Frenchfolkpresfinalv3
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The document summarizes key elements of French Canadian folk music, including popular themes, structures, development and dissemination over time. Some highlights include: - French Canadian folk songs often featured themes of skylarks, blacksmiths, and popular children's songs like "Alouette". - The music was passed down orally and themes included royalty, war, patriotism and love. - Collections like "Chansons Populaires du Canada" helped disseminate songs throughout Canada and France in the 19th century. - Events like Confederation and growing business interests further spread French Canadian folk music across the nation in the late 19th/early 20th centuries. - Composer Cal
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The talk turned into an interesting discussion, which was the intention, because we really were exploring this data and trying to figure out what it means. Houston and Harris County are unique in many ways, most importantly in that we saw a building boom in 2006 and the Metropolitan region had more permits filed for new residential units than any other region in the country. Much of the discussion was spent dissecting this fact and looking at what type of units we are building and the share that is going into the central city or into unincorporated areas of the county. Looking at it from one point of view, the City of Houston is doing a bad job of capturing its share of the growth that is occurring in the region. When we looked at multi-family units, though, we found the opposite is true, in that the city is developing multi-family units at a much higher rate than the county.
One of the final graphs presented, shown below, shows the unique character of Harris County compared to both other counties in Texas and those that surround the biggest cities in the country. In those areas of Harris outside of the City of Houston only 11% percent of new units are multi-family units, the lowest figure for this variable of any of the counties we looked at in the study, except for Collin County in Texas, in which you will find Plano, one of the cities that is developing drastically differently than its surrounding county.
- Jay Blazek Crossley
For more: http://www.houstontomorrow.org/research/story/Tale-of-the-Building-Permits/
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Houston Neighborhood Greenways Proposal by Jay Blazek Crossley
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Frenchfolkpresfinalv3
- 1. French Canadian Folk Music Image courtesy of http://www.tetradequestrian.com/hc/rawlinks.html Music 2I03 - Dr. Marcia Ostashewski Latoya Francis Jocelyn Gugelyk Amisa Khan Alexi Leibl Nathanal Nicholas Childs 0858505 0743253 0672287 0551027 0668798
- 16. Song Click Image to hear O Canada Image courtesy of http://www.quebec400.gc.ca/histoires-stories/images/calixa-lavallee-eng.jpg
- 17. Song O Canada Bars Phrasing Corresponding English Lyrics Analysis Bars 1-4 (Introduction) First hearing of main motive -opens with a single drum beat -Violin plays melody line -Xylophone come in half way through and plays several melody notes -Trumpet come in part way through and plays one note with a varied rhythm until end of phrase Bars 5-8 Antecedent1 Oh Canada! Our home and native land. -Violin plays melody -cello plays harmony Bars 9-12 Consequent1 True Patriot love in all thy sons command.
- 18. Song O Canada Bars Phrasing Corresponding English Lyrics Analysis Bars 13-16 Antecedent2 With glowing hearts we see thee rise, the True North strong and free! -Xylophone doubles violin on melody, staccato -cello plays harmony -trumpet plays between phrases -Trombone plays three successive descending notes after second phrase Bars 17-20 Consequent2 From far and wide, O Canada, we stand on guard for thee. Bars 21-22 Antecedent3 God keep our land -opening short cymbal crash -harp plays runs at opening, between phrases and at end of second phrase -all instruments are played forte, energetic, exciting -thicker, more intense harmonies -violin plays melody -trombones harmonize -cymbal crash at beginning of second phrase -drums begin to play near end of second phrase Bars 23-24 Consequent3 glorious and free!
- 19. Song O Canada Bars Phrasing Corresponding English Lyrics Analysis Bars 25-28 Antecedent 4 O Canada, we stand on guard for thee. - Continuation of instrument parts from previous two phrases - Opening short cymbal crash - Trumpet doubles melody with violins - Horns play syncopated runs between phrases Bars 29-32 Consequent4 O Canada, we stand on guard for thee. -opening short cymbal crash -return of main motive -Slight ritardando at end -melody ends on a closing cadence -harp run at end of phrase -closing short cymbal crash -Closing high-hats, continue and fades out after other instruments are silent
- 25. Works Cited Barbeau, Marius. "Folk-Songs of French Canada." 13.2 (1932). Canada Dept. of Canadian Heritage. National Anthem: O Canada . Web. 29 Oct. 2009. Brassard, Francois. "French-Canadian Folk Music Studies - A Survey." 16.3 (1972). French Canadian Folk-Songs. Barbeau, Marius. 1, s.l. : The Musical Quarterly, 1943, Vol. 29. Kellmann, Helmut. A History of Music in Canada, 1954-1914. Toronto: University of Toronto Press.1987. Laforte, C. (2009). Folk music, Franco-Canadian. The Canadian encyclopedia . Retrieved (2009, November 18) from http://www.thecanadianencyclopedia.com/index.cfm?PgNm =TCE&Params=U1ARTU0001243#ArticleContents McGee, Timothy J. The Music of Canada . Markham: Penguin Books Canada Ltd., 1985. Morey, Carl. (1998). Nationalism and commerce: Canadian folk music in the 1920s. Canadian Issues, 20, 34. Retrieved November 18, 2009, from CBCA Reference. (Document ID: 390994981). Riddell, RG, Canadian Portraits: CB.C Broadcasts , Toronto: Oxford University Press, 1940 Ford, Clifford, Canada’s Music: An Historical Survey , Agincourt: GLC Publishers Limited, 1982