in its layout and use of a blurred foreground photograph. Differences between short and feature posters include editing quality, character focus, taglines, and consistency of style.
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The document discusses the opening title sequence for the 1995 film Se7en. It summarizes that the title sequence was designed by Kyle Cooper and featured an immense amount of detail reflecting the deranged mind of the main antagonist John Doe. It also utilized the remixed Nine Inch Nails song "Closer" to make the audience feel uncomfortable as they anticipated what was to come in the film. The document is being used as inspiration for the design of another opening title sequence, specifically admiring the font, flickering effect, low-key lighting, and dark color scheme used.
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A textual analysis of frendo
This document provides a detailed textual analysis of the short film "Frendo" directed by FourColorFilms. It summarizes the key elements of the film including the basic titles, framing of the main character, editing techniques showing the passage of time, use of mise-en-scene to establish locations, incorporation of diegetic and non-diegetic sounds, minimal dialogue allowing the camerawork to tell the story, camera focus on the main character's facial features after his deformity, unconventional portrayal of a young couple's life, and what techniques from the film's construction could be applied to the author's own short film.
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Planning titles
Joel Griffiths plans to experiment with titles for his crime drama similar to the BBC show "By any means". He will integrate dramatic titles into the setting, such as on a wall next to a railway. The titles will take inspiration from urban stills with edgy, dramatic fonts in contrasting black and white colors to portray the genre and intense mood. Main titles will be on screen longer while distributor logos and episode titles will display for around 3 to 5 seconds each to set the atmosphere.
Style Sheet
This document describes the font choices for a music magazine. It discusses 14 different fonts used throughout the magazine for various purposes like headlines, body text, quotes, and credits. The fonts were chosen to fit the magazine's theme of distorting norms and to give distinct voices to different elements. The main color scheme uses black, white, and red to create high contrast and fit the dark theme. A double page spread features pink instead of red to represent a featured band's signature color.
5. pre production
This document discusses color schemes, fonts, and image styles for a pre-production project. It analyzes 4 color schemes from images related to taxidermy, animals, and horror movies. Dark browns, greys, and blacks are seen as conveying dullness, mystery, and evil. Lighter colors could represent comedy. Fonts are also analyzed for their horror or comedy impressions. Images are considered for their compositional filling of frames and use of negative space to create suspense. Specific colors, fonts, and compositions are identified as potential choices to develop characters and convey intended moods for the project.
Book evaluation
The document analyzes the story elements in the author's book, including:
- The story is linear with a single narrative strand and closed ending.
- Events in the story are anti-realist/unrealistic, such as a witch possessing magic powers.
- There is no manipulation of time or space in the story.
- The main conflict arises from the introduction of an antagonist witch.
- The resolution shows the character Barky continuing the search for Little Brown Wolf.
- An enigma is that the story acts as a prequel revealed to link to Little Red Riding Hood.
- The climax occurs when Little Brown Wolf is trapped by the witch.
Poster analysis
The document analyzes different poster designs for inspiration in creating a poster for a soap drama. It discusses using a solo close-up shot of the main character to focus on their facial expression and convey drama. Examples from posters for The Walking Dead, Hawaii Five-O, and House of Cards are examined for effective text styles and shots that portray authority through low camera angles and body language. The conclusion is that an extreme long shot from a low angle will be used to showcase the powerful character's profile with text in a large, dark capitalized font.
How capote creates sympathy towards perry
Capote uses short, simple sentences and vivid metaphors to elicit sympathy for the character of Perry in his biography. Descriptions of the cruel nuns as "black widows" and Perry's struggle to recount his father abandoning him without crying show the difficult emotions Perry experienced. A metaphor compares the emotions stirred by the biography to a horse race between self-pity, love, and hate, with hate ultimately winning out.
Re-shoots
The filmmaker's initial cut of "Marie" was under 2 minutes but the storyline lacked clarity. Feedback confirmed it wasn't clear who the characters were running from. To address this, the filmmaker shot additional footage from the antagonist's point of view to establish they were being chased. These new shots also allowed lengthening the opening sequence and overlaying subtitles without black screens to make it look more professional.
