The document summarizes the Funéraire Paris 2009 trade show, which will take place from November 19-21 in Le Bourget, France. The trade show will feature conferences on new funeral regulations, surveys on consumer funeral preferences, and developments in the thanatopractice profession. It will also showcase innovative designs for family reception areas at funeral homes and include international pavilions to promote foreign business. The goal is to address current issues, encourage discussion, and highlight professional expertise in serving grieving families.
Slides from Pierre-Yves Lochon's presentation at the kick-off conference BeMuseum (14th October 2016, Royal Museums of Fine Arts of Belgium, Brussels).
DATA CULTURE What are the strategic and cultural data you wish to see freely ...Fabernovel
The French Ministry of Culture and Communication launched a public consultation concerning its Open Data strategy:
What are the strategic and cultural data you wish to see freely available for use?
FABERNOVEL decided to answer by writing scenarios mixing the use of Open Data and disruptive technologies such as Google Glass or 3D printing.
We focused on the wide diversity allowed by data to be opened and their potential impact on the French cultural economy.
This answer has to do with FABERNOVEL’s previous realizations in Open Data sector : creation of the first applications for national open data platform data.gouv.fr and the organization of Opendata Lab for Parisian transit organization RATP, a two-day hackathon aimed at developing new RATP technologies.
http://www.fabernovel.com/2013/10/25/autumn-data-culture-our-answer-to-the-french-ministry-of-culture-and-communication/
Slides from Pierre-Yves Lochon's presentation at the kick-off conference BeMuseum (14th October 2016, Royal Museums of Fine Arts of Belgium, Brussels).
DATA CULTURE What are the strategic and cultural data you wish to see freely ...Fabernovel
The French Ministry of Culture and Communication launched a public consultation concerning its Open Data strategy:
What are the strategic and cultural data you wish to see freely available for use?
FABERNOVEL decided to answer by writing scenarios mixing the use of Open Data and disruptive technologies such as Google Glass or 3D printing.
We focused on the wide diversity allowed by data to be opened and their potential impact on the French cultural economy.
This answer has to do with FABERNOVEL’s previous realizations in Open Data sector : creation of the first applications for national open data platform data.gouv.fr and the organization of Opendata Lab for Parisian transit organization RATP, a two-day hackathon aimed at developing new RATP technologies.
http://www.fabernovel.com/2013/10/25/autumn-data-culture-our-answer-to-the-french-ministry-of-culture-and-communication/
Towards new digital cultural spaces (archive 2004)Jpsd consultant
Exposé présenté au 4ème Sommet mondial pour l'Internet et le Multimédia de la FIAM qui s'est déroulé du 18 au 20 Octobre 2004 à Pékin (Beijing) dans le nouveau Centre des Congrès du "Media Boulevard".
Dive into a night of elegance and history with our Gala Soirée and Balls of the Two Empires, scheduled for April 19, 2024, at the magnificent Hôtel InterContinental Paris Le Grand. This prestigious event, under the high patronage of His and Her Royal Highnesses Prince Joachim Murat and Princess Yasmine Murat, is a celebration of the rich cultural and gastronomic heritage of the First and Second French Empires.
Our programme features a mesmerizing blend of historical lectures, haute joaillerie presentations, and performances of empire songs, set against the backdrop of the historic Opéra and Ravel Salons. Delight in a four-act gala dinner curated by Executive Chef Laurent André, participate in charity auctions to benefit the Fondation Eugène Napoléon, and immerse yourself in the grandeur of First and Second Empire balls with demonstrations and initiations to court dances.
Join us for an unforgettable journey through time, where culture, gastronomy, and history converge in a splendid celebration. Whether you're a member of the Chaîne des Rôtisseurs, a cultural enthusiast, or a lover of history, this soirée promises to be a highlight of the year. Don your period attire or choose to rent and be part of a night where the past's elegance and splendor come alive in the heart of Paris.
Journals, video blogs, online newspapers, social networks ...
Film Critics is evolved on their supports and diversity in a very fast way but despite this speed in the channels of information and reflection elements of good film criticism should be based on a thorough understanding of film language for good reading and writing a good technique in writing and contain both elements of the Annual Course of Film Critics and Analysis Bande à Part.
From the hand of Professor Luis Aller you will advance in the discovery and reading of the film elements, and you can also translate them virtually writing movie reviews to be published in the Blog and Social Networks School.
Towards more smart, connected and open audiovisual archivesJohan Oomen
As a result of digitisation of analogue holdings and working processes, more and more material from audiovisual archies is being made available online. This marks a transformative shift, as archives and users are now sharing the same information space. Once digital and part of an open network, objects from audiovisual archives can be shared, recommended, remixed, embedded, cited, referenced to and so on. It is a far cry from several years ago, when users were obliged to visit brick and mortar institutions to access collections. This shift towards digital enables archives to fulfil their pubic missions better; crossing geographical boundaries, using new channels for content distribution, engage with user groups and use new technologies to make work processes more efficient and allow for new access points to collections. It also introduces fundamental challenges, forcing audiovisual archives to [1] rethink their role and function in the value chain of media production and modern society at large, [2] assess which activities and competences are vital to succeed in a digital context.
