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POSTMODERN ELEMENTS
1.   • Shot for shot remake of Michael Haneke German
       original made 10 years previously - Appealing to a
       new/wider audience?


2.   • Questions horror genre and breaks conventions
       - ‘You shouldn’t forget the importance of
       entertainment’
       - ‘Plausible plot development’
       - Mock elaborate/twisted past as a reason to
       commit the crimes
       - Violent but no gore
       - Very slow pace
3.   • Continually breaking the four wall
       - Smile directly at the camera
       - ‘I mean what do you think? You think they stand a
       chance? But your on their side aren't you? Who are you
       betting on, hmm?’
       - ‘I mean you want a real ending right, with plausible plot
       development, don’t you?’
       - The Remote Control scene

4.   • Referencing other media
       - Tom and Jerry – cat and mouse chase, games
       - Beavus and Butthead – cartoon, immature
       - Screamo music
THEORY
The breaking of the fourth wall
This continual direct interaction with the audience
reminds us that we are watching a film; that what
we are viewing isn’t real but has been creating to
entertain. This ‘entertain’ is continually
questioned in Funny Games.

Baudrillard’s Hyperreality
The lifestyle we see in Funny Games is a representation of
this. The family represent the ‘perfect’ American middle
class suburban family, but this lifestyle is a lie. We all know
it can’t exist and the media that presents this illusion
knows it too e.g. The Stepford Wives and Desperate
Housewives.
- this theory also brings the theory of Binary Opposites :
good vs. evil (Peter and Paul represent this on their
own), peace vs. chaos (The opening and the rest of the
film, Classic and Screamo music)

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Funny games

  • 1.
  • 2. POSTMODERN ELEMENTS 1. • Shot for shot remake of Michael Haneke German original made 10 years previously - Appealing to a new/wider audience? 2. • Questions horror genre and breaks conventions - ‘You shouldn’t forget the importance of entertainment’ - ‘Plausible plot development’ - Mock elaborate/twisted past as a reason to commit the crimes - Violent but no gore - Very slow pace
  • 3. 3. • Continually breaking the four wall - Smile directly at the camera - ‘I mean what do you think? You think they stand a chance? But your on their side aren't you? Who are you betting on, hmm?’ - ‘I mean you want a real ending right, with plausible plot development, don’t you?’ - The Remote Control scene 4. • Referencing other media - Tom and Jerry – cat and mouse chase, games - Beavus and Butthead – cartoon, immature - Screamo music
  • 4. THEORY The breaking of the fourth wall This continual direct interaction with the audience reminds us that we are watching a film; that what we are viewing isn’t real but has been creating to entertain. This ‘entertain’ is continually questioned in Funny Games. Baudrillard’s Hyperreality The lifestyle we see in Funny Games is a representation of this. The family represent the ‘perfect’ American middle class suburban family, but this lifestyle is a lie. We all know it can’t exist and the media that presents this illusion knows it too e.g. The Stepford Wives and Desperate Housewives. - this theory also brings the theory of Binary Opposites : good vs. evil (Peter and Paul represent this on their own), peace vs. chaos (The opening and the rest of the film, Classic and Screamo music)