For the website task
The document analyzes the fonts used in various movie title designs and what they convey about the movie's genre and style. It discusses several different fonts like Footlight MT Light, Sexsmith, Aachen, Bauer Badoni Bold Oldstyle Figures, Arial, Bahnschrift Light Semi Condensed, Gotham Bold, and Brush Script. For each font, it notes whether letters are replaced by images, how letters are spaced, and the use of capital and lowercase letters to infer the movie's mood, atmosphere, and whether it is a thriller, horror, romantic, or other genre of film.
Typography
The document discusses different typography options for the title of the author's short film. The first font discussed leaves a sense of mystery as it doesn't reveal much. This font would work well for the film poster as it wouldn't overwhelm the main image. The second font has a scarier tone that could suggest sinister or bloody themes, fitting for the film's themes of stress, anxiety, and suicide. The third font is bold and would stand out, resembling the feeling of being trapped that the main character experiences. The author ultimately prefers the first font discussed as it leaves an enigmatic impression, connecting to the film's themes through its visual qualities.
Title planning
The document discusses title planning for a short film called "Adam". It will have only one title at the beginning, as is common for short films. The document considers using different fonts for the title, including a handwritten effect to represent the main character Adam's handwriting as he is a school boy. Another option discussed is a sharp, precise style font to represent the character's organized and precise personality with some OCD traits.
Media font
The document discusses different font options for a British thriller film. It considers whether fonts look too bold, child-like, or suited more for horror. In the end, the author selects a simple yet creepy font found in Adobe Premiere, concluding it is less child-like than options on dafont.com and its scratchy look complements the soundtrack, making it suitable for a thriller.
Media font
The document discusses several fonts under consideration for a British thriller film. The first font is quite bold but may not suit the thriller. The second font could be interpreted as quirky and creepy or childlike. The third similar font adds mystery but has less detail and could be too loud. Ultimately, a simple font found in Adobe Premiere was selected as it looks creepy but not childlike and complements the soundtrack well for a thriller.
Blog Task 2
The document analyzes several film posters for short films and compares them to feature film posters. The short film posters have differences from feature posters due to lower budgets and niche target audiences. Specifically, the George Lucas in Love poster uses a sepia effect and hand-drawn style to appeal to fans of that genre, while the I'm Here poster most resembles a feature poster in its layout and use of a blurred foreground photograph. Differences between short and feature posters include editing quality, character focus, taglines, and consistency of style.
Opening sequence research
The document discusses the opening title sequence for the 1995 film Se7en. It summarizes that the title sequence was designed by Kyle Cooper and featured an immense amount of detail reflecting the deranged mind of the main antagonist John Doe. It also utilized the remixed Nine Inch Nails song "Closer" to make the audience feel uncomfortable as they anticipated what was to come in the film. The document is being used as inspiration for the design of another opening title sequence, specifically admiring the font, flickering effect, low-key lighting, and dark color scheme used.
Anime, Manga & Otaku culture
Cartoons are animated scenarios designed for entertainment that come in drawn and animated forms, covering topics from cats to superheroes. Anime refers specifically to animations originating from Japan, though the term is sometimes used more broadly. The major difference between cartoons and anime is that cartoons are seen as for children while anime is considered more suitable for adults, though this depends on the creator. Otaku refers to anime or manga fans, sometimes seen as socially awkward, but otaku culture can provide educational benefits if interpreted correctly.
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This 3 sentence document discusses the concept of a gift from Japan. It states that ink disappears when used for writing but the characters or letters remain. It further notes that seeing the written characters with this ink makes one remember the time spent with a friend from Japan.
Rhetorical Paper
Brett Easton Ellis' novel American Psycho utilizes unconventional grammatical techniques to effectively set the tone and immerse readers. Specifically, Ellis employs excessive commas to mimic the choppy flow of a morning routine, as well as the repetition of subjects and lack of pronouns to emphasize important characters and objects. While departing from typical writing conventions, Ellis' grammar choices successfully create realistic scenes and animated storytelling. His hybrid use of tropes provides readers a unique literary experience beyond simply "good" or "bad".