We envision the future audiovisual archives to be smart, connected and open; using smart technologies to optimise workflows for annotation and content distribution. Collaborating with third parties to co-design and co-develop new technologies in order to manifest themselves as frontrunners rather than followers. Being connected to other sources of information (other collections, contextual sources), to a variety of often niche user communities, researchers and the creative industries. To embrace the use of standards defined by external instances rather than by the cultural heritage communities themselves. Fully embrace ‘open’ as the default to have maximum impact in society: applying open licences for content delivery, using open source software and open standards wherever possible. Promote open access to publications and so on.
This keynote examines how the public mission of archives (i.e. supporting a myriad of users to utilize collections to learn, experience and create) can be achieved in a digital context. It addresses the challenges related to the role and function of institutions and provides practical insights in how archives can establish a culture of innovation to manage challenges they face today. It addresses some of the major questions audiovisual archives are faced with today.
Similar to FUNERAIRE PARIS 2009 Rites & Roads Forward (14)
1. Press release – September / October 2009
FUNERAIRE PARIS 2009
Rites & Roads Forward
Funéraire Paris 2009 will take place from 19 to 21 November next in Le Bourget, a
trade-show venue outside Paris. It is this trade’s national and international
benchmark gathering, and the one that professionals come to because they want
to stay abreast of developments, exchange and think about their business, and
about what families perceive and expect.
CONFERENCES, DEBATES… AND EXHIBITIONS
This 12th Funéraire Paris trade show will be an opportunity for debates and other
attractions focusing on the big issues today, and to showcase funeral professionals’
initiatives:
Thursday 19 November 2009
F UNÉRAIRE P ARIS 2009 opening ceremony by the Interior Ministry’s Local Community
Agency (pending confirmation)
2.00 – 3.30 pm A conference on the 19/12/2008 law on funerary services and its
bylaws, with the CPFM (Confédération des Professionnels du
Funéraire et de la Marbrerie/Marble and Funeral Professional
Confederation)
• Simpler police checks and the new fee schedule
• Administrative authorisations
• Cremation services and dealing with ashes
• Cemetery management:
- Compulsory “funerary sites” in communes with more than
2,000 inhabitants
- Cremating exhumed remains
- The procedure for monuments threatening collapse
• Templates to draw up funerary-service quotes
• Professional funerary degrees
• Reviving and refreshing the funeral contract and national
records
3.30 – 6.00 pm “Funerary sites in the limelight”, a conference organised by
Funéraire Magazine and chaired by Olivier Gehin to present the
results of the cremation-professional survey on organising funerary
memorials, and more.
Followed by the Funerary Memorial award ceremony.
The Musée National Funéraire’s society of friends will be running two guided tours of Père
Lachaise cemetery during FUNÉRAIRE P ARIS 2009 (Thursday 19 November at 4.00pm and
5.00pm.
2. Friday 20 November 2009
2.00 – 3.00 pm The results of CREDOC’s* third survey on “The French
and Funerals”
This vast CSNAF initiative goes back several years, and
aims to improve consumer satisfaction by running an
extensive qualitative and quantitative sociological survey
spanning a 1,000-respondent sample. The results will be
released at Funéraire Paris 2009.
* Centre de Recherche pour l’Étude et l’Observation des Conditions de
Vie, a research centre focusing on living conditions.
3.00 pm A conference on developments in the national
thanatopractice professional qualification (for a fast-
changing trade), in association with CPFM:
- The national thanatopractice degree,
- Practical training assessment
André Chabot will be at the La Mémoire Nécropolitaine stand signing the first copies of
his “Dictionnaire Illustré de Symbolique Funéraire” (illustrated dictionary of funerary
symbols). La Mémoire Nécropolitaine (Paris) and Mémogrames, Les Éditions de la
Mémoire (Brussels) published this reference book spanning the full spectrum of signs
from cemeteries around the world.
Mémoire Nécropolitaine will also be organising a photographic exhibition for this event.
Last but not least, FUNÉRAIRE PARIS 2009 will be featuring a 110sqm area focusing on
family-reception architecture, and on an innovative, inviting concept to facilitate family
reunions and promote exchanges and services in “rest” areas, “interaction” areas (books,
audio, video, etc.) and “traces” areas (books, personal items, etc.).
3. Nathalie Doriac, a young set designer, found
the challenge exciting: “I really loved working on
this project. There was a lot of feeling involved,
especially when I met the people I talked to
while I was doing my research.” “I wanted to
submit the project as a “catalogue” that
professionals could use to pick and mix the
options that would make their family-reception
areas smarter and more human, to provide
three universes where grieving families can get
together and get back in touch, remember the
deceased, and live, eat, drink, wait, talk and
grow.”
INTERNATIONAL VILLAGES AND FOREIGN VISITOR GROUPS
FUNÉRAIRE PARIS 2009 will be featuring international pavilions (Germany, China, Spain,
Finland, the UK, Italy, Poland, Sweden, etc.) to boost exhibitor exposure. It is also
running a reception programme, and a business-matchmaking service for foreign visitors
who want to meet exhibitors.
FUNÉRAIRE PARIS 2009 is intent on addressing all the issues that the trade is dealing with
today, encouraging exchanges, spurring debate and showcasing professional expertise
and creativity in efforts to develop sensible and sensitive services for families.
Press contact:
Virginie Taverne
+33 (6) 63 13 95 30
virginietaverne@free.fr
www.salon-funeraire.com
www.csnaf.fr