A textual analysis of frendo final (kym)
This document provides a detailed textual analysis of the short film "Frendo" directed by FourColorFilms. It summarizes the key elements of the film including the basic titles, framing of the main character, editing techniques showing the passage of time, use of mise-en-scene to establish locations, incorporation of diegetic and non-diegetic sounds, minimal dialogue allowing the camerawork to tell the story, camera focus on the main character's facial features after his deformity, challenging of genre conventions through the depiction of a young couple living an adult life, and how the camerawork and shots are used to convey the narrative and emotional state of the main character. The document concludes by discussing techniques the author learned
A textual analysis of frendo
This document provides a detailed textual analysis of the short film "Frendo" directed by FourColorFilms. It summarizes the key elements of the film including the basic titles, framing of the main character, editing techniques showing the passage of time, use of mise-en-scene to establish locations, incorporation of diegetic and non-diegetic sounds, minimal dialogue allowing the camerawork to tell the story, camera focus on the main character's facial features after his deformity, unconventional portrayal of a young couple's life, and what techniques from the film's construction could be applied to the author's own short film.
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Experimental photographers research
This document profiles three experimental photographers:
Tierney Gearon uses double exposure techniques manually in-camera to create narrative images that document her family and relationships.
Melinda Gibson analyzes educational photography texts by literally cutting and combining images to spark questions about education and copyright.
Clarence John Laughlin documented "lost" unrenovated buildings in New Orleans in the 1930s, capturing their authenticity and treating them as poetic documents beyond just history or architecture.
Experiments evidence template
Chloe Smith took several experimental photography projects exploring reflection, blur, movement, and photo montages. For reflections, she achieved ghostly images in manual focus of stairwell lights. She found blurring images made them look like paintings. Using slow shutter speeds on a tripod, she captured moving figures transparently. For montages, she took overlapping photos and merged them, finding taking multiple rows created neater composites. Her favorite used brightness, vibrancy, and looked like individual photos were stuck together to cover a large scene.
Swot Analysis 2
The document compares MP3 players to iPods, listing several advantages of MP3 players: they are less expensive than iPods; have longer battery life; and are more durable than iPods. Additionally, paying monthly for music through an MP3 player would be cheaper than purchasing individual songs or albums. However, the document also notes some potential downsides of MP3 players, such as that they require internet access to use music streaming services, and their simple design may not appeal to younger consumers who prefer more advanced devices.
Terminology
This document discusses various layout and design terms used in publishing like page number, orientation, columns, headlines, pull quotes, margins, grids, datelines, drop capitals, and white space that help structure written content and images on a page. It also mentions stylistic elements like straplines, cut-outs, and graphical objects.
Terminology
This document discusses various terminology used in page layout and design such as page number, orientation, columns, headlines, pull quotes, margins, baselines, grids, drop capitals, datelines, white space, and other typographic elements like blobs and stars. It provides definitions for core layout and design concepts without examples or further explanation.
Homework - printing methods
For this scenario, the best printing method would be photocopying. Photocopying is very cheap for large quantities and suitable for single color, basic flyers that just need to be handed out on the street. Photocopying can produce 3000 copies very quickly at low cost. No special skills are required beyond operating a photocopier. While the quality may not be as high as other methods, for temporary flyers being given away, photocopying provides an excellent low-cost solution.
Experimental photographers research
The document discusses three experimental photographers:
Tierney Gearon, known for double exposure images that provide intimate looks into her family and relationships. Melinda Gibson analyzes photography textbooks by rearranging cut out images to create haunting new works that question concepts of authorship. Clarence John Laughlin photographed decaying buildings in New Orleans in the 1930s, capturing their "lost" authenticity before renovation through ghostly images emphasizing destruction and the passage of time.
Fanzine planning
The document discusses plans for a fanzine created by Chloe Smith. It likely contains details about the content, design, distribution, and timeline for creating the fanzine. The fanzine will showcase Chloe's interests and creative works for others in her fan community to enjoy.
Further techniques
Multiple exposure is a technique that combines two images into one by overlaying them. It allows effects like ghostly or mirrored images. While some cameras provide a multiple exposure function, photo editing software like Photoshop provides more control by allowing images from different times to be combined. Light writing involves long exposure photography where lights are used to create effects and objects by moving them during the exposure. A tripod is important to avoid camera shake, and different light sources can be used along with settings like a high aperture number and low ISO to reduce noise for long exposures.
Mood boards
Chloe Smith is exploring different mood board techniques like multiple exposure, photo montages, and motion. She wants to combine rural and urban images to create dark and mysterious multiple exposure photos. For photo montages, she will experiment with combining ordinary images and outdoor scenes. Using motion techniques with slow shutter speeds, she hopes to draw with light and distort images to create ghostly effects. Overall, she aims to make original and interesting images through experimentation with these techniques.
Tabloid production
Tabloid Production is a document written by Chloe Smith. The document likely discusses the process of producing tabloids, which are newspapers known for their emphasis on entertainment, arts, celebrity gossip, and sensational crime stories. Chloe Smith may provide details on the steps involved in creating and distributing tabloid newspapers to readers.
Planning tabloids
This document discusses planning and includes sections such as a masthead, articles, headlines, images, and main articles. It has a format that is repeated with masthead, article, advert, headline, image, and main article sections. The document focuses on organizing various media elements into a cohesive structure.
Broadsheet production
Broadsheet Production is a small printing company located in downtown Chicago. We specialize in printing large format documents such as newspapers, posters, and banners. Our printing presses can handle sheets up to 22" wide by 60" long. We offer full color printing services with resolutions up to 1200 dpi. For over 30 years, we have served the printing needs of newspapers, universities, and advertising agencies throughout the Midwest. Please contact us if you have any large format printing projects you need completed. We would be happy to provide you with a quote.
Planning
Dale Vince is a wealthy British entrepreneur who made his fortune in wind energy. He now aims to transform transportation and energy markets in the UK through electric vehicles charged by renewable energy, and investments that encourage more direct public funding of renewables. As the chairman of Forest Green Rovers FC, he has implemented various sustainable initiatives at the club like banning red meat, using solar power, and a solar-powered mower on the pitch. For his environmental efforts, Vince received an OBE from the Queen.
Mood boards
Chloe Smith has chosen images that are dark, mysterious, and strange to use as inspiration for multiple exposure and photo montage techniques. She wants to combine rural and urban scenes or overlay modern subjects on woodland areas to create original, interesting images. Chloe also selected motion images to experiment with different lighting effects like drawing with light or warping objects on slow shutter speeds.
Layout experiments
The document discusses layout experiments. It appears to be about testing different designs or page layouts. The goal is presumably to determine the most effective layout for presenting information visually.
Terminology
This document provides terminology for layout and design elements including page number, orientation, columns, headlines, pull quotes, margins, and borders. Key terms are used to describe typographic styles like drop capitals and straplines as well as graphic elements like blobs and stars that can be used to highlight important quotes or sections.
Factual layout analysis
This document provides a factual layout analysis of several documents, including a yoga leaflet, vegan lifestyle leaflet, article on overfishing, and airsoft gun instruction manual. Key points analyzed include font choices, image selection, use of formatting like bolding, paragraph structure, and how design elements match the topic and intended audience. The analysis finds the documents are generally clear and easy to understand, with design and information presentation fitting the subject matter.
Band 1
The marketing and PR presentation outlines objectives for promoting a punk rock band called "Class Of Nuke 'Em High" and their upcoming album "Chaos and Whim". The objectives are to sell 30,000 albums in the first year, double their fan base, and promote the band to gain more awareness. The target audience is late teens and college/university students. Various promotion strategies are proposed, including posters, social media, merchandise, and small club shows. The motivation is to continue making music and growing their fan base. Media outlets like magazines and radio stations would be interested to get content and promote the band.
Band
The objectives of this marketing and PR presentation are to sell 30,000 copies of the punk band Class of Nuke 'Em High's new album "Chaos and Whim" within its first year of release and double their fan base. The target audience is late teens and college/university students who enjoy older punk styles. The band would promote through posters, social media, merchandise, and playing small club shows and festivals to remain a niche band and attract their target punk audience.
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Further Development